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The Poetical Works of Thomas Hood

Chapter 20: ODE.
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About This Book

A collected edition presents a poet's varied verse, pairing sharp comic and satirical pieces with poignant, melancholic lyrics and occasional longer narratives. A biographical introduction frames selections that move between playful wordplay and formal experiment, domestic and urban portraits, and explicit social commentary on poverty and suffering. Parodies, pastiches, and light translations sit beside earnest meditations on illness, loss, and mortality, yielding a sustained balance of wit and pathos across diverse moods and forms.

I.
Alas! That breathing Vanity should go
Where Pride is buried,—like its very ghost,
Uprisen from the naked bones below,
In novel flesh, clad in the silent boast
Of gaudy silk that flutters to and fro,
Shedding its chilling superstition most
On young and ignorant natures—as it wont
To haunt the peaceful churchyard of Bedfont!
II.
Each Sabbath morning, at the hour of prayer,
Behold two maidens, up the quiet green
Shining, far distant, in the summer air
That flaunts their dewy robes and breathes between
Their downy plumes,—sailing as if they were
Two far-off ships,—until they brush between
The churchyard's humble walls, and watch and wait
On either side of the wide open'd gate,
III.
And there they stand—with haughty necks before
God's holy house, that points towards the skies—
Frowning reluctant duty from the poor,
And tempting homage from unthoughtful eyes:
And Youth looks lingering from the temple door,
Breathing its wishes in unfruitful sighs,
With pouting lips,—forgetful of the grace,
Of health, and smiles, on the heart-conscious face;—
IV.
Because that Wealth, which has no bliss beside,
May wear the happiness of rich attire;
And those two sisters, in their silly pride,
May change the soul's warm glances for the fire
Of lifeless diamonds;—and for health denied,—
With art, that blushes at itself, inspire
Their languid cheeks—and flourish in a glory
That has no life in life, nor after-story.
V.
The aged priest goes shaking his gray hair
In meekest censuring, and turns his eye
Earthward in grief, and heavenward in pray'r,
And sighs, and clasps his hands, and passes by,
Good-hearted man! what sullen soul would wear
Thy sorrow for a garb, and constantly
Put on thy censure, that might win the praise
Of one so gray in goodness and in days?
VI.
Also the solemn clerk partakes the shame
Of this ungodly shine of human pride,
And sadly blends his reverence and blame
In one grave bow, and passes with a stride
Impatient:—many a red-hooded dame
Turns her pain'd head, but not her glance, aside
From wanton dress, and marvels o'er again,
That heaven hath no wet judgments for the vain.
VII.
"I have a lily in the bloom at home,"
Quoth one, "and by the blessed Sabbath day
I'll pluck my lily in its pride, and come
And read a lesson upon vain array;—
And when stiff silks are rustling up, and some
Give place, I'll shake it in proud eyes and say—
Making my reverence,—'Ladies, an you please,
King Solomon's not half so fine as these,'"
VIII.
Then her meek partner, who has nearly run
His earthly course,—"Nay, Goody, let your text
Grow in the garden.—We have only one—
Who knows that these dim eyes may see the next?
Summer will come again, and summer sun,
And lilies too,—but I were sorely vext
To mar my garden, and cut short the blow
Of the last lily I may live to grow,"
IX.
"The last!" quoth she, "and though the last it were—
Lo! those two wantons, where they stand so proud
With waving plumes, and jewels in their hair,
And painted cheeks, like Dagons to be bow'd
And curtsey'd to!—last Sabbath after pray'r,
I heard the little Tomkins ask aloud
If they were angels—but I made him know
God's bright ones better, with a bitter blow!"
X.
So speaking, they pursue the pebbly walk
That leads to the white porch the Sunday throng,
Hand-coupled urchins in restrainëd talk,
And anxious pedagogue that chastens wrong,
And posied churchwarden with solemn stalk,
And gold-bedizen'd beadle flames along,
And gentle peasant clad in buff and green,
Like a meek cowslip in the spring serene;
XI.
And blushing maiden—modestly array'd
In spotless white,—still conscious of the glass;
And she, the lonely widow, that hath made
A sable covenant with grief,—alas!
She veils her tears under the deep, deep shade,
While the poor kindly-hearted, as they pass,
Bend to unclouded childhood, and caress
Her boy,—so rosy!—and so fatherless!
And she, the lonely widow,
XII.
And she, the lonely widow,
Thus, as good Christians ought, they all draw near
The fair white temple, to the timely call
Of pleasant bells that tremble in the ear.—
Now the last frock, and scarlet hood, and shawl
Fade into dusk, in the dim atmosphere
Of the low porch, and heav'n has won them all,
—Saying those two, that turn aside and pass,
In velvet blossom, where all flesh is grass.
And she, the lonely widow,
XIII.
And she, the lonely widow,
Ah me! to see their silken manors trail'd
In purple luxuries—with restless gold,—
Flaunting the grass where widowhood has wail'd
In blotted black,—over the heapy mould
Panting wave-wantonly! They never quail'd
How the warm vanity abused the cold;
Nor saw the solemn faces of the gone
Sadly uplooking through transparent stone:
And she, the lonely widow,
XIV.
And she, the lonely widow,
But swept their dwellings with unquiet light,
Shocking the awful presence of the dead;
Where gracious natures would their eyes benight,
Nor wear their being with a lip too red,
Nor move too rudely in the summer bright
Of sun, but put staid sorrow in their tread,
Meting it into steps, with inward breath,
In very pity to bereaved death.
And she, the lonely widow,
XV.
And she, the lonely widow,
Now in the church, time-sober'd minds resign
To solemn pray'r, and the loud chaunted hymn,—
With glowing picturings of joys divine
Painting the mist-light where the roof is dim;
But youth looks upward to the window shine,
Warming with rose and purple and the swim
Of gold, as if thought-tinted by the stains
Of gorgeous light through many-color'd panes;
And she, the lonely widow,
XVI.
And she, the lonely widow,
Soiling the virgin snow wherein God hath
Enrobed his angels,—and with absent eyes
Hearing of Heav'n, and its directed path,
Thoughtful of slippers—and the glorious skies
Clouding with satin,—till the preacher's wrath
Consumes his pity, and he glows and cries
With a deep voice that trembles in its might,
And earnest eyes grow eloquent in light:
And she, the lonely widow,
XVII.
And she, the lonely widow,
"Oh, that the vacant eye would learn to look
On very beauty, and the heart embrace
True loveliness, and from this holy book
Drink the warm-breathing tenderness and grace
Of love indeed! Oh, that the young soul took
Its virgin passion from the glorious face
Of fair religion, and address'd its strife,
To win the riches of eternal life!"
And she, the lonely widow,
XVIII.
And she, the lonely widow,
"Doth the vain heart love glory that is none,
And the poor excellence of vain attire?
Oh go, and drown your eyes against the sun,
The visible ruler of the starry quire,
Till boiling gold in giddy eddies run,
Dazzling the brain with orbs of living fire;
And the faint soul down-darkens into night,
And dies a burning martyrdom to light."
And she, the lonely widow,
XIX.
And she, the lonely widow,
Oh go, and gaze,—when the low winds of ev'n
Breathe hymns, and Nature's many forests nod
Their gold-crown'd heads; and the rich blooms of heav'n
Sun-ripen'd give their blushes up to God;
And mountain-rocks and cloudy steeps are riv'n
By founts of fire, as smitten by the rod
Of heavenly Moses,—that your thirsty sense
May quench its longings of magnificence!
And she, the lonely widow,
XX.
And she, the lonely widow,
"Yet suns shall perish—stars shall fade away—
Day into darkness—darkness into death—
Death into silence; the warm light of day,
The blooms of summer, the rich glowing breath
Of even—all shall wither and decay,
Like the frail furniture of dreams beneath
The touch of morn—or bubbles of rich dyes
That break and vanish in the aching eyes."
And she, the lonely widow,
XXI.
And she, the lonely widow,
They hear, soul-blushing, and repentant shed
Unwholesome thoughts in wholesome tears, and pour
Their sin to earth,—and with low drooping head
Receive the solemn blessing, and implore
Its grace—then soberly with chasten'd tread,
They meekly press towards the gusty door
With humbled eyes that go to graze upon
The lowly grass—like him of Babylon.
And she, the lonely widow,
XXII.
And she, the lonely widow,
The lowly grass!—O water-constant mind!
Fast-ebbing holiness!—soon-fading grace
Of serious thought, as if the gushing wind
Through the low porch had wash'd it from the face
For ever!—How they lift their eyes to find
Old vanities!—Pride wins the very place
Of meekness, like a bird, and flutters now
With idle wings on the curl-conscious brow!
And she, the lonely widow,
XXIII.
And she, the lonely widow,
And lo! with eager looks they seek the way
Of old temptation at the lowly gate;
To feast on feathers, and on vain array,
And painted cheeks, and the rich glistering state
Of jewel-sprinkled locks,—But where are they,
The graceless haughty ones that used to wait
With lofty neck, and nods, and stiffen'd eye?—
None challenge the old homage bending by.
To feast on feathers, and on vain array
XXIV.
To feast on feathers, and on vain array
In vain they look for the ungracious bloom
Of rich apparel where it glow'd before,—
For Vanity has faded all to gloom,
And lofty Pride has stiffen'd to the core,
For impious Life to tremble at its doom,—
Set for a warning token evermore,
Whereon, as now, the giddy and the wise
Shall gaze with lifted hands and wond'ring eyes.
To feast on feathers, and on vain array
XXV.
To feast on feathers, and on vain array
The aged priest goes on each Sabbath morn,
But shakes not sorrow under his gray hair;
The solemn clerk goes lavender'd and shorn
Nor stoops his back to the ungodly pair;—
And ancient lips that pucker'd up in scorn,
Go smoothly breathing to the house of pray'r;
And in the garden-plot, from day to day,
The lily blooms its long white life away.
To feast on feathers, and on vain array
XXVI.
To feast on feathers, and on vain array
And where two haughty maidens used to be,
In pride of plume, where plumy Death had trod,
Trailing their gorgeous velvets wantonly,
Most unmeet pall, over the holy sod;
There, gentle stranger, thou may'st only see
Two sombre Peacocks.
Age, with sapient nod
Marking the spot, still tarries to declare
How they once lived, and wherefore they are there.
Giver of glowing light!
Though but a god of other days,
The kings and sages
Of wiser ages
Still live and gladden in thy genial rays!
King of the tuneful lyre,
Still poets' hymns to thee belong;
Though lips are cold
Whereon of old
Thy beams all turn'd to worshipping and song!
Lord of the dreadful bow,
None triumph now for Python's death;
But thou dost save
From hungry grave
The life that hangs upon a summer breath.
Father of rosy day,
No more thy clouds of incense rise;
But waking flow'rs
At morning hours,
Give out their sweets to meet thee in the skies.
God of the Delphic fame,
No more thou listenest to hymns sublime;
But they will leave
On winds at eve,
A solemn echo to the end of time.
Unfathomable Night! how dost thou sweep
Over the flooded earth, and darkly hide
The mighty city under thy full tide;
Making a silent palace for old Sleep,
Like his own temple under the hush'd deep,
Where all the busy day he doth abide,
And forth at the late dark, outspreadeth wide
His dusky wings, whence the cold waters sweep!
How peacefully the living millions lie!
Lull'd unto death beneath his poppy spells;
There is no breath—no living stir—no cry
No tread of foot—no song—no music-call—
Only the sound of melancholy bells—
The voice of Time—survivor of them all!
I.
Oh, 'tis a touching thing, to make one weep,—
A tender infant with its curtain'd eye,
Breathing as it would neither live nor die
With that unchanging countenance of sleep!
As if its silent dream, serene and deep,
Had lined its slumber with a still blue sky
So that the passive cheeks unconscious lie
With no more life than roses—just to keep
The blushes warm, and the mild, odorous breath.
O blossom boy! so calm is thy repose.
So sweet a compromise of life and death,
'Tis pity those fair buds should e'er unclose
For memory to stain their inward leaf,
Tinging thy dreams with unacquainted grief.

TO A SLEEPING CHILD.

II.
Thine eyelids slept so beauteously, I deem'd
No eyes could wake so beautiful as they:
Thy rosy cheeks in such still slumbers lay,
I loved their peacefulness, nor ever dream'd
Of dimples:—for those parted lips so seem'd,
I never thought a smile could sweetlier play,
Nor that so graceful life could chase away
Thy graceful death,—till those blue eyes upbeam'd.
Now slumber lies in dimpled eddies drown'd
And roses bloom more rosily for joy,
And odorous silence ripens into sound,
And fingers move to sound.—All-beauteous boy!
How thou dost waken into smiles, and prove,
If not more lovely thou art more like Love!
Most delicate Ariel! submissive thing,
Won by the mind's high magic to its hest—
Invisible embassy, or secret guest,—
Weighing the light air on a lighter wing;—
Whether into the midnight moon, to bring
Illuminate visions to the eye of rest,—
Or rich romances from the florid West,—
Or to the sea, for mystic whispering,—
Still by thy charm'd allegiance to the will,
The fruitful wishes prosper in the brain,
As by the fingering of fairy skill,—
Moonlight, and waters, and soft music's strain,
Odors, and blooms, and my Miranda's smile,
Making this dull world an enchanted isle.
O Saw ye not fair Ines?
She's gone into the West,
To dazzle when the sun is down,
And rob the world of rest:
She took our daylight with her,
The smiles that we love best,
With morning blushes on her cheek,
And pearls upon her breast.
O turn again, fair Ines,
Before the fall of night,
For fear the moon should shine alone,
And stars unrivall'd bright;
And blessed will the lover be
That walks beneath their light,
And breathes the love against thy cheek
I dare not even write!
Would I had been, fair Ines,
That gallant cavalier,
Who rode so gaily by thy side,
And whisper'd thee so near!
Were there no bonny dames at home,
Or no true lovers here,
That he should cross the seas to win
The dearest of the dear?
I saw thee, lovely Ines,
Descend along the shore,
With bands of noble gentlemen,
And banners waved before;
And gentle youth and maidens gay,
And snowy plumes they wore;
It would have been a beauteous dream,
—If it had been no more!
Alas, alas, fair Ines,
She went away with song,
With Music waiting on her steps,
And shoutings of the throng;
But some were sad, and felt no mirth,
But only Musics wrong,
In sounds that sang Farewell, Farewell,
To her you've loved so long.
Farewell, farewell, fair Ines,
That vessel never bore
So fair a lady on its deck,
Nor danced so light before,—
Alas, for pleasure on the sea,
And sorrow on the shore!
The smile that blest one lover's heart
Has broken many more!
Our hands have met, but not our hearts;
Our hands will never meet again.
Friends, if we have ever been,
Friends we cannot now remain:
I only know I loved you once,
I only know I loved in vain;
Our hands have met, but not our hearts;
Our hands will never meet again!
Then farewell to heart and hand!
I would our hands had never met:
Even the outward form of love
Must be resign'd with some regret.
Friends, we still might seem to be,
If I my wrong could e'er forget;
Our hands have join'd but not our hearts:
I would our hands had never met!

ODE.

AUTUMN.
I saw old Autumn in the misty morn
Stand shadowless like Silence, listening
To silence, for no lonely bird would sing
Into his hollow ear from woods forlorn,
Nor lowly hedge nor solitary thorn;
Shaking his languid locks all dewy bright
With tangled gossamer that fell by night,
Pearling his coronet of golden corn.
Where are the songs of Summer?—With the sun,
Opening the dusky eyelids of the south,
Till shade and silence waken up as one,
And Morning sings with a warm odorous mouth.
Where are the merry birds?—Away, away,
On panting wings through the inclement skies,
Lest owls should prey
Undazzled at noon-day,
And tear with horny beak their lustrous eyes.
Where are the blooms of Summer?—In the west,
Blushing their last to the last sunny hours.
When the mild Eve by sudden Night is prest
Like tearful Proserpine, snatch'd from her flow'rs
To a most gloomy breast.
Where is the pride of Summer,—the green prime,—
The many, many leaves all twinkling?—Three
On the moss'd elm; three on the naked lime
Trembling,—and one upon the old oak tree!
Where is the Dryad's immortality?—
Gone into mournful cypress and dark yew,
Or wearing the long gloomy Winter through
In the smooth holly's green eternity.
The squirrel gloats on his accomplish'd hoard,
The ants have brimm'd their garners with ripe grain,
And honey been save stored
The sweets of summer in their luscious cells;
The swallows all have wing'd across the main;
But here the Autumn melancholy dwells,
And sighs her tearful spells
Amongst the sunless shadows of the plain.
Alone, alone,
Upon a mossy stone,
She sits and reckons up the dead and gone,
With the last leaves for a love-rosary;
Whilst all the wither'd world looks drearily,
Like a dim picture of the drownëd past
In the hush'd mind's mysterious far-away,
Doubtful what ghostly thing will steal the last
Into that distance, gray upon the gray.
O go and sit with her, and be o'ershaded
Under the languid downfall of her hair;
She wears a coronal of flowers faded
Upon her forehead, and a face of care;—
There is enough of wither'd everywhere
To make her bower,—and enough of gloom;
There is enough of sadness to invite,
If only for the rose that died, whose doom
Is Beauty's,—she that with the living bloom
Of conscious cheeks most beautifies the light:
There is enough of sorrowing, and quite
Enough of bitter fruits the earth doth bear,—
Enough of chilly droppings from her bowl;
Enough of fear and shadowy despair,
To frame her cloudy prison for the soul!

SONNET.

SILENCE.
There is a silence where hath been no sound,
There is a silence where no sound may be,
In the cold grave—under the deep deep sea,
Or in wide desert where no life is found,
Which hath been mute, and still must sleep profound;
No voice is hush'd—no life treads silently,
But clouds and cloudy shadows wander free.
That never spoke, over the idle ground:
But in green ruins, in the desolate walls
Of antique palaces, where Man hath been,
Though the dun fox, or wild hyæna, calls,
And owls, that flit continually between,
Shriek to the echo, and the low winds moan,—
There the true Silence is, self-conscious and alone.

SONNET.

WRITTEN IN KEATS' "ENDYMION."
I saw pale Dian, sitting by the brink
Of silver falls, the overflow of fountains
From cloudy steeps; and I grew sad to think
Endymion's foot was silent on those mountains.
And he but a hush'd name, that Silence keeps
In dear remembrance,—lonely, and forlorn,
Singing it to herself until she weeps
Tears, that perchance still glisten in the morn:—
And as I mused, in dull imaginings,
There came a flash of garments, and I knew
The awful Muse by her harmonious wings
Charming the air to music as she flew—
Anon there rose an echo through the vale
Gave back Enydmion in a dreamlike tale.

SONNET.

TO AN ENTHUSIAST.
Young ardent soul, graced with fair Nature's truth,
Spring warmth of heart, and fervency of mind,
And still a large late love of all thy kind.
Spite of the world's cold practice and Time's tooth,—
For all these gifts, I know not, in fair sooth,
Whether to give thee joy, or bid thee blind
Thine eyes with tears,—that thou hast not resign'd
The passionate fire and freshness of thy youth:
For as the current of thy life shall flow,
Gilded by shine of sun or shadow-stain'd,
Through flow'ry valley or unwholesome fen,
Thrice blessed in thy joy, or in thy woe
Thrice cursed of thy race,—thou art ordain'd
To share beyond the lot of common men.
Lady, wouldst thou heiress be
To Winters cold and cruel part?
When he sets the rivers free,
Thou dost still lock up thy heart;—
Thou that shouldst outlast the snow,
But in the whiteness of thy brow?
Scorn and cold neglect are made
For winter gloom and winter wind,
But thou wilt wrong the summer air,
Breathing it to words unkind,—
Breath which only should belong
To love, to sunlight, and to song!
When the little buds unclose.
Red, and white, and pied, and blue,
And that virgin flow'r, the rose,
Opes her heart to hold the dew,
Wilt thou lock thy bosom up
With no jewel in its cup?
Let not cold December sit
Thus in Love's peculiar throne:
Brooklets are not prison'd now,
But crystal frosts are all agone,
And that which hangs upon the spray,
It is no snow, but flow'r of May!

SONNET.

DEATH.
It is not death, that sometime in a sigh
This eloquent breath shall take its speechless flight;
That sometime these bright stars, that now reply
In sunlight to the sun, shall set in night;
That warm conscious flesh shall perish quite,
And all life's ruddy springs forget to flow;
That thoughts shall cease, and the immortal sprite
Be lapp'd in alien clay and laid below;
It is not death to know this,—but to know
That pious thoughts, which visit at new graves
In tender pilgrimage, will cease to go
So duly and so oft,—and when grass waves
Over the past-away, there may be then
No resurrection in the minds of men.
Ah, sweet, thou little knowest how
I wake and passionate watches keep;
And yet while I address thee now,
Methinks thou smilest in thy sleep.
'Tis sweet enough to make me weep,
That tender thought of love and thee,
That while the world is hush'd so deep,
Thy soul's perhaps awake to me!
Sleep on, sleep on, sweet bride of sleep!
With golden visions of thy dower,
While I this midnight vigil keep,
And bless thee in thy silent bower;
To me 'tis sweeter than the power
Of sleep, and fairy dreams unfurl'd,
That I alone, at this still hour,
In patient love outwatch the world.
Far above the hollow
Tempest, and its moan,
Singeth bright Apollo
In his golden zone,—
Cloud doth never shade him,
Nor a storm invade him,
On his joyous throne.
So when I behold me
In an orb as bright,
How thy soul doth fold me
In its throne of light!
Sorrow never paineth,
Nor a care attaineth
To that blessed height.
The dead are in their silent graves,
And the dew is cold above,
And the living weep and sigh,
Over dust that once was love.
Once I only wept the dead,
But now the living cause my pain:
How couldst thou steal me from my tears,
To leave me to my tears again?
My Mother rests beneath the sod,—
Her rest is calm and very deep:
I wish'd that she could see our loves,—
But now I gladden in her sleep.
Last night unbound my raven locks,
The morning saw them turned to gray,
Once they were black and well beloved,
But thou art changed,—and so are they!
The useless lock I gave thee once,
To gaze upon and think of me,
Was ta'en with smiles,—but this was torn
In sorrow that I send to thee!
The stars are with the voyager
Wherever he may sail;
The moon is constant to her time;
The sun will never fail;
But follow, follow round the world,
The green earth and the sea,
So love is with the lover's heart,
Wherever he may be.
Wherever he may be, the stars
Must daily lose their light;
The moon will veil her in the shade;
The sun will set at night.
The sun may set, but constant love
Will shine when he's away;
So that dull night is never night,
And day is brighter day.
O Lady, leave thy silken thread
And flowery tapestrie:
There's living roses on the bush,
And blossoms on the tree;
Stoop where thou wilt, thy careless hand
Some random bud will meet;
Thou canst not tread, but thou wilt find
The daisy at thy feet.
'Tis like the birthday of the world,
When earth was born in bloom;
The light is made of many dyes,
The air is all perfume;
There's crimson buds, and white and blue—
The very rainbow showers
Have turn'd to blossoms where they fell,
And sown the earth with flowers.
There's fairy tulips in the east,
The garden of the sun;
The very streams reflect the hues,
And blossom as they run:
While Morn opes like a crimson rose,
Still wet with pearly showers;
Then, lady, leave the silken thread
Thou twinest into flowers!
Good morrow to the golden morning,
Good morrow to the world's delight—
I've come to bless thy life's beginning,
Since it makes my own so bright!
I have brought no roses, sweetest,
I could find no flowers, dear,—
It was when all sweets were over
Thou wert born to bless the year.
But I've brought thee jewels, dearest,
In thy bonny locks to shine,—
And if love shows in their glances,
They have learn'd that look of mine!