The Real Adventure

The World Alone

THE LENGTH OF A THOUSAND YARDS

"Here's the first week's rent then," said Rose, handing the landlady three dollars, "and I think you'd better give me a receipt showing till when it's paid for. Do you know where there's an expressman who would go for a trunk?"

The landlady had tight gray hair, a hard bitten hatchet face, and a back that curved through a forty-degree arc between the lumbar and the cervical vertebræ, a curve which was accentuated by the faded longitudinal blue and white stripes—like ticking—of the dress she wore. She had no charms, one would have said, of person, mind or manner. But it was nevertheless true that Rose was renting this room largely on the strength of the landlady. She was so much more humanly possible than any of the others at whose placarded doors Rose had knocked or rung ...!

For the last year and a half, anyway since she had married Rodney Aldrich, the surface that life had presented to her had been as bland as velvet. She'd never been spoken to by anybody except in terms of politeness. All the people she encountered could be included under two categories: her friends, if one stretches the word to include all her social acquaintances, and, in an equally broad sense, her servants; that is to say, people who earned their living by doing things she wanted done. Her friends' and her servants' manners were not alike, to be sure, but as far as intent went, they came to the same thing. They presented, whatever passions, misfortunes, dislikes, uncomfortable facts of any sort might lie in the background, a smooth and practically frictionless, bearing surface. A person accustomed to that surface develops a soft skin. This was about the first of Rose's discoveries.

To be looked at with undisguised suspicion—to have a door slammed in her face as the negative answer to a civil question, left her at first bewildered, and then enveloped in a blaze of indignation. It was perhaps lucky for her that this happened at the very beginning of her pilgrimage. Because, with that fire once alight within her, Rose could go through anything. The horrible fawning, leering landlady whom she had encountered later, might have turned her sick, but for that fine steady glow. The hatchet-faced one she had finally arrived at, made no protestations of her own respectability, and she seemed, though rather reluctantly, willing to assume that of her prospective lodger. She was puzzled about something, Rose could see; disposed to be very watchful and at no pains to conceal this attitude.

Well, she'd probably learned that she had to watch, poor thing! And, for that matter, Rose would probably have to do some watching on her own account. And, if the fact was there, why bother to keep up a contradictory fiction. So Rose asked for a receipt.

The matter of the trunk was easily disposed of. Rose had a check for it. It was at the Polk Street Station. There was a cigar and news stand two blocks down, the landlady said, where an expressman had his headquarters. There was a blue sign out in front: "Schulz Express"; Rose couldn't miss it.

The landlady went away to write out a receipt. Rose closed the door after her and locked it.

It was a purely symbolistic act. She wasn't going to change her clothes or anything, and she didn't particularly want to keep anybody out. But, in a sense in which it had never quite been true before, this was her room, a room where any one lacking her specific invitation to enter, would be an intruder—a condition that had not obtained either in her mother's house or in Rodney's.

She smiled widely over the absurdity of indulging in a pleasurable feeling of possession in a squalid little cubby-hole like this. The wall-paper was stained and faded, the paint on the soft-wood floor worn through in streaks; there was an iron bed—a double bed, painted light blue and lashed with string where one of its joints showed a disposition to pull out. The mattress on the bed was lumpy. There was a dingy-looking oak bureau with a rather small but pretty good plate-glass mirror on it; a marble topped, black walnut wash-stand; a pitcher of the plainest and cheapest white ware standing in a bowl on top of it, and a highly ornate, hand-painted slop-jar—the sole survivor, evidently, of a much prized set—under the lee of it. The steep gable of the roof cut away most of one side of the room, though there would be space for Rose's trunk to stand under it, and across the corner, at a curiously distressing angle, hung an inadequate curtain that had five or six clothes hooks behind it.

In the foreground of the view out of the window, was a large oblong plateau—the flat roof of an extension which had casually been attached to the front of the building and carried it forward to the sidewalk over what had once been a small front yard. The extension had a plate-glass front and was occupied, Rose had noticed before she plunged into the little tunnel that ran alongside it and led to the main building, by a dealer in delicatessen. Over the edge of the flat roof, she could see the top third of two endless streams of trolley-cars, for the traffic in this street was heavy, by night, she imagined, as well as by day.

The opposite façade of the street, like the one of which her own wall and window formed a part, was highly irregular and utterly casual. There were cheap two-story brick stores with false fronts that carried them up a half story higher. There were little gable-ended cottages with their fronts hacked out into show-windows. There were double houses of brick with stone trimmings that once had had some residential pretensions. The one characteristic that they possessed in common, was that of having been designed, patently, for some purpose totally different from the one they now served.

The shops on the street level had, for the most part, an air of shabby prosperity. There was, within the space Rose's window commanded, a cheap little tailor shop, the important part of whose business was advertised by the sign "pressing done." There was a tobacconist's shop whose unwashed windows revealed an array of large wooden buckets and dusty lithographs; a shoe shop that did repairing neatly while you waited; a rather fly-specked looking bakery. There was a saloon on the corner, and beside it, a four-foot doorway with a painted transom over it that announced it as the entrance of the Bellevue Hotel.

The signs on the second-story windows indicated dentist parlors, the homes of mid-wives, ladies' tailors and dressmakers, and everywhere furnished rooms for light housekeeping to let.

The people who patronized those shops, who drank their beer at the corner saloon, who'd be coming hurriedly in the night to ring up the mid-wife, who smoked the sort of tobacco that was sold from those big wooden buckets; the people who lounged along the wide sidewalks, or came riding down-town at seven in the morning, and back at six at night, packed so tight that they couldn't get their arms up to hold by the straps in the big roaring cars that kept that incessant procession going in the middle of the street—they all inhabited, Rose realized, a world utterly different from the one she had left. The distance between the hurrying life she looked out on through her grimy window, and that which she had been wont to contemplate through Florence McCrea's exquisitely leaded casements, was simply planetary.

And yet, queerly enough, in terms of literal lineal measurement, the distance between the windows themselves, was less than a thousand yards. Less than ten minutes' walking from the mouth of the little tunnel alongside the delicatessen shop, would take her back to her husband's door. She had, in her flight out into the new world, doubled back on her trail. And, such is the enormous social and spiritual distance between North Clark Street and The Drive, she was as safely hidden here, as completely out of the orbit of any of her friends, or even of her friends' servants, as she could have been in New York or in San Francisco.

Having to come away furtively like this was a terrible countermine beneath her courage. If only she could have had a flourish of defiant trumpets to speed her on her way! But, done like that, the thing would have hurt Rodney too intolerably. His intelligence might be twentieth century or beyond. It might acquiesce in, or even enthusiastically advocate, a relation between men and women that hadn't existed, anyway since the beginning of the Christian Era; it might accept without faltering, all the corollaries pendent to that relation. But his actuating instincts, his psychical reflexes, stretched their roots away back to the Middle Ages. Under the dominance of those instincts, a man lost caste—became an object of contemptuous derision, if he couldn't keep his wife. It was bad enough to have another man take her away from him, but it was worse to have her go away in the absence of such an excuse; worst of all, to have her go away to seek a job and earn her own living.

Rose didn't know how long the secret could be kept. Wherever she went, whatever she did, there'd always be the risk that some one who could carry back the news to Rodney's friends, would recognize her. It was a risk that had to be taken, and she didn't intend to allow herself to be paralyzed by a perpetual dread of what might at any time happen. At the same time, she'd protect the secret as well as she could.

But there were two people it couldn't be kept from—Portia and her mother. Rose had at first entertained the notion of keeping her mother in the dark. It wasn't until she had spent a good many hours figuring out expedients for keeping the deception going, that she realized it couldn't be done. She had been writing her mother a letter a week ever since the departure to California—letters naturally full of domestic details that simply couldn't be kept up. The only possible deception would be a compromise with the truth and compromises of that sort are apt to be pretty unsatisfactory. They suggest concealments in every phase, and to an imaginative mind, are more terrifying, nine times in ten, than the truth you're trying to soften. Then, too, the story given out to Rodney's friends being that Rose was in California with her mother and Portia, left the chance always open for some contretemps which would lead to her mother's discovering the truth in a surprising and shocking way.

But the truth itself, confidently stated, not as a tragic ending, but as the splendid hopeful beginning of a life of truer happiness for Rose and her husband, needn't be a shock. So this was what Rose had borne down on in her letter to Portia. It wasn't a very long letter, considering how much it had to tell.

"... I have found the big thing couldn't be had without a fight," she wrote. "You shouldn't be surprised, because you've probably found out for yourself that nothing worth having comes very easily. But you're not to worry about me, nor be afraid for me, because I'm going to win. I'm making the fight, somehow, for you as well as for myself. I want you to know that. I think that realizing I was living your life as well as mine, is what has given me the courage to start....

"I've got some plans, but I'm not going to tell you what they are. But I'll write to you every week and tell you what I've done and I want you to write to Rodney. I want to be sure that you understand this: Rodney isn't to blame for what's happened. I don't feel that I am, either, exactly. We're just in a situation that there's only one real way out of. I don't know whether he sees that yet or not. He's too terribly hurt and bewildered. But we haven't quarreled, and I believe we're further in love with each other than we've ever been before. I know I am with him....

"Break this thing to mother as gently as you like, but tell her everything before you stop...."

This letter written and despatched, she had worked out the details of her departure with a good deal of care. In her own house, before her servants, she had tried to act—and she felt satisfied that her attempt was successful—just as she would have done had her pretended telegram really come from Portia. She had packed, looked up trains, made a reservation. She had called up Frederica and told her the news. The train she had selected left at an hour and on a day when she knew Frederica wouldn't be able to come and see her off. Frederica had come down to the house of course to say good-by to her, and carrying her pretense through that scene, that had for her so much deeper and more poignant a regret than she dared show—because she really loved Frederica—was, next to bidding the twins good-by, the hardest thing she had to go through with. Lying and pretending were always terribly hard for Rose, and a lie to any one she was fond of, almost impossible. The only thing that enabled her to see it through, was the consideration that she was doing it for Rodney. He'd probably tell Frederica what had happened in time, but Rose was determined that he should have the privilege of choosing his own time for doing it.

Her bag was packed, her trunk was gone, her motor waiting at the door to take her to the station, when the maid Doris brought the twins home from their airing. This wasn't chance, but prearrangement.

"Give them to me;" Rose said, "and then you may go up and tell Mrs. Ruston she may have them in a few minutes."

She took them into her bedroom and laid them side by side on her bed. They had thriven finely—justified, as far as that went, Harriet's decision in favor of bottle feeding. Had she died back there in that bed of pain, never come out of the ether at all, they'd still be just like this—plump, placid, methodical. Rose had thought of that a hundred times, but it wasn't what she was thinking of now.

The thing that caught her as she stood looking down on them, was the wave of sudden pity. She saw them suddenly as persons with the long road all ahead of them, as a boy and a girl, a youth and a maid, a man and a woman. They were destined to have their hopes and loves, fears, triumphs, tragedies perhaps. The boy there, Rodney, might have to face, some day, the situation his father confronted now; might have to come back into an empty home, and turn a stiff inexpressive face on a coolly curious world. Little Portia there might find herself, some day, gazing with wide seared eyes, at a life some unexpected turn of the wheel of Fate had thrust her, all unprepared, into the midst of. Or it might be her fate to love without attracting love—to drain all the blood out of her life in necessary sacrifices; to wither that some one else might have a chance to grow. Those possibilities were all there before these two solemn, staring, little helpless things on the bed. What toys of Chance they were!

She'd never thought of them like that before. The baby she had looked forward to—the baby she hadn't had—had never been thought of that way either. It was to be something to provide her, Rose, with an occupation; to enable her to interpret her life in new terms; to make an alchemic change in the very substance of it. The transmutation hadn't taken place. She surmised now, dimly, that she hadn't deserved it should.

"You've never had a mother at all, you poor little mites," she said. "But you're going to have one some day. You're going to be able to come to her with your troubles, because she'll have had troubles herself. She'll help you bear your hurts, because she's had hurts of her own. And she'll be able to teach you to stand the gaff, because she's stood it herself."

For the first time since they were born, she was thinking of their need of her rather than of her need of them and with that thought, came for the first time, the surge of passionate maternal love that she had waited for, so long in vain. There was, suddenly, an intolerable ache in her heart that could only have been satisfied by crushing them up against her breast; kissing their hands—their feet.

Rose stood there quivering, giddy with the force of it. "Oh, you darlings!" she said. "But wait—wait until I deserve it!" And without touching them at all, she went to the door and opened it. Mrs. Ruston and Doris were both waiting in the hall.

"I must go now," she said. "Good-by. Keep them carefully for me." Her voice was steady, and though her eyes were bright, there was no trace of tears upon her cheeks. But there was a kind of glory shining in her face that was too much for Doris, who turned away and sobbed loudly. Even Mrs. Ruston's eyes were wet.

"Good-by," said Rose again, and went down composedly enough to her car.

She rode down to the station, shook hands with and said good-by to Otto, the chauffeur, allowed the porter to carry her bag into the waiting-room. There she tipped the porter, picked up the bag herself, and walked out the other door; crossed over to Clark Street and took a street-car. At Chicago Avenue she got off and walked north, keeping her eye open for placards advertising rooms to let. It was at the end of about a half mile that she found the hatchet-faced landlady, paid her three dollars, and locked her door, as a symbol, perhaps, of the bigger heavier door that she had swung to and locked on the whole of her past life.

Amid all the welter of emotions boiling up within her, grief was not present. There was a very deep-reaching excitement that sharpened all her faculties; that even made her see colors more brightly and hear fainter sounds. There was an intent eagerness to get the new life fairly begun. But, strangest of all, and yet so vivid that even its strangeness couldn't prevent her being aware of it, was a perfectly enormous relief. The thing which, when she had first faced it as the only thoroughfare to the real life she so passionately wanted, had seemed such a veritable nightmare, was an accomplished fact. The week of acute agony she had lived through while she was forcing her sudden resolution on Rodney had been all but unendurable with the enforced contemplation of the moment of parting which it brought so relentlessly nearer. There had been a terror, too, lest when the moment actually came, she couldn't do it. Well, and now it had come and gone! The surgery of the thing was over. The nerves and sinews were cut. The thing was done. The girl who stood there now in her three-dollar room was free; had won a fresh blank page to write the characters of her life upon.

She felt a little guilty about this. What heartless sort of a monster must she be to feel—why, actually happy, at a moment like this? She ought to be prone on the bed, her face buried in the musty pillow, sobbing her heart out.

But presently, standing there, looking down on the lumpy bed, she smiled widely instead, over the notion of doing it as a sort of concession to respectability. She had got her absolution from Rodney himself out of the memory of their first real talk together. Discipline, he'd said, was accepting the facts of life as they were. Not raising a lamentation because they weren't different. The only way you had of getting anywhere was by riding on the backs of your own passions. Well, her great ride was just beginning!

Rose dusted the mirror with a towel—a reckless act, as she saw for herself, when she discovered she was going to have to use that towel for a week—and took an appraising look at herself. Then she nodded confidently—there was nothing the matter with her looks—and resumed her ulster, her rubbers and her umbrella, for it was the kind of December day that called for all three. Her landlady could stick the receipt under the door, she reflected, as she locked it.

Two blocks down the street, she found, as predicted, the cigar store with the blue sign, "Schulz Express," and left her trunk check there with her address and fifty cents. Then, putting up her umbrella, and glowingly conscious that she was saving a nickel by so doing, she set off down-town afoot to get a job. She meant to get it that very afternoon. And, partly because she meant to so very definitely, she did.

I don't mean to say that getting a job is a purely volitional matter. There is the factor of luck, always large of course, though not quite so large as a great many people suppose, and the factor of intelligence. Rose's intelligence had been in pretty active training for the last year. Ever since her talk with Simone Gréville had set her thinking, she had been learning how to weigh and assess facts apart from their emotional nebulæ. She'd taught herself how to look a disagreeable or humiliating fact in the face as steadily and as coolly as she looked at any other fact.

She had accumulated a whole lot of facts about women in industry from Barry Lake and Jane. She knew the sort of job and the sort of pay that the average untrained woman gets. She knew some of the reasons why the pay was so miserably, intolerably small. She knew about the vast army of young women who weren't expected to be fully self-supporting, who counted on marrying comfortably enough some day, and accepted board and lodging at home as one of the natural laws of existence. But who, if they wanted pocket money, pretty enough clothes to make them attractive enough for men to want to marry; who, if they wanted to escape the stupid drudgery of housework at home, had to go to work. They'd rather get eight dollars a week than six, of course, or ten than eight. But as long as even six was velvet (cotton-backed velvet, one might say) they'd take that, cheerfully oblivious to the fact, as naturally one might expect them to be, that by taking six, they established a standard at which a girl who had to earn her own living simply couldn't live.

Rose knew exactly what would happen to her if she went to one of the big State Street department stores and asked for a job. Jane had been trying some experiments lately, and stating her results with convincing vivacity at their little dinners afterward. There was no thoroughfare there.

She knew too, what sort of life she'd have to face if she offered herself out in the West Side factory district as a cracker packer, a chocolate dipper, a glove stitcher; any of those things. You got a sort of training, of course, at any one of these trades. You learned to develop a certain uncanny miraculous speed and skill in some one small operation, as remorseless and unvaried as the coming into mesh and out again of two cogs in a pair of gears. But the very highest skill could just about be made to keep you alive, and it led to nothing else. You wore out your body and asphyxiated your soul.

Rose didn't mean to do that. She was holding both body and soul in trust. The penitential mood that had resulted from her talk with Portia was utterly gone. She wasn't looking for hurts. Deliberately to impose tortures on herself was as far from her intent as shirking any of the inevitable trials that should come to her in the course of the day's work. The only way she could see to a life of decent self-respecting independence lay through some sort of special training—business training, she thought. She'd begin by learning to be a stenographer—a cracking good stenographer. Miss Beach had begun that way. She had a real job.

Only, Rose had first to get a job that would pay for her training; and not only pay for it, but leave time for it; a problem which might have seemed like the problem of lifting yourself by your boot straps, if it hadn't been for Jimmy Wallace—Jimmy with his talk about chorus-girls.

The trouble with that profession, Jimmy had said, was that the indispensable assets in it were not industry, intelligence, ambitions, but a reasonably presentable pair of arms and legs (a good-looking face would surely come in handy too) and a rudimentary sense of rhythm. Another demoralizing thing about it, he had said, was the fact that the work wasn't hard enough, except during rehearsal, to keep its votaries out of mischief.

When the notion first occurred to her that these statements of Jimmy's might some day have an interest for her that was personal rather than academic, she had dismissed it with a shrug of good-humored amusement. It wasn't until her idea of leaving Rodney and going out and making a living and a life for herself had hardened into a fixed resolution, and she had begun serious consideration of ways and means, that she called it back into her mind. There was no use blinking the facts. The one marketable asset she would possess when she walked out of her husband's house, was simply—how she looked.

Well then, if that was all you had, there was no degradation in using it until you could make yourself the possessor of something else. And the merit of this particular sort of job, for her, lay precisely in the thing that Jimmy had cited as its chief disadvantage—it left you abundant leisure. You might occupy that leisure getting into mischief—no doubt most chorus-girls did. But there was nothing to prevent your using it to better advantage.

With this in mind, on the Sunday before Rose went away, she had studied the dramatic section of the morning paper with a good deal of care and was rewarded by finding among the news notes, an item referring to a new musical comedy that was to be produced at the Globe Theater immediately after the Christmas holidays. The Girl Up-stairs was the title of it. It was spoken of as one of the regular Globe productions, so it was probable that Jimmy Wallace's experience with the production of an earlier number in the series would at least give her something to go by. The thing must be in rehearsal now.

Granted that she was going to be a chorus-girl for a while, she could hardly find a better place than one of the Globe productions to be one in. According to Jimmy Wallace, it was a decent enough little place, and yet it possessed the advantage of being spiritually as well as actually, west of Clark Street. Rodney's friends were less likely to go there, and so have a chance of recognizing her, than to any other theater in the city, barring of course the flagrantly and shamelessly vulgar ones of the purlieus.

Among her older friends of school and college days, the chances were of course worse. But even if she were seen on the stage by people who knew her, even though they were to say to each other that that girl looked surprisingly like Rose Aldrich, this would be a very different thing from full recognition. She would be well protected by the utter unlikelihood of her being in such a place; by the absence of anybody's knowledge that she had flown off at a tangent from the orbit of Rodney's world. Then, too, she'd be somewhat disguised no doubt, by make-up. Of course with all those considerations weighed at their full value, there remained a risk that she would be fully discovered and recognized. But it was a risk that couldn't be avoided, whatever she did.

She entertained for a while, the notion of taking Jimmy Wallace into her confidence—he had as many depositors of confidences on his books, as a savings bank, and he was just as safe. It was altogether likely that he could get her a job out of hand. He was still on the best of terms with the Globe people, and he was a really influential critic. But even if he didn't get her a job outright, he could at least tell her how to set about getting one for herself—where to go, whom to ask for, the right way to phrase her request, which makes such an enormous difference in things of that kind.

But she wasn't long in abandoning the notion of appealing to Jimmy at all. The corner-stone of her new adventure must be that she was doing things for herself; that she was through being helped, having ways smoothed for her, things done for her. If she owed her first job even indirectly to Jimmy, all the rest of her structure would be out of plumb. Whatever success she might have would be tainted by the misgiving that but for somebody else's help, she might have failed. Rose Stanton who had rented that three-dollar room was going to be beholden to nobody!

The news item in the paper gave her really all she needed. It told her that a production was in rehearsal and it mentioned the name of the director, John Galbraith, referring to him as one of the three most prominent musical-comedy directors in the country; imported from New York at vast expense, to make this production unique in the annals of the Globe, and so forth.

They hadn't rehearsed Jimmy's piece, she knew, in the theater itself, but in all sorts of queer out-of-the-way places—in theaters that happened for the moment to be "dark," in dance-halls; pretty much anywhere. This was because there was another show running at the time at the Globe. She had looked in the theater advertisements to see whether a show was running there now. Yes, there was. Well, that gave her her formula.

When she asked at the box office at the Globe Theater, where they were rehearsing The Girl Up-stairs to-day, the nicely manicured young man inside, answered automatically, "North End Hall."

Evidently Jimmy Wallace couldn't have phrased the question better himself. But the quality of the voice that asked it had, even to his not very sensitive ear, an unaccustomed flavor. So, almost simultaneously with his answer, he looked up from his finger-nails and shot an inquiring glance through the grille.

What he saw betrayed him into an involuntary stare. He didn't mean to stare; he meant to be respectful. But he was surprised. Rose, in the plainest suit that she could hope would seem plausible to her servants for a traveling costume to California, an ulster and a little beaver hat with a quill in it, had no misgivings about looking the part of a potentially hard-working young woman renting a three-dollar room on North Clark Street and seeking employment in a musical-comedy chorus. A realization that her neat black seal dressing-case wasn't quite in the picture, helped to account for the landlady's puzzlement about her. But it hadn't been introduced in evidence here. And yet the young man behind the grille seemed as surprised as the landlady.

He repeated his answer to her question with the lubricant of a few more words and a fatuous sort of smile. "I believe they rehearse in the North End Hall this afternoon."

Rose couldn't help smiling a little herself. "I'm afraid," she said, "I'll have to ask where that is."

"Not at all," said the young man idiotically, and he told her the address; then cast about for a slip of paper to write it down on, racking his thimbleful of brains all the while to make out who she could be. She wasn't one of the principals in the company. They'd all reported and he hadn't heard that any of them was to be replaced.

"Oh, you needn't write it," said Rose. "I can remember, thank you." She gave him a pleasant sort of boyish nod that didn't classify at all with anything in his experience, and walked out of the lobby.

He stared after her almost resentfully, feeling all mussed up, somehow, and inadequate; as if here had been a situation that he had failed signally to make the most of. He sat there for the next half-hour gloomily thinking up things he might have said to her.

THE EVENING AND THE MORNING WERE THE FIRST DAY

With her umbrella over her shoulder, Rose set sail northward again through the rain, absurdly cheered; first by the fact that the opening skirmish had distinctly, though intangibly, gone her way; secondly by the small bit of luck that North End Hall would be, judging by its number on North Clark Street, not more than a block or two from her three-dollar room.

The sight of the entrance to it gave her a pang of misgiving. A pair of white painted doors opened from the street level upon the foot of a broadish stair which took you up rather suddenly; there was space enough between the foot of the stair and the doors for a ticket-window, but it was too small to be called a lobby; an arc lamp hung there though, and two more—all three were extinct—hung just outside. What gave the place its air of vulgarity, a suggestion of being the starting and finishing point for lewd, drink sodden revels, she couldn't determine. It did suggest this plainly. But, in the light of what Jimmy Wallace had told her, she didn't think it likely there'd be any reveling to speak of at rehearsal.

At the head of the stairway, tilted back in a kitchen chair beneath a single gas-jet whose light he was trying to make suffice for the perusal of a green newspaper, sat a man, under orders no doubt, to keep intruders away.

Rose cast about as she climbed for the sort of phrase that would convince him she wasn't an intruder. She would ask him, but in the manner of one who seeks a formal assurance merely, if this was where they were rehearsing The Girl Up-stairs. Three steps from the top, she changed her tactics, as a result of a glance at his unshaven face. The thing to do was to go by as if he weren't there at all—as if, for such as she, watchmen didn't exist. The rhythmic pounding of feet and the frayed chords from a worn-out piano, convinced her she was in the right place.

Her stratagem succeeded, but not without giving her a bad moment. The man glanced up and, though she felt he didn't return to his paper again, he made no attempt to stop her. But right before her was another pair of big white doors, closed with an effect of permanence—locked, she suspected. A narrower door to the left stood open, but over it was painted the disconcerting legend "Bar," flanked on either side, to make the matter explicit even to the unlearned, by pictorial representations of glasses of foaming beer. She hadn't time to deliberate over her choice. The watchman's eyes were boring into her back. If she chose wrong, or if she visibly hesitated, she knew she'd hear a voice say, "Here! Where you going!"

She caught a quick breath, turned to the left and walked steadily through the narrower door into the bar. It proved to be a deserted, shrouded, sinister-looking place, with an interminable high mahogany counter at one side, and with a lot of little iron tables placed by pairs, their tops together, so that half of them had their legs in the air. Its lights were fled, its garlands dead all right, but there wasn't anything poetic about it. However, there was another open door at the far end of the room, through which sounds and light came in. And the watchman hadn't interfered with her. Evidently she had chosen right.

She paused for a second steadying breath before she went through that farther door, her eyes starry with resolution, her cheeks, just for the moment, a little pale. If the comparison suggests itself to you of an early Christian maiden about to step out into an arena full of wild beasts, then you will have mistaken Rose. The arena was there, true enough. But she was stepping out into it with the intention of, like Androcles, taming the lion.

The room was hot and not well lighted—a huge square room with a very high ceiling. In the farther wall of it was a proscenium arch and a raised stage somewhat brighter than the room itself, though the stained brick wall at the back, in the absence of any scenery, absorbed a good deal of the light. On the stage, right and left, were two irregular groups of girls, with a few men, awkwardly, Rose thought, disposed among them. All were swaying a little to mark the rhythm of the music industriously pounded out by a sweaty young man at the piano—a swarthy, thick young man in his undershirt. There were a few more people, Rose was aware without exactly looking at any of them, sprawled in different parts of the hall, on sofas or cushioned window-seats.

It was all a little vague to her at first, because her attention was focused on a single figure—a compact, rather slender figure, and tall, Rose thought—of a man in a blue serge suit, who stood at the exact center of the stage and the extreme edge of the footlights. He was counting aloud the bars of the music—not beating time at all, nor yielding to the rhythm in any way; standing, on the contrary, rather tensely still. That was the quality about him, indeed, that riveted Rose's attention and held her as still as he was, in the doorway—an exhilarating sort of intensity that had communicated itself to the swaying groups on the stage. You could tell from the way he counted that something was gathering itself up, getting ready to happen. "Three ... Four ... Five ... Six ... Seven ... Now!" he shouted on the eighth bar, and with the word, one of the groups transformed itself. One of the men bowed to one of the girls and began waltzing with her; another couple formed, then another.

Rose watched breathlessly, hoping the maneuver wouldn't go wrong;—for no reason in the world but that the man, there at the footlights, was so tautly determined that it shouldn't.

Determination triumphed. The number was concluded to John Galbraith's evident satisfaction. "Very good," he said. "If you'll all do exactly what you did that time from now on, I'll not complain." Without a pause he went on, "Everybody on the stage—big girls—all the big girls!" And, to the young man at the piano, "We'll do Afternoon Tea." There was a momentary pause then, filled with subdued chatter, while the girls and men re-alined themselves for the new number—a pause taken advantage of by an exceedingly blond young man to scramble up on the stage and make a few remarks to the director. He was the musical director, Rose found out afterward. Galbraith, to judge from his attitude, gave his colleague's remarks about twenty-five per cent. of his attention, keeping his eye all the while on the chorus, to see that they got their initial formation correctly. Rose looked them over, too. The girls weren't, on an average, extravagantly beautiful, though, with the added charm of make-up allowed for, there were no doubt many the audiences would consider so. What struck Rose most emphatically about them, was their youth and spirit. How long they had been rehearsing this afternoon she didn't know. But now, when they might have gone slack and silent, they pranced and giggled instead and showed a disposition to lark about, which evidently would have carried them a good deal further but for the restraining presence of the director. They were dressed in pretty much anything that would allow perfect freedom to their bodies; especially their arms and legs; bathing suits mostly, or middy-blouses and bloomers. Rose noted this with satisfaction. Her old university gymnasium costume would do perfectly. Anything, apparently, would do, because as her eye adjusted itself to details, she discovered romper suits, pinafores, chemises, overalls—all equally taken for granted. There weren't nearly so many chorus men as girls. She couldn't be sure just how many there were, because they couldn't be singled out. As they wore no distinctly working costume, merely took off their coats, waistcoats and collars, they weren't distinguishable from most of the staff, who, with the exception of the director, garbed themselves likewise.

Galbraith dismissed the musical director with a nod, struck his hands together for silence, and scrutinized the now motionless group on the stage.

"We're one shy," he said. "Who's missing?" And then answered his own question: "Grant!" He wheeled around and his eyes searched the hall.

Rose became aware for the first time, that a mutter of conversation had been going on incessantly since she had come in, in one of the recessed window-seats behind her. Now, when Galbraith's gaze plunged in that direction, she turned and looked too. A big blonde chorus-girl was in there with a man, a girl, who, with twenty pounds trained off her, and that sulky look out of her face, would have been a beauty. She had roused herself with a sort of defiant deliberation at the sound of the director's voice, but she still had her back to him and went on talking to the man.

"Grant!" said John Galbraith again, and this time his voice had a cutting edge. "Will you take your place on the stage, or shall I suspend rehearsal until you're ready?"

For answer she turned and began walking slowly across the room toward the door in the proscenium that led to the stage. She started walking slowly, but under Galbraith's eye, she quickened her pace, involuntarily, it seemed, until it was a ludicrous sort of run. Presently she emerged on the stage, looking rather artificially unconcerned, and the rehearsal went on again.

But just before he gave the signal to the pianist to go ahead, Galbraith with a nod summoned a young man from the wings and said something to him, whereupon, clearly carrying out his orders, he vaulted down from the stage and came walking toward the doorway where Rose was still standing. The director's gaze as it flashed about the hall, had evidently discovered more than the sulky chorus-girl.

The young man wasn't intrinsically formidable—a rather limp, deprecatory sort, he looked. But, as an emissary from Galbraith, he quickened Rose's heart-beat a trifle. She smiled though as she made a small bet with herself that he wouldn't be able to turn her out, even in his capacity of envoy.

But he didn't come straight to Rose; deflected his course a little uncertainly, and brought up before a woman who sat in a folding chair a little farther along the wall.

Rose hadn't observed her particularly before, though she was aware that one of the "big girls" who had responded promptly to Galbraith's first call for them, had been talking to her when Rose came in, and she had assumed her to be somebody connected with the show; at least with an unchallengeable right to watch its rehearsals. But she had corrected this impression even before she had heard what John Galbraith's assistant said to the woman and what she said to him; for she drew herself defensively erect when she saw him turn toward her, assumed a look of calculated disdain; tapped a foot inadequately shod for Chicago's pavements in December, although evidently it had experienced them—gave, on the whole, as well as she could, an imitation of a duchess being kept waiting.

But the limp young man didn't seem disconcerted, and inquired in so many words, what her business was. The duchess said in a harsh high voice with a good deal of inflection to it, that she wanted to see the director; a very partic'lar friend of his, she assured the young man, had begged her to do so. "You'll have to wait till he's through rehearsing," said the young man, and then he came over to Rose.

The vestiges of the smile the duchess had provoked were still visible about her mouth when he came up. "May I wait and see Mr. Galbraith after the rehearsal?" she asked. "If I won't be in the way?"

"Sure," said the young man. "He won't be long now. He's been rehearsing since two." Then, rather explosively, "Have a chair."

He struck Rose as being a little flustered and uncertain, somehow, and he now made a tentative beginning of actually bringing a chair for her.

"Oh, don't bother," said Rose, and now she couldn't help smiling outright. "I'll find one for myself."

But, whenever he had begun rehearsing, it was evident that John Galbraith didn't mean to stop until he got through, and it was a long hour that Rose sat there in a little folding chair similar to the one occupied by the duchess; an hour which, in spite of all her will could do, took some of the crispness out of her courage. It was all very well to reflect with pitying amusement on the absurdities of the duchess. But it was evident the duchess was waiting with a purpose like her own. She meant to get a job in the chorus. Her rather touching ridiculousness as a human being wouldn't stand in her way. It was likely that she had had dozens of jobs in choruses before, knew exactly what would be wanted of her, and was confident of her ability to deliver it.

As Rose's heart sank lower with the dragging minutes she even took into account the possibility that the duchess had spoken the truth about John Galbraith's "partic'lar friend." Just the mention of a name might settle the whole business. Then her spirits went down another five degrees. Here she had been assuming all along that there was a job for either of them to get! But it was quite likely there was not. The chorus looked complete enough; there was no visible gap in the ranks crying aloud for a recruit.

When at last, a little after six o'clock, Galbraith said, "Quarter to eight, everybody," and dismissed them with a nod for a scurry to what were evidently dressing-rooms at the other side of the ball, the ship of Rose's hopes had utterly gone to pieces. She had a plank to keep herself afloat on. It was the determination to stay there until he should tell her in so many words that he hadn't any use for her and under no conceivable circumstances ever would have.

The deprecatory young man was talking to him now, about her and the duchess evidently, for he peered out into the hall to see if they were still there; then vaulted down from the stage and came toward them.

The duchess got up, and with a good deal of manner, went over to meet him. Rose felt outmaneuvered here. She should have gone to meet him herself, but a momentary paralysis kept her in her chair. She didn't hear what the duchess said. The manner of it was confidential, in marked protest against the proximity of a handful of other people—the blond musical director, the thick pianist in his undershirt, a baby-faced man in round tortoise-shell spectacles, three or four of the chorus people, each of whom had serious matters to bring before the director's attention.

But all the confidences, it seemed, were on the side of the duchess. Because, when John Galbraith answered her, his voice easily filled the room. "You tell Mr. Pike, if that's his name, that I'm very much obliged to him, but we haven't any vacancies in the chorus at present. If you care to, leave your name and address with Mr. Quan, the assistant stage manager; then if we find we need you, we can let you know."