The Posthumous Works of Thomas De Quincey, Vol. 1

That sounds lovely to my ears. Oh yes, that collusion with dim sleeping infancy is lovely to me; but I was too advanced in intellect to have been tempted by such temptations. Still there was a perilous attraction for me in worlds that slept and rested; and if the Erl-king's daughter had revealed herself to my perceptions, there was one 'show' that she might have promised which would have wiled me away with her into the dimmest depths of the mightiest and remotest forests.

3.—Who is this Woman that beckoneth and warneth me from the Place where she is, and in whose Eyes is Woeful Remembrance? I guess who she is.

In my dreams were often prefigurements of my future, as I could not but read the signs. What man has not some time in dewy morn, or sequestered eve, or in the still night-watches, when deep sleep falleth on other men but visiteth not his weary eyelids—what man, I say, has not some time hushed his spirit and questioned with himself whether some things seen or obscurely felt, were not anticipated as by mystic foretaste in some far halcyon time, post-natal or ante-natal he knew not; only assuredly he knew that for him past and present and future merged in one awful moment of lightning revelation. Oh, spirit that dwelleth in man, how subtle are thy revelations; how deep, how delirious the raptures thou canst inspire; how poignant the stings with which thou canst pierce the heart; how sweet the honey with which thou assuagest the wound; how dark the despairs and accusings that lie behind thy curtains, and leap upon us like lightning from the cloud, with the sense as of some heavenly blazoning, and oftentimes carry us beyond ourselves!

It is a sweet morning in June, and the fragrance of the roses is wafted towards me as I move—for I am walking in a lawny meadow, still wet with dew—and a wavering mist lies over the distance. Suddenly it seems to lift, and out of the dewy dimness emerges a cottage, embowered with roses and clustering clematis; and the hills, in which it is set like a gem, are tree-clad, and rise billowy behind it, and to the right and to the left are glistening expanses of water. Over the cottage there hangs a halo, as if clouds had but parted there. From the door of that cottage emerges a figure, the countenance full of the trepidation of some dread woe feared or remembered. With waving arm and tearful uplifted face the figure first beckons me onward, and then, when I have advanced some yards, frowning, warns me away. As I still continue to advance, despite the warning, darkness falls: figure, cottage, hills, trees, and halo fade and disappear; and all that remains to me is the look on the face of her that beckoned and warned me away. I read that glance as by the inspiration of a moment. We had been together; together we had entered some troubled gulf; struggled together, suffered together. Was it as lovers torn asunder by calamity? was it as combatants forced by bitter necessity into bitter feud, when we only, in all the world, yearned for peace together? Oh, what a searching glance was that which she cast on me! as if she, being now in the spiritual world, abstracted from flesh, remembered things that I could not remember. Oh, how I shuddered as the sweet sunny eyes in the sweet sunny morning of June—the month that was my 'angelical'; half spring, yet with summer dress, that to me was very 'angelical'—seemed reproachfully to challenge in me recollections of things passed thousands of years ago (old indeed, yet that were made new again for us, because now first it was that we met again). Oh, heavens! it came over me as doth the raven over the infected house, as from a bed of violets sweeps the saintly odour of corruption. What a glimpse was thus revealed! glory in despair, as of that gorgeous vegetation that hid the sterilities of the grave in the tropics of that summer long ago; of that heavenly beauty which slept side by side within my sister's coffin in the month of June; of those saintly swells that rose from an infinite distance—I know not whether to or from my sister. Could this be a memorial of that nature? Are the nearer and more distant stages of life thus dimly connected, and the connection hidden, but suddenly revealed for a moment?

This lady for years appeared to me in dreams; in that, considering the electric character of my dreams, and that they were far less like a lake reflecting the heavens than like the pencil of some mighty artist—Da Vinci or Michael Angelo—that cannot copy in simplicity, but comments in freedom, while reflecting in fidelity, there was nothing to surprise. But a change in this appearance was remarkable. Oftentimes, after eight years had passed, she appeared in summer dawn at a window. It was a window that opened on a balcony. This feature only gave a distinction, a refinement, to the aspect of the cottage—else all was simplicity. Spirit of Peace, dove-like dawn that slept upon the cottage, ye were not broken by any participation in my grief and despair! For ever the vision of that cottage was renewed. Did I roam in the depths of sweet pastoral solitudes in the West, with the tinkling of sheep-bells in my ears, a rounded hillock, seen vaguely, would shape itself into a cottage; and at the door my monitory, regretful Hebe would appear. Did I wander by the seashore, one gently-swelling wave in the vast heaving plain of waters would suddenly transform itself into a cottage, and I, by some involuntary inward impulse, would in fancy advance toward it.

Ah, reader, you will think this which I am going to say too near, too holy, for recital. But not so. The deeper a woe touches me in heart, so much the more am I urged to recite it. The world disappears: I see only the grand reliques of a world—memorials of a love that has departed, has been—the record of a sorrow that is, and has its greyness converted into verdure—monuments of a wrath that has been reconciled, of a wrong that has been atoned for—convulsions of a storm that has gone by. What I am going to say is the most like a superstitious thing that I ever shall say. And I have reason to think that every man who is not a villain once in his life must be superstitious. It is a tribute which he pays to human frailty, which tribute if he will not pay, which frailty if he will not share, then also he shall not have any of its strength.

The face of this monitory Hebe haunted me for some years in a way that I must faintly attempt to explain. It is little to say that it was the sweetest face, with the most peculiar expression of sweetness, that I had ever seen: that was much, but that was earthly. There was something more terrific, believe me, than this; yet that was not the word: terror looks to the future; and this perhaps did, but not primarily. Chiefly it looked at some unknown past, and was for that reason awful; yes, awful—that was the word.

Thus, on any of those heavenly sunny mornings, that now are buried in an endless grave, did I, transported by no human means, enter that cottage, and descend to that breakfast-room, my earliest salute was to her, that ever, as the look of pictures do, with her eyes pursued me round the room, and oftentimes with a subtle checking of grief, as if great sorrow had been or would be hers. And it was, too, in the sweet Maytime. Oh yes; she was but as if she had been—as if it were her original ... chosen to have been the aurora of a heavenly clime; and then suddenly she was as one of whom, for some thousand years, Paradise had received no report; then, again, as if she entered the gates of Paradise not less innocent; and, again, as if she could not enter; and some blame—but I knew not what blame—was mine; and now she looked as though broken with a woe that no man could read, as she sought to travel back to her early joy—yet no longer a joy that is sublime in innocency, but a joy from which sprung abysses of memories polluted into anguish, till her tears seemed to be suffused with drops of blood. All around was peace and the deep silence of untroubled solitude; only in the lovely lady was a sign of horror, that had slept, under deep ages of frost, in her heart, and now rose, as with the rushing of wings, to her face. Could it be supposed that one life—so pitiful a thing—was what moved her care? Oh no; it was, or it seemed, as if this poor wreck of a life happened to be that one which determined the fate of some thousand others. Nothing less; nothing so abject as one poor fifty years—nothing less than a century of centuries could have stirred the horror that rose to her lovely lips, as once more she waved me away from the cottage.

Oh, reader, five years after I saw that sweet face in reality—saw it in the flesh; saw that pomp of womanhood; saw that cottage; saw a thousand times that lovely domicile that heard the cooing of the solitary dove in the solitary morning; saw the grace of childhood and the shadows of graves that lay, like creatures asleep, in the sunshine; saw, also, the horror, somehow realized as a shadowy reflection from myself, which warned me off from that cottage, and which still rings through the dreams of five-and-twenty years.

The general sentiment or sense of pre-existence, of which this Suspiria may be regarded as one significant and affecting illustration, had this record in the outset of the 'Reminiscences of Wordsworth':

'Oh, sense of mysterious pre-existence, by which, through years, in which as yet a stranger to those valleys of Westmoreland, I viewed myself as a phantom self—a second identity projected from my own consciousness, and already living amongst them—how was it, and by what prophetic instinct, that already I said to myself oftentimes, when chasing day-dreams along the pictures of these wild mountainous labyrinths, which as yet I had not traversed, "Here, in some distant year, I shall be shaken with love, and there with stormiest grief and regret"? Whence was it that sudden revelations came upon me, like the drawings up of a curtain, and closing again as rapidly, of scenes that made the future heaven of my life? And how was it that in thought I was, and yet in reality was not, a denizen, already, in 1803, 1804, 1805, of lakes and forest lawns, which I never saw till 1807? and that, by a prophetic instinct of heart, I rehearsed and lived over, as it were, in vision those chapters of my life which have carried with them the weightiest burden of joy and sorrow, and by the margin of those very lakes and hills with which I prefigured this connection? and, in short, that for me, by a transcendent privilege, during the novitiate of my life, most truly I might say:

4.—THE PRINCESS WHO OVERLOOKED ONE SEED IN A POMEGRANATE.

There is a story told in the 'Arabian Nights' of a princess who, by overlooking one seed of a pomegranate, precipitated the event which she had laboured to make impossible. She lies in wait for the event which she foresees. The pomegranate swells, opens, splits; the seeds, which she knows to be roots of evil, rapidly she swallows; but one—only one—before it could be arrested, rolls away into a river. It is lost! it is irrecoverable! She has triumphed, but she must perish. Already she feels the flames mounting up which are to consume her, and she calls for water hastily—not to deliver herself (for that is impossible), but, nobly forgetting her own misery, that she may prevent that destruction of her brother mortal which had been the original object for hazarding her own. Yet why go to Arabian fictions? Even in our daily life is exhibited, in proportions far more gigantic, that tendency to swell and amplify itself into mountains of darkness, which exists oftentimes in germs that are imperceptible. An error in human choice, an infirmity in the human will, though it were at first less than a mote, though it should swerve from the right line by an interval less than any thread

sometimes begins to swell, to grow, to widen its distance rapidly, travels off into boundless spaces remote from the true centre, spaces incalculable and irretraceable, until hope seems extinguished and return impossible. Such was the course of my own opium career. Such is the history of human errors every day. Such was the original sin of the Greek theories on Deity, which could not have been healed but by putting off their own nature, and kindling into a new principle—absolutely undiscoverable, as I contend, for the Grecian intellect.

Oftentimes an echo goes as it were to sleep: the series of reverberations has died away. Suddenly a second series awakens: this subsides, then a third wakens up. So of actions done in youth. After great tumults all is quieted. You dream that they are over. In a moment, in the twinkling of an eye, on some fatal morning in middle-life the far-off consequences come back upon you. And you say to yourself, 'Oh, Heaven, if I had fifty lives this crime would reappear, as Pelion upon Ossa!' So was it with my affection. Left to natural peace, I might have conquered it: Verschmerzeon. To charm it down by the mere suffering of grief, to hush it by endurance, that was the natural policy—that was the natural process. But behold! A new form of sorrow arises, and the two multiply together. And the worm which was beginning to fall asleep is roused again to pestilential fierceness.

5.—NOTES FOR 'SUSPIRIA.'

Mystery unfathomable of Death! Mystery unapproachable of God! Destined it was, from the foundations of the world, that each mystery should make war upon the other: once that the lesser mystery should swallow up for a moment a limbus of the greater; and that woe is past: once that the greater mystery should swallow up for ever the whole vortex of the lesser; and that glory is yet to come. After which man, that is the son of God, shall lift up his eyes for ever, saying, 'Behold! these were two mysteries; and one is not; and there is but one mystery that survives for ever!'

If an eternity (Death supposed) is as vast as a star, yet the most miserable of earthly blocks not four feet square will eclipse, masque, hide it from centre to circumference. And so it really is. Incredible as it might seem apart from experience, the dreadful reality of death is utterly withdrawn from us because itself dwindles to an apparent mote, and the perishing non-reality thickens into a darkness as massy as a rock.

Great changes summon to great meditations. Daily we see the most joyous of events take a colouring of solemnity from the mere relation in which they stand to an uncertain future: the birth of a child, heir to the greatest expectations, and welcomed clamorously by the sympathy of myriads, speaks to the more reflecting in an undertone of monitory sadness, were it only as a tribute to the frailty of human expectations: and a marriage-day, of all human events the most lawfully festal, yet needs something of effort to chase away the boding sadness which settles unavoidably upon any new career; the promise is vague, but new hopes have created new dangers, and responsibilities contracted perhaps with rapture are charged with menace.

For every one of us, male or female, there is a year of crisis—a year of solemn and conscious transition, a year in which the light-hearted sense of the irresponsible ceases to gild the heavenly dawn. A year there is, settled by no law or usage, for me perhaps the eighteenth, for you the seventeenth, for another the nineteenth, within the gates of which, underneath the gloomy archway of which, sits a phantom of yourself.

Turn a screw, tighten a linch-pin—which is not to disease, but perhaps to exalt, the mighty machinery of the brain—and the Infinities appear, before which the tranquillity of man unsettles, the gracious forms of life depart, and the ghostly enters. So profoundly is this true, that oftentimes I have said of my own tremendous experience in this region—destined too certainly, I fear, finally to swallow up intellect and the life of life in the heart, unless God of His mercy fetches me away by some sudden death—that death, considered as an entrance to this ghostly world, is but a postern-gate by comparison with the heaven-aspiring vestibule through which this world of the Infinite introduces the ghostly world.

Time, if it does not diminish grief, alters its character. At first we stretch out our hands in very blindness of heart, as if trying to draw back again those whom we have lost. But, after a season, when the impotence of such efforts has become too sensibly felt, finding that they will not come back to us, a strange fascination arises which yearns after some mode of going to them. There is a gulf fixed which childhood rarely can pass. But we link our wishes with whatsoever would gently waft us over. We stretch out our hands, and say, 'Sister, lend us thy help, and plead for us with God, that we may pass over without much agony.'

The joy of an infant, or joy-generation, without significance to an unprofound and common mind—how strange to see the excess of pathos in that; yet men of any (or at least of much) sensibility see in this a transpicuous masque for another form, viz., the eternal ground of sorrow in all human hearts. This, by the way, in an essay on William Wordsworth, should be noticed as the charm of his poetry; and the note differential, in fact. At least, I know not of any former poet who has so systematically sought his sadness in the very luxury of joy. Thus, in the 'Two April Mornings,' 'what a mortal freshness of dewy radiance! what an attraction of early summer! what a vision of roses in June! Yet it is all transmuted to a purpose of sadness.'

Ah, reader, scorn not that which—whether you refuse it or not as the reality of realities—is assuredly the reality of dreams, linking us to a far vaster cycle, in which the love and the languishing, the ruin and the horror, of this world are but moments—but elements in an eternal circle. The cycle stretches from an East that is forgotten to a West that is but conjectured. The mere fact of your own individual calamity is a life; the tragedy is a nature; the hope is but as a dim augury written on a flower.[5]

If the things that have fretted us had not some art for retiring into secret oblivion, what a hell would life become! Now, understand how in some nervous derangements this horror really takes place. Some things that had sunk into utter forgetfulness, others that had faded into visionary power, all rise as gray phantoms from the dust; the field of our earthly combats that should by rights have settled into peace, is all alive with hosts of resurrections—cavalries that sweep in gusty charges—columns that thunder from afar—arms gleaming through clouds of sulphur.

God takes care for the religion of little children wheresoever His Christianity exists. Wheresoever there is a national Church established, to which a child sees all his protectors resort; wheresoever he beholds amongst earthly creatures whom most he honours prostrate in devotion before these illimitable heavens, which fill to overflowing the total capacities of his young adoring heart; wheresoever at intervals he beholds the sleep of death, falling upon the men or women whom he has seen—a depth stretching as far below his power to fathom as those persons ascend beyond his powers to pursue—God speaks to their hearts by dreams and their tumultuous grandeurs. Even by solitude does God speak to little children, when made vocal by the services of Christianity, as also he does by darkness wheresoever it is peopled with visions of His almighty power. For a pagan child, for a Greek child, solitude was nothing; for a Christian child it is made the power of God, and the hieroglyphic of His most distant truth. The solitude in life is deep for the millions who have none to love them, and deep for those who suffer by secret and incommunicable woe and have none to pity them. Thus, be you assured that though infancy talks least of that which slumbers deepest, it yet rests in its own transcendent solitude. But infancy, you say, talks surely most of that which is uppermost in its heart. Yes, doubtless of that which is uppermost, but not at all of that which slumbers below the foundations of its heart.

[And then follows a suggestion to put in a note:]

I except one case, the case of any child who is marked for death by organic disease, and knows it. In such cases the creature is changed—that which would have been unchildlike ceases to offend, for a new character is forming.

II. THE LOVELIEST SIGHT FOR WOMAN'S EYES.

The loveliest sight that a woman's eye opens upon in this world is her first-born child; and the holiest sight upon which the eyes of God settle in Almighty sanction and perfect blessing is the love which soon kindles between the mother and her infant: mute and speechless on the one side, with no language but tears and kisses and looks. Beautiful is the philosophy ... which arises out of that reflection or passion connected with the transition that has produced it. First comes the whole mighty drama of love, purified[6] ever more and more, how often from grosser feelings, yet of necessity through its very elements, oscillating between the finite and the infinite: the haughtiness of womanly pride, so dignified, yet not always free from the near contagion of error; the romance so ennobling, yet not always entirely reasonable; the tender dawn of opening sentiments, pointing to an idea in all this which it neither can reach nor could long sustain. Think of the great storm of agitation, and fear and hope, through which, in her earliest days of womanhood, every woman must naturally pass, fulfilling a law of her Creator, yet a law which rests upon her mixed constitution; animal, though indefinitely ascending to what is non-animal—as a daughter of man, frail ... and imperfect, yet also as a daughter of God, standing erect, with eyes to the heavens. Next, when the great vernal passover of sexual tenderness and romance has fulfilled its purpose, we see, rising as a Phœnix from this great mystery of ennobled instincts, another mystery, much more profound, more affecting, more divine—not so much a rapture as a blissful repose of a Sabbath, which swallows up the more perishing story of the first; forcing the vast heart of female nature through stages of ascent, forcing it to pursue the transmigrations of the Psyche from the aurelic condition, so glowing in its colour, into the winged creature which mixes with the mystery of the dawn, and ascends to the altar of the infinite heavens, rising by a ladder of light from that sympathy which God surveys with approbation; and even more so as He beholds it self-purifying under His Christianity to that sympathy which needs no purification, but is the holiest of things on this earth, and that in which God most reveals Himself through the nature of humanity.

Well is it for the glorification of human nature that through these the vast majority of women must for ever pass; well also that, by placing its sublime germs near to female youth, God thus turns away by anticipation the divinest of disciplines from the rapacious absorption of the grave. Time is found—how often—for those who are early summoned into rendering back their glorious privilege, who yet have tasted in its first-fruits the paradise of maternal love.

And pertaining also to this part of the subject, I will tell you a result of my own observations of no light importance to women.

It is this: Nineteen times out of twenty I have remarked that the true paradise of a female life in all ranks, not too elevated for constant intercourse with the children, is by no means the years of courtship, nor the earliest period of marriage, but that sequestered chamber of her experience, in which a mother is left alone through the day, with servants perhaps in a distant part of the house, and (God be thanked!) chiefly where there are no servants at all, she is attended by one sole companion, her little first-born angel, as yet clinging to her robe, imperfectly able to walk, still more imperfect in its prattling and innocent thoughts, clinging to her, haunting her wherever she goes as her shadow, catching from her eye the total inspiration of its little palpitating heart, and sending to hers a thrill of secret pleasure so often as its little fingers fasten on her own. Left alone from morning to night with this one companion, or even with three, still wearing the graces of infancy; buds of various stages upon the self-same tree, a woman, if she has the great blessing of approaching such a luxury of paradise, is moving—too often not aware that she is moving—through the divinest section of her life. As evening sets in, the husband, through all walks of life, from the highest professional down to that of common labour, returns home to vary her modes of conversation by such thoughts and interests as are more consonant with his more extensive capacities of intellect. But by that time her child (or her children) will be reposing on the little couch, and in the morning, duly as the sun ascends in power, she sees before her a long, long day of perfect pleasure in this society which evening will bring to her, but which is interwoven with every fibre of her sensibilities. This condition of noiseless, quiet love is that, above all, which God blesses and smiles upon.

III. WHY THE PAGANS COULD NOT INVEST THEIR GODS WITH ANY IOTA OF GRANDEUR.

It is not for so idle a purpose as that of showing the Pagan backsliding—that is too evident—but for a far subtler purpose, and one which no man has touched, viz., the incapacity of creating grandeur for the Pagans, even with carte blanche in their favour, that I write this paper. Nothing is more incomprehensible than the following fact—nothing than this when mastered and understood is more thoroughly instructive—the fact that having a wide, a limitless field open before them, free to give and to take away at their own pleasure, the Pagans could not invest their Gods with any iota of grandeur. Diana, when you translate her into the Moon, then indeed partakes in all the natural grandeur of a planet associated with a dreamy light, with forests, forest lawns, etc., or the wild accidents of a huntress. But the Moon and the Huntress are surely not the creations of Pagans, nor indebted to them for anything but the murderous depluming which Pagan mythology has operated upon all that is in earth or in the waters that are under the earth. Now, why could not the ancients raise one little scintillating glory in behalf of their monstrous deities? So far are they from thus raising Jupiter, that he is sometimes made the ground of nature (not, observe, for any positive reason that they had for any relation that Jupiter had to Creation, but simply for the negative reason that they had nobody else)—never does Jupiter seem more disgusting than when as just now in a translation of the 'Batrachia' I read that Jupiter had given to frogs an amphibious nature, making the awful, ancient, first-born secrets of Chaos to be his, and thus forcing into contrast and remembrance his odious personality.

Why, why, why could not the Romans, etc., make a grandeur for their Gods? Not being able to make them grand, they daubed them with finery. All that people imagine in the Jupiter Olympus of Phidias—they themselves confer. But an apostle is beyond their reach.

When, be it well observed, the cruel and dark religions are far more successful than those of Greece and Rome, for Osiris, etc., by the might of the devil, of darkness, are truly terrific. Cybele stands as a middle term half-way between these dark forms and the Greek or Roman. Pluto is the very model of a puny attempt at darkness utterly failing. He looks big; he paints himself histrionically; he soots his face; he has a masterful dog, nothing half so fearful as a wolf-dog or bloodhound; and he raises his own manes, poor, stridulous Struldbrugs.

Vainly did the ancient Pagans fight against this fatal weakness.

They may confer upon their Gods glittering titles of 'ambrosial,' 'immortal'; but the human mind is careless of positive assertion, and of clamorous iteration in however angry a tone, when silently it observes stealing out of facts already conceded some fatal consequence at war with all these empty pretensions—mortal even in the virtual conceptions of the Pagans. If the Pagan Gods were really immortal, if essentially they repelled the touch of mortality, and not through the adulatory homage of their worshippers causing their true aspects to unsettle or altogether to disappear in clouds of incense, then how came whole dynasties of Gods to pass away, and no man could tell whither? If really they defied the grave, then how was it that age and the infirmities of age passed upon them like the shadow of eclipse upon the golden faces of the planets? If Apollo were a beardless young man, his father was not such—he was in the vigour of maturity; maturity is a flattering term for expressing it, but it means past youth—and his grandfather was superannuated. But even this grandfather, who had been once what Apollo was now, could not pretend to more than a transitory station in the long succession of Gods. Other dynasties, known even to man, there had been before his; and elder dynasties before that, of whom only rumours and suspicions survived. Even this taint, however, this direct access of mortality, was less shocking to my mind in after-years than the abominable fact of its reflex or indirect access in the shape of grief for others who had died. I need not multiply instances; they are without end. The reader has but to throw his memory back upon the anguish of Jupiter, in the 'Iliad,' for the approaching death of his son Sarpedon, and his vain struggles to deliver himself from this ghastly net; or upon Thetis, fighting against the vision of her matchless Pelides caught in the same vortex; or upon the Muse in Euripides, hovering in the air and wailing over her young Rhesus, her brave, her beautiful one, of whom she trusted that he had been destined to confound the Grecian host. What! a God, and liable to the pollution of grief! A Goddess, and standing every hour within the peril of that dismal shadow!

Here in one moment mark the recoil, the intolerable recoil, upon the Pagan mind, of that sting which vainly they pretended to have conquered on behalf of their Pantheon. Did the reader fancy that I was fatiguing myself with any task so superfluous as that of proving the Gods of the heathen to be no Gods? In that case he has not understood me. My object is to show that the ancients, that even the Greeks, could not support the idea of immortality. The idea crumbled to pieces under their touch. In realizing that idea unconsciously, they suffered elements to slip in which defeated its very essence in the result; and not by accident: other elements they could not have found. Doubtless an insolent Grecian philosopher would say, 'Surely, I knew that immortality meant the being liberated from mortality.' Yes, but this is no more than the negative idea, and the demand is to give the affirmative idea. Or perhaps I shall better explain my meaning by substituting other terms with my own illustration of their value. I say, then, that the Greek idea of immortality involves only the nominal idea, not the real idea. Now, the nominal idea (or, which is the same thing, the nominal definition) is that which simply sketches the outline of an object in the shape of a problem; whereas the real definition fills up that outline and solves that problem. The nominal definition states the conditions under which an object would be realized for the mind; the real definition executes those conditions. The nominal definition, that I may express it most briefly and pointedly, puts a question; the real definition answers that question. Thus, to give our illustration, the insoluble problem of squaring the circle presents us with a good nominal idea. There is no vagueness at all in the idea of such a square; it is that square which, when a given circle is laid before you, would present the same superficial contents in such exquisite truth of repetition that the eye of God could detect no shadow of more or of less. Nothing can be plainer than the demand—than the question. But as to the answer, as to the real conditions under which this demand can be realized, all the wit of man has not been able to do more than approach it. Or, again, the idea of a perfect commonwealth, clear enough as a nominal idea, is in its infancy as a real idea. Or, perhaps, a still more lively illustration to some readers may be the idea of perpetual motion. Nominally—that is, as an idea sketched problem-wise—what is plainer? You are required to assign some principle of motion such that it shall revolve through the parts of a mechanism self-sustained. Suppose those parts to be called by the names of our English alphabet, and to stand in the order of our alphabet, then A is through B C D, etc., to pass down with its total power upon Z, which reciprocally is to come round undiminished upon A B C, etc., for ever. Never was a nominal definition of what you want more simple and luminous. But coming to the real definition, and finding that every letter in succession must still give something less than is received—that O, for instance, cannot give to P all which it received from N—then no matter for the triviality of the loss in each separate case, always it is gathering and accumulating; your hands drop down in despair; you feel that a principle of death pervades the machinery; retard it you may, but come it will at last. And a proof remains behind, as your only result, that whilst the nominal definition may sometimes run before the real definition for ages, and yet finally be overtaken by it, in other cases the one flies hopelessly before the pursuit of the other, defies it, and never will be overtaken to the end of time.

That fate, that necessity, besieged the Grecian idea of immortality. Rise from forgotten dust, my Plato; Stagyrite, stand up from the grave; Anaxagoras, with thy bright, cloudless intellect that searched the skies, Heraclitus, with thy gloomy, mysterious intellect that fathomed the deeps, come forward and execute for me this demand. How shall that immortality, which you give, which you must give as a trophy of honour to your Pantheon, sustain itself against the blights from those humanities which also, by an equal necessity, starting from your basis, give you must to that Pantheon? How will you prevent the sad reflux of that tide which finally engulfs all things under any attempt to execute the nominal idea of a Deity? You cannot do it. Weave your divinities in that Grecian loom of yours, and no skill in the workmanship, nor care that wisdom can devise, will ever cure the fatal flaws in the texture: for the mortal taint lies not so much in your work as in the original errors of your loom.

IV. ON PAGAN SACRIFICES.

Ask any well-informed man at random what he supposes to have been done with the sacrifices, he will answer that really he never thought about it, but that naturally he supposes the flesh was burnt upon the altars. Not at all, reader; a sacrifice to the Gods meant universally a banquet to man. He who gave a splendid public dinner announced in other words that he designed to celebrate a sacrificial rite. This was of course. He, on the other hand, who announced a sacrificial pomp did in other words proclaim by sound of trumpet that he gave a dinner. This was of necessity. Hence, when Agamemnon offers a hecatomb to Jupiter, his brother Menelaus walks in to dinner, ἁχλητος, without invitation. As a brother, we are told by Homer that no invitation was required. He had the privilege of what in German is beautifully called 'ein Kind des Hauses,' a child of the house. This dispensation from the necessity of a formal invitation Homer explains, but as to explanation how he knew that there was a dinner, that he passes over as superfluous. A vast herd of oxen could not be sacrificed without open and public display of the preparation, and that a human banquet must accompany a divine sacrifice—this was so much a self-evident truth that Homer does not trouble himself to make so needless an explanation.

Hence, therefore, a case of legislation in St. Paul's Christian administration, which I will venture to say few readers understand. Take the Feast of Ephesus. Here, as in all cities of Asia Minor and Greece, the Jews lived in great numbers. The universal hospitality over all these regions was exhibited in dinners (δεἱπνα). Now, it happened not sometimes, but always, that he who gave a dinner had on the same day made a sacrifice at the Great Temple; nay, the dinner was always part of the sacrifice, and thus the following dilemma arose. Scruples of eating part of sacrifices were absolutely unintelligible, except as insults to Ephesus. To deny the existence of Diana had no meaning in the ears of an Ephesian. All that he did understand was, that if you happened to be a hater of Ephesus, you must hate the guardian deity of Ephesus. And the sole inference he could collect from your refusing to eat what had been hallowed to Diana was—that you hated Ephesus. The dilemma, therefore, was this: either grant a toleration of this practice, or else farewell to all amicable intercourse for the Jews with the citizens. In fact, it was to proclaim open war if this concession were refused. A scruple of conscience might have been allowed for, but a scruple of this nature could find no allowance in any Pagan city whatever. Moreover, it had really no foundation. The truth is far otherwise than that Pagan deities were dreams. Far from it. They were as real as any other beings. The accommodation, therefore, which St. Paul most wisely granted was—to eat socially, without regard to any ceremony through which the food might have passed. So long as the Judaizing Christian was no party to the religious ceremonies, he was free of all participation in idolatry. Since if the mere open operation of a Pagan process could transform into the character of an accomplice one who with no assenting heart ate of the food, in that case Christ Himself might by possibility have shared in an idolatrous banquet, and we Christians at this day in the East Indies might for months together become unconscious accomplices in the foul idolatries of the Buddhist and Brahminical superstitions.

But so essentially were the convivial banquets of the Pagans interwoven with their religious rites, so essentially was a great dinner a great offering to the Gods, and vice versâ—a great offering to the Gods a great dinner—that the very ministers and chief agents in religion were at first the same. Cocus, or μαγειροστ, was the very same person as the Pope, or presiding arbiter in succession to a Pope. 'Sunt eadem,' says Casaubon, 'Cocus et Pope.' And of this a most striking example is yet extant in Athenæus. From the correspondence which for many centuries was extant between Alexander the Great, when embarked upon his great expeditions, and his royal mother Olympias, who remained in Macedon, was one from which we have an extract even at this day, where; he, as we learn from the letter quoted, had been urging his mother to purchase for him a good cook. And what was made the test supreme of his skill? Why, this, that he should be θυσιὡν ἑμπειροστ, an artist able to dress a sacrificial banquet. What he meant is this: I do not want an ordinary cook, who might be equal to the preparation of a plain (or, what is the same thing, secular) dinner, but a person qualified or competent to take charge of a hecatomb dinner. His mother's reply addresses itself to that one point only: Πελιγυα τον μαγειρον λαβε ἁπδ θηστ μητοστ, which is in effect: 'A cook is it that you want? Why, then, you cannot do better than take mine. The man is a reliable table of sacrifices; he knows the whole ritual of those great official and sacred dinners given by the late king, your father. He is acquainted with the whole cuisine of the more mysterious religions, the Orgiacs' (probably from the neighbouring Thrace), 'and all the great ceremonies and observances practised at Olympia, and even what you may eat on the great St. Leger Day. So don't lose sight of the arrangement, but take the man as a present, from me, your affectionate mother, and be sure to send off an express for him at your earliest convenience.'