ANNOUNCEMENTS
INDEX OF AUTHORS
PAGE
Abbott, Angus Evan, 414
Alison, William, 413
Basile, Giovanni Battista, 415
Bate, Francis, 414
Beerbohm, Max, 414
Burton, Sir Richard, K.C.M.G., 414, 415
Cobban, J. MacLaren, 416
Common, Thomas, 415
Connell, F. Norreys, 414
Creswick, Paul, 414
Dearmer, Mrs Percy, 414
Dobson, Austin, 414
Donovan, Major C.H.W., 416
Dowson, Ernest, 414
Farrar, Evelyn L., 416
Farrar, Very Rev. Dean F.W., 416
Field, Michael, 414
Garnett, Dr Richard, 414
Gosse, Edmund, 414
Gray, John, 414, 415
Guiffrey, Jules J., 413
Haussmann, William A., Ph.D., 415
Herrick, Robert, 414
Hobbes, John Oliver, 414
Housman, Lawrence, 414
Hoytema, Th. van, 416
Image, Selwyn, 414
Jepson, Edgar, 414
Johnson, Lionel, 414
Jones, Alfred, 414
Langley, Hugh, 416
Le Gallienne, Richard, 414
MacColl, D.S., 414
Maeterlinck, Maurice, 414
Mann, Mary E., 414, 416
Marriott Watson, Rosamond, 414
Molesworth, Mrs., 414
Moore, T. Sturge, 414
Muther, Richard, 413
Nietzsche, Friedrich, 415
Oudinot, Maréchale, Duchesse de Reggio, 413
Pain, Barry, 414
Plarr, Victor, 414
Powell, F. York, 414
Purcell, Edward, 414
Ricketts, Charles, 414
Rubens, Paul, 414
Ruvigny et Raineval, Marquis de, 416
Scull, W. Delaplaine, 414
Shannon, Charles Hazelwood, 414
Spalding, Thomas Alfred, 416
Stiegler, Gaston, 413
Strange, E.F., 414
Strange, Captain H.B., 414
Teixeira de Mattos, Alexander, 413
Tille, Alexander, Ph.D., 415
Villiers de l'Isle-Adam, Comte, 414
Volz, Johanna, 415
White, Gleeson, 414
Widdrington, George, 416
Wood, Starr, 414
Zimmern, Helen, 415
ANNOUNCEMENTS
MEMOIRS OF MARSHAL OUDINOT, DUC DE REGGIO. Compiled from the hitherto unpublished
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"A truly sumptuous and imposing volume."—Globe.
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"There need be no hesitation in pronouncing this work of Muther the most authoritative that exists on the subject, the most complete, the best informed of all the general histories of Modern Art."—Times.
"Not only the best, but the only history of Modern Painting which has any pretension to cover the whole ground."—Times (second notice).
"A monumental work ... of cyclopædic value.... This author is distinctly cheering. He has no slavish and indiscriminate admiration for the old masters, and his enthusiasm and his hopes are with the art of his time.... There are many illustrations, a copious bibliography, and a good index.... It is incomparably the best work of its kind; in some respects, the only one of its kind."—Daily News.
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THE PAGEANT, 1897. Edited by Charles
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IL PENTAMERONE; OR, THE TALE OF TALES. Being a Translation by the Late Sir Richard Burton, K.C.M.G., of "Il Pentamerone; overo lo Cunto de li Cunte, trattenemiento de li peccerille," of Giovanni Battista Basile, Count of Torone (Gian Alessio Abbattutis). Two volumes, demy 8vo, black cloth gilt, £3, 3s. net. Large Paper Edition, on hand-made paper (limited to 150 copies), royal 8vo, black cloth gilt, £5, 5s. net.
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THE WORKS OF FRIEDRICH
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Transcriber's Notes:
Obvious typesetting errors have been corrected. Questionable, vintage and British spellings have been left as printed in the original publication. Variations in spelling have been left as printed, unless otherwise noted in the following.
Footnotes in the original text were marked at the page level, beginning at footnote 1 each time footnotes appeared on a page. Footnote numbers for the whole text have been replaced with sequential footnote numbers, from 1 to 36.
Pages 260, 376 and 398 in the original publication are blank pages. The page numbers have been omitted in this transcription.
Inconsistencies in the use of "St" and "St." as an abbreviation for "Saint" have been normalized in this transcription to "St".
Page 238: Transcribed "likes" as "like". As originally printed: "likes the roués of the Regency".
Page 343 (footnote 19): The concluding sentence in a quoted letter by the author ends with a question mark in the original publication, a likely typesetting error for a period at the end of the sentence which would agree with the context. The punctuation has been left as printed in the original publication.