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Compare the poem
To the Lady Fleming
, stanza iii. ll. 28-9.—Ed.
In the Statistical Account of Scotland, however—drawn up
by the parish ministers of the county, and edited by Sir John
Sinclair—both the river and the glen are spelt Almon, by the Rev. Mr.
Erskine, who wrote the account of Monzie Parish in Perthshire. This was
in 1795. A recent authority states:
"'Glenamon,' in Ayrshire, and 'Glenalmond,' in Perthshire, are both from the corrupted spelling of the word 'Avon,' which derives from its being very nearly the pronunciation of the Gaelic word for 'a river.' These names are from 'Gleann-abhuinn,' that is,'the valley of the river.'"
(See the Gaelic Topography of Scotland, by James A. Robertson,
Edinburgh, 1859.)—Ed.
Note:
The glen is Glenalmond, in Perthshire, between Crieff and Amulree, known
locally as "the Sma' Glen." I am not aware that it was ever called "Glen
Almain," till Wordsworth gave it that singularly un-Scottish name.B
It must have been a warm August day, after a tract of dry weather, when
he went through it, or the Almond would scarcely have been called a
"small streamlet." In many seasons of the year the distinctive features
of the Glen would be more appropriately indicated by the words, which
the poet uses by way of contrast with his own experience of it, viz. a
place
'Where sights are rough, and sounds are wild,
And everything unreconciled.'
But his characterization of the place—a glen, the charm of which is
little known—in the stillness of an autumn afternoon, is as true to
nature as any of his interpretations of the spirit of the hills and
vales of Westmoreland. As yet there is no farm-house, scarcely even a
sheiling, to "break the silence of this Dell."
The following is Dorothy Wordsworth's account of their walk through it on Friday, September 9th, 1803:
The following is Dorothy Wordsworth's account of their walk through it on Friday, September 9th, 1803:
"Entered the glen at a small hamlet at some distance from the head, and, turning aside a few steps, ascended a hillock which commanded a view to the top of it—a very sweet scene, a green valley, not very narrow, with a few scattered trees and huts, almost invisible in a misty green of afternoon light. At this hamlet we crossed a bridge, and the road led us down the glen, which had become exceedingly narrow, and so continued to the end: the hills on both sides heathy and rocky, very steep, but continuous; the rock not single or overhanging, not scooped into caverns, or sounding with torrents; there are no trees, no houses, no traces of cultivation, not one outstanding object. It is truly a solitude, the road even making it appear still more so; the bottom of the valley is mostly smooth and level, the brook not noisy: everything is simple and undisturbed, and while we passed through it the whole place was shady, cool, clear, and solemn. At the end of the long valley we ascended a hill to a great height, and reached the top, when the sun, on the point of setting, shed a soft yellow light upon every eminence. The prospect was very extensive; over hollows and plains, no towns, and few houses visible—a prospect, extensive as it was, in harmony with the secluded dell, and fixing its own peculiar character of removedness from the world, and the secure possession of the quiet of nature more deeply in our minds. The following poem was written by William on hearing of a tradition relating to it, which we did not know when we were there."
Ed.
Stepping Westward
Composed between 1803 and 1805.—Published 1807
While my Fellow-traveller and I were walking by the side of Loch
Ketterine, one fine evening after sun-set, in our road to a Hut where in
the course of our Tour we had been hospitably entertained some weeks
before, we met, in one of the loneliest parts of that solitary region,
two well dressed Women, one of whom said to us, by way of greeting,
"What, you are stepping westward?"—W. W. 1807.
Classed in 1815 and 1820 among the "Poems of the Imagination." —Ed.
The Poem
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| "What, you are stepping westward?"—" Yea." 'Twould be a wildish destiny, If we, who thus together roam In a strange Land, and far from home, Were in this place the guests of Chance: Yet who would stop, or fear to advance, Though home or shelter he had none, With such a sky to lead him on? The dewy ground was dark and cold; Behind, all gloomy to behold; And stepping westward seemed to be A kind of heavenly destiny: I liked the greeting; 'twas a sound Of something without place or bound; And seemed to give me spiritual right To travel through that region bright. The voice was soft, and she who spake Was walking by her native lake: The salutation had to me The very sound of courtesy: Its power was felt; and while my eye Was fixed upon the glowing Sky, The echo of the voice enwrought A human sweetness with the thought Of travelling through the world that lay Before me in my endless way. Note Contents 1803 Main Contents |
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In MS. letter to Sir G. Beaumont. N. D. |
Italics were first used in 1855.—Ed.
Note:
The following is from the Recollections of a Tour made in Scotland:
"Sunday, Sept. 11th.—We have never had a more delightful walk than this evening. Ben Lomond and the three pointed-topped mountains of Loch Lomond, which we had seen from the garrison, were very majestic under the clear sky, the lake perfectly calm, the air sweet and mild. I felt that it was much more interesting to visit a place where we have been before than it can possibly be the first time, except under peculiar circumstances. The sun had been set for some time, when, being within a quarter of a mile of the ferry man's hut, our path having led us close to the shore of the calm lake, we met two neatly-dressed women, without hats, who had probably been taking their Sunday evening's walk. One of them said to us in a friendly, soft tone of voice, 'What, you are stepping westward?' I cannot describe how affecting this simple expression was in that remote place, with the western sky in front, yet glowing with the departed sun. William wrote the following poem long after, in remembrance of his feelings and mine."
Ed.
The Solitary Reaper
Composed between 1803 and 1805.—Published 1807
One of the "Poems of the Imagination" in 1815 and 1820. —Ed.
The Poem
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| Behold her, single in the field, Yon solitary Highland Lass! Reaping and singing by herself; Stop here, or gently pass! Alone she cuts and binds the grain, And sings a melancholy strain; O listen! for the Vale profound Is overflowing with the sound. No Nightingale did ever chaunt More welcome notes to weary bands Of travellers in some shady haunt, Among Arabian sands: A voice so thrilling ne'er was heard In spring-time from the Cuckoo-bird, Breaking the silence of the seas Among the farthest Hebrides. Will no one tell me what she sings?— Perhaps the plaintive numbers flow For old, unhappy, far-off things, And battles long ago: Or is it some more humble lay, Familiar matter of to-day? Some natural sorrow, loss, or pain, That has been, and may be again? Whate'er the theme, the Maiden sang As if her song could have no ending; I saw her singing at her work, And o'er the sickle bending;— I listened, motionless and still; And, as I mounted up the hill, The music in my heart I bore, Long after it was heard no more. Note Contents 1803 Main Contents |
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The text of 1837 returns to that of 1807.
Compare The Ancient Mariner(part ii. stanza 6):
'And we did speak only to break
The silence of the sea.'
Ed.
Note:
The following is from Dorothy Wordsworth's Recollections of the Tour:
13th Sept. 1803.
"As we descended, the scene became more fertile, our way being pleasantly varied—through coppices or open fields, and passing farm-houses, though always with an intermixture of cultivated ground. It was harvest-time, and the fields were quietly—might I be allowed to say pensively?—enlivened by small companies of reapers. It is not uncommon in the more lonely parts of the Highlands to see a single person so employed. The following poem was suggested to William by a beautiful sentence in Thomas Wilkinson's Tour in Scotland."
In a note appended to the editions 1807 to 1820, Wordsworth wrote:
"This Poem was suggested by a beautiful sentence in a MS. 'Tour in Scotland,' written by a Friend, the last line being taken from it verbatim."
The first part of Wilkinson's Tours to the British Mountains, which
was published in 1824, narrates his journey in Scotland (it took place
in 1787); and the following sentence occurs in the record of his travels
near Loch Lomond (p. 12),
"Passed a female who was reaping alone: she sung in Erse, as she bended over her sickle; the sweetest human voice I ever heard: her strains were tenderly melancholy, and felt delicious, long after they were heard no more."
There can be no doubt that this is the sentence referred to both by
Dorothy and William Wordsworth. Thomas Wilkinson was the friend, in
whose memory Wordsworth wrote the poem To the Spade of a Friend,
composed while we were labouring together in his pleasure-ground. They
were comparatively near neighbours, as Wilkinson lived near Yanwath on
the Emont; and he had given his MS. to the Wordsworth family to read. I
have received some additional information about this MS., and
Wordsworth's knowledge of it, from Mr. Wilson Robinson, who writes,
"From all the evidence, I conclude that Wilkinson's 'Tour to the Highlands' was shown in manuscript to his friends soon after his return;—that he was not only willing to show it, but even to allow it to be copied, though reluctant to publish it;—that there was sufficient intimacy between him and the Wordsworths to account for his showing or lending the manuscript to them, especially as they had travelled over much of the same ground, and would therefore be more interested in it; and that in fact it was never published till 1824."
When Wordsworth was living at Coleorton during the late autumn of 1806
he wrote to Wilkinson:
"... What shall I say in apology for your Journal, which is now locked up with my manuscripts at Grasmere. As I could not go over to your part of the country myself, my intention was to have taken it with me to Kendal,... to be carefully transmitted to you; unluckily, most unluckily, in the hurry of departure, I forgot it, together with two of my own manuscripts which were along with it; and I am afraid you will be standing in great need of it.... If you do not want it, it is in a place where it can take no injury, and I may have the pleasure of delivering it to you myself in the spring...."
Ed.
Address to Kilchurn Castle
Upon Loch Awe
Begun 1803.—Published 1827
"From the top of the hill a most impressive scene opened upon our view,—a ruined Castle on an Island (for an Island the flood had made it)A at some distance from the shore, backed by a Cove of the Mountain Cruachan, down which came a foaming stream. The Castle occupied every foot of the Island that was visible to us, appearing to rise out of the Water,—mists rested upon the mountain side, with spots of sunshine; there was a mild desolation in the low-grounds, a solemn grandeur in the mountains, and the Castle was wild, yet stately—not dismantled of Turrets—nor the walls broken down, though obviously a ruin."
Extract from the Journal of my Companion.
—W. W. 1827.
[The first three lines were thrown off at the moment I first caught
sight of the Ruin, from a small eminence by the wayside; the rest was
added many years after.—I. F.]
The Poem
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| Child of loud-throated War! the mountain Stream Roars in thy hearing; but thy hour of rest Is come, and thou art silent in thy age; Save when the wind sweeps by and sounds are caught Ambiguous, neither wholly thine nor theirs. Oh! there is life that breathes not; Powers there are That touch each other to the quick in modes Which the gross world no sense hath to perceive, No soul to dream of. What art Thou, from care Cast off—abandoned by thy rugged Sire, Nor by soft Peace adopted; though, in place And in dimension, such that thou might'st seem But a mere footstool to yon sovereign Lord, Huge Cruachan, (a thing that meaner hills Might crush, nor know that it had suffered harm;) Yet he, not loth, in favour of thy claims To reverence, suspends his own; submitting All that the God of Nature hath conferred, All that he holds in common with the stars, To the memorial majesty of Time Impersonated in thy calm decay! Take, then, thy seat, Vicegerent unreproved! Now, while a farewell gleam of evening light Is fondly lingering on thy shattered front, Do thou, in turn, be paramount; and rule Over the pomp and beauty of a scene Whose mountains, torrents, lake, and woods, unite To pay thee homage; and with these are joined, In willing admiration and respect, Two Hearts, which in thy presence might be called Youthful as Spring.—Shade of departed Power, Skeleton of unfleshed humanity, The chronicle were welcome that should call Into the compass of distinct regard The toils and struggles of thy infant years! Yon foaming flood seems motionless as ice; Its dizzy turbulence eludes the eye, Frozen by distance; so, majestic Pile, To the perception of this Age, appear Thy fierce beginnings, softened and subdued And quieted in character—the strife, The pride, the fury uncontrollable, Lost on the aerial heights of the Crusades!" Note Contents 1803 Main Contents |
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| 1845 | |
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1827 |
The clause within brackets was added in 1837.—Ed.
The Tradition is, that the Castle was built by a Lady
during the absence of her Lord in Palestine.—W. W. 1827.
Note:
From the following passage in Dorothy Wordsworth's Recollections of
their Tour, it will be seen that the poet altered the text considerably
in making his quotation in 1827: August 31, 1803.
"When we had ascended half-way up the hill, directed by the man, I took a nearer foot-path, and at the top came in view of a most impressive scene, a ruined castle on an island almost in the middle of the last compartment of the lake, backed by a mountain cove, down which came a roaring stream. The castle occupied every foot of the island that was visible to us, appearing to rise out of the water; mists rested upon the mountain side, with spots of sunshine between; there was a mild desolation in the low grounds, a solemn grandeur in the mountains, and the castle was wild, yet stately, not dismantled of its turrets, nor the walls broken down, though completely in ruin. After having stood some minutes I joined William on the highroad, and both wishing to stay longer near this place, we requested the man to drive his little boy on to Dalmally, about two miles further, and leave the car at the inn. He told us the ruin was called Kilchurn Castle, that it belonged to Lord Breadalbane, and had been built by one of the ladies of that family for her defence, during her lord's absence at the Crusades; for which purpose she levied a tax of seven years' rent upon her tenants; he said that from that side of the lake it did not appear, in very dry weather, to stand upon an island, but that it was possible to go over to it without being wet-shod. We were very lucky in seeing it after a great flood; for its enchanting effect was chiefly owing to its situation in the lake, a decayed palace rising out of the plain of waters! I have called it a palace, for such feeling it gave me, though having been built as a place of defence, a castle or fortress. We turned again and reascended the hill, and sate a long time in the middle of it looking on the castle, and the huge mountain cove opposite, and William, addressing himself to the ruin, poured out these verses."
Compare Wordsworth's description of this ruin in his Guide through the
District of the Lakes.—Ed.