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The quest for the rose of Sharon

Chapter 15: Chapter XIV The Rose of Sharon
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About This Book

This work presents an adventure that intertwines themes of family, eccentricity, and personal growth. It begins with the narrator's reflections on their grandaunt, whose peculiar nature evokes mixed feelings. The narrative unfolds through the lens of nostalgia, exploring the complexities of familial relationships and the impact of past experiences on the present. As the story progresses, it delves into the significance of a journey, both literal and metaphorical, toward understanding oneself and the world. The setting and emotional landscape are vividly depicted, inviting readers to engage with the characters' inner lives and the broader themes of exploration and discovery.

Chapter XIV
The Rose of Sharon

I don’t know how long I lay there, but after a while, I felt a gentle hand laid on my shoulder.

“Good gracious, Miss Cecil!” said a kind voice at the bedside. “Don’t take on so, dear. You’ll make yourself sick!”

“I—I don’t care,” I sobbed desperately. “I wish I was dead. You—you would cry, too.” And I looked up at Jane’s dear old face.

“I know I would,” assented that good creature, and, indeed, at that very moment, she was compelled hastily to use the corner of her apron to check a tear that was wandering down her cheek. “But,” she added, “I’d try t’ bear up ag’in it. Lord knows, me an’ Abner’ll miss you!”

“Thank you, Jane,” I said; “I know you will.”

“An’ anyways, miss,” she went on, her housewifely instinct asserting itself, “I wouldn’t spile this here rose o’ Sharing quilt, the old missus set so much store by.”

“This what, Jane!” I cried, sitting up suddenly, and sliding to the floor, my heart leaping to my throat.

Jane fairly jumped.

“Gracious, miss!” she screamed, “but you give me a start, takin’ me up that quick!” and she pressed her hand against her ample bosom and caught her breath convulsively.

“But what was it you said I was spoiling?” I persisted, for I could scarcely believe that I had heard aright.

“Why, this quilt, to be sure,” she answered. “You was cryin’ on it, and here’s a mark from one o’ your—”

“Yes, yes!” I cried. “But what kind of a quilt did you say it was, Jane?”

Jane pressed her cool hand anxiously to my forehead.

“You’ve got a fever, child,” she said soothingly. “I might ’a’ knowed you would have arter all that worry. I was wrong t’ get ye up. You’d better lay down ag’in. Never mind the quilt—it’s an old thing, anyway.”

“Jane,” I exclaimed, with the calmness of desperation, “will you kindly tell me again what kind of a quilt you said this was?”

“It’s a rose o’ Sharing quilt, miss,” answered Jane. “Don’t y’ see these little flowers in every other square an’ this here big one in the middle? Missus allers kept it on her bed, an’ would never let any of us touch it; though I could never guess why she thought so much of it, fer it ain’t purty, to my mind.”

While she was speaking, I had rushed to the windows and thrown back the shutters; and as the bright morning sun streamed into the room, I bent over and looked at the quilt with eyes so throbbing with excitement that I could scarcely see it. Sure enough, on each alternate patch was a little rude conventional representation of the althea blossom, and on the centre patch was a much larger one of the tall, upright bush, worked with considerable care. Around the border of the quilt ran a design of leaves.

With hands that trembled so I could scarcely hold it, I snatched the quilt off the bed, and starting at the central figure, counted four squares to the right and three diagonally. But the square that I arrived at felt precisely like all the others. There was nothing under it save the thick soft stuffing of the quilt.

“You’ve got it upside down, miss,” observed Jane, who had been watching me uncomprehendingly, puzzled, but much cooler than I.

“Upside down?”

“Yes,” and she pointed to the central square.

I turned it around and tried the same formula—four to the right, diagonally three. What was this, rustling beneath my fingers? Not cotton nor wool, but something stiff, crinkling in my grasp like paper—like stocks—like bonds!

“Jane!” I gasped, falling to my knees in sudden weakness; “Jane, oh, Jane, I’ve found it!”

“Found it, miss?” repeated Jane, in bewilderment.

“Yes—the treasure! Oh, Jane!” and I was on my feet again galvanized into action at the thought. “We must get to Plumfield! We must get to Plumfield, or it will be too late!”

The meaning of it all burst in upon Jane’s understanding like a lightning-flash, and she staggered and grew faint under the shock.

“Jane,” I cried, seeing from her staring eyes that heroic measures were necessary, “if you faint now I’ll never speak to you again!” and I actually pinched her earnestly, viciously, on the arm. “Go tell Abner to hitch up the horse,” I added, “just as quick as he can. A minute or two may mean—”

“‘JANE!’ I GASPED ... ‘JANE, OH, JANE, I’VE FOUND IT!’”

“He’s out in the hill-paster,” said Jane, reviving. “He said he couldn’t stand it t’ stay around the house.”

My heart sank as I followed her down the stairs. The hill pasture was a good mile away.

“Perhaps we can hitch up ourselves,” I suggested, hugging the precious quilt to me—feeling the papers crinkle in my grasp.

“I kin hitch up,” said Jane, “but I can’t ketch old Susan, an’ never could. She jest naterally runs when she sees me a-comin’.”

“Well, we’ll try,” I said, desperately, for I hadn’t much confidence in my horse-catching abilities. “Come on,” and laying the quilt on the table in the hall, I opened the front door and ran down the steps—and right into a boy who was standing there and staring disconsolately up at the house.

“Oh, Tom!” I cried, a great load lifted from my heart. “Oh, but I’m glad to see you! Tom, I’ve found the treasure!”

For an instant, I thought he didn’t understand, he stood staring at me so queerly, with all the colour fading out of his cheeks. Then it rushed back again in a flood, and he sprang at me and caught me by the hands in a way that quite frightened me.

“Say it again, Biffkins!” he cried. “Say it again!”

“I’ve found the treasure,” I repeated, as calmly as I could. “And, oh, Tom, don’t squeeze my hands so—we must drive to town right away—to the notary’s office—maybe we’ll be too late—and will you catch the horse?”

“Will I?” he cried. “Ask me if I’ll jump over the moon, Biffkins, and I’ll say yes. Get ready,” and he was off toward the pasture, where old Susan was placidly grazing, quite unconscious of the great mission that awaited her.

I folded up the quilt and got on my hat and went down to the door; and here in a moment came Tom, driving like mad. And Jane was standing there rocking her arms—

“Hop in, Biffkins!” cried Tom, drawing up with a great scattering of gravel. And I hopped in.

“God bless you!” cried Jane, from the steps. “God bless you!” and as we turned out into the road, I looked back and saw her still standing there waving her apron after us.

“Is that the treasure?” asked Tom, when we were fairly in the road and headed for town, looking at the quilt in my arms. “It doesn’t look much like a treasure, I must say. Is that it?”

“Yes—that is, I think it is, Tom.”

“Don’t you know?” he asked.

“I—I believe it is, Tom,” I stammered, my heart sinking a little. “I didn’t want to stop to look. Feel right here.”

He took one hand from the reins and felt carefully.

“Doesn’t that feel like stocks and bonds?” I asked.

“It certainly feels like something,” he admitted. “Well, we’ll soon find out,” and he turned his whole attention to encouraging the astonished Susan.

I dare say that that old horse, in all her eighteen years, had never covered that road so swiftly; but the two miles seemed like ten to me, and I think the most welcome sight I ever saw in my life was the scattered group of houses which marks the centre of the little village. We dashed down the street with a clatter that brought the people to their windows, and stopped at last at the little frame building which served the notary for an office.

I jumped out, and without waiting for Tom, ran up the little flight of steps to the door, with the quilt flapping wildly about me. And just as I laid my hand upon the knob, the door opened from within, and Silas Tunstall stood looking down at me, his face lighted by a smile of triumph.

“Well, what’s the matter, young one?” he asked.

“I want to see Mr. Chester,” I gasped; “right away.”

“Mr. Chester? Well, he’s in there; go on in.”

He went on down the steps, but looked at the quilt in my arms with a little start as I passed him, hesitated a moment, and then came back and stood in the doorway.

But I had burst into the room as though hurled from a catapult. I saw a group about the table.

“Oh, Mr. Chester!” I cried. “I’ve found it—the treasure!”

I was thrusting the old quilt into his arms—laughing, crying—while he stared down at me with puzzled face. Then he stared at the quilt and seemed still more astonished.

“The treasure?” he repeated, mechanically. “The treasure?”

“HE STRETCHED OUT A LEAN HAND TO TAKE IT, BUT MR. CHESTER SNATCHED IT HASTILY AWAY.”

“Yes; yes!” I cried. “Four to the right, diagonally three. See!” and I guided his hand to the proper square.

“Why, bless my soul!” he exclaimed, as he felt of it. “There is something here. Let us see,” and he got out his pen-knife.

“No, you don’t!” cried Silas Tunstall’s voice from the door. “It’s too late—it’s all settled, ain’t it? You’ve give up, ain’t you? That there quilt’s mine, an’ I’d thank you to return it!”

He stretched out a lean hand to take it, but Mr. Chester snatched it hastily away.

“It’s mine, I tell you!” he repeated hotly. “Give it back, ’r I’ll hev you arrested, you thief!”

I could not but admire the man. Even in a moment such as this, he had presence of mind to retain the drawl.

Mr. Chester looked at him, frowning thoughtfully, and my heart grew cold within me. To be too late now! But in a moment, his brows relaxed.

“Mr. Jones,” he said, turning to the notary, “the will specifically states that the heirs are to be allowed one month to find this treasure, doesn’t it?”

“Yes, sir.”

“And nothing that we or anyone else can do in the meantime can alter that?”

“I should think not; no, sir, certainly not.”

“Very well. Mrs. Nelson did not die until twelve minutes after twelve o’clock; so we have still,” added Mr. Chester, glancing at his watch, “twenty minutes in which to find this treasure. If we do find it within that time, the property belongs to Mrs. Truman and her children.”

“No, you don’t!” snarled Silas, again. “Don’t try any of your lawyer tricks on me. I won’t stand it! You’ve give it up, I tell you; you can’t go back on your word!”

The room was still as death; everyone seemed to hold his breath with the suspense of the moment.

Only Mr. Chester was apparently unmoved. With a sharp snip, which cut the silence like a knife, he ripped open the square of the quilt and drew forth a flat package of papers. He opened it, and looked them over with a quick movement. I could see that his hands were trembling a little despite himself. I was watching him intent, with bated breath, but I was still conscious, somehow, of Tom’s white, strained face beside me. What a dear fellow he was!

Mr. Chester passed the papers to the notary, and the two held a moment’s whispered conference as they looked them over. Then Mr. Chester turned back to us, and his face was beaming.

“Miss Truman,” he said, “I congratulate you. You have indeed found the treasure, and the Court rules that the property is yours.”

Mother was laughing convulsively, with the tears streaming down her face; Dick’s arms were about my neck; Tom had both my hands and was shaking them wildly. There was such a mist before my eyes that I could scarcely see.

“Oh, Biffkins!” cried my brother. “Oh, Biffkins, what a trump you are!”


I can’t tell clearly what happened just then, we were all so moved and so excited. I remember hearing what seemed to be a scuffle at the door, followed by a muttered oath and a sharp command, and I looked around to see two strangers standing in the doorway, and one of them had a pistol pointed straight at Silas Tunstall, who was staring at it, his hands above his head.

We all of us stood, for an instant, gaping in amazement at this strange spectacle.

“What’s all this?” demanded Mr. Tunstall, angrily. “Turn that there gun another way, young feller.”

The “young feller,” a well-built, clean-shaven man of middle age, laughed derisively.

“Oh, come, Jim,” he said; “it won’t do,” and reaching forward with his disengaged hand, he deliberately plucked out by the roots a tuft of Mr. Tunstall’s beard. At least, I thought for a moment it was by the roots—then I saw that there weren’t any roots, but that the beard was a false one, cunningly glued on. “Ladies and gentlemen,” he added, glancing around at us, “permit me to introduce to you Mr. James Bright, the cleverest confidence man in the United States.”

The prisoner’s face relaxed; in fact he was actually smiling.

“All right, Briggs,” he said, and I saw how the others stared in astonishment at a tone which I knew to be his natural one. “What’s it for, this time?”

“This,” answered the detective, and drew a roll of new greenbacks from his pocket. “The best you’ve done yet,” he added. “And a fine plant you’ve got out there at that little place of yours. We’ve been all through it.”

“Is this one of them?” asked Mr. Chester, and produced the counterfeit which had been passed on him the day before.

“Yes, that’s a sample,” answered Briggs, glancing at it. “They worried us for a while, I tell you. Of course we knew right away it was Jim’s work.”

“You’ll have to prove it’s mine,” pointed out the prisoner.

“Oh, we can do that easily enough. Your fingers give you away.”

And, looking at them, I saw again the curious stains I had noticed a few days before. And I also suddenly understood the odour which filled Mr. Tunstall’s parlour.

“But we’ve lost track of you,” went on the detective. “It’s nearly a year since we heard of you—you’d buried yourself so well down here—and we hadn’t the least idea where to look for you. One of my men has been shadowing your house off and on for some time, because we had heard some rather curious stories about one Silas Tunstall, and we wanted to find out something more about him. But we never suspected it was you. That spiritualistic dodge was an inspiration and that disguise is a work of art.”

“Yes,” agreed the captive complacently, “I’m rather proud of it, myself. There was just one person it did not deceive.”

“Who was that?” asked the detective.

“That sharp-eyed and quick-witted young lady yonder,” said the prisoner, and bowed in my direction.

They all stared at me, and I felt that my cheeks were very crimson.

“Why, Cecil,” began mother, but the prisoner interrupted her.

“Understand, madam,” he said, “she didn’t know I was engaged in anything crooked; I don’t suppose she even suspected that these whiskers were false; but she had caught my dialect tripping in an unguarded moment, and she saw through me right away. I congratulate her,” he added. “She’s the cleverest I ever met.”

I had never liked Mr. Tunstall, but, I confess that, in this new incarnation, there was something fascinating about the man. He seemed so superior to circumstances and so indifferent to them. There he stood now, more unconcerned and self-possessed than anyone else in the room.

“I know we were dense,” said the detective, grimly; “but, anyway, we got you.”

“Who put you next?” asked the prisoner, curiously.

“Shorty,” replied the detective, smiling broadly. “We got him yesterday in New York, with the goods on, gave him the third degree and he peached last night.”

“The cur!” muttered the prisoner between his teeth, his face hard as iron. “I stayed here too long,” he added. “I’d have been away from here a month ago, but for this fool business,” and he nodded toward the packet of papers. “I was like a good many others—I thought maybe I could make enough to be honest!”

“Well, you’ll be honest for some years to come, Jim,” laughed the detective, “whether you want to or not; so perhaps it’s just as well—and Uncle Sam’ll breathe a lot easier! Put the cuffs on him, Bob,” he added, to his companion.

I saw the other man draw from his pocket something of shining steel, and take a step forward. The prisoner held out his hands—and suddenly the handcuffs were hurled full into the detective’s face. He staggered back against his companion, the blood spurting from his lips, and in that instant, the prisoner had ducked past, was out the door and away. They were after him in a moment, but by the time we got outside, the fugitive had disappeared as completely as though the earth had opened and swallowed him. Two or three excited people were leading the detectives toward a strip of woodland which stretched back from the road, and which formed a perfect covert; others were running out from their houses, and were soon in full pursuit; but that was the last that I, or, as far as I know, any of those then present, ever saw of the famous Jim Bright.


And that’s the story. For why need I tell of the drive home—home—yes, home! Of Abner and Jane—of the dinner that evening—oh, quite a different meal from the one of the night before. You can imagine it all much better than I can tell it. And though it was all three years ago, there is a little mist before my eyes whenever I think of it. It is sweet to think of it, and it has been sweet to tell about it.

And how we have grown to love the old place! The old furniture has been brought down out of the attic, and the horsehair hidden from view under the eaves. For my own room, I have taken grandaunt’s, and my little desk is between the two front windows, and I can look out over the walk and down to the road. And on my bed there is a quilt, rather a faded and ugly quilt—but the quilt—and it shall always stay there. And Dick is a junior at Princeton, and so is—

I hear a quick step on the walk below my window, and a clear voice, “Oh, Biffkins!”

“Yes, Tom,” I answer; “in a minute.”

Old Tom! For grandaunt’s legacy has brought me more than a beautiful home—more than stocks and bonds—I can’t write it—but you can guess! Oh, I know, dear reader, you can guess!

THE END.

From
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of New Fiction

The Call of the South

By Robert Lee Durham. Cloth decorative, with 6 illustrations by Henry Roth       $1.50

A very strong novel dealing with the race problem in this country. The principal theme is the danger to society from the increasing miscegenation of the black and white races, and the encouragement it receives in the social amenities extended to negroes of distinction by persons prominent in politics, philanthropy and educational endeavor; and the author, a Southern lawyer, hopes to call the attention of the whole country to the need of earnest work toward its discouragement. He has written an absorbing drama of life which appeals with apparent logic and of which the inevitable denouement comes as a final and convincing climax.

The author may be criticised by those who prefer not to face the hour “When Your Fear Cometh As Desolation And Your Destruction Cometh As A Whirlwind;” but his honesty of purpose in the frank expression of a danger so well understood in the South, which, however, many in the North refuse to recognise, while others have overlooked it, will be upheld by the sober second thought of the majority of his readers.

The House in the Water

By Charles G. D. Roberts, author of “The Haunters of the Silences,” “Red Fox,” “The Heart of the Ancient Wood,” etc. With cover design, sixteen full-page drawings, and many minor decorations by Charles Livingston Bull. Cloth decorative, with decorated wrapper $1.50

Professor Roberts’s new book of nature and animal life is one long story in which he tells of the life of that wonderfully acute and tireless little worker, the beaver. “The Boy” and Jabe the Woodsman again appear, figuring in the story even more than they did in “Red Fox;” and the adventures of the boy and the beaver make most absorbing reading for young and old.

The following chapter headings for “The House in the Water” will give an idea of the fascinating reading to come:

The Sound in the Night (Beavers at Work).

The Battle in the Pond (Otter and Beaver).

In the Under-water World (Home Life of the Beaver).

Night Watchers (“The Boy” and Jabe and a Lynx see the Beavers at Work).

Dam Repairing and Dam Building (A “House-raising” Bee).

The Peril of the Traps (Jabe Shows “The Boy”).

Winter under Water (Safe from All but Man).

The Saving of Boy’s Pond (“The Boy” Captures Two Outlaws).

“As a writer about animals, Mr. Roberts occupies an enviable place. He is the most literary, as well as the most imaginative and vivid of all the nature writers.”—Brooklyn Eagle.

“His animal stories are marvels of sympathetic science and literary exactness.”—New York World.

“Poet Laureate of the Animal World, Professor Roberts displays the keenest powers of observation closely interwoven with a fine imaginative discretion.”—Boston Transcript.

Captain Love

The History of a Most Romantic Event in the Life of an English Gentleman During the Reign of His Majesty George the First. Containing Incidents of Courtship and Danger as Related in the Chronicles of the Period and Now Set Down in Print

By Theodore Roberts, author of “The Red Feathers,” “Brothers of Peril,” etc. Cloth decorative, illustrated by Frank T. Merrill       $1.50

A stirring romance with its scene laid in the troublous times in England when so many broken gentlemen foregathered with the “Knights of the Road;” when a man might lose part of his purse to his opponent at “White’s” over the dice, and the next day be relieved of the rest of his money on some lonely heath at the point of a pistol in the hand of the self-same gambler.

But, if the setting be similar to other novels of the period, the story is not. Mr. Roberts’s work is always original, his style is always graceful, his imagination fine, his situations refreshingly novel. In his new book he has excelled himself. It is undoubtedly the best thing he has done.

Bahama Bill

By T. Jenkins Hains, author of “The Black Barque,” “The Voyage of the Arrow,” etc. Cloth decorative, with frontispiece in colors by H. R. Reuterdahl       $1.50

The scene of Captain Hains’s new sea story is laid in the region of the Florida Keys. His hero, the giant mate of the wrecking sloop, Sea-Horse, while not one to stir the emotions of gentle feminine readers, will arouse interest and admiration in men who appreciate bravery and daring.

His adventures while plying his desperate trade are full of the danger that holds one at a sharp tension, and the reader forgets to be on the side of law and order in his eagerness to see the “wrecker” safely through his exciting escapades.

Captain Hains’s descriptions of life at sea are vivid, absorbingly frank and remarkably true. “Bahama Bill” ranks high as a stirring, realistic, unsoftened and undiluted tale of the sea, chock full of engrossing interest.

Matthew Porter

By Gamaliel Bradford, Jr., author of “The Private Tutor,” etc. With a frontispiece in colors by Griswold Tyng       $1.50

When a young man has birth and character and strong ambition it is safe to predict for him a brilliant career; and, when The Girl comes into his life, a romance out of the ordinary. Such a man is Matthew Porter, and the author has drawn him with fine power.

Mr. Bradford has given us a charming romance with an unusual motive. Effective glimpses of the social life of Boston form a contrast to the more serious purpose of the story; but, in “Matthew Porter,” it is the conflict of personalities, the development of character, the human element which grips the attention and compels admiration.

Anne of Green Gables

By L. M. Montgomery. Cloth decorative, illustrated       $1.50

Every one, young or old, who reads the story of “Anne of Green Gables,” will fall in love with her, and tell their friends of her irresistible charm. In her creation of the young heroine of this delightful tale Miss Montgomery will receive praise for her fine sympathy with and delicate appreciation of sensitive and imaginative girlhood.

The story would take rank for the character of Anne alone: but in the delineation of the characters of the old farmer, and his crabbed, dried-up spinster sister who adopt her, the author has shown an insight and descriptive power which add much to the fascination of the book.

Spinster Farm

By Helen M. Winslow, author of “Literary Boston.” Illustrated from original photographs       $1.50

Whatever Miss Winslow writes is good, for she is in accord with the life worth living. The Spinster, her niece “Peggy,” the Professor, and young Robert Graves,—not forgetting Hiram, the hired man,—are the characters to whom we are introduced on “Spinster Farm.” Most of the incidents and all of the characters are real, as well as the farm and farmhouse, unchanged since Colonial days.

Light-hearted character sketches, and equally refreshing and unexpected happenings are woven together with a thread of happy romance of which Peggy of course is the vivacious heroine. Alluring descriptions of nature and country life are given with fascinating bits of biography of the farm animals and household pets.

Selections from
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WORKS OF
ROBERT NEILSON STEPHENS

Each one vol., library 12mo, cloth decorative       $1.50

The Flight of Georgiana

A Romance of the Days of the Young Pretender. Illustrated by H. C. Edwards.

“A love-story in the highest degree, a dashing story, and a remarkably well finished piece of work.”—Chicago Record-Herald.

The Bright Face of Danger

Being an account of some adventures of Henri de Launay, son of the Sieur de la Tournoire. Illustrated by H. C. Edwards.

“Mr. Stephens has fairly outdone himself. We thank him heartily. The story is nothing if not spirited and entertaining, rational and convincing.”—Boston Transcript.

The Mystery of Murray Davenport

(40th thousand.)

“This is easily the best thing that Mr. Stephens has yet done. Those familiar with his other novels can best judge the measure of this praise, which is generous.”—Buffalo News.

Captain Ravenshaw

Or, The Maid of Cheapside. (52nd thousand.) A romance of Elizabethan London. Illustrations by Howard Pyle and other artists.

Not since the absorbing adventures of D’Artagnan have we had anything so good in the blended vein of romance and comedy.

The Continental Dragoon

A Romance of Philipse Manor House in 1778. (53d thousand.) Illustrated by H. C. Edwards.

A stirring romance of the Revolution, with its scene laid on neutral territory.

Philip Winwood

(70th thousand) A Sketch of the Domestic History of an American Captain in the War of Independence, embracing events that occurred between and during the years 1763 and 1785 in New York and London. Illustrated by E. W. D. Hamilton.

An Enemy to the King

(70th thousand.) From the “Recently Discovered Memoirs of the Sieur de la Tournoire.” Illustrated by H. De M. Young.

An historical romance of the sixteenth century, describing the adventures of a young French nobleman at the court of Henry III., and on the field with Henry IV.

The Road to Paris

A Story of Adventure. (35th thousand.) Illustrated by H. C. Edwards.

An historical romance of the eighteenth century, being an account of the life of an American gentleman adventurer of Jacobite ancestry.

A Gentleman Player

His Adventures on a Secret Mission for Queen Elizabeth. (48th thousand.) Illustrated by Frank T. Merrill.

The story of a young gentleman who joins Shakespeare’s company of players, and becomes a friend and protégé of the great poet.

Clementina’s Highwayman

Cloth decorative, illustrated       $1.50

Mr. Stephens has put into his new book, “Clementina’s Highwayman,” the finest qualities of plot, construction, and literary finish.

The story is laid in the mid-Georgian period. It is a dashing, sparkling, vivacious comedy, with a heroine as lovely and changeable as an April day, and a hero all ardor and daring.

The exquisite quality of Mr. Stephens’s literary style clothes the story in a rich but delicate word-fabric; and never before have his setting and atmosphere been so perfect.

WORKS OF
CHARLES G. D. ROBERTS

Haunters of the Silences

Cloth, one volume, with many drawings by Charles Livingston Bull, four of which are in full color       $2.00

The stories in Mr. Roberts’s new collection are the strongest and best he has ever written.

He has largely taken for his subjects those animals rarely met with in books, whose lives are spent “In the Silences,” where they are the supreme rulers. Mr. Roberts has written of them sympathetically, as always, but with fine regard for the scientific truth.

“As a writer about animals, Mr. Roberts occupies an enviable place. He is the most literary, as well as the most imaginative and vivid of all the nature writers.”—Brooklyn Eagle.

“His animal stories are marvels of sympathetic science and literary exactness.”—New York World.

Red Fox

The Story of His Adventurous Career in the Ringwaak Wilds, and of His Final Triumph over the Enemies of His Kind. With fifty illustrations, including frontispiece in color and cover design by Charles Livingston Bull.

Square quarto, cloth decorative       $2.00

“Infinitely more wholesome reading than the average tale of sport, since it gives a glimpse of the hunt from the point of view of hunted.”—Boston Transcript.

“True in substance but fascinating as fiction. It will interest old and young, city-bound and free-footed, those who know animals and those who do not.”—Chicago Record-Herald.

“A brilliant chapter in natural history.”—Philadelphia North American.

The Kindred of the Wild

A Book of Animal Life. With fifty-one full-page plates and many decorations from drawings by Charles Livingston Bull.

Square quarto, decorative cover       $2.00

“Is in many ways the most brilliant collection of animal stories that has appeared; well named and well done.”—John Burroughs.

The Watchers of the Trails

A companion volume to “The Kindred of the Wild.” With forty-eight full-page plates and many decorations from drawings by Charles Livingston Bull.

Square quarto, decorative cover       $2.00

“These stories are exquisite in their refinement, and yet robust in their appreciation of some of the rougher phases of woodcraft. Among the many writers about animals, Mr. Roberts occupies an enviable place.”—The Outlook.

“This is a book full of delight. An additional charm lies in Mr. Bull’s faithful and graphic illustrations, which in fashion all their own tell the story of the wild life, illuminating and supplementing the pen pictures of the author.”—Literary Digest.

The Heart That Knows

Library 12mo, cloth, decorative cover       $1.50

“A novel of singularly effective strength, luminous in literary color, rich in its passionate, yet tender drama.”—New York Globe.

Earth’s Enigmas

A new edition of Mr. Roberts’s first volume of fiction, published in 1892, and out of print for several years, with the addition of three new stories, and ten illustrations by Charles Livingston Bull.

Library 12mo, cloth, decorative cover       $1.50

“It will rank high among collections of short stories. In ‘Earth’s Enigmas’ is a wider range of subject than in the ‘Kindred of the Wild.’”—Review from advance sheets of the illustrated edition by Tiffany Blake in the Chicago Evening Post.

Barbara Ladd

With four illustrations by Frank Verbeck.

Library 12mo, cloth, decorative cover $1.50

“From the opening chapter to the final page Mr. Roberts lures us on by his rapt devotion to the changing aspects of Nature and by his keen and sympathetic analysis of human character.”—Boston Transcript.

Transcriber’s Notes

On page 69, bedroom has been changed to bed-room.

On page 113, account books has been changed to account-books.

On pages 116 and 120, downstairs has been changed to down-stairs.

On page 131, lawsuit has been changed to law-suit.

On page 168, stable yard has been changed to stable-yard.

On page 172, tree-tops has been changed to treetops.

On page 190, upstairs has been changed to up-stairs.

All other spelling, hyphenation and dialect have been retained as typeset.