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The title of the fragment, as it appeared in The Friend,
No. 19, (Dec. 28, 1809,) was Growth of Genius from the Influences of
Natural Objects on the Imagination, in Boyhood and Early Youth. It
first appeared in Wordsworth's Poems in the edition of 1815. It was
afterwards included in the first book of The Prelude, l. 401.
The lake referred to with its "silent bays" and "shadowy banks" is that of Esthwaite; the village clock is that of Hawkshead (see the footnotes to The Prelude). The only physical accomplishment in which Wordsworth thought he excelled was skating, an accomplishment in which his brother poet and acquaintance, Klopstock, also excelled.—Ed.
The lake referred to with its "silent bays" and "shadowy banks" is that of Esthwaite; the village clock is that of Hawkshead (see the footnotes to The Prelude). The only physical accomplishment in which Wordsworth thought he excelled was skating, an accomplishment in which his brother poet and acquaintance, Klopstock, also excelled.—Ed.
The Simplon PassA
Composed 1799.—Published 1845
Included among the "Poems of the Imagination."—Ed.
The Poem
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| —Brook and road Were fellow-travellers in this gloomy Pass, And with them did we journey several hours At a slow step. The immeasurable height Of woods decaying, never to be decayed, The stationary blasts of waterfalls, And in the narrow rent, at every turn, Winds thwarting winds bewildered and forlorn, The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears, Black drizzling crags that spake by the wayside As if a voice were in them, the sick sight And giddy prospect of the raving stream, The unfettered clouds and region of the heavens, Tumult and peace, the darkness and the light— Were all like workings of one mind, the features Of the same face, blossoms upon one tree, Characters of the great Apocalypse, The types and symbols of Eternity, Of first, and last, and midst, and without end. Contents |
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This is an extract from the sixth book of The Prelude, l.
621. It refers to Wordsworth's first experience of Switzerland, when he
crossed the Alps by the Simplon route, in 1790, in company with his
friend Robert Jones.—Ed.
Nutting
Composed 1799.—Published 1800
[Written in Germany; intended as part of a poem on my own life, but
struck out as not being wanted there. Like most of my schoolfellows I
was an impassioned Nutter. For this pleasure, the Vale of Esthwaite,
abounding in coppice wood, furnished a very wide range. These verses
arose out of the remembrance of feelings I had often had when a boy, and
particularly in the extensive woods that still stretch from the side of
Esthwaite Lake towards Graythwaite, the seat of the ancient family of
Sandys.—I. F.]
One of the "Poems of the Imagination."—Ed.
The Poem
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| —It seems a day (I speak of one from many singled out) One of those heavenly days that cannot die; When, in the eagerness of boyish hope, I left our cottage-threshold, sallying forth With a huge wallet o'er my shoulders slung, A nutting-crook in hand; and turned my steps Tow'rd some far-distant wood, a Figure quaint, Tricked out in proud disguise of cast-off weeds Which for that service had been husbanded, By exhortation of my frugal Dame— Motley accoutrement, of power to smile At thorns, and brakes, and brambles,—and, in truth, More ragged than need was! O'er pathless rocks, Through beds of matted fern, and tangled thickets, Forcing my way, I came to one dear nook Unvisited, where not a broken bough Drooped with its withered leaves, ungracious sign Of devastation; but the hazels rose Tall and erect, with tempting clusters hung, A virgin scene!—A little while I stood, Breathing with such suppression of the heart As joy delights in; and, with wise restraint Voluptuous, fearless of a rival, eyed The banquet;—or beneath the trees I sate Among the flowers, and with the flowers I played; A temper known to those, who, after long And weary expectation, have been blest With sudden happiness beyond all hope. Perhaps it was a bower beneath whose leaves The violets of five seasons re-appear And fade, unseen by any human eye; Where fairy water-breaks do murmur on For ever; and I saw the sparkling foam, And—with my cheek on one of those green stones That, fleeced with moss, under the shady trees, Lay round me, scattered like a flock of sheep— I heard the murmur and the murmuring sound, In that sweet mood when pleasure loves to pay Tribute to ease; and, of its joy secure, The heart luxuriates with indifferent things, Wasting its kindliness on stocks and stones, And on the vacant air. Then up I rose, And dragged to earth both branch and bough, with crash And merciless ravage: and the shady nook Of hazels, and the green and mossy bower, Deformed and sullied, patiently gave up Their quiet being: and, unless I now Confound my present feelings with the past; Ere from the mutilated bower I turned Exulting, rich beyond the wealth of kings, I felt a sense of pain when I beheld The silent trees, and saw the intruding sky.— Then, dearest Maiden, move along these shades In gentleness of heart; with gentle hand Touch—for there is a spirit in the woods. Contents Note |
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The house at which I was boarded during the time I was at
School.—W. W. 1800.
Note:
The woods round Esthwaite Lake have undergone considerable change since
Wordsworth's school-days at Hawkshead; but hazel coppice is still
abundant to the south and west of the Lake.—Ed.
Written in Germany, on one of the Coldest Days of the Century
Composed 1799.—Published 1800
I must apprize the Reader that the stoves in North Germany generally
have the impression of a galloping Horse upon them, this being part of
the Brunswick Arms.—W. W. 1800.
[A bitter winter it was when these verses were composed by the side of
my sister, in our lodgings at a draper's house, in the romantic imperial
town of Goslar, on the edge of the Hartz Forest. In this town the German
emperors of the Franconian Line were accustomed to keep their court, and
it retains vestiges of ancient splendour. So severe was the cold of this
winter, that when we passed out of the parlour warmed by the stove, our
cheeks were struck by the air as by cold iron. I slept in a room over a
passage that was not ceiled. The people of the house used to say rather
unfeelingly, that they expected I should be frozen to death some night;
but with the protection of a pelisse lined with fur, and a dog's skin
bonnet, such as was worn by the peasants, I walked daily on the
ramparts, or on a sort of public ground or garden, in which was a pond.
Here I had no companion but a kingfisher, a beautiful creature that used
to glance by me. I consequently became much attached to it. During these
walks I composed the poem that follows, A Poet's Epitaph.—I. F.]
One of the "Poems of Sentiment and Reflection." Wordsworth originally
gave to this poem the title "The Fly," but erased it before
publication.—Ed.
The Poem
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| A plague on your languages, German and Norse! Let me have the song of the kettle; And the tongs and the poker, instead of that horse That gallops away with such fury and force On this dreary dull plate of black metal. See that Fly,—a disconsolate creature! perhaps A child of the field or the grove; And, sorrow for him! the dull treacherous heat Has seduced the poor fool from his winter retreat, And he creeps to the edge of my stove. Alas! how he fumbles about the domains Which this comfortless oven environ! He cannot find out in what track he must crawl, Now back to the tiles, then in search of the wall, And now on the brink of the iron. Stock-still there he stands like a traveller bemazed: The best of his skill he has tried; His feelers, methinks, I can see him put forth To the east and the west, to the south and the north But he finds neither guide-post nor guide. His spindles sink under him, foot, leg, and thigh! His eyesight and hearing are lost; Between life and death his blood freezes and thaws; And his two pretty pinions of blue dusky gauze Are glued to his sides by the frost. No brother, no mate has he near him—while I Can draw warmth from the cheek of my Love; As blest and as glad, in this desolate gloom, As if green summer grass were the floor of my room, And woodbines were hanging above. Yet, God is my witness, thou small helpless Thing! Thy life I would gladly sustain Till summer come up from the south, and with crowds Of thy brethren a march thou should'st sound through the clouds. And back to the forests again! Contents |
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