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The Poetical Works of Thomas Traherne, 1636?-1674, from the original manuscripts cover

The Poetical Works of Thomas Traherne, 1636?-1674, from the original manuscripts

Chapter 317: TRAHERNE'S "SERIOUS AND PATHETICALL CONTEMPLATION OF THE MERCIES OF GOD"
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About This Book

A collected edition assembles lyric meditations and prose reflections that celebrate perception and spiritual feeling. The pieces emphasize wonder, childhood-like receptivity, gratitude for creation, and the presence of the divine in ordinary experience. Poems combine devotional praise, moral observation, and contemplative practice, often using natural imagery, musical cadence, and vivid sensory detail. Extended prose meditations and notes deepen the inward focus, exploring joy, humility, the renewal of the self, and the longing for intimate communion with God.

TRAHERNE'S "SERIOUS AND PATHETICALL CONTEMPLATION OF THE MERCIES OF GOD"

This book would hardly be complete without some account of the above work. It is a small 12mo volume of 146 pages, with an engraved frontispiece. It is written—excepting the three pieces of verse which I have already printed—in a kind of unrhymed verse, which is curiously suggestive of the style of Whitman's "Leaves of Grass," particularly in the frequent passages in which the author enumerates or catalogues, as the American poet does, every object he can think of which bears any relation to his theme. There were, of course, more points of unlikeness than of likeness between the two poets, but they at least resembled each other in their invincible optimism, as well as in the points mentioned above. Whitman could not have known of the existence of the "Serious and Patheticall Contemplation"; but had it been accessible to him, it might well have been suspected that he was under some obligations to it.

The booklet consists of a series of "Thanksgivings" for the Body, the Soul, the Glory of God's Works, the Blessedness of God's Ways, the Wisdom of His Word, &c. There is much poetry and beauty of expression in these "Thanksgivings," and they are valuable also for the light which they occasionally throw upon passages in the poems which might else seem obscure. Thus the following passages from the "Thanksgiving for the Body" may be profitably compared with "The Salutation" and "Wonder":

I will praise Thee, for I am fearfully and wonderfully made, marvellous are Thy works; and that my Soul knoweth right well.

My substance was not hid from Thee when I was made in secret and curiously wrought in the lowest parts of the earth.

Thine eyes did see my substance yet being unperfect; and in thy book all my members were written; which in continuance were fashioned when as yet there was none of them.


O Lord!
Thou hast given me a body,
Wherein the glory of Thy Power shineth,
Wonderfully composed above the beasts,
Within distinguished into useful parts,
Beautified without with many ornaments.
Limbs rarely pois'd,
And made for Heaven:
Arteries fill'd
With celestial spirits:
Veins wherein blood floweth,
Refreshing all my flesh.
Like rivers:
Sinews fraught with the mystery
Of wonderful strength,
Stability,
Feeling.
O blessed be Thy glorious Name!
That Thou hast made it
A Treasury of Wonders,
Fit for its several Ages;
For Dissections,
For Sculptures in Brass,
For Draughts in Anatomy,
For the contemplation of the Sages.

I quote the following passage from "A Thanksgiving and Prayer for the Nation" not merely because it is fine in itself, but also because it affords us yet another interesting glimpse of the author's personality:

O Lord, the children of my people are Thy peculiar treasures,
Make them mine, O God, even while I have them,
My lovely companions, like Eve in Eden!
So much my treasure that all other wealth is without them
But dross and poverty.
Do they not adorn and beautifie the World,
And gratify my Soul which hateth Solitude!
Thou, Lord, hast made thy servant a sociable creature, for which I
praise thy name,
A lover of company, a delighter in equals;
Replenish the inclination which Thyself hath implanted,
And give me eyes
To see the beauty of that life and comfort
Wherewith those by their actions
Inspire the nations.
Their Markets, Tillage, Courts of Judicature, Marriages, Feasts and
Assemblies, Navys, Armies,
Priests and Sabbaths, Trades and Business, the voice of the
Bridegroom, Musical Instruments, the light of Candles,
and the grinding of Mills
Are comfortable, O Lord, let them not cease.
The riches of the land are all the materials of my felicity in
their hands:
They are my Factors, Substitutes, and Stewards;
Second Selves, who by Trade and Business animate my wealth,
Which else would be dead and rust in my hands;
But when I consider, O Lord, how they come unto thy
Temples, fill thy Courts, and sing Thy praises,
O how wonderful they then appear!
What Stars,
Enflaming Suns,
Enlarging Seas
Of Divine Affection,
Confirming Paterns,
Infusing Influence,
Do I feel in these!
Who are the shining light
Of all the land (to my very Soul:)
Wings and Streams
Carrying me unto thee,
The Sea of Goodness from whence they came.

Have we not here a very remarkable anticipation of the leading thought of Whitman's "Leaves of Grass"? Do we not see in both poets the same deep love of and delight in humanity, the same feeling of comradeship and brotherhood with all men, the same hunger for sympathy and reciprocal affection, the same pleasure in the common things of life and nature, and the same frank acceptance of things as they are, and not as they might be? I have said that there is more unlikeness than likeness between the poets—but is it really so? Does not the above passage show that beneath all apparent differences there was a fundamental resemblance in their characters? To say the least, there was this resemblance—that both of them found life supremely well worth living, and never doubted, even when the clouds were blackest, that the sun was shining beyond them.