[202]1827.
[203]1827.
[204]1827.
[205]1836.
[206]1827.
[207] 1845.
[208]1836.
[209]1845.
[210] 1836.
FOOTNOTES:
[BJ] In the Fenwick note Wordsworth says, "In the poem, I suppose that the Pedlar and I ascended from a plain country up the vale of Langdale, and struck off a good way above the chapel to the western side of the vale." They start from Grasmere, cross over to Langdale by Red Bank and High Close, and walk up the lower part of the valley of Great Langdale, past Elter Water and Chapel Stile.—ED.
[BK] At Chapel Stile the villagers of Langdale are seen at their annual Fair. Dorothy Wordsworth thus alludes to one of these rural Fairs in her Grasmere Journal: "Tuesday, September 2nd, 1800.—We walked to the Fair. There seemed very few people and very few stalls, yet I believe there were many cakes and much beer sold.... It was a lovely moonlight night.... The moonlight shone only upon the village. It did not eclipse the village lights, and the sound of dancing and merriment came along the still air. I walked with Coleridge and Wm. up the lane and by the church, and then lingered with Coleridge in the garden...." See also the account of the "village merry-night," in The Waggoner, canto ii. ll. 307-443 (vol. iii. p. 89.)—ED.
[BL] Lingmoor.—ED.
[BM] At Blea Tarn, where the Solitary lived.—ED.
[BN] "Not long after we took up our abode at Grasmere, came to reside there, from what motive I either never knew or have forgotten, a Scotchman, a little past the middle of life, who had for many years been chaplain to a Highland regiment. He was in no respect, as far as I know, an interesting character, though in his appearance there was a good deal that attracted attention, as if he had been shattered in fortune, and not happy in mind. Of his quondam position I availed myself to connect with the Wanderer, also a Scotchman, a character suitable to my purpose, the elements of which I drew from several persons with whom I had been connected, and who fell under my observation during frequent residences in London at the beginning of the French Revolution."—I. F.
[BO] Compare The Prelude, books ix., x., and xi., passim.—ED.
[BP] I have not been able to trace this quotation.
occurs in the Ode, Intimations of Immortality.—ED.
[BQ] Langdale.—ED.
[BR] The flank of Lingmoor.—ED.
[BS] The flat heathery summit of Lingmoor. Note the text of 1814.—ED.
[BT] Bowfell, Great End, Shelter Crags, and Pike o' Blisco to the west straight before them, the Langdale Pikes to the north on the right, with Wrynose, Wetherlam, and the Coniston Mountains to the south-west.—ED.
[BU] The head of Little Langdale, with Blea Tarn in the centre, as seen from the top of Lingmoor, the only point, except the summit of Blake Rigg, from which it appears "urn-like."
With the six previous lines compare Beattie's Minstrel, book ii. stanza vi.—
[BV] The "small opening, where a heath-clad ridge supplied a boundary," is that which leads down into Little Langdale by Fell Foot and Busk.—ED.
[BW] The "nook" is not now "treeless," but the fir-wood on the western side of the Vale adds to its "quiet," and deepens the sense of seclusion.—ED.
[BX] Blea Tarn. "The scene in which this small piece of water lies, suggested to the Author the following description (given in his poem of The Excursion), supposing the spectator to look down upon it, not from the road, but from one of its elevated sides." (See Wordsworth's Description of the Scenery of the District of the Lakes in his Prose Works.)—ED.
[BY] The solitary cottage, called Blea Tarn house, which is passed on the left of the road under Side Pike.—ED.
[BZ] The following is from Dorothy Wordsworth's Grasmere Journal: Wednesday, 3rd September 1800.—"I went to a funeral at John Dawson's. About 10 men and 4 women.... The dead person 56 years of age, buried by the parish.... They set the corpse down at the door; and, while we stood within the threshold, the men, with their hats off, sang, with decent and solemn countenances, a verse of a funeral psalm. The corpse was then borne down the hill, and they sang till they had passed the Town-end. I was affected to tears while we stood in the house.... There were no near kindred, no children. When we got out of the dark house the sun was shining, and the prospect looked as divinely beautiful as I ever saw it. It seemed more sacred than I had ever seen it, and yet more allied to human life.... When we came to the bridge, they began to sing again, and stopped during four lines before they entered the churchyard." Compare this with such phrases in The Excursion as—
[CA] See the note on the preceding page.—ED.
[CB] Descending from the top of Lingmoor to Blea Tarn.—ED.
[CC] The upper part of Little Langdale, descending to Fell Foot.—ED.
[CD] A spot exactly similar to this can easily be found, about two hundred yards above the house, in the narrow gorge of Blea Tarn Ghyll, below a waterfall, where a "moss-grown wall" still approaches the rock on the other side of the stream, and where a "penthouse" might easily be made by children.—ED.
[CE] It may not be too trivial to note that, to this day, in the Cumberland and Westmoreland vales, one of the favourite games of children on the fell-sides near their cottages, is playing at mimic gardens and parterres, made out of fragments of broken pottery.—ED.
[CF] Compare Lamb's remark in a letter to Wordsworth, 14th August 1814. See Letters of Charles Lamb, edited by Canon Ainger, vol. i. p. 271.—ED.
[CG] The flat ground on the more level part of the valley near Blea Tarn cottage.—ED.
[CH] Compare Resolution and Independence, stanza xiii. (see vol. ii. p. 319).—ED.
[CI] Compare the note p. 83; also the Fenwick note, in which Wordsworth laments the change in the "manner in which, till lately, every one was borne to the place of sepulture."—ED.
[CJ] The custom of mourners kneeling round the coffin was, till quite lately, in common use. It is still observed in some churches in Cumberland and Westmoreland, but is gradually passing away.—ED.
[CK] Blea Tarn house is a humble cottage, resembling Anne Tyson's house at Hawkshead where Wordsworth lived when at school. On the ground-floor are a parlour, kitchen, and dairy. You ascend by nine stone steps to the upper flat, where there are four small rooms, and the window of one of them faces the north in the direction of the Langdale Pikes. The foundations of an older house may be seen a little lower down, about twenty yards nearer the tarn; but the present house was probably standing at the beginning of this century. As there are two poplars to the north of the cottage, and a sycamore near them, it is not likely that the place was entirely "treeless" in Wordsworth's time. In the Fenwick memoranda he says "the cottage was called Hackett, and stands, as described, on the southern extremity of the ridge which separates the two Langdales." In this he evidently confounds Hackett cottage, near Colwith—which separates the two Langdales as you ascend them from the lower country—with the Blea Tarn cottage, which stands on "the southern extremity of the ridge which separates the Langdale" valleys as you descend them.—ED.
[CL] It is generally supposed that the
are the Langdale Pikes; and it is the most likely supposition. But, if the three were seated, as described, in the upper room of the cottage (which has one small window looking toward the Pikes), they could not possibly see them. Side Pike and Pike o' Blisco alone could be seen. Either then, these are the Peaks referred to; or, what is much more likely, the realism of the narrative here gives way; and the far finer pikes of Langdale are introduced—although they are not visible from the house—because they belong to the district, and can be seen from so many points around. The phrases "from some other vale" and "lusty twins" point unmistakably to those two characteristic pikes which "peer" over the crest of the ridge dividing the Langdale valleys. "Let a man," says Dr. Cradock, "as he approaches Blea Tarn from Little Langdale, see these slowly rising, and peering alone over the depression (or Haws) which divides the Langdales, and he cannot doubt that they are the 'lusty twins.' Let the Haws be in shadow, and the Pikes in sunlight, or the reverse, and the effect is one of the most striking in all the district." Compare the sonnet, November 1, 1815, beginning—
[CM] This is strictly accurate. On and about the 21st June, the sun, as seen from Blea Tarn, sets just between the Langdale Pikes.—ED.
[CN] "Mark how the wind rejoices in these peaks, and they give back its wild pleasure; how all the things which touch and haunt them get their reply; how they are loved and love; how busy are the mute agents there; how proud the stars to shine on them." (Stopford A. Brooke's Theology in the English Poets, p. 108.)—ED.
[CO] "The account given by the Solitary, towards the close of the second book, in all that belongs to the character of the old man, was taken from a Grasmere pauper, who was boarded in the last house quitting the vale on the road to Ambleside."—I.F.
[CP] "The character of his hostess, and all that befell the poor man upon the mountain, belongs to Paterdale. The woman I knew well; her name was Ruth Jackson, and she was exactly such a person as I describe. The ruins of the old chapel, among which the old man was found lying, may yet be traced, and stood upon the ridge that divides Paterdale from Boardale and Martindale, having been placed there for the convenience of both districts."—I.F.
The following is Dorothy Wordsworth's account of the same occurrence, given in a record of what she called "a Mountainous Ramble," written in 1805. Her brother afterwards incorporated this passage, with a few alterations, in his Description of the Scenery of the Lakes.
"Looked into Boar Dale above Sanwick—deep and bare, a stream winding down it. After having walked a considerable way on the tops of the hills, came in view of Glenridding and the mountains above Grisdale. Luff then took us aside, before we had begun to descend, to a small ruin, which was formerly a chapel or place of worship where the inhabitants of Martindale and Paterdale were accustomed to meet on Sundays. There are now no traces by which you could discover that the building had been different from a common sheepfold; the loose stones and the few which yet remain piled up are the same as those which lie about on the mountain; but the shape of the building being oblong is not that of a common sheepfold, and it stands east and west. Whether it was ever consecrated ground or not I know not; but the place may be kept holy in the memory of some now living in Paterdale; for it was the means of preserving the life of a poor old man last summer, who, having gone up the mountain to gather peats, had been overtaken by a storm, and could not find his way down again. He happened to be near the remains of the old chapel, and, in a corner of it, he contrived, by laying turf and ling and stones from one wall to the other, to make a shelter from the wind, and there he lay all night. The woman who had sent him on his errand began to grow uneasy towards night, and the neighbours went out to seek him. At that time the old man had housed himself in his nest, and he heard the voices of the men, but could not make them hear, the wind being so loud, and he was afraid to leave the spot lest he should not be able to find it again, so he remained there all night; and they returned to their homes, giving him up for lost; but the next morning the same persons discovered him huddled up in the sheltered nook. He was at first stupefied and unable to move; but after he had eaten and drunk, and recollected himself a little, he walked down the mountain, and did not afterwards seem to have suffered."—ED.
[CQ] Compare Ezekiel, chap. i.—ED.
[CR] "The glorious appearance disclosed above and among the mountains, was described partly from what my friend Mr. Luff, who then lived in Paterdale, witnessed upon that melancholy occasion, and partly from what Mary and I had seen, in company with Sir George and Lady Beaumont, above Hartshope Hall, on our way from Paterdale to Ambleside."—I. F.
Compare the lines 827-881 with the account of the view from the top of Snowdon, in The Prelude, book xiv. II. 11-62 (vol. iii. pp. 367-68), and see Charles Lamb's remarks in his letter to Wordsworth (Aug. 14, 1814) on receiving a copy of The Excursion. (Letters of Charles Lamb, edited by Alfred Ainger, vol. i. p. 271.) In his Table Talk Coleridge expresses a wish "that the first two books of The Excursion had been published separately under the name of 'The Deserted Cottages.' They would have formed, what indeed they are, one of the most beautiful poems in the language." This advice has been followed more than once—ED.
Book Third
DESPONDENCY
ARGUMENT
Images in the Valley—Another Recess in it entered and described—Wanderer's sensations—Solitary's excited by the same objects—Contrast between these—Despondency of the Solitary gently reproved—Conversation exhibiting the Solitary's past and present opinions and feelings, till he enters upon his own History at length—His domestic felicity—Afflictions—Dejection—Roused by the French Revolution—Disappointment and disgust—Voyage to America—Disappointment and disgust pursue him—His return—His languor and depression of mind, from want of faith in the great truths of Religion, and want of confidence in the virtue of Mankind.