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The Road to Oz

Chapter 21: THE TRUTH POND
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About This Book

A group of travelers—Dorothy with her dog, an eccentric shaggy man, a hapless little boy, and the Rainbow's daughter—meet on an enchanted road and journey toward the Land of Oz. They pass through curious villages and enchanted realms, face comic perils and odd transformations, and encounter talking animals, mechanical marvels, a tin emperor, and strange tests such as a deadly desert and a truth-revealing pond. Their adventure ends with arrival at the Emerald City, a reunion with the royal household, and a grand banquet and birthday celebration.




12. The Deadly Desert Crossed

"Oh, that's too bad!" cried Dorothy; "I wanted to thank Johnny Dooit for all his kindness to us."

"He hasn't time to listen to thanks," replied the shaggy man; "but I'm sure he knows we are grateful. I suppose he is already at work in some other part of the world."

They now looked more carefully at the sand-boat, and saw that the bottom was modeled with two sharp runners which would glide through the sand. The front of the sand-boat was pointed like the bow of a ship, and there was a rudder at the stern to steer by.

It had been built just at the edge of the desert, so that all its length lay upon the gray sand except the after part, which still rested on the strip of grass.

"Get in, my dears," said the shaggy man; "I'm sure I can manage this boat as well as any sailor. All you need do is sit still in your places."

Dorothy got in, Toto in her arms, and sat on the bottom of the boat just in front of the mast. Button-Bright sat in front of Dorothy, while Polly leaned over the bow. The shaggy man knelt behind the mast. When all were ready he raised the sail half-way. The wind caught it. At once the sand-boat started forward—slowly at first, then with added speed. The shaggy man pulled the sail way up, and they flew so fast over the Deadly Desert that every one held fast to the sides of the boat and scarcely dared to breathe.

The sand lay in billows, and was in places very uneven, so that the boat rocked dangerously from side to side; but it never quite tipped over, and the speed was so great that the shaggy man himself became frightened and began to wonder how he could make the ship go slower.

"It we're spilled in this sand, in the middle of the desert," Dorothy thought to herself, "we'll be nothing but dust in a few minutes, and that will be the end of us."

But they were not spilled, and by-and-by Polychrome, who was clinging to the bow and looking straight ahead, saw a dark line before them and wondered what it was. It grew plainer every second, until she discovered it to be a row of jagged rocks at the end of the desert, while high above these rocks she could see a tableland of green grass and beautiful trees.

"Look out!" she screamed to the shaggy man. "Go slowly, or we shall smash into the rocks."

He heard her, and tried to pull down the sail; but the wind would not let go of the broad canvas and the ropes had become tangled.

Nearer and nearer they drew to the great rocks, and the shaggy man was in despair because he could do nothing to stop the wild rush of the sand-boat.

They reached the edge of the desert and bumped squarely into the rocks. There was a crash as Dorothy, Button-Bright, Toto and Polly flew up in the air in a curve like a skyrocket's, one after another landing high upon the grass, where they rolled and tumbled for a time before they could stop themselves.

The shaggy man flew after them, head first, and lighted in a heap beside Toto, who, being much excited at the time, seized one of the donkey ears between his teeth and shook and worried it as hard as he could, growling angrily. The shaggy man made the little dog let go, and sat up to look around him.

Dorothy was feeling one of her front teeth, which was loosened by knocking against her knee as she fell. Polly was looking sorrowfully at a rent in her pretty gauze gown, and Button-Bright's fox head had stuck fast in a gopher hole and he was wiggling his little fat legs frantically in an effort to get free.

Otherwise they were unhurt by the adventure; so the shaggy man stood up and pulled Button-Bright out of the hole and went to the edge of the desert to look at the sand-boat. It was a mere mass of splinters now, crushed out of shape against the rocks. The wind had torn away the sail and carried it to the top of a tall tree, where the fragments of it fluttered like a white flag.

"Well," he said, cheerfully, "we're here; but where the here is I don't know."

"It must be some part of the Land of Oz," observed Dorothy, coming to his side.

"Must it?"

"'Course it must. We're across the desert, aren't we? And somewhere in the middle of Oz is the Emerald City."

"To be sure," said the shaggy man, nodding. "Let's go there."

"But I don't see any people about, to show us the way," she continued.

"Let's hunt for them," he suggested. "There must be people somewhere; but perhaps they did not expect us, and so are not at hand to give us a welcome."




13. The Truth Pond

They now made a more careful examination of the country around them. All was fresh and beautiful after the sultriness of the desert, and the sunshine and sweet, crisp air were delightful to the wanderers. Little mounds of yellowish green were away at the right, while on the left waved a group of tall leafy trees bearing yellow blossoms that looked like tassels and pompoms. Among the grasses carpeting the ground were pretty buttercups and cowslips and marigolds. After looking at these a moment Dorothy said reflectively:

"We must be in the Country of the Winkies, for the color of that country is yellow, and you will notice that 'most everything here is yellow that has any color at all."

"But I thought this was the Land of Oz," replied the shaggy man, as if greatly disappointed.

"So it is," she declared; "but there are four parts to the Land of Oz. The North Country is purple, and it's the Country of the Gillikins. The East Country is blue, and that's the Country of the Munchkins. Down at the South is the red Country of the Quadlings, and here, in the West, the yellow Country of the Winkies. This is the part that is ruled by the Tin Woodman, you know."

"Who's he?" asked Button-Bright.

"Why, he's the tin man I told you about. His name is Nick Chopper, and he has a lovely heart given him by the wonderful Wizard."

"Where does HE live?" asked the boy.

"The Wizard? Oh, he lives in the Emerald City, which is just in the middle of Oz, where the corners of the four countries meet."

"Oh," said Button-Bright, puzzled by this explanation.

"We must be some distance from the Emerald City," remarked the shaggy man.

"That's true," she replied; "so we'd better start on and see if we can find any of the Winkies. They're nice people," she continued, as the little party began walking toward the group of trees, "and I came here once with my friends the Scarecrow, and the Tin Woodman, and the Cowardly Lion, to fight a wicked witch who had made all the Winkies her slaves."

"Did you conquer her?" asked Polly.

"Why, I melted her with a bucket of water, and that was the end of her," replied Dorothy. "After that the people were free, you know, and they made Nick Chopper—that's the Tin Woodman—their Emp'ror."

"What's that?" asked Button-Bright.

"Emp'ror? Oh, it's something like an alderman, I guess."

"Oh," said the boy.

"But I thought Princess Ozma ruled Oz," said the shaggy man.

"So she does; she rules the Emerald City and all the four countries of Oz; but each country has another little ruler, not so big as Ozma. It's like the officers of an army, you see; the little rulers are all captains, and Ozma's the general."

By this time they had reached the trees, which stood in a perfect circle and just far enough apart so that their thick branches touched—or "shook hands," as Button-Bright remarked. Under the shade of the trees they found, in the center of the circle, a crystal pool, its water as still as glass. It must have been deep, too, for when Polychrome bent over it she gave a little sigh of pleasure.

"Why, it's a mirror!" she cried; for she could see all her pretty face and fluffy, rainbow-tinted gown reflected in the pool, as natural as life.

Dorothy bent over, too, and began to arrange her hair, blown by the desert wind into straggling tangles. Button-Bright leaned over the edge next, and then began to cry, for the sight of his fox head frightened the poor little fellow.

"I guess I won't look," remarked the shaggy man, sadly, for he didn't like his donkey head, either. While Polly and Dorothy tried to comfort Button-Bright, the shaggy man sat down near the edge of the pool, where his image could not be reflected, and stared at the water thoughtfully. As he did this he noticed a silver plate fastened to a rock just under the surface of the water, and on the silver plate was engraved these words:

THE TRUTH POND


"Ah!" cried the shaggy man, springing to his feet with eager joy; "we've found it at last."

"Found what?" asked Dorothy, running to him.

"The Truth Pond. Now, at last, I may get rid of this frightful head; for we were told, you remember, that only the Truth Pond could restore to me my proper face."

"Me, too!" shouted Button-Bright, trotting up to them.

"Of course," said Dorothy. "It will cure you both of your bad heads, I guess. Isn't it lucky we found it?"

"It is, indeed," replied the shaggy man. "I hated dreadfully to go to Princess Ozma looking like this; and she's to have a birthday celebration, too."

Just then a splash startled them, for Button-Bright, in his anxiety to see the pool that would "cure" him, had stepped too near the edge and tumbled heels over head into the water. Down he went, out of sight entirely, so that only his sailor hat floated on the top of the Truth Pond.

He soon bobbed up, and the shaggy man seized him by his sailor collar and dragged him to the shore, dripping and gasping for breath. They all looked upon the boy wonderingly, for the fox head with its sharp nose and pointed ears was gone, and in its place appeared the chubby round face and blue eyes and pretty curls that had belonged to Button-Bright before King Dox of Foxville transformed him.

"Oh, what a darling!" cried Polly, and would have hugged the little one had he not been so wet.

Their joyful exclamations made the child rub the water out of his eyes and look at his friends questioningly.

"You're all right now, dear," said Dorothy. "Come and look at yourself." She led him to the pool, and although there were still a few ripples on the surface of the water he could see his reflection plainly.

"It's me!" he said, in a pleased yet awed whisper.

"'Course it is," replied the girl, "and we're all as glad as you are, Button-Bright."

"Well," announced the shaggy man, "it's my turn next." He took off his shaggy coat and laid it on the grass and dived head first into the Truth Pond.

When he came up the donkey head had disappeared, and the shaggy man's own shaggy head was in its place, with the water dripping in little streams from his shaggy whiskers. He scrambled ashore and shook himself to get off some of the wet, and then leaned over the pool to look admiringly at his reflected face.

"I may not be strictly beautiful, even now," he said to his companions, who watched him with smiling faces; "but I'm so much handsomer than any donkey that I feel as proud as I can be."

"You're all right, Shaggy Man," declared Dorothy. "And Button-Bright is all right, too. So let's thank the Truth Pond for being so nice, and start on our journey to the Emerald City."

"I hate to leave it," murmured the shaggy man, with a sigh. "A truth pond wouldn't be a bad thing to carry around with us." But he put on his coat and started with the others in search of some one to direct them on their way.




14. Tik-Tok and Billina

They had not walked far across the flower-strewn meadows when they came upon a fine road leading toward the northwest and winding gracefully among the pretty yellow hills.

"That way," said Dorothy, "must be the direction of the Emerald City. We'd better follow the road until we meet some one or come to a house."

The sun soon dried Button-Bright's sailor suit and the shaggy man's shaggy clothes, and so pleased were they at regaining their own heads that they did not mind at all the brief discomfort of getting wet.

"It's good to be able to whistle again," remarked the shaggy man, "for those donkey lips were so thick I could not whistle a note with them." He warbled a tune as merrily as any bird.

"You'll look more natural at the birthday celebration, too," said Dorothy, happy in seeing her friends so happy.

Polychrome was dancing ahead in her usual sprightly manner, whirling gaily along the smooth, level road, until she passed from sight around the curve of one of the mounds. Suddenly they heard her exclaim "Oh!" and she appeared again, running toward them at full speed.

"What's the matter, Polly?" asked Dorothy, perplexed.

There was no need for the Rainbow's Daughter to answer, for turning the bend in the road there came advancing slowly toward them a funny round man made of burnished copper, gleaming brightly in the sun. Perched on the copper man's shoulder sat a yellow hen, with fluffy feathers and a pearl necklace around her throat.

"Oh, Tik-tok!" cried Dorothy, running forward. When she came to him, the copper man lifted the little girl in his copper arms and kissed her cheek with his copper lips.

"Oh, Billina!" cried Dorothy, in a glad voice, and the yellow hen flew to her arms, to be hugged and petted by turns.

The others were curiously crowding around the group, and the girl said to them:

"It's Tik-tok and Billina; and oh! I'm so glad to see them again."

"Wel-come to Oz," said the copper man in a monotonous voice.

Dorothy sat right down in the road, the yellow hen in her arms, and began to stroke Billina's back. Said the hen:

"Dorothy, dear, I've got some wonderful news to tell you."

"Tell it quick, Billina!" said the girl.

Just then Toto, who had been growling to himself in a cross way, gave a sharp bark and flew at the yellow hen, who ruffled her feathers and let out such an angry screech that Dorothy was startled.

"Stop, Toto! Stop that this minute!" she commanded. "Can't you see that Billina is my friend?" In spite of this warning had she not grabbed Toto quickly by the neck the little dog would have done the yellow hen a mischief, and even now he struggled madly to escape Dorothy's grasp. She slapped his ears once or twice and told him to behave, and the yellow hen flew to Tik-tok's shoulder again, where she was safe.

"What a brute!" croaked Billina, glaring down at the little dog.

"Toto isn't a brute," replied Dorothy, "but at home Uncle Henry has to whip him sometimes for chasing the chickens. Now look here, Toto," she added, holding up her finger and speaking sternly to him, "you've got to understand that Billina is one of my dearest friends, and musn't be hurt—now or ever."

Toto wagged his tail as if he understood.

"The miserable thing can't talk," said Billina, with a sneer.

"Yes, he can," replied Dorothy; "he talks with his tail, and I know everything he says. If you could wag your tail, Billina, you wouldn't need words to talk with."

"Nonsense!" said Billina.

"It isn't nonsense at all. Just now Toto says he's sorry, and that he'll try to love you for my sake. Don't you, Toto?"

"Bow-wow!" said Toto, wagging his tail again.

"But I've such wonderful news for you, Dorothy," cried the yellow hen; "I've—"

"Wait a minute, dear," interrupted the little girl; "I've got to introduce you all, first. That's manners, Billina. This," turning to her traveling companions, "is Mr. Tik-tok, who works by machinery 'cause his thoughts wind up, and his talk winds up, and his action winds up—like a clock."

"Do they all wind up together?" asked the shaggy man.

"No; each one separate. But he works just lovely, and Tik-tok was a good friend to me once, and saved my life—and Billina's life, too."

"Is he alive?" asked Button-Bright, looking hard at the copper man.

"Oh, no, but his machinery makes him just as good as alive." She turned to the copper man and said politely: "Mr. Tik-tok, these are my new friends: the shaggy man, and Polly the Rainbow's Daughter, and Button-Bright, and Toto. Only Toto isn't a new friend, 'cause he's been to Oz before."

The copper man bowed low, removing his copper hat as he did so.

"I'm ve-ry pleased to meet Dor-o-thy's fr-r-r-r—-" Here he stopped short.

"Oh, I guess his speech needs winding!" said the little girl, running behind the copper man to get the key off a hook at his back. She wound him up at a place under his right arm and he went on to say:

"Par-don me for run-ning down. I was a-bout to say I am pleased to meet Dor-o-thy's friends, who must be my friends." The words were somewhat jerky, but plain to understand.

"And this is Billina," continued Dorothy, introducing the yellow hen, and they all bowed to her in turn.

"I've such wonderful news," said the hen, turning her head so that one bright eye looked full at Dorothy.

"What is it, dear?" asked the girl.

"I've hatched out ten of the loveliest chicks you ever saw."

"Oh, how nice! And where are they, Billina?"

"I left them at home. But they're beauties, I assure you, and all wonderfully clever. I've named them Dorothy."

"Which one?" asked the girl.

"All of them," replied Billina.

"That's funny. Why did you name them all with the same name?"

"It was so hard to tell them apart," explained the hen. "Now, when I call 'Dorothy,' they all come running to me in a bunch; it's much easier, after all, than having a separate name for each."

"I'm just dying to see 'em, Billina," said Dorothy, eagerly. "But tell me, my friends, how did you happen to be here, in the Country of the Winkies, the first of all to meet us?"

"I'll tell you," answered Tik-tok, in his monotonous voice, all the sounds of his words being on one level—"Prin-cess Oz-ma saw you in her mag-ic pic-ture, and knew you were com-ing here; so she sent Bil-lin-a and me to wel-come you as she could not come her-self; so that—fiz-i-dig-le cum-so-lut-ing hy-ber-gob-ble in-tu-zib-ick—"

"Good gracious! Whatever's the matter now?" cried Dorothy, as the copper man continued to babble these unmeaning words, which no one could understand at all because they had no sense.

"Don't know," said Button-Bright, who was half scared. Polly whirled away to a distance and turned to look at the copper man in a fright.

"His thoughts have run down, this time," remarked Billina composedly, as she sat on Tik-tok's shoulder and pruned her sleek feathers. "When he can't think, he can't talk properly, any more than you can. You'll have to wind up his thoughts, Dorothy, or else I'll have to finish his story myself."

Dorothy ran around and got the key again and wound up Tik-tok under his left arm, after which he could speak plainly again.

"Par-don me," he said, "but when my thoughts run down, my speech has no mean-ing, for words are formed on-ly by thought. I was a-bout to say that Oz-ma sent us to wel-come you and in-vite you to come straight to the Em-er-ald Ci-ty. She was too bus-y to come her-self, for she is pre-par-ing for her birth-day cel-e-bra-tion, which is to be a grand af-fair."

"I've heard of it," said Dorothy, "and I'm glad we've come in time to attend. Is it far from here to the Emerald City?"

"Not ve-ry far," answered Tik-tok, "and we have plen-ty of time. To-night we will stop at the pal-ace of the Tin Wood-man, and to-mor-row night we will ar-rive at the Em-er-ald Ci-ty."

"Goody!" cried Dorothy. "I'd like to see dear Nick Chopper again. How's his heart?"

"It's fine," said Billina; "the Tin Woodman says it gets softer and kindlier every day. He's waiting at his castle to welcome you, Dorothy; but he couldn't come with us because he's getting polished as bright as possible for Ozma's party."

"Well then," said Dorothy, "let's start on, and we can talk more as we go."

They proceeded on their journey in a friendly group, for Polychrome had discovered that the copper man was harmless and was no longer afraid of him. Button-Bright was also reassured, and took quite a fancy to Tik-tok. He wanted the clockwork man to open himself, so that he might see the wheels go round; but that was a thing Tik-tok could not do. Button-Bright then wanted to wind up the copper man, and Dorothy promised he should do so as soon as any part of the machinery ran down. This pleased Button-Bright, who held fast to one of Tik-tok's copper hands as he trudged along the road, while Dorothy walked on the other side of her old friend and Billina perched by turns upon his shoulder or his copper hat. Polly once more joyously danced ahead and Toto ran after her, barking with glee. The shaggy man was left to walk behind; but he didn't seem to mind that a bit, and whistled merrily or looked curiously upon the pretty scenes they passed.

At last they came to a hilltop from which the tin castle of Nick Chopper could plainly be seen, its towers glistening magnificently under the rays of the declining sun.

"How pretty!" exclaimed Dorothy. "I've never seen the Emp'ror's new house before."

"He built it because the old castle was damp, and likely to rust his tin body," said Billina. "All those towers and steeples and domes and gables took a lot of tin, as you can see."

"Is it a toy?" asked Button-Bright softly.

"No, dear," answered Dorothy; "it's better than that. It's the fairy dwelling of a fairy prince."




15. The Emperor's Tin Castle

The grounds around Nick Chopper's new house were laid out in pretty flower-beds, with fountains of crystal water and statues of tin representing the Emperor's personal friends. Dorothy was astonished and delighted to find a tin statue of herself standing on a tin pedestal at a bend in the avenue leading up to the entrance. It was life-size and showed her in her sunbonnet with her basket on her arm, just as she had first appeared in the Land of Oz.

"Oh, Toto—you're there too!" she exclaimed; and sure enough there was the tin figure of Toto lying at the tin Dorothy's feet.

Also, Dorothy saw figures of the Scarecrow, and the Wizard, and Ozma, and of many others, including Tik-tok. They reached the grand tin entrance to the tin castle, and the Tin Woodman himself came running out of the door to embrace little Dorothy and give her a glad welcome. He welcomed her friends as well, and the Rainbow's Daughter he declared to be the loveliest vision his tin eyes had ever beheld. He patted Button-Bright's curly head tenderly, for he was fond of children, and turned to the shaggy man and shook both his hands at the same time.

Nick Chopper, the Emperor of the Winkies, who was also known throughout the Land of Oz as the Tin Woodman, was certainly a remarkable person. He was neatly made, all of tin, nicely soldered at the joints, and his various limbs were cleverly hinged to his body so that he could use them nearly as well as if they had been common flesh. Once, he told the shaggy man, he had been made all of flesh and bones, as other people are, and then he chopped wood in the forests to earn his living. But the axe slipped so often and cut off parts of him—which he had replaced with tin—that finally there was no flesh left, nothing but tin; so he became a real tin woodman. The wonderful Wizard of Oz had given him an excellent heart to replace his old one, and he didn't at all mind being tin. Every one loved him, he loved every one; and he was therefore as happy as the day was long.

The Emperor was proud of his new tin castle, and showed his visitors through all the rooms. Every bit of the furniture was made of brightly polished tin—the tables, chairs, beds, and all—even the floors and walls were of tin.

"I suppose," said he, "that there are no cleverer tinsmiths in all the world than the Winkies. It would be hard to match this castle in Kansas; wouldn't it, little Dorothy?"

"Very hard," replied the child, gravely.

"It must have cost a lot of money," remarked the shaggy man.

"Money! Money in Oz!" cried the Tin Woodman. "What a queer idea! Did you suppose we are so vulgar as to use money here?"

"Why not?" asked the shaggy man.

"If we used money to buy things with, instead of love and kindness and the desire to please one another, then we should be no better than the rest of the world," declared the Tin Woodman. "Fortunately money is not known in the Land of Oz at all. We have no rich, and no poor; for what one wishes the others all try to give him, in order to make him happy, and no one in all Oz cares to have more than he can use."

"Good!" cried the shaggy man, greatly pleased to hear this. "I also despise money—a man in Butterfield owes me fifteen cents, and I will not take it from him. The Land of Oz is surely the most favored land in all the world, and its people the happiest. I should like to live here always."

The Tin Woodman listened with respectful attention. Already he loved the shaggy man, although he did not yet know of the Love Magnet. So he said:

"If you can prove to the Princess Ozma that you are honest and true and worthy of our friendship, you may indeed live here all your days, and be as happy as we are."

"I'll try to prove that," said the shaggy man, earnestly.

"And now," continued the Emperor, "you must all go to your rooms and prepare for dinner, which will presently be served in the grand tin dining-hall. I am sorry, Shaggy Man, that I can not offer you a change of clothing; but I dress only in tin, myself, and I suppose that would not suit you."

"I care little about dress," said the shaggy man, indifferently.

"So I should imagine," replied the Emperor, with true politeness.

They were shown to their rooms and permitted to make such toilets as they could, and soon they assembled again in the grand tin dining-hall, even Toto being present. For the Emperor was fond of Dorothy's little dog, and the girl explained to her friends that in Oz all animals were treated with as much consideration as the people—"if they behave themselves," she added.

Toto behaved himself, and sat in a tin high-chair beside Dorothy and ate his dinner from a tin platter.

Indeed, they all ate from tin dishes, but these were of pretty shapes and brightly polished; Dorothy thought they were just as good as silver.

Button-Bright looked curiously at the man who had "no appetite inside him," for the Tin Woodman, although he had prepared so fine a feast for his guests, ate not a mouthful himself, sitting patiently in his place to see that all built so they could eat were well and plentifully served.

What pleased Button-Bright most about the dinner was the tin orchestra that played sweet music while the company ate. The players were not tin, being just ordinary Winkies; but the instruments they played upon were all tin—tin trumpets, tin fiddles, tin drums and cymbals and flutes and horns and all. They played so nicely the "Shining Emperor Waltz," composed expressly in honor of the Tin Woodman by Mr. H. M. Wogglebug, T.E., that Polly could not resist dancing to it. After she had tasted a few dewdrops, freshly gathered for her, she danced gracefully to the music while the others finished their repast; and when she whirled until her fleecy draperies of rainbow hues enveloped her like a cloud, the Tin Woodman was so delighted that he clapped his tin hands until the noise of them drowned the sound of the cymbals.

Altogether it was a merry meal, although Polychrome ate little and the host nothing at all.

"I'm sorry the Rainbow's Daughter missed her mist-cakes," said the Tin Woodman to Dorothy; "but by a mistake Miss Polly's mist-cakes were mislaid and not missed until now. I'll try to have some for her breakfast."

They spent the evening telling stories, and the next morning left the splendid tin castle and set out upon the road to the Emerald City. The Tin Woodman went with them, of course, having by this time been so brightly polished that he sparkled like silver. His axe, which he always carried with him, had a steel blade that was tin plated and a handle covered with tin plate beautifully engraved and set with diamonds.

The Winkies assembled before the castle gates and cheered their Emperor as he marched away, and it was easy to see that they all loved him dearly.




16. Visiting the Pumpkin-Field

Dorothy let Button-Bright wind up the clock-work in the copper man this morning—his thinking machine first, then his speech, and finally his action; so he would doubtless run perfectly until they had reached the Emerald City. The copper man and the tin man were good friends, and not so much alike as you might think. For one was alive and the other moved by means of machinery; one was tall and angular and the other short and round. You could love the Tin Woodman because he had a fine nature, kindly and simple; but the machine man you could only admire without loving, since to love such a thing as he was as impossible as to love a sewing-machine or an automobile. Yet Tik-tok was popular with the people of Oz because he was so trustworthy, reliable and true; he was sure to do exactly what he was wound up to do, at all times and in all circumstances. Perhaps it is better to be a machine that does its duty than a flesh-and-blood person who will not, for a dead truth is better than a live falsehood.

About noon the travelers reached a large field of pumpkins—a vegetable quite appropriate to the yellow country of the Winkies—and some of the pumpkins which grew there were of remarkable size. Just before they entered upon this field they saw three little mounds that looked like graves, with a pretty headstone to each one of them.

"What is this?" asked Dorothy, in wonder.

"It's Jack Pumpkinhead's private graveyard," replied the Tin Woodman.

"But I thought nobody ever died in Oz," she said.

"Nor do they; although if one is bad, he may be condemned and killed by the good citizens," he answered.

Dorothy ran over to the little graves and read the words engraved upon the tombstones. The first one said:

Here Lies the Mortal Part of
JACK PUMPKINHEAD
Which Spoiled April 9th.


She then went to the next stone, which read:

Here Lies the Mortal Part of
JACK PUMPKINHEAD
Which Spoiled October 2nd.


On the third stone were carved these words:

Here Lies the Mortal Part of
JACK PUMPKINHEAD
Which Spoiled January 24th.


"Poor Jack!" sighed Dorothy. "I'm sorry he had to die in three parts, for I hoped to see him again."

"So you shall," declared the Tin Woodman, "since he is still alive. Come with me to his house, for Jack is now a farmer and lives in this very pumpkin field."

They walked over to a monstrous big, hollow pumpkin which had a door and windows cut through the rind. There was a stovepipe running through the stem, and six steps had been built leading up to the front door.

They walked up to this door and looked in. Seated on a bench was a man clothed in a spotted shirt, a red vest, and faded blue trousers, whose body was merely sticks of wood, jointed clumsily together. On his neck was set a round, yellow pumpkin, with a face carved on it such as a boy often carves on a jack-lantern.

This queer man was engaged in snapping slippery pumpkin-seeds with his wooden fingers, trying to hit a target on the other side of the room with them. He did not know he had visitors until Dorothy exclaimed:

"Why, it's Jack Pumpkinhead himself!"

He turned and saw them, and at once came forward to greet the little Kansas girl and Nick Chopper, and to be introduced to their new friends.

Button-Bright was at first rather shy with the quaint Pumpkinhead, but Jack's face was so jolly and smiling—being carved that way—that the boy soon grew to like him.

"I thought a while ago that you were buried in three parts," said Dorothy, "but now I see you're just the same as ever."

"Not quite the same, my dear, for my mouth is a little more one-sided than it used to be; but pretty nearly the same. I've a new head, and this is the fourth one I've owned since Ozma first made me and brought me to life by sprinkling me with the Magic Powder."

"What became of the other heads, Jack?"

"They spoiled and I buried them, for they were not even fit for pies. Each time Ozma has carved me a new head just like the old one, and as my body is by far the largest part of me, I am still Jack Pumpkinhead, no matter how often I change my upper end. Once we had a dreadful time to find another pumpkin, as they were out of season, and so I was obliged to wear my old head a little longer than was strictly healthy. But after this sad experience I resolved to raise pumpkins myself, so as never to be caught again without one handy; and now I have this fine field that you see before you. Some grow pretty big—too big to be used for heads—so I dug out this one and use it for a house."

"Isn't it damp?" asked Dorothy.

"Not very. There isn't much left but the shell, you see, and it will last a long time yet."

"I think you are brighter than you used to be, Jack," said the Tin Woodman. "Your last head was a stupid one."

"The seeds in this one are better," was the reply.

"Are you going to Ozma's party?" asked Dorothy.

"Yes," said he, "I wouldn't miss it for anything. Ozma's my parent, you know, because she built my body and carved my pumpkin head. I'll follow you to the Emerald City to-morrow, where we shall meet again. I can't go to-day, because I have to plant fresh pumpkin-seeds and water the young vines. But give my love to Ozma, and tell her I'll be there in time for the jubilation."

"We will," she promised; and then they all left him and resumed their journey.




17. The Royal Chariot Arrives

The neat yellow houses of the Winkies were now to be seen standing here and there along the roadway, giving the country a more cheerful and civilized look. They were farm-houses, though, and set far apart; for in the Land of Oz there were no towns or villages except the magnificent Emerald City in its center.

Hedges of evergreen or of yellow roses bordered the broad highway and the farms showed the care of their industrious inhabitants. The nearer the travelers came to the great city the more prosperous the country became, and they crossed many bridges over the sparkling streams and rivulets that watered the lands.

As they walked leisurely along the shaggy man said to the Tin Woodman:

"What sort of a Magic Powder was it that made your friend the Pumpkinhead live?"

"It was called the Powder of Life," was the answer; "and it was invented by a crooked Sorcerer who lived in the mountains of the North Country. A Witch named Mombi got some of this powder from the crooked Sorcerer and took it home with her. Ozma lived with the Witch then, for it was before she became our Princess, while Mombi had transformed her into the shape of a boy. Well, while Mombi was gone to the crooked Sorcerer's, the boy made this pumpkin-headed man to amuse himself, and also with the hope of frightening the Witch with it when she returned. But Mombi was not scared, and she sprinkled the Pumpkinhead with her Magic Powder of Life, to see if the Powder would work. Ozma was watching, and saw the Pumpkinhead come to life; so that night she took the pepper-box containing the Powder and ran away with it and with Jack, in search of adventures.

"Next day they found a wooden Saw-Horse standing by the roadside, and sprinkled it with the Powder. It came to life at once, and Jack Pumpkinhead rode the Saw-Horse to the Emerald City."

"What became of the Saw-Horse, afterward?" asked the shaggy man, much interested in this story.

"Oh, it's alive yet, and you will probably meet it presently in the Emerald City. Afterward, Ozma used the last of the Powder to bring the Flying Gump to life; but as soon as it had carried her away from her enemies the Gump was taken apart, so it doesn't exist any more."

"It's too bad the Powder of Life was all used up," remarked the shaggy man; "it would be a handy thing to have around."

"I am not so sure of that, sir," answered the Tin Woodman. "A while ago the crooked Sorcerer who invented the Magic Powder fell down a precipice and was killed. All his possessions went to a relative—an old woman named Dyna, who lives in the Emerald City. She went to the mountains where the Sorcerer had lived and brought away everything she thought of value. Among them was a small bottle of the Powder of Life; but of course Dyna didn't know it was a Magic Powder, at all. It happened she had once had a big blue bear for a pet; but the bear choked to death on a fishbone one day, and she loved it so dearly that Dyna made a rug of its skin, leaving the head and four paws on the hide. She kept the rug on the floor of her front parlor."

"I've seen rugs like that," said the shaggy man, nodding, "but never one made from a blue bear."

"Well," continued the Tin Woodman, "the old woman had an idea that the Powder in the bottle must be moth-powder, because it smelled something like moth-powder; so one day she sprinkled it on her bear rug to keep the moths out of it. She said, looking lovingly at the skin: 'I wish my dear bear were alive again!' To her horror, the bear rug at once came to life, having been sprinkled with the Magic Powder; and now this live bear rug is a great trial to her, and makes her a lot of trouble."

"Why?" asked the shaggy man.

"Well, it stands up on its four feet and walks all around, and gets in the way; and that spoils it for a rug. It can't speak, although it is alive; for, while its head might say words, it has no breath in a solid body to push the words out of its mouth. It's a very slimpsy affair altogether, that bear rug, and the old woman is sorry it came to life. Every day she has to scold it, and make it lie down flat on the parlor floor to be walked upon; but sometimes when she goes to market the rug will hump up its back skin, and stand on its four feet, and trot along after her."

"I should think Dyna would like that," said Dorothy.

"Well, she doesn't; because every one knows it isn't a real bear, but just a hollow skin, and so of no actual use in the world except for a rug," answered the Tin Woodman. "Therefore I believe it is a good thing that all the Magic Powder of Life is now used up, as it can not cause any more trouble."

"Perhaps you're right," said the shaggy man, thoughtfully.

At noon they stopped at a farmhouse, where it delighted the farmer and his wife to be able to give them a good luncheon. The farm people knew Dorothy, having seen her when she was in the country before, and they treated the little girl with as much respect as they did the Emperor, because she was a friend of the powerful Princess Ozma.

They had not proceeded far after leaving this farm-house before coming to a high bridge over a broad river. This river, the Tin Woodman informed them, was the boundary between the Country of the Winkies and the territory of the Emerald City. The city itself was still a long way off, but all around it was a green meadow as pretty as a well-kept lawn, and in this were neither houses nor farms to spoil the beauty of the scene.

From the top of the high bridge they could see far away the magnificent spires and splendid domes of the superb city, sparkling like brilliant jewels as they towered above the emerald walls. The shaggy man drew a deep breath of awe and amazement, for never had he dreamed that such a grand and beautiful place could exist—even in the fairyland of Oz.

Polly was so pleased that her violet eyes sparkled like amethysts, and she danced away from her companions across the bridge and into a group of feathery trees lining both the roadsides. These trees she stopped to look at with pleasure and surprise, for their leaves were shaped like ostrich plumes, their feather edges beautifully curled; and all the plumes were tinted in the same dainty rainbow hues that appeared in Polychrome's own pretty gauze gown.

"Father ought to see these trees," she murmured; "they are almost as lovely as his own rainbows."

Then she gave a start of terror, for beneath the trees came stalking two great beasts, either one big enough to crush the little Daughter of the Rainbow with one blow of his paws, or to eat her up with one snap of his enormous jaws. One was a tawny lion, as tall as a horse, nearly; the other a striped tiger almost the same size.

Polly was too frightened to scream or to stir; she stood still with a wildly beating heart until Dorothy rushed past her and with a glad cry threw her arms around the huge lion's neck, hugging and kissing the beast with evident joy.

"Oh, I'm SO glad to see you again!" cried the little Kansas girl. "And the Hungry Tiger, too! How fine you're both looking. Are you well and happy?"

"We certainly are, Dorothy," answered the Lion, in a deep voice that sounded pleasant and kind; "and we are greatly pleased that you have come to Ozma's party. It's going to be a grand affair, I promise you."

"There will be lots of fat babies at the celebration, I hear," remarked the Hungry Tiger, yawning so that his mouth opened dreadfully wide and showed all his big, sharp teeth; "but of course I can't eat any of 'em."

"Is your Conscience still in good order?" asked Dorothy, anxiously.

"Yes; it rules me like a tyrant," answered the Tiger, sorrowfully. "I can imagine nothing more unpleasant than to own a Conscience," and he winked slyly at his friend the Lion.

"You're fooling me!" said Dorothy, with a laugh. "I don't b'lieve you'd eat a baby if you lost your Conscience. Come here, Polly," she called, "and be introduced to my friends."

Polly advanced rather shyly.

"You have some queer friends, Dorothy," she said.

"The queerness doesn't matter so long as they're friends," was the answer. "This is the Cowardly Lion, who isn't a coward at all, but just thinks he is. The Wizard gave him some courage once, and he has part of it left."

The Lion bowed with great dignity to Polly.

"You are very lovely, my dear," said he. "I hope we shall be friends when we are better acquainted."

"And this is the Hungry Tiger," continued Dorothy. "He says he longs to eat fat babies; but the truth is he is never hungry at all, 'cause he gets plenty to eat; and I don't s'pose he'd hurt anybody even if he WAS hungry."

"Hush, Dorothy," whispered the Tiger; "you'll ruin my reputation if you are not more discreet. It isn't what we are, but what folks think we are, that counts in this world. And come to think of it Miss Polly would make a fine variegated breakfast, I'm sure."