The Poetical Works of William Wordsworth — Volume 1 (of 8)

Poor Outcast! return—to receive thee once more
The house of thy Father will open its door,
And thou once again, in thy plain russet gown,
May'st hear the thrush sing from a tree of its ownⁱ.

"Susan stood for the representative of poor 'Rus in urbe.' There was quite enough to stamp the moral of the thing never to be forgotten; 'bright volumes of vapour,' etc. The last verse of Susan was to be got rid of, at all events. It threw a kind of dubiety upon Susan's moral conduct. Susan is a servant maid. I see her trundling her mop, and contemplating the whirling phenomenon through blurred optics; but to term her 'a poor outcast' seems as much as to say that poor Susan was no better than she should be, which I trust was not what you meant to express."

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1798: a Night Piece

Composed 1798.—Published 1815.

Composed on the road between Nether Stowey and Alfoxden, extempore. I distinctly recollect the very moment when I was struck, as described,—'He looks up, the clouds are split,' etc.—I. F.

"Went to Poole's after tea. The sky spread over with one continuous cloud, whitened by the light of the moon, which, though her dim shape was seen, did not throw forth so strong a light as to chequer the earth with shadows. At once the clouds seemed to cleave asunder, and lift her in the centre of a black-blue vault. She sailed along, followed by multitudes of stars, small, and bright, and sharp; their brightness seemed concentrated."

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We are Seven

Composed 1798.—Published 1798.

Written at Alfoxden in the spring of 1798, under circumstances somewhat remarkable. The little girl who is the heroine, I met within the area of Goodrich Castle in the year 1793. Having left the Isle of Wight, and crost Salisbury Plain, as mentioned in the preface to Guilt and Sorrow, I proceeded by Bristol up the Wye, and so on to N. Wales to the Vale of Clwydd, where I spent my summer under the roof of the father of my friend, Robert Jones.

In reference to this poem, I will here mention one of the most remarkable facts in my own poetic history, and that of Mr. Coleridge. In the spring of the year 1798, he, my sister, and myself, started from Alfoxden pretty late in the afternoon, with a view to visit Linton and the Valley of Stones near it; and as our united funds were very small, we agreed to defray the expense of the tour by writing a poem, to be sent to the New Monthly Magazine, set up by Philips, the bookseller, and edited by Dr. Aikin. Accordingly we set off, and proceeded along the Quantock Hills, towards Watchet; and in the course of this walk was planned the poem of The Ancient Mariner, founded on a dream, as Mr. Coleridge said, of his friend Mr. Cruikshank. Much the greatest part of the story was Mr. Coleridge's invention; but certain parts I myself suggested: for example, some crime was to be committed which should bring upon the Old Navigator, as Coleridge afterwards delighted to call him, the spectral persecution, as a consequence of that crime, and his own wanderings. I had been reading in Shelvocke's Voyages, a day or two before, that, while doubling Cape Horn, they frequently saw albatrosses in that latitude, the largest sort of sea-fowl, some extending their wings twelve or thirteen feet. 'Suppose,' said I, 'you represent him as having killed one of these birds on entering the South Sea, and that the tutelary spirits of these regions take upon them to avenge the crime.' The incident was thought fit for the purpose, and adopted accordingly. I also suggested the navigation of the ship by the dead men, but do not recollect that I had anything more to do with the scheme of the poem. The gloss with which it was subsequently accompanied was not thought of by either of us at the time; at least not a hint of it was given to me, and I have no doubt it was a gratuitous after-thought. We began the composition together, on that to me memorable evening: I furnished two or three lines at the beginning of the poem, in particular—

And listen'd like a three years' child;
The Mariner had his will.

These trifling contributions, all but one (which Mr. C. has with unnecessary scrupulosity recorded), slipt out of his mind, as well they might. As we endeavoured to proceed conjointly (I speak of the same evening), our respective manners proved so widely different, that it would have been quite presumptuous in me to do anything but separate from an undertaking upon which I could only have been a clog. We returned after a few days from a delightful tour, of which I have many pleasant, and some of them droll enough, recollections. We returned by Dulverton to Alfoxden. The Ancient Mariner grew and grew till it became too important for our first object, which was limited to our expectation of five pounds; and we began to talk of a volume which was to consist, as Mr. Coleridge has told the world, of Poems chiefly on natural subjects taken from common life, but looked at, as much as might be, through an imaginative medium. Accordingly I wrote The Idiot Boy, Her eyes are wild, etc., We are Seven, The Thorn, and some others. To return to We are Seven, the piece that called forth this note, I composed it while walking in the grove at Alfoxden. My friends will not deem it too trifling to relate, that while walking to and fro I composed the last stanza first, having begun with the last line. When it was all but finished, I came in and recited it to Mr. Coleridge and my sister, and said, "A prefatory stanza must be added, and I should sit down to our little tea-meal with greater pleasure if my task was finished." I mentioned in substance what I wished to be expressed, and Coleridge immediately threw off the stanza, thus;

A little child, dear brother Jem,

I objected to the rhyme, 'dear brother Jem,' as being ludicrous; but we all enjoyed the joke of hitching in our friend James Tobin's name, who was familiarly called Jem. He was the brother of the dramatist; and this reminds me of an anecdote which it may be worth while here to notice. The said Jem got a sight of the "Lyrical Ballads" as it was going through the press at Bristol, during which time I was residing in that city. One evening he came to me with a grave face, and said, "Wordsworth, I have seen the volume that Coleridge and you are about to publish. There is one poem in it which I earnestly entreat you will cancel, for, if published, it will make you everlastingly ridiculous." I answered, that I felt much obliged by the interest he took in my good name as a writer, and begged to know what was the unfortunate piece he alluded to. He said, 'It is called We are Seven.' 'Nay,' said I, 'that shall take its chance, however'; and he left me in despair. I have only to add, that in the spring^A of 1841, I revisited Goodrich Castle, not having seen that part of the Wye since I met the little girl there in 1793. It would have given me greater pleasure to have found in the neighbouring hamlet traces of one who had interested me so much, but that was impossible, as unfortunately I did not even know her name. The ruin, from its position and features, is a most impressive object. I could not but deeply regret that its solemnity was impaired by a fantastic new Castle set up on a projection of the same ridge, as if to show how far modern art can go in surpassing all that could be done by antiquity and nature with their united graces, remembrances, and associations. I could have almost wished for power, so much the contrast vexed me, to blow away Sir —— Meyrick's impertinent structure and all the fopperies it contains.—I. F.

The Poem

Contents

Anecdote for Fathers

Composed 1798.—Published 1798.

Retine vim istam, falsa enim dicam, si coges.

Eusebius^A.

This was suggested in front of Alfoxden. The boy was a son of my friend, Basil Montagu, who had been two or three years under our care. The name of Kilve is from a village on the Bristol Channel, about a mile from Alfoxden; and the name of Liswyn Farm was taken from a beautiful spot on the Wye, where Mr. Coleridge, my sister, and I had been visiting the famous John Thelwall, who had taken refuge from politics, after a trial for high treason, with a view to bring up his family by the profits of agriculture, which proved as unfortunate a speculation as that he had fled from. Coleridge and he had both been public lecturers; Coleridge mingling, with his politics, Theology, from which the other elocutionist abstained, unless it was for the sake of a sneer. This quondam community of public employment induced Thelwall to visit Coleridge at Nether Stowey, where he fell in my way. He really was a man of extraordinary talent, an affectionate husband, and a good father. Though brought up in the city, on a tailor's board, he was truly sensible of the beauty of natural objects. I remember once, when Coleridge, he, and I were seated together upon the turf, on the brink of a stream in the most beautiful part of the most beautiful glen of Alfoxden, Coleridge exclaimed, 'This is a place to reconcile one to all the jarrings and conflicts of the wide world.' 'Nay,' said Thelwall, 'to make one forget them altogether.' The visit of this man to Coleridge was, as I believe Coleridge has related, the occasion of a spy being sent by Government to watch our proceedings; which were, I can say with truth, such as the world at large would have thought ludicrously harmless.—I. F.

The Poem