About This Book
A historical survey charts the development of national opera in Russia, describing transitions from early stage experiments to fully formed nationalist works and changing patterns of patronage and performance. The author profiles composers, critics, and singers, examines the interplay of folk-song and foreign models—especially Italian influence—and traces the rise of a nationalist circle around figures such as Balakirev. Individual operas are analyzed for musical technique, dramatic structure, and popular reception, while the text combines revised lectures with additional research, illustrations, and reference indexes.
About the Author
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