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The Poetical Works of William Wordsworth — Volume 2 (of 8)

Chapter 97: Composed 1800B.—Published 1807
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About This Book

A collection of lyrical and narrative poems ranging from intimate meditations on landscape and memory to shorter occasional pieces and a moral tale in verse about a wandering man and his loyal animal guide. The texts move between vivid descriptions of rural scenes and inward reflection, using simple diction and everyday incidents to examine imagination, conscience, and the emotional power of recollection. Recurring features include pastoral imagery, moral questioning prompted by ordinary events, and a sustained interest in how nature and memory shape feeling and thought.

 
1836
... travell'd on ...
1800



 
1802
That night, address'd a letter to the Priest
1800






 This Poem was intended to be the concluding poem of a series of pastorals, the scene of which was laid among the mountains of Cumberland and Westmoreland. I mention this to apologise for the abruptness with which the poem begins.—W. W. 1800.




 
In Dorothy Wordsworth's Grasmere Journal the following entry occurs:
"Friday, 6th August (1800).—In the morning I copied The Brothers."
Ed.




  This description of the Calenture is sketched from an imperfect recollection of an admirable one in prose, by Mr. Gilbert, Author of
The Hurricane
.—W. W. 1800.


Compare another reference to The Hurricane; a Theosophical and Western Eclogue etc., by William Gilbert, in one of the notes to The Excursion, book iii. l. 931.—Ed.




  The impressive circumstance here described, actually took place some years ago in this country, upon an eminence called Kidstow Pike, one of the highest of the mountains that surround Hawes-water. The summit of the pike was stricken by lightning; and every trace of one of the fountains disappeared, while the other continued to flow as before.—W. W. 1800.




 There is not any thing more worthy of remark in the manners of the inhabitants of these mountains, than the tranquillity, I might say indifference, with which they think and talk upon the subject of death. Some of the country church-yards, as here described, do not contain a single tomb-stone, and most of them have a very small number.—W. W. 1800.




 
The name in the original MS. was "Wilfred Evans."—Ed.




 The great Gavel, so called I imagine, from its resemblance to the Gable end of a house, is one of the highest of the Cumberland mountains. It stands at the head of the several vales of Ennerdale, Wastdale, and Borrowdale.


The Leeza is a River which flows into the Lake of Ennerdale: on issuing from the Lake, it changes its name, and is called the End, Eyne, or Enna. It falls into the sea a little below Egremont—W. W. 1800.




 
See Coleridge's criticism of these lines in a note to chapter xviii. of Biographia Literaria (vol. ii. p. 83 of the edition of 1817).—Ed.







'the gleam,
The light that never was, on sea or land,
The consecration, and the Poet's dream.'
It is the only poem of his referring to Ennerdale; but perhaps the chief association with that dale, to those who visit it after becoming acquainted with this poem, will be the fact that the brothers Ewbank were supposed to have spent their youth under the shadow of the Pillar, and Leonard to have had this conversation, on his return from sea, with the venerable priest of Ennerdale. The district is described with all that local accuracy which Wordsworth invariably showed in idealization. The height whence James Ewbank is supposed to have fallen is not the Pillar-Rock—a crag somewhat difficult to ascend, except by practised climbers, and which has only been accessible since mountaineering became an art and a passion to Englishmen. But, if we suppose the conversation with the priest of Ennerdale to have taken place at the Bridge, below the Lake—as that is the only place where there is both a hamlet and "a churchyard"—the "precipice" will refer to the Pillar "Mountain." Both are alluded to in the poem. The lines,
You see yon precipice;—it wears the shape
Of a vast building made of many crags;
And in the midst is one particular rock
That rises like a column from the vale,
Whence by our shepherds it is called, The Pillar,
are definite enough. The great mass of the Pillar Mountain is first referred to, and then the Rock which is a characteristic spur, halfway up the mountain on its northern side. The "aëry summit crowned with heath," however, on which "the loiterer" "lay stretched at ease," could neither be the top of this "rock" nor the summit of the "mountain": not the former, because there is no heath on it, and it would be impossible for a weary man, loitering behind his companions, to ascend it to rest; not the latter, because no one resting on the summit of the mountain could be "not unnoticed by his comrades," and they would not pass that way over the top of the mountain "on their return" to Ennerdale. This is an instance, therefore, in which precise localization is impossible. Probably Wordsworth did not know either that the pillar "rock" was bare on the summit, or that it had never been ascended in 1800; and he idealised it to suit his imaginative purpose. In connection with this poem, a remark he made to the Hon. Mr. Justice Coleridge may be recalled.
"He said there was some foundation in fact, however slight, for every poem he had written of a narrative kind; ... The Brothers was founded on a young shepherd, in his sleep, having fallen down a crag, his staff remaining suspended mid-way."
(See the Memoirs of Wordsworth, by the late Bishop of Lincoln, vol. ii. p. 305.) It should be added that the character of Leonard Ewbank was drawn in large part from that of the poet's brother John—Ed.



Contents: Poems on the Naming of Places
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The Seven Sisters; or, The Solitude of BinnorieA

Composed 1800B.—Published 1807



Story of this Poem is from the German of Frederica Brun
.—W. W. 1807.


One of the "Poems of the Fancy."—Ed.






The Poem

stanza text variant footnote line number
I Seven Daughters had Lord Archibald,
All children of one mother:
You could not say in one short day
What love they bore each other.
A garland, of seven lilies, wrought!
Seven Sisters that together dwell;
But he, bold Knight as ever fought,
Their Father, took of them no thought,
He loved the wars so well.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!


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II Fresh blows the wind, a western wind,
And from the shores of Erin,
Across the wave, a Rover brave
To Binnorie is steering:
Right onward to the Scottish strand
The gallant ship is borne;
The warriors leap upon the land,
And hark! the Leader of the band
Hath blown his bugle horn.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie.



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III Beside a grotto of their own,
With boughs above them closing,
The Seven are laid, and in the shade
They lie like fawns reposing.
But now, upstarting with affright
At noise of man and steed,
Away they fly to left, to right—
Of your fair household, Father-knight,
Methinks you take small heed!
Sing, mournfully, oh! mournfully,
The solitude of Binnorie.


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30


IV Away the seven fair Campbells fly,
And, over hill and hollow,
With menace proud, and insult loud,
The youthful Rovers follow.
Cried they, "Your Father loves to roam:
Enough for him to find
The empty house when he comes home;
For us your yellow ringlets comb,
For us be fair and kind!"
Sing, mournfully, oh! mournfully,
The solitude of Binnorie.



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V Some close behind, some side by side,
Like clouds in stormy weather;
They run, and cry, "Nay, let us die,
And let us die together."
A lake was near; the shore was steep;
There never foot had been;
They ran, and with a desperate leap
Together plunged into the deep,
Nor ever more were seen.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie.







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VI The stream that flows out of the lake,
As through the glen it rambles,
Repeats a moan o'er moss and stone,
For those seven lovely Campbells.
Seven little Islands, green and bare,
Have risen from out the deep:
The fishers say, those sisters fair,
By faeries all are buried there,
And there together sleep.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie.



Contents: Poems on the Naming of Places
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65






 
1836
I could ...
1807



 
1807
The Irish Rovers ...
MS.



 
1807
The sisters ran like mountain sheep
MS.
And in together did they leap
MS.






 
It is a well-known Scottish Ballad. In Jamieson's Popular Ballads, vol. i. p. 50 (1806), its title is "The Twa Sisters." In Walter Scott's Minstrelsy of the Scottish Border, vol. iii. p. 287, it is called "The Cruel Sisters." In The Ballads of Scotland, collected by W. Edmonstone Aytoun (1858), vol. i. p. 194, it is printed "Binnorie." In 1807 Wordsworth printed the sub-title The Solitude of Binnorie.—Ed.




 
In Dorothy Wordsworth's Grasmere Journal there is an entry, under date August 16, 1800,
"William read us The Seven Sisters."
It is uncertain whether this refers to his own poem or not, but I incline to think it does.—Ed.




 
In a MS. copy this note runs thus:
"This poem, in the groundwork of the story, is from the German of Frederica Brun."
Ed.




Contents: Poems on the Naming of Places
Main Contents




Rural Architecture

Composed 1800.—Published 1800



[Written at Town-end, Grasmere. These structures, as every one knows, are common amongst our hills, being built by shepherds, as conspicuous marks, and occasionally by boys in sport.—I. F.]


Included among the "Poems referring to the Period of Childhood."—Ed.






The Poem

text variant footnote line number
There's George Fisher, Charles Fleming, and Reginald Shore,
Three rosy-cheeked school-boys, the highest not more
Than the height of a counsellor's bag;
To the top of Great How did it please them to climb:
And there they built up, without mortar or lime,
A Man on the peak of the crag.

They built him of stones gathered up as they lay:
They built him and christened him all in one day,
An urchin both vigorous and hale;
And so without scruple they called him Ralph Jones.
Now Ralph is renowned for the length of his bones;
The Magog of Legberthwaite dale.

Just half a week after, the wind sallied forth,
And, in anger or merriment, out of the north,
Coming on with a terrible pother,
From the peak of the crag blew the giant away.
And what did these school-boys?—The very next day
They went and they built up another.

—Some little I've seen of blind boisterous works
By Christian disturbers more savage than Turks,
Spirits busy to do and undo:
At remembrance whereof my blood sometimes will flag;
Then, light-hearted Boys, to the top of the crag;
And I'll build up a giant with you.



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1800
From the meadows of Armath, on Thirlmere's wild shore,
1827
The text of 1832 reverts to that of 1800.




 
1800
... were once tempted to climb;
1827
The text of 1832 reverts to that of 1800.




 
1820
In Paris and London, 'mong Christians or Turks,
1800



 
This last stanza was omitted from the editions of 1805 and 1815. It was restored in 1820.






  Great How is a single and conspicuous hill, which rises towards the foot of Thirl-mere, on the western side of the beautiful dale of Legberthwaite, along the high road between Keswick and Ambleside.—W. W. 1800.




Contents: Poems on the Naming of Places
Main Contents




A Character

Composed 1800.—Published 1800

[The principal features are taken from my friend Robert Jones.—I. F.]


Included among the "Poems of Sentiment and Reflection."—Ed.






The Poem


text variant footnote line number
I marvel how Nature could ever find space
For so many strange contrasts in one human face:
There's thought and no thought, and there's paleness and bloom
And bustle and sluggishness, pleasure and gloom.

There's weakness, and strength both redundant and vain;
Such strength as, if ever affliction and pain
Could pierce through a temper that's soft to disease,
Would be rational peace—a philosopher's ease.

There's indifference, alike when he fails or succeeds,
And attention full ten times as much as there needs;
Pride where there's no envy, there's so much of joy;
And mildness, and spirit both forward and coy.

There's freedom, and sometimes a diffident stare
Of shame scarcely seeming to know that she's there,
There's virtue, the title it surely may claim,
Yet wants heaven knows what to be worthy the name.

This picture from nature may seem to depart,
Yet the Man would at once run away with your heart;
And I for five centuries right gladly would be
Such an odd such a kind happy creature as he.



Note
Contents: Poems on the Naming of Places
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1837
For the weight and the levity seen in his face:
1800



 
1837
... and ...
1800



 
1837
What a picture! 'tis drawn without nature or art,
1800








Contents: Poems on the Naming of Places
Main Contents