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The Purse

Chapter 4: ADDENDUM
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About This Book

A young painter, lost in twilight reverie, falls and is tended by a mother and her daughter who enter his studio after hearing the accident. Their quiet compassion and refined manners stir his admiration; their modest circumstances and the mother's past sacrifice to raise him are then revealed. The narrative moves between the painter's aesthetic sensibility and domestic backstory, tracing how maternal devotion financed his rise from privation to artistic recognition, and how fame begins to change their fortunes. Themes include the interplay of illusion and reality in artistic perception, social respectability, and the cost of personal redemption through hard-won success.

Hippolyte, overcome with happiness, turned to look at Adelaide and her mother, and saw that they were tremulous with pleasure and delight at their little trick. He felt himself mean, sordid, a fool; he longed to punish himself, to rend his heart. A few tears rose to his eyes; by an irresistible impulse he sprang up, clasped Adelaide in his arms, pressed her to his heart, and stole a kiss; then with the simple heartiness of an artist, “I ask for her for my wife!” he exclaimed, looking at the Baroness.

Adelaide looked at him with half-wrathful eyes, and Madame de Rouville, somewhat astonished, was considering her reply, when the scene was interrupted by a ring at the bell. The old vice-admiral came in, followed by his shadow, and Madame Schinner. Having guessed the cause of the grief her son vainly endeavored to conceal, Hippolyte’s mother had made inquiries among her friends concerning Adelaide. Very justly alarmed by the calumnies which weighed on the young girl, unknown to the Comte de Kergarouet, whose name she learned from the porter’s wife, she went to report them to the vice-admiral; and he, in his rage, declared “he would crop all the scoundrels’ ears for them.”

Then, prompted by his wrath, he went on to explain to Madame Schinner the secret of his losing intentionally at cards, because the Baronne’s pride left him none but these ingenious means of assisting her.

When Madame Schinner had paid her respects to Madame de Rouville, the Baroness looked at the Comte de Kergarouet, at the Chevalier du Halga—the friend of the departed Comtesse de Kergarouet—at Hippolyte, and Adelaide, and said, with the grace that comes from the heart, “So we are a family party this evening.”

PARIS, May 1832





ADDENDUM

The following personages appear in other stories of the Human Comedy.

     Bixiou, Jean-Jacques
       A Bachelor’s Establishment
       The Government Clerks
       Modeste Mignon
       Scenes from a Courtesan’s Life
       The Firm of Nucingen
       The Muse of the Department
       Cousin Betty
       The Member for Arcis
       Beatrix
       A Man of Business
       Gaudissart II.
       The Unconscious Humorists
       Cousin Pons

     Bridau, Joseph
       A Bachelor’s Establishment
       A Distinguished Provincial at Paris
       A Start in Life
       Modeste Mignon
       Another Study of Woman
       Pierre Grassou
       Letters of Two Brides
       Cousin Betty
       The Member for Arcis

     Halga, Chevalier du
       Beatrix

     Kergarouet, Comte de
       The Ball at Sceaux
       Ursule Mirouet

     Molineux, Jean-Baptiste
       A Second Home
       Cesar Birotteau

     Schinner, Hippolyte
       A Bachelor’s Establishment
       Pierre Grassou
       A Start in Life
       Albert Savarus
       The Government Clerks
       Modeste Mignon
       The Imaginary Mistress
       The Unconscious Humorists

     Souchet, Francois
       The Imaginary Mistress
       A Daughter of Eve