Garain, who did not like Paul Vence's ingenious turn of wit and language, tried to hasten the conclusion:
"In a word," he said, "there was something of the monster in the man."
"There are no monsters," replied Paul Vence; "and men who pass for monsters inspire horror. Napoleon was loved by an entire people. He had the power to win the love of men. The joy of his soldiers was to die for him."
Countess Martin would have wished Dechartre to give his opinion. But he excused himself with a sort of fright.
"Do you know," said Schmoll again, "the parable of the three rings, sublime inspiration of a Portuguese Jew."
Garain, while complimenting Paul Vence on his brilliant paradox, regretted that wit should be exercised at the expense of morality and justice.
"One great principle," he said, "is that men should be judged by their acts."
"And women?" asked Princess Seniavine, brusquely; "do you judge them by their acts? And how do you know what they do?"
The sound of voices was mingled with the clear tintinabulation of silverware. A warm air bathed the room. The roses shed their leaves on the cloth. More ardent thoughts mounted to the brain.
General Lariviere fell into dreams.
"When public clamor has split my ears," he said to his neighbor, "I shall go to live at Tours. I shall cultivate flowers."
He flattered himself on being a good gardener; his name had been given to a rose. This pleased him highly.
Schmoll asked again if they knew the parable of the three rings.
The Princess rallied the Deputy.
"Then you do not know, Monsieur Garain, that one does the same things for very different reasons?"
Montessuy said she was right.
"It is very true, as you say, Madame, that actions prove nothing. This thought is striking in an episode in the life of Don Juan, which was known neither to Moliere nor to Mozart, but which is revealed in an English legend, a knowledge of which I owe to my friend James Russell Lowell of London. One learns from it that the great seducer lost his time with three women. One was a bourgeoise: she was in love with her husband; the other was a nun: she would not consent to violate her vows; the third, who had for a long time led a life of debauchery, had become ugly, and was a servant in a den. After what she had done, after what she had seen, love signified nothing to her. These three women behaved alike for very different reasons. An action proves nothing. It is the mass of actions, their weight, their sum total, which makes the value of the human being."
"Some of our actions," said Madame Martin, "have our look, our face: they are our daughters. Others do not resemble us at all."
She rose and took the General's arm.
On the way to the drawing-room the Princess said:
"Therese is right. Some actions do not express our real selves at all.
They are like the things we do in nightmares."
The nymphs of the tapestries smiled vainly in their faded beauty at the guests, who did not see them.
Madame Martin served the coffee with her young cousin, Madame Belleme de
Saint-Nom. She complimented Paul Vence on what he had said at the table.
"You talked of Napoleon with a freedom of mind that is rare in the conversations I hear. I have noticed that children, when they are handsome, look, when they pout, like Napoleon at Waterloo. You have made me feel the profound reasons for this similarity."
Then, turning toward Dechartre:
"Do you like Napoleon?"
"Madame, I do not like the Revolution. And Napoleon is the Revolution in boots."
"Monsieur Dechartre, why did you not say this at dinner? But I see you prefer to be witty only in tete-a-tetes."
Count Martin-Belleme escorted the men to the smoking-room. Paul Vence alone remained with the women. Princess Seniavine asked him if he had finished his novel, and what was the subject of it. It was a study in which he tried to reach the truth through a series of plausible conditions.
"Thus," he said, "the novel acquires a moral force which history, in its heavy frivolity, never had."
She inquired whether the book was written for women. He said it was not.
"You are wrong, Monsieur Vence, not to write for women. A superior man can do nothing else for them."
He wished to know what gave her that idea.
"Because I see that all the intelligent women love fools."
"Who bore them."
"Certainly! But superior men would weary them more. They would have more resources to employ in boring them. But tell me the subject of your novel."
"Do you insist?"
"Oh, I insist upon nothing."
"Well, I will tell you. It is a study of popular manners; the history of a young workman, sober and chaste, as handsome as a girl, with the mind of a virgin, a sensitive soul. He is a carver, and works well. At night, near his mother, whom he loves, he studies, he reads books. In his mind, simple and receptive, ideas lodge themselves like bullets in a wall. He has no desires. He has neither the passions nor the vices that attach us to life. He is solitary and pure. Endowed with strong virtues, he becomes conceited. He lives among miserable people. He sees suffering. He has devotion without humanity. He has that sort of cold charity which is called altruism. He is not human because he is not sensual."
"Oh! One must be sensual to be human?"
"Certainly, Madame. True pity, like tenderness, comes from the heart. He is not intelligent enough to doubt. He believes what he has read. And he has read that to establish universal happiness society must be destroyed. Thirst for martyrdom devours him. One morning, having kissed his mother, he goes out; he watches for the socialist deputy of his district, sees him, throws himself on him, and buries a poniard in his breast. Long live anarchy! He is arrested, measured, photographed, questioned, judged, condemned to death, and guillotined. That is my novel."
"It is not very amusing," said the Princess; "but that is not your fault.
Your anarchists are as timid and moderate as other Frenchmen. The
Russians have more audacity and more imagination."
Countess Martin asked Paul Vence whether he knew a silent, timid-looking man among the guests. Her husband had invited him. She knew nothing of him, not even his name. Paul Vence could only say that he was a senator. He had seen him one day by chance in the Luxembourg, in the gallery that served as a library.
"I went there to look at the cupola, where Delacroix has painted, in a wood of bluish myrtles, heroes and sages of antiquity. That gentleman was there, with the same wretched and pitiful air. His coat was damp and he was warming himself. He was talking with old colleagues and saying, while rubbing his hands: 'The proof that the Republic is the best of governments is that in 1871 it could kill in a week sixty thousand insurgents without becoming unpopular. After such a repression any other regime would have been impossible.'"
"He is a very wicked man," said Madame Martin. "And to think that I was pitying him!"
Madame Garain, her chin softly dropped on her chest, slept in the peace of her housewifely mind, and dreamed of her vegetable garden on the banks of the Loire, where singing-societies came to serenade her.
Joseph Schmoll and General Lariviere came out of the smoking-room. The
General took a seat between Princess Seniavine and Madame Martin.
"I met this morning, in the park, Baronne Warburg, mounted on a magnificent horse. She said, 'General, how do you manage to have such fine horses?' I replied: Madame, to have fine horses, you must be either very wealthy or very clever.'"
He was so well satisfied with his reply that he repeated it twice.
Paul Vence came near Countess Martin:
"I know that senator's name: it is Lyer. He is the vice-president of a political society, and author of a book entitled, The Crime of December Second."
The General continued:
"The weather was horrible. I went into a hut and found Le Menil there. I was in a bad humor. He was making fun of me, I saw, because I sought shelter. He imagines that because I am a general I must like wind and snow. He said that he liked bad weather, and that he was to go foxhunting with friends next week."
There was a pause; the General continued:
"I wish him much joy, but I don't envy him. Foxhunting is not agreeable."
"But it is useful," said Montessuy.
The General shrugged his shoulders.
"Foxes are dangerous for chicken-coops in the spring when the fowls have to feed their families."
"Foxes are sly poachers, who do less harm to farmers than to hunters.
I know something of this."
Therese was not listening to the Princess, who was talking to her. She was thinking:
"He did not tell me that he was going away!"
"Of what are you thinking, dear?" inquired the Princess.
"Of nothing interesting," Therese replied.
CHAPTER IV
THE END OF A DREAM
In the little shadowy room, where sound was deadened by curtains, portieres, cushions, bearskins, and carpets from the Orient, the firelight shone on glittering swords hanging among the faded favors of the cotillons of three winters. The rosewood chiffonier was surmounted by a silver cup, a prize from some sporting club. On a porcelain plaque, in the centre of the table, stood a crystal vase which held branches of white lilacs; and lights palpitated in the warm shadows. Therese and Robert, their eyes accustomed to obscurity, moved easily among these familiar objects. He lighted a cigarette while she arranged her hair, standing before the mirror, in a corner so dim she could hardly see herself. She took pins from the little Bohemian glass cup standing on the table, where she had kept it for three years. He looked at her, passing her light fingers quickly through the gold ripples of her hair, while her face, hardened and bronzed by the shadow, took on a mysterious expression. She did not speak.
He said to her:
"You are not cross now, my dear?"
And, as he insisted upon having an answer, she said:
"What do you wish me to say, my friend? I can only repeat what I said at first. I think it strange that I have to learn of your projects from General Lariviere."
He knew very well that she had not forgiven him; that she had remained cold and reserved toward him. But he affected to think that she only pouted.
"My dear, I have explained it to you. I have told you that when I met Lariviere I had just received a letter from Caumont, recalling my promise to hunt the fox in his woods, and I replied by return post. I meant to tell you about it to-day. I am sorry that General Lariviere told you first, but there was no significance in that."
Her arms were lifted like the handles of a vase. She turned toward him a glance from her tranquil eyes, which he did not understand.
"Then you are going?"
"Next week, Tuesday or Wednesday. I shall be away only ten days at most."
She put on her sealskin toque, ornamented with a branch of holly.
"Is it something that you can not postpone?"
"Oh, yes. Fox-skins would not be worth anything in a month. Moreover,
Caumont has invited good friends of mine, who would regret my absence."
Fixing her toque on her head with a long pin, she frowned.
"Is fox-hunting interesting?"
"Oh, yes, very. The fox has stratagems that one must fathom. The intelligence of that animal is really marvellous. I have observed at night a fox hunting a rabbit. He had organized a real hunt. I assure you it is not easy to dislodge a fox. Caumont has an excellent cellar. I do not care for it, but it is generally appreciated. I will bring you half a dozen skins."
"What do you wish me to do with them?"
"Oh, you can make rugs of them."
"And you will be hunting eight days?"
"Not all the time. I shall visit my aunt, who expects me. Last year at this time there was a delightful reunion at her house. She had with her her two daughters and her three nieces with their husbands. All five women are pretty, gay, charming, and irreproachable. I shall probably find them at the beginning of next month, assembled for my aunt's birthday, and I shall remain there two days."
"My friend, stay as long as it may please you. I should be inconsolable if you shortened on my account a sojourn which is so agreeable."
"But you, Therese?"
"I, my friend? I can take care of myself."
The fire was languishing. The shadows were deepening between them. She said, in a dreamy tone:
"It is true, however, that it is never prudent to leave a woman alone."
He went near her, trying to see her eyes in the darkness. He took her hand.
"You love me?" he said.
"Oh, I assure you that I do not love another but—"
"What do you mean?"
"Nothing. I am thinking—I am thinking that we are separated all through the summer; that in winter you live with your parents and your friends half the time; and that, if we are to see so little of each other, it is better not to see each other at all."
He lighted the candelabra. His frank, hard face was illuminated. He looked at her with a confidence that came less from the conceit common to all lovers than from his natural lack of dignity. He believed in her through force of education and simplicity of intelligence.
"Therese, I love you, and you love me, I know. Why do you torment me?
Sometimes you are painfully harsh."
She shook her little head brusquely.
"What will you have? I am harsh and obstinate. It is in the blood. I take it from my father. You know Joinville; you have seen the castle, the ceilings, the tapestries, the gardens, the park, the hunting-grounds, you have said that none better were in France; but you have not seen my father's workshop—a white wooden table and a mahogany bureau. Everything about me has its origin there. On that table my father made figures for forty years; at first in a little room, then in the apartment where I was born. We were not very wealthy then. I am a parvenu's daughter, or a conqueror's daughter, it's all the same. We are people of material interests. My father wanted to earn money, to possess what he could buy—that is, everything. I wish to earn and keep—what? I do not know—the happiness that I have—or that I have not. I have my own way of being exacting. I long for dreams and illusions. Oh, I know very well that all this is not worth the trouble that a woman takes in giving herself to a man; but it is a trouble that is worth something, because my trouble is myself, my life. I like to enjoy what I like, or think what I like. I do not wish to lose. I am like papa: I demand what is due to me. And then—"
She lowered her voice:
"And then, I have—impulses! Now, my dear, I bore you. What will you have? You shouldn't have loved me."
This language, to which she had accustomed him, often spoiled his pleasure. But it did not alarm him. He was sensitive to all that she did, but not at all to what she said; and he attached no importance to a woman's words. Talking little himself, he could not imagine that often words are the same as actions.
Although he loved her, or, rather, because he loved her with strength and confidence, he thought it his duty to resist her whims, which he judged absurd. Whenever he played the master, he succeeded with her; and, naively, he always ended by playing it.
"You know very well, Therese, that I wish to do nothing except to be agreeable to you. Don't be capricious with me."
"And why should I not be capricious? If I gave myself to you, it was not because I was logical, nor because I thought I must. It was because I was capricious."
He looked at her, astonished and saddened.
"The word is not pleasant to you, my friend? Well let us say that it was love. Truly it was, with all my heart, and because I felt that you loved me. But love must be a pleasure, and if I do not find in it the satisfaction of what you call my capriciousness, but which is really my desire, my life, my love, I do not want it; I prefer to live alone. You are astonishing! My caprices! Is there anything else in life? Your foxhunt, isn't that capricious?"
He replied, very sincerely:
"If I had not promised, I swear to you, Therese, that I would sacrifice that small pleasure with great joy."
She felt that he spoke the truth. She knew how exact he was in filling the most trifling engagements, yet realized that if she insisted he would not go. But it was too late: she did not wish to win. She would seek hereafter only the violent pleasure of losing. She pretended to take his reason seriously, and said:
"Ah, you have promised!"
And she affected to yield.
Surprised at first, he congratulated himself at last on having made her listen to reason. He was grateful to her for not having been stubborn. He put his arm around her waist and kissed her on the neck and eyelids as a reward. He said:
"We may meet three or four times before I go, and more, if you wish. I will wait for you as often as you wish to come. Will you meet me here to-morrow?"
She gave herself the satisfaction of saying that she could not come the next day nor any other day.
Softly she mentioned the things that prevented her.
The obstacles seemed light; calls, a gown to be tried on, a charity fair, exhibitions. As she dilated upon the difficulties they seemed to increase. The calls could not be postponed; there were three fairs; the exhibitions would soon close. In fine, it was impossible for her to see him again before his departure.
As he was well accustomed to making excuses of that sort, he failed to observe that it was not natural for Therese to offer them. Embarrassed by this tissue of social obligations, he did not persist, but remained silent and unhappy.
With her left arm she raised the portiere, placed her right hand on the key of the door; and, standing against the rich background of the sapphire and ruby-colored folds of the Oriental draperies, she turned her head toward the friend she was leaving, and said, a little mockingly, yet with a touch of tragic emotion:
"Good-by, Robert. Enjoy yourself. My calls, my errands, your little visits are nothing. Life is made up of just such trifles. Good-by!"
She went out. He would have liked to accompany her, but he made it a point not to show himself with her in the street, unless she absolutely forced him to do so.
In the street, Therese felt suddenly that she was alone in the world, without joy and without pain. She returned to her house on foot, as was her habit. It was night; the air was frozen, clear, and tranquil. But the avenues through which she walked, in shadows studded with lights, enveloped her with that mild atmosphere of the queen of cities, so agreeable to its inhabitants, which makes itself felt even in the cold of winter. She walked between the lines of huts and old houses, remains of the field-days of Auteuil, which tall houses interrupted here and there. These small shops, these monotonous windows, were nothing to her. Yet she felt that she was under the mysterious spell of the friendship of inanimate things; and it seemed to her that the stones, the doors of houses, the lights behind the windowpanes, looked kindly upon her. She was alone, and she wished to be alone. The steps she was taking between the two houses wherein her habits were almost equal, the steps she had taken so often, to-day seemed to her irrevocable. Why? What had that day brought? Not exactly a quarrel. And yet the words spoken that day had left a subtle, strange, persistent sting, which would never leave her. What had happened? Nothing. And that nothing had effaced everything. She had a sort of obscure certainty that she would never return to that room which had so recently enclosed the most secret and dearest phases of her life. She had loved Robert with the seriousness of a necessary joy. Made to be loved, and very reasonable, she had not lost in the abandonment of herself that instinct of reflection, that necessity for security, which was so strong in her. She had not chosen: one seldom chooses. She had not allowed herself to be taken at random and by surprise. She had done what she had wished to do, as much as one ever does what one wishes to do in such cases. She had nothing to regret. He had been to her what it was his duty to be. She felt, in spite of everything, that all was at an end. She thought, with dry sadness, that three years of her life had been given to an honest man who had loved her and whom she had loved. "For I loved him. I must have loved him in order to give myself to him." But she could not feel again the sentiments of early days, the movements of her mind when she had yielded. She recalled small and insignificant circumstances: the flowers on the wall-paper and the pictures in the room. She recalled the words, a little ridiculous and almost touching, that he had said to her. But it seemed to her that the adventure had occurred to another woman, to a stranger whom she did not like and whom she hardly understood. And what had happened only a moment ago seemed far distant now. The room, the lilacs in the crystal vase, the little cup of Bohemian glass where she found her pins—she saw all these things as if through a window that one passes in the street. She was without bitterness, and even without sadness. She had nothing to forgive, alas! This absence for a week was not a betrayal, it was not a fault against her; it was nothing, yet it was everything. It was the end. She knew it. She wished to cease. It was the consent of all the forces of her being. She said to herself: "I have no reason to love him less. Do I love him no more? Did I ever love him?" She did not know and she did not care to know. Three years, during which there had been months when they had seen each other every day—was all this nothing? Life is not a great thing. And what one puts in it, how little that is!
In fine, she had nothing of which to complain. But it was better to end it all. All these reflections brought her back to that point. It was not a resolution; resolutions may be changed. It was graver: it was a state of the body and of the mind.
When she arrived at the square, in the centre of which is a fountain, and on one side of which stands a church of rustic style, showing its bell in an open belfry, she recalled the little bouquet of violets that he had given to her one night on the bridge near Notre Dame. They had loved each other that day—perhaps more than usual. Her heart softened at that reminiscence. But the little bouquet remained alone, a poor little flower skeleton, in her memory.
While she was thinking, passers-by, deceived by the simplicity of her dress, followed her. One of them made propositions to her: a dinner and the theatre. It amused her. She was not at all disturbed; this was not a crisis. She thought: "How do other women manage such things? And I, who promised myself not to spoil my life. What is life worth?"
Opposite the Greek lantern of the Musee des Religions she found the soil disturbed by workmen. There were paving-stones crossed by a bridge made of a narrow flexible plank. She had stepped on it, when she saw at the other end, in front of her, a man who was waiting for her. He recognized her and bowed. It was Dechartre. She saw that he was happy to meet her; she thanked him with a smile. He asked her permission to walk a few steps with her, and they entered into the large and airy space. In this place the tall houses, set somewhat back, efface themselves, and reveal a glimpse of the sky.
He told her that he had recognized her from a distance by the rhythm of her figure and her movements, which were hers exclusively.
"Graceful movements," he added, "are like music for the eyes."
She replied that she liked to walk; it was her pleasure, and the cause of her good health.
He, too, liked to walk in populous towns and beautiful fields. The mystery of highways tempted him. He liked to travel. Although voyages had become common and easy, they retained for him their powerful charm. He had seen golden days and crystalline nights, Greece, Egypt, and the Bosporus; but it was to Italy that he returned always, as to the mother country of his mind.
"I shall go there next week," he said. "I long to see again Ravenna asleep among the black pines of its sterile shore. Have you seen Ravenna, Madame? It is an enchanted tomb where sparkling phantoms appear. The magic of death lies there. The mosaic works of Saint Vitale, with their barbarous angels and their aureolated empresses, make one feel the monstrous delights of the Orient. Despoiled to-day of its silver lamels, the grave of Galla Placidia is frightful under its crypt, luminous yet gloomy. When one looks through an opening in the sarcophagus, it seems as if one saw the daughter of Theodosius, seated on her golden chair, erect in her gown studded with stones and embroidered with scenes from the Old Testament; her beautiful, cruel face preserved hard and black with aromatic plants, and her ebony hands immovable on her knees. For thirteen centuries she retained this funereal majesty, until one day a child passed a candle through the opening of the grave and burned the body."
Madame Martin-Belleme asked what that dead woman, so obstinate in her conceit, had done during her life.
"Twice a slave," said Dechartre, "she became twice an empress."
"She must have been beautiful," said Madame Martin. "You have made me see her too vividly in her tomb. She frightens me. Shall you go to Venice, Monsieur Dechartre? Or are you tired of gondolas, of canals bordered by palaces, and of the pigeons of Saint Mark? I confess that I still like Venice, after being there three times."
He said she was right. He, too, liked Venice.
Whenever he went there, from a sculptor he became a painter, and made studies. He would like to paint its atmosphere.
"Elsewhere," he said, "even in Florence, the sky is too high. At Venice it is everywhere; it caresses the earth and the water. It envelops lovingly the leaden domes and the marble facades, and throws into the iridescent atmosphere its pearls and its crystals. The beauty of Venice is in its sky and its women. What pretty creatures the Venetian women are! Their forms are so slender and supple under their black shawls. If nothing remained of these women except a bone, one would find in that bone the charm of their exquisite structure. Sundays, at church, they form laughing groups, agitated, with hips a little pointed, elegant necks, flowery smiles, and inflaming glances. And all bend, with the suppleness of young animals, at the passage of a priest whose head resembles that of Vitellius, and who carries the chalice, preceded by two choir-boys."
He walked with unequal step, following the rhythm of his ideas, sometimes quick, sometimes slow. She walked more regularly, and almost outstripped him. He looked at her sidewise, and liked her firm and supple carriage. He observed the little shake which at moments her obstinate head gave to the holly on her toque.
Without expecting it, he felt a charm in that meeting, almost intimate, with a young woman almost unknown.
They had reached the place where the large avenue unfolds its four rows of trees. They were following the stone parapet surmounted by a hedge of boxwood, which entirely hides the ugliness of the buildings on the quay. One felt the presence of the river by the milky atmosphere which in misty days seems to rest on the water. The sky was clear. The lights of the city were mingled with the stars. At the south shone the three golden nails of the Orion belt. Dechartre continued:
"Last year, at Venice, every morning as I went out of my house, I saw at her door, raised by three steps above the canal, a charming girl, with small head, neck round and strong, and graceful hips. She was there, in the sun and surrounded by vermin, as pure as an amphora, fragrant as a flower. She smiled. What a mouth! The richest jewel in the most beautiful light. I realized in time that this smile was addressed to a butcher standing behind me with his basket on his head."
At the corner of the short street which goes to the quay, between two lines of small gardens, Madame Martin walked more slowly.
"It is true that at Venice," she said, "all women are pretty."
"They are almost all pretty, Madame. I speak of the common girls—the cigar-girls, the girls among the glass-workers. The others are commonplace enough."
"By others you mean society women; and you don't like these?"
"Society women? Oh, some of them are charming. As for loving them, that's a different affair."
"Do you think so?"
She extended her hand to him, and suddenly turned the corner.
CHAPTER V
A DINNER 'EN FAMILLE'
She dined that night alone with her husband. The narrow table had not the basket with golden eagles and winged Victorys. The candelabra did not light Oudry's paintings. While he talked of the events of the day, she fell into a sad reverie. It seemed to her that she floated in a mist. It was a peaceful and almost sweet suffering. She saw vaguely through the clouds the little room of the Rue Spontini transported by angels to one of the summits of the Himalaya Mountains, and Robert Le Menil—in the quaking of a sort of world's end—had disappeared while putting on his gloves. She felt her pulse to see whether she were feverish. A rattle of silverware on the table awoke her. She heard her husband saying:
"My dear friend Gavaut delivered to-day, in the Chamber, an excellent speech on the question of the reserve funds. It's extraordinary how his ideas have become healthy and just. Oh, he has improved a great deal."
She could not refrain from smiling.
"But Gavaut, my friend, is a poor devil who never thought of anything except escaping from the crowd of those who are dying of hunger. Gavaut never had any ideas except at his elbows. Does anybody take him seriously in the political world? You may be sure that he never gave an illusion to any woman, not even his wife. And yet to produce that sort of illusion a man does not need much." She added, brusquely:
"You know Miss Bell has invited me to spend a month with her at Fiesole.
I have accepted; I am going."
Less astonished than discontented, he asked her with whom she was going.
At once she answered:
"With Madame Marmet."
There was no objection to make. Madame Marmet was a proper companion, and it was appropriate for her to visit Italy, where her husband had made some excavations. He asked only:
"Have you invited her? When are you going?"
"Next week."
He had the wisdom not to make any objection, judging that opposition would only make her capriciousness firmer, and fearing to give impetus to that foolish idea. He said:
"Surely, to travel is an agreeable pastime. I thought that we might in the spring visit the Caucasus and Turkestan. There is an interesting country. General Annenkoff will place at our disposal carriages, trains, and everything else on his railway. He is a friend of mine; he is quite charmed with you. He will provide us with an escort of Cossacks."
He persisted in trying to flatter her vanity, unable to realize that her mind was not worldly. She replied, negligently, that it might be a pleasant trip. Then he praised the mountains, the ancient cities, the bazaars, the costumes, the armor.
He added:
"We shall take some friends with us—Princess Seniavine, General
Lariviere, perhaps Vence or Le Menil."
She replied, with a little dry laugh, that they had time to select their guests.
He became attentive to her wants.
"You are not eating. You will injure your health."
Without yet believing in this prompt departure, he felt some anxiety about it. Each had regained freedom, but he did not like to be alone. He felt that he was himself only when his wife was there. And then, he had decided to give two or three political dinners during the session. He saw his party growing. This was the moment to assert himself, to make a dazzling show. He said, mysteriously:
"Something might happen requiring the aid of all our friends. You have not followed the march of events, Therese?"
"No, my dear."
"I am sorry. You have judgment, liberality of mind. If you had followed the march of events you would have been struck by the current that is leading the country back to moderate opinions. The country is tired of exaggerations. It rejects the men compromised by radical politics and religious persecution. Some day or other it will be necessary to make over a Casimir-Perier ministry with other men, and that day—"
He stopped: really she listened too inattentively.
She was thinking, sad and disenchanted. It seemed to her that the pretty woman, who, among the warm shadows of a closed room, placed her bare feet in the fur of the brown bear rug, and to whom her lover gave kisses while she twisted her hair in front of a glass, was not herself, was not even a woman that she knew well, or that she desired to know, but a person whose affairs were of no interest to her. A pin badly set in her hair, one of the pins from the Bohemian glass cup, fell on her neck. She shivered.
"Yet we really must give three or four dinners to our good political friends," said M. Martin-Belleme. "We shall invite some of the ancient radicals to meet the people of our circle. It will be well to find some pretty women. We might invite Madame Berard de la Malle; there has been no gossip about her for two years. What do you think of it?"
"But, my dear, since I am to go next week—"
This filled him with consternation.
They went, both silent and moody, into the drawing-room, where Paul Vence was waiting. He often came in the evening.
She extended her hand to him.
"I am very glad to see you. I am going out of town. Paris is cold and bleak. This weather tires and saddens me. I am going to Florence, for six weeks, to visit Miss Bell."
M. Martin-Belleme then lifted his eyes to heaven.
Vence asked whether she had been in Italy often.
"Three times; but I saw nothing. This time I wish to see, to throw myself into things. From Florence I shall take walks into Tuscany, into Umbria. And, finally, I shall go to Venice."
"You will do well. Venice suggests the peace of the Sabbath-day in the grand week of creative and divine Italy."
"Your friend Dechartre talked very prettily to me of Venice, of the atmosphere of Venice, which sows pearls."
"Yes, at Venice the sky is a colorist. Florence inspires the mind.
An old author has said: 'The sky of Florence is light and subtle, and
feeds the beautiful ideas of men.' I have lived delicious days in
Tuscany. I wish I could live them again."
"Come and see me there."
He sighed.
The newspaper, books, and his daily work prevented him.
M. Martin-Belleme said everyone should bow before such reasons, and that one was too happy to read the articles and the fine books written by M. Paul Vence to have any wish to take him from his work.
"Oh, my books! One never says in a book what one wishes to say. It is impossible to express one's self. I know how to talk with my pen as well as any other person; but, after all, to talk or to write, what futile occupations! How wretchedly inadequate are the little signs which form syllables, words, and phrases. What becomes of the idea, the beautiful idea, which these miserable hieroglyphics hide? What does the reader make of my writing? A series of false sense, of counter sense, and of nonsense. To read, to hear, is to translate. There are beautiful translations, perhaps. There are no faithful translations. Why should I care for the admiration which they give to my books, since it is what they themselves see in them that they admire? Every reader substitutes his visions in the place of ours. We furnish him with the means to quicken his imagination. It is a horrible thing to be a cause of such exercises. It is an infamous profession."
"You are jesting," said M. Martin-Belleme.
"I do not think so," said Therese. "He recognizes that one mind is impenetrable to another mind, and he suffers from this. He feels that he is alone when he is thinking, alone when he is writing. Whatever one may do, one is always alone in the world. That is what he wishes to say. He is right. You may always explain: you never are understood."
"There are signs—" said Paul Vence.
"Don't you think, Monsieur Vence, that signs also are a form of hieroglyphics? Give me news of Monsieur Choulette. I do not see him any more."
Vence replied that Choulette was very busy in forming the Third Order of
Saint Francis.
"The idea, Madame, came to him in a marvellous fashion one day when he had gone to call on his Maria in the street where she lives, behind the public hospital—a street always damp, the houses on which are tottering. You must know that he considers Maria the saint and martyr who is responsible for the sins of the people.
"He pulled the bell-rope, made greasy by two centuries of visitors. Either because the martyr was at the wine-shop, where she is familiarly known, or because she was busy in her room, she did not open the door. Choulette rang for a long time, and so violently that the bellrope remained in his hand. Skilful at understanding symbols and the hidden meaning of things, he understood at once that this rope had not been detached without the permission of spiritual powers. He made of it a belt, and realized that he had been chosen to lead back into its primitive purity the Third Order of Saint Francis. He renounced the beauty of women, the delights of poetry, the brightness of glory, and studied the life and the doctrine of Saint Francis. However, he has sold to his editor a book entitled 'Les Blandices', which contains, he says, the description of all sorts of loves. He flatters himself that in it he has shown himself a criminal with some elegance. But far from harming his mystic undertakings, this book favors them in this sense, that, corrected by his later work, he will become honest and exemplary; and the gold that he has received in payment, which would not have been paid to him for a more chaste volume, will serve for a pilgrimage to Assisi."
Madame Martin asked how much of this story was really true. Vence replied that she must not try to learn.
He confessed that he was the idealist historian of the poet, and that the adventures which he related of him were not to be taken in the literal and Judaic sense.
He affirmed that at least Choulette was publishing Les Blandices, and desired to visit the cell and the grave of St. Francis.
"Then," exclaimed Madame Martin, "I will take him to Italy with me.
Find him, Monsieur Vence, and bring him to me. I am going next week."
M. Martin then excused himself, not being able to remain longer. He had to finish a report which was to be laid before the Chamber the next day.
Madame Martin said that nobody interested her so much as Choulette.
Paul Vence said that he was a singular specimen of humanity.
"He is not very different from the saints of whose extraordinary lives we read. He is as sincere as they. He has an exquisite delicacy of sentiment and a terrible violence of mind. If he shocks one by many of his acts, the reason is that he is weaker, less supported, or perhaps less closely observed. And then there are unworthy saints, just as there are bad angels: Choulette is a worldly saint, that is all. But his poems are true poems, and much finer than those written by the bishops of the seventeenth century."
She interrupted him:
"While I think of it, I wish to congratulate you on your friend
Dechartre. He has a charming mind."
She added:
"Perhaps he is a little too timid."
Vence reminded her that he had told her she would find Dechartre interesting.
"I know him by heart; he has been my friend since our childhood."
"You knew his parents?"
"Yes. He is the only son of Philippe Dechartre."
"The architect?"
"The architect who, under Napoleon III, restored so many castles and churches in Touraine and the Orleanais. He had taste and knowledge. Solitary and quiet in his life, he had the imprudence to attack Viollet- le-Duc, then all-powerful. He reproached him with trying to reestablish buildings in their primitive plan, as they had been, or as they might have been, at the beginning. Philippe Dechartre, on the contrary, wished that everything which the lapse of centuries had added to a church, an abbey, or a castle should be respected. To abolish anachronisms and restore a building to its primitive unity, seemed to him to be a scientific barbarity as culpable as that of ignorance. He said: 'It is a crime to efface the successive imprints made in stone by the hands of our ancestors. New stones cut in old style are false witnesses.' He wished to limit the task of the archaeologic architect to that of supporting and consolidating walls. He was right. Everybody said that he was wrong. He achieved his ruin by dying young, while his rival triumphed. He bequeathed an honest fortune to his widow and his son. Jacques Dechartre was brought up by his mother, who adored him. I do not think that maternal tenderness ever was more impetuous. Jacques is a charming fellow; but he is a spoiled child."
"Yet he appears so indifferent, so easy to understand, so distant from everything."
"Do not rely on this. He has a tormented and tormenting imagination."
"Does he like women?"
"Why do you ask?"
"Oh, it isn't with any idea of match-making."
"Yes, he likes them. I told you that he was an egoist. Only selfish men really love women. After the death of his mother, he had a long liaison with a well-known actress, Jeanne Tancrede."
Madame Martin remembered Jeanne Tancrede; not very pretty, but graceful with a certain slowness of action in playing romantic roles.
"They lived almost together in a little house at Auteuil," Paul Vence continued. "I often called on them. I found him lost in his dreams, forgetting to model a figure drying under its cloths, alone with himself, pursuing his idea, absolutely incapable of listening to anybody; she, studying her roles, her complexion burned by rouge, her eyes tender, pretty because of her intelligence and her activity. She complained to me that he was inattentive, cross, and unreasonable. She loved him and deceived him only to obtain roles. And when she deceived him, it was done on the spur of the moment. Afterward she never thought of it. A typical woman! But she was imprudent; she smiled upon Joseph Springer in the hope that he would make her a member of the Comedie Francaise. Dechartre left her. Now she finds it more practical to live with her managers, and Jacques finds it more agreeable to travel."
"Does he regret her?"
"How can one know the things that agitate a mind anxious and mobile, selfish and passionate, desirous to surrender itself, prompt in disengaging itself, liking itself most of all among the beautiful things that it finds in the world?"
Brusquely she changed the subject.
"And your novel, Monsieur Vence?"
"I have reached the last chapter, Madame. My little workingman has been guillotined. He died with that indifference of virgins without desire, who never have felt on their lips the warm taste of life. The journals and the public approve the act of justice which has just been accomplished. But in another garret, another workingman, sober, sad, and a chemist, swears to himself that he will commit an expiatory murder."
He rose and said good-night.
She called him back.
"Monsieur Vence, you know that I was serious. Bring Choulette to me."
When she went up to her room, her husband was waiting for her, in his red-brown plush robe, with a sort of doge's cap framing his pale and hollow face. He had an air of gravity. Behind him, by the open door of his workroom, appeared under the lamp a mass of documents bound in blue, a collection of the annual budgets. Before she could reach her room he motioned that he wished to speak to her.
"My dear, I can not understand you. You are very inconsequential. It does you a great deal of harm. You intend to leave your home without any reason, without even a pretext. And you wish to run through Europe with whom? With a Bohemian, a drunkard—that man Choulette."
She replied that she should travel with Madame Marmet, in which there could be nothing objectionable.
"But you announce your going to everybody, yet you do not even know whether Madame Marmet can accompany you."
"Oh, Madame Marmet will soon pack her boxes. Nothing keeps her in Paris except her dog. She will leave it to you; you may take care of it."
"Does your father know of your project?"
It was his last resource to invoke the authority of Montessuy. He knew that his wife feared to displease her father. He insisted:
"Your father is full of sense and tact. I have been happy to find him agreeing with me several times in the advices which I have permitted myself to give you. He thinks as I do, that Madame Meillan's house is not a fit place for you to visit. The company that meets there is mixed, and the mistress of the house favors intrigue. You are wrong, I must say, not to take account of what people think. I am mistaken if your father does not think it singular that you should go away with so much frivolity, and the absence will be the more remarked, my dear, since circumstances have made me eminent in the course of this legislature. My merit has nothing to do with the case, surely. But if you had consented to listen to me at dinner I should have demonstrated to you that the group of politicians to which I belong has almost reached power. In such a moment you should not renounce your duties as mistress of the house. You must understand this yourself."
She replied "You annoy me." And, turning her back to him, she shut the door of her room between them. That night in her bed she opened a book, as she always did before going to sleep. It was a novel. She was turning the leaves with indifference, when her eyes fell on these lines:
"Love is like devotion: it comes late. A woman is hardly in love or devout at twenty, unless she has a special disposition to be either, a sort of native sanctity. Women who are predestined to love, themselves struggle a long time against that grace of love which is more terrible than the thunderbolt that fell on the road to Damascus. A woman oftenest yields to the passion of love only when age or solitude does not frighten her. Passion is an arid and burning desert. Passion is profane asceticism, as harsh as religious asceticism. Great woman lovers are as rare as great penitent women. Those who know life well know that women do not easily bind themselves in the chains of real love. They know that nothing is less common than sacrifice among them. And consider how much a worldly woman must sacrifice when she is in love—liberty, quietness, the charming play of a free mind, coquetry, amusement, pleasure—she loses everything.
"Coquetry is permissible. One may conciliate that with all the exigencies of fashionable life. Not so love. Love is the least mundane of passions, the most anti-social, the most savage, the most barbarous. So the world judges it more severely than mere gallantry or looseness of manners. In one sense the world is right. A woman in love betrays her nature and fails in her function, which is to be admired by all men, like a work of art. A woman is a work of art, the most marvellous that man's industry ever has produced. A woman is a wonderful artifice, due to the concourse of all the arts mechanical and of all the arts liberal. She is the work of everybody, she belongs to the world."
Therese closed the book and thought that these ideas were only the dreams of novelists who did not know life. She knew very well that there was in reality neither a Carmel of passion nor a chain of love, nor a beautiful and terrible vocation against which the predestined one resisted in vain; she knew very well that love was only a brief intoxication from which one recovered a little sadder. And yet, perhaps, she did not know everything; perhaps there were loves in which one was deliciously lost. She put out her lamp. The dreams of her first youth came back to her.
CHAPTER VI
A DISTINGUISHED RELICT
It was raining. Madame Martin-Belleme saw confusedly through the glass of her coupe the multitude of passing umbrellas, like black turtles under the watery skies. She was thinking. Her thoughts were gray and indistinct, like the aspect of the streets and the squares.
She no longer knew why the idea had come to her to spend a month with Miss Bell. Truly, she never had known. The idea had been like a spring, at first hidden by leaves, and now forming the current of a deep and rapid stream. She remembered that Tuesday night at dinner she had said suddenly that she wished to go, but she could not remember the first flush of that desire. It was not the wish to act toward Robert Le Menil as he was acting toward her. Doubtless she thought it excellent to go travelling in Italy while he went fox-hunting. This seemed to her a fair arrangement. Robert, who was always pleased to see her when he came back, would not find her on his return. She thought this would be right. She had not thought of it at first. And since then she had thought little of it, and really she was not going for the pleasure of making him grieve. She had against him a thought less piquant, and more harsh. She did not wish to see him soon. He had become to her almost a stranger. He seemed to her a man like others—better than most others— good-looking, estimable, and who did not displease her; but he did not preoccupy her. Suddenly he had gone out of her life. She could not remember how he had become mingled with it. The idea of belonging to him shocked her. The thought that they might meet again in the small apartment of the Rue Spontini was so painful to her that she discarded it at once. She preferred to think that an unforeseen event would prevent their meeting again—the end of the world, for example. M. Lagrange, member of the Academie des Sciences, had told her the day before of a comet which some day might meet the earth, envelop it with its flaming hair, imbue animals and plants with unknown poisons, and make all men die in a frenzy of laughter. She expected that this, or something else, would happen next month. It was not inexplicable that she wished to go. But that her desire to go should contain a vague joy, that she should feel the charm of what she was to find, was inexplicable to her.
Her carriage left her at the corner of a street.
There, under the roof of a tall house, behind five windows, in a small, neat apartment, Madame Marmet had lived since the death of her husband.
Countess Martin found her in her modest drawing-room, opposite M. Lagrange, half asleep in a deep armchair. This worldly old savant had remained ever faithful to her. He it was who, the day after M. Marmet's funeral, had conveyed to the unfortunate widow the poisoned speech delivered by Schmoll. She had fainted in his arms. Madame Marmet thought that he lacked judgment, but he was her best friend. They dined together often with rich friends.
Madame Martin, slender and erect in her zibeline corsage opening on a flood of lace, awakened with the charming brightness of her gray eyes the good man, who was susceptible to the graces of women. He had told her the day before how the world would come to an end. He asked her whether she had not been frightened at night by pictures of the earth devoured by flames or frozen to a mass of ice. While he talked to her with affected gallantry, she looked at the mahogany bookcase. There were not many books in it, but on one of the shelves was a skeleton in armor. It amazed one to see in this good lady's house that Etruscan warrior wearing a green bronze helmet and a cuirass. He slept among boxes of bonbons, vases of gilded porcelain, and carved images of the Virgin, picked up at Lucerne and on the Righi. Madame Marmet, in her widowhood, had sold the books which her husband had left. Of all the ancient objects collected by the archaeologist, she had retained nothing except the Etruscan. Many persons had tried to sell it for her. Paul Vence had obtained from the administration a promise to buy it for the Louvre, but the good widow would not part with it. It seemed to her that if she lost that warrior with his green bronze helmet she would lose the name that she wore worthily, and would cease to be the widow of Louis Marmet of the Academie des Inscriptions.
"Do not be afraid, Madame; a comet will not soon strike the earth. Such a phenomenon is very improbable."
Madame Martin replied that she knew no serious reason why the earth and humanity should not be annihilated at once.
Old Lagrange exclaimed with profound sincerity that he hoped the cataclysm would come as late as possible.
She looked at him. His bald head could boast only a few hairs dyed black. His eyelids fell like rags over eyes still smiling; his cheeks hung in loose folds, and one divined that his body was equally withered. She thought, "And even he likes life!"
Madame Marmet hoped, too, that the end of the world was not near at hand.
"Monsieur Lagrange," said Madame Martin, "you live, do you not, in a pretty little house, the windows of which overlook the Botanical Gardens? It seems to me it must be a joy to live in that garden, which makes me think of the Noah's Ark of my infancy, and of the terrestrial paradises in the old Bibles."
But he was not at all charmed with his house. It was small, unimproved, infested with rats.
She acknowledged that one seldom felt at home anywhere, and that rats were found everywhere, either real or symbolical, legions of pests that torment us. Yet she liked the Botanical Gardens; she had always wished to go there, yet never had gone. There was also the museum, which she was curious to visit.
Smiling, happy, he offered to escort her there. He considered it his house. He would show her rare specimens, some of which were superb.
She did not know what a bolide was. She recalled that some one had said to her that at the museum were bones carved by primitive men, and plaques of ivory on which were engraved pictures of animals, which were long ago extinct. She asked whether that were true. Lagrange ceased to smile. He replied indifferently that such objects concerned one of his colleagues.
"Ah!" said Madame Martin, "then they are not in your showcase."
She observed that learned men were not curious, and that it is indiscreet to question them on things that are not in their own showcases. It is true that Lagrange had made a scientific fortune in studying meteors. This had led him to study comets. But he was wise. For twenty years he had been preoccupied by nothing except dining out.
When he had left, Countess Martin told Madame Marmet what she expected of her.
"I am going next week to Fiesole, to visit Miss Bell, and you are coming with me."
The good Madame Marmet, with placid brow yet searching eyes, was silent for a moment; then she refused gently, but finally consented.
CHAPTER VII
MADAME HAS HER WAY
The Marseilles express was ready on the quay, where the postmen ran, and the carriages rolled amid smoke and noise, under the light that fell from the windows. Through the open doors travellers in long cloaks came and went. At the end of the station, blinding with soot and dust, a small rainbow could be discerned, not larger than one's hand. Countess Martin and the good Madame Marniet were already in their carriage, under the rack loaded with bags, among newspapers thrown on the cushions. Choulette had not appeared, and Madame Martin expected him no longer. Yet he had promised to be at the station. He had made his arrangements to go, and had received from his publisher the price of Les Blandices. Paul Vence had brought him one evening to Madame Martin's house. He had been sweet, polished, full of witty gayety and naive joy. She had promised herself much pleasure in travelling with a man of genius, original, picturesquely ugly, with an amusing simplicity; like a child prematurely old and abandoned, full of vices, yet with a certain degree of innocence. The doors closed. She expected him no longer. She should not have counted on his impulsive and vagabondish mind. At the moment when the engine began to breathe hoarsely, Madame Marmet, who was looking out of the window, said, quietly:
"I think that Monsieur Choulette is coming."
He was walking along the quay, limping, with his hat on the back of his head, his beard unkempt, and dragging an old carpet-bag. He was almost repulsive; yet, in spite of his fifty years of age, he looked young, so clear and lustrous were his eyes, so much ingenuous audacity had been retained in his yellow, hollow face, so vividly did this old man express the eternal adolescence of the poet and artist. When she saw him, Therese regretted having invited so strange a companion. He walked along, throwing a hasty glance into every carriage—a glance which, little by little, became sullen and distrustful. But when he recognized Madame Martin, he smiled so sweetly and said good-morning to her in so caressing a voice that nothing was left of the ferocious old vagabond walking on the quay, nothing except the old carpet-bag, the handles of which were half broken.
He placed it in the rack with great care, among the elegant bags enveloped with gray cloth, beside which it looked conspicuously sordid. It was studded with yellow flowers on a blood-colored background.
He was soon perfectly at ease, and complimented Madame Martin on the elegance of her travelling attire.
"Excuse me, ladies," he added, "I was afraid I should be late. I went to six o'clock mass at Saint Severin, my parish, in the Virgin Chapel, under those pretty, but absurd columns that point toward heaven though frail as reeds-like us, poor sinners that we are."
"Ah," said Madame Martin, "you are pious to-day."
And she asked him whether he wore the cordon of the order which he was founding. He assumed a grave and penitent air.
"I am afraid, Madame, that Monsieur Paul Vence has told you many absurd stories about me. I have heard that he goes about circulating rumors that my ribbon is a bell-rope—and of what a bell! I should be pained if anybody believed so wretched a story. My ribbon, Madame, is a symbolical ribbon. It is represented by a simple thread, which one wears under one's clothes after a pauper has touched it, as a sign that poverty is holy, and that it will save the world. There is nothing good except in poverty; and since I have received the price of Les Blandices, I feel that I am unjust and harsh. It is a good thing that I have placed in my bag several of these mystic ribbons."
And, pointing to the horrible carpet-bag:
"I have also placed in it a host which a bad priest gave to me, the works of Monsieur de Maistre, shirts, and several other things:"
Madame Martin lifted her eyebrows, a little ill at ease. But the good
Madame Marmet retained her habitual placidity.
As the train rolled through the homely scenes of the outskirts, that black fringe which makes an unlovely border to the city, Choulette took from his pocket an old book which he began to fumble. The writer, hidden under the vagabond, revealed himself. Choulette, without wishing to appear to be careful of his papers, was very orderly about them. He assured himself that he had not lost the pieces of paper on which he noted at the coffeehouse his ideas for poems, nor the dozen of flattering letters which, soiled and spotted, he carried with him continually, to read them to his newly-made companions at night. After assuring himself that nothing was missing, he took from the book a letter folded in an open envelope. He waved it for a while, with an air of mysterious impudence, then handed it to the Countess Martin. It was a letter of introduction from the Marquise de Rieu to a princess of the House of France, a near relative of the Comte de Chambord, who, old and a widow, lived in retirement near the gates of Florence. Having enjoyed the effect which he expected to produce, he said that he should perhaps visit the Princess; that she was a good person, and pious.
"A truly great lady," he added, "who does not show her magnificence in gowns and hats. She wears her chemises for six weeks, and sometimes longer. The gentlemen of her train have seen her wear very dirty white stockings, which fell around her heels. The virtues of the great queens of Spain are revived in her. Oh, those soiled stockings, what real glory there is in them!"
He took the letter and put it back in his book. Then, arming himself with a horn-handled knife, he began, with its point, to finish a figure sketched in the handle of his stick. He complimented himself on it:
"I am skilful in all the arts of beggars and vagabonds. I know how to open locks with a nail, and how to carve wood with a bad knife."
The head began to appear. It was the head of a thin woman, weeping.
Choulette wished to express in it human misery, not simple and touching, such as men of other times may have felt it in a world of mingled harshness and kindness; but hideous, and reflecting the state of ugliness created by the free-thinking bourgeois and the military patriots of the French Revolution. According to him the present regime embodied only hypocrisy and brutality.
"Their barracks are a hideous invention of modern times. They date from the seventeenth century. Before that time there were only guard-houses where the soldiers played cards and told tales. Louis XIV was a precursor of Bonaparte. But the evil has attained its plenitude since the monstrous institution of the obligatory enlistment. The shame of emperors and of republics is to have made it an obligation for men to kill. In the ages called barbarous, cities and princes entrusted their defence to mercenaries, who fought prudently. In a great battle only five or six men were killed. And when knights went to the wars, at least they were not forced to do it; they died for their pleasure. They were good for nothing else. Nobody in the time of Saint Louis would have thought of sending to battle a man of learning. And the laborer was not torn from the soil to be killed. Nowadays it is a duty for a poor peasant to be a soldier. He is exiled from his house, the roof of which smokes in the silence of night; from the fat prairies where the oxen graze; from the fields and the paternal woods. He is taught how to kill men; he is threatened, insulted, put in prison and told that it is an honor; and, if he does not care for that sort of honor, he is fusilladed. He obeys because he is terrorized, and is of all domestic animals the gentlest and most docile. We are warlike in France, and we are citizens. Another reason to be proud, this being a citizen! For the poor it consists in sustaining and preserving the wealthy in their power and their laziness. The poor must work for this, in presence of the majestic quality of the law which prohibits the wealthy as well as the poor from sleeping under the bridges, from begging in the streets, and from stealing bread. That is one of the good effects of the Revolution. As this Revolution was made by fools and idiots for the benefit of those who acquired national lands, and resulted in nothing but making the fortune of crafty peasants and financiering bourgeois, the Revolution only made stronger, under the pretence of making all men equal, the empire of wealth. It has betrayed France into the hands of the men of wealth. They are masters and lords. The apparent government, composed of poor devils, is in the pay of the financiers. For one hundred years, in this poisoned country, whoever has loved the poor has been considered a traitor to society. A man is called dangerous when he says that there are wretched people. There are laws against indignation and pity, and what I say here could not go into print."
Choulette became excited and waved his knife, while under the wintry sunlight passed fields of brown earth, trees despoiled by winter, and curtains of poplars beside silvery rivers.
He looked with tenderness at the figure carved on his stick.
"Here you are," he said, "poor humanity, thin and weeping, stupid with shame and misery, as you were made by your masters—soldiers and men of wealth."
The good Madame Marmet, whose nephew was a captain in the artillery, was shocked at the violence with which Choulette attacked the army. Madame Martin saw in this only an amusing fantasy. Choulette's ideas did not frighten her. She was afraid of nothing. But she thought they were a little absurd. She did not think that the past had ever been better than the present.