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The Second Generation

Chapter 10: CHAPTER X
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About This Book

An industrial patriarch's declining health and rigid values collide with the reckless choices of his children, prompting family tensions over inheritance and reputation. A pragmatic matriarch intervenes to manage illness and domestic crises while others navigate legal struggles, romantic entanglements, and social expectations. The narrative alternates scenes of business life, courtroom maneuvering, and personal reckonings to explore how the next generation inherits wealth, responsibility, and moral consequences. Episodes examine pride, compromise, and the persistence of parental influence amid changing social ambitions.

What could she do to hide her disgrace from her mocking, sneering friends? For, hide it she must—must—must! And she had not a moment to lose.

A little thought, and she went to the telephone and called up her brother at the Country Club. When she heard his voice, in fear and fright, demanding what she wanted, she said:

"Will you bring Dory Hargrave to dinner to-night? And, of course, don't let him know I wanted you to."

"Is that all!" exclaimed Arthur in a tone of enormous relief, which she was too absorbed in her calamity to be conscious of.

"You will, won't you? Really, Arthur, it's very important; and don't say a word of my having telephoned—not to anybody."

"All right! I'll bring him." A pause, then. "Father's just the same?"

"Yes," she answered, in sudden confusion and shame.

CHAPTER VIII

A FRIEND IN NEED

In the turmoil of his own affairs Arthur forgot his promise almost while he was making it. Fortunately, as he was driving home, the sight of Dr. Hargrave, marching absent-mindedly along near the post office, brought it to his mind again. With an impatient exclamation—for he prided himself upon fidelity to his given word, in small matters as well as in larger—he turned the horse about. He liked Dory Hargrave, and in a way admired him; Dory was easily expert at many of the sports at which Arthur had had to toil before he was able to make even a passable showing. But Dory, somehow, made him uncomfortable. They had no point of view in common; Dory regarded as incidental and trivial the things which seemed of the highest importance to Arthur. Dory had his way to make in the world; Arthur had been spared that discomfort and disadvantage. Yet Dory persisted in pretending to regard Arthur as in precisely the same position as himself; once he had even carried the pretense to the impertinence of affecting to sympathize with Arthur for being so sorely handicapped. On that occasion Arthur had great difficulty in restraining plain speech. He would not have been thus tactful and gentlemanly had he not realized that Dory meant the best in the world, and was wholly unconscious that envy was his real reason for taking on such a preposterous pose. "Poor chap!" Arthur had reflected. "One shouldn't blame him for snatching at any consolation, however flimsy." In those days Arthur often, in generous mood, admitted—to himself—that fortune had been shamefully partial in elevating him, without any effort on his part, but merely by the accident of birth, far above the overwhelming majority of young men. He felt doubly generous—in having such broad views and in not aggravating the misfortunes of the less lucky by expressing them.

Dr. Hargrave and his son—his only child—and his dead wife's sister, Martha Skeffington, lived in a quaint old brick house in University Avenue. A double row of ancient elms shaded the long walk straight up from the gate. On the front door was a huge bronze knocker which Arthur lifted and dropped several times without getting response. "Probably the girl's in the kitchen; and old Miss Skeffington is so deaf she couldn't hear," he thought. He had known the persons and the habits of that household from earliest boyhood. He followed the path round the house and thus came in sight of a small outbuilding at the far corner of the yard, on the edge of the bank overlooking and almost overhanging the river—Dory's "workshop." Its door was open and Arthur could see the whole of the interior. Dory and a young woman were standing by a bench at the window, were bending over something in which they seemed to be absorbed. Not until Arthur stepped upon the doorsill did they lift their heads.

"Hello, Artie!" cried Dory, coming forward with extended hand.

Arthur was taking off his hat and bowing to the young woman. "Hello,
Theo," said he. "How d'ye do, Estelle?"

Miss Wilmot shook hands with him, a shade constrainedly. "How are you,
Arthur?" she said.

It was in his mouth to ask why she hadn't been to see Adelaide. He checked himself just in time. She and Adelaide were great friends as youngsters at the public school, but the friendship cooled into acquaintance as Adelaide developed fashionable ideas and tastes. Also, Estelle had been almost a recluse since she was seventeen. The rest of the Wilmots went into Saint X's newly developed but flourishing fashionable society. They had no money to give return entertainments or even to pay their share of the joint, dances and card parties Arthur decided to sheer off. "I came to ask you to the house for sup—dinner to-night," said he. "It's lonely—just mother and Del and me. Come and cheer us up. Come along with me now."

Dory looked confused. "I'm afraid I can't," he all but stammered.

"Of course, I can't blame you for not caring about coming." This a politeness, for Arthur regarded his invitation as an honor.

"Oh, you didn't understand me," protested Dory. "I was thinking of something entirely different." A pause during which he seemed to be reflecting. "I'll be glad to come," he finally said.

"You needn't bother to dress," continued Arthur.

Dory laughed—a frank, hearty laugh that showed the perfect white teeth in his wide, humorous-looking mouth. "Dress!" said he. "My other suit is, if anything, less presentable than this; and they're all I've got, except the frock—and I'm miserable in that."

Arthur felt like apologizing for having thus unwittingly brought out young Hargrave's poverty. "You look all right," said he.

"Thanks," said Dory dryly, his eyes laughing at Arthur.

And, as a matter of fact, though Arthur had not been sincere, Dory did look "all right." It would have been hard for any drapery not to have set well on that strong, lithe figure. And his face—especially the eyes—was so compelling that he would have had to be most elaborately overdressed to distract attention from what he was to what he wore.

On the way to the Rangers, he let Arthur do the talking; and if Arthur had been noticing he would have realized that Dory was not listening, but was busy with his own thoughts. Also Arthur would have noticed that, as they came round from the stables to the steps at the end of the front veranda, and as Dory caught sight of Adelaide, half-reclining in the hammock and playing with Simeon, his eyes looked as if he had been suddenly brought from the darkness into the light.

"Here's Dory Hargrave, Del," cried Arthur, and went on into the house, leaving them facing each other.

"So glad you've come," said Adelaide, her tone and manner at their friendliest.

But as she faced his penetrating eyes, her composure became less assured. He looked straight at her until her eyes dropped—this while they were shaking hands. He continued to look, she feeling it and growing more and more uncomfortable.

"Why did you send for me?" he asked.

She would have liked to deny or to evade; but neither was possible. Now that he was before her she recalled his habit of compelling her always to be truthful not only with him but—what was far worse—also with herself. "Did Arthur tell you I asked him to bring you?" she said, to gain time.

"No," was his reply. "But, as soon as he asked me, I knew."

It irritated her that this young man who was not at all a "man of the world" should be able so easily to fathom her. She had yet to learn that "man of the world" means man of a very small and insignificant world, while Dory Hargrave had been born a citizen of the big world, the real world—one who understands human beings, because his sympathies are broad as human nature itself, and his eyes clear of the scales of pretense. He was an illustration of the shallowness of the talk about the loneliness of great souls. It is the great souls that alone are not alone. They understand better than the self-conscious, posing mass of mankind the weakness and the pettiness of human nature; but they also appreciate its other side. And in the pettiest creature, they still see the greatness that is in every human being, in every living thing for that matter, its majesty of mystery and of potentiality—mystery of its living mechanism, potentiality of its position as a source of ever-ascending forms of life. From the protoplasmal cell descends the genius; from the loins of the sodden toiler chained to the soil springs the mother of genius or genius itself. And where little people were bored and isolated, Dory Hargrave could without effort pass the barriers to any human heart, could enter in and sit at its inmost hearth, a welcome guest. He never intruded; he never misunderstood; he never caused the slightest uneasiness lest he should go away to sneer or to despise. Even old John Skeffington was confidential with him, and would have been friendly had not Dory avoided him.

Adelaide soon fell under the spell of this genius of his for inspiring confidence. She had not fully disclosed her plans to herself; she hesitated at letting herself see what her fury against Theresa and Ross had goaded her on to resolve. So she had no difficulty in persuading herself that she had probably sent for Dory chiefly to consult with him. "There's something I want to talk over with you," said she; "but wait till after din—supper. Have you and Artie been playing tennis?"

"No, he found me at home. Estelle Wilmot and I were playing with a microscope."

"Estelle—she has treated me shamefully," said Adelaide. "I haven't seen her for more than a year—except just a glimpse as I was driving down Monroe Street one day. How beautiful she has become! But, then, she always was pretty. And neither her father nor her mother, nor any of the rest of the family is especially good-looking. She doesn't in the least resemble them."

"There probably was a time when her father and mother really loved," said Dory. "I've often thought that when one sees a beautiful man or woman, one is seeing the monument to some moment of supreme, perfect happiness. There are hours when even the meanest creatures see the islands of enchantment floating in the opal sea."

Adelaide was gazing dreamily into the sunset. It was some time before she came back, dropped from the impersonal to the personal, which is the normal attitude of most young people and of all the self-absorbed. Simeon, who had been inspecting Dory from the far upper end of the hammock, now descended to the floor of the veranda, and slowly advanced toward him. Dory put out his hand. "How are you, cousin?" he said, gravely shaking Simeon's extended paw. Simeon chattered delightedly and sprang into Dory's lap to nestle comfortably there.

"I always thought you would fall in love with Estelle, some day,"
Adelaide was saying.

Dory looked at Simeon with an ironical smile. "Why does she say those things to me?" he asked. Simeon looked at Adelaide with a puzzled frown that said, "Why, indeed?"

"You and Estelle are exactly suited to each other," explained she.

"Exactly unsuited," replied he. "I have nothing that she needs; she has nothing that I need. And love is an exchange of needs. Now, I have hurt your vanity."

"Why do you say that?" demanded Adelaide.

"You'd like to feel that your lover came to you empty-handed, asking everything, humbly protesting that he had nothing to give. And you know that I—" He smiled soberly. "Sometimes I think you have really nothing I need or want, that I care for you because you so much need what I can give. You poor pauper, with the delusion that you are rich!"

"You are frank," said she, smiling, but not liking it.

"And why shouldn't I be? I've given up hope of your ever seeing the situation as it is. I've nothing to lose with you. Besides, I shouldn't want you on any false terms. One has only to glance about him to shrink from the horrors of marriage based on delusions and lies. So, I can afford to be frank."

She gave him a puzzled look. She had known him all her life; they had played together almost every day until she was seventeen and went East, to school, with Janet Whitney. It was while she was at home on her first long vacation that she had flirted with him, had trapped him into an avowal of love; and then, having made sure of the truth which her vanity of conquest and the fascination of his free and frank manliness for her, though she denied it to herself, had led her on to discover beyond doubt, she became conscience-stricken. And she confessed to him that she loved Ross Whitney and was engaged to him; and he had taken the disclosure so calmly that she almost thought he, like herself, had been simply flirting. And yet—She dimly understood his creed of making the best of the inevitable, and of the ridiculousness of taking oneself too seriously. "He probably has his own peculiar way of caring for a woman," she was now reflecting, "just as he has his own peculiar way in every other respect."

Arthur came, and their mother; and not until long after supper, when her father had been got to bed, did she have the chance to continue the conversation. As soon as she appeared on the veranda, where Dory and Arthur were smoking, Arthur sauntered away. She was alone with Dory; but she felt that she had nothing to say to him. The surge of fury against Ross and Theresa had subsided; also, now that she had seen Theodore Hargrave again, she realized that he was not the sort of man one tries to use for the purpose she had on impulse formed, nor she the sort of woman who, in the deliberateness of the second thought, carries into effect an impulse to such a purpose.

When they had sat there in the moonlight several minutes in silence, she said: "I find I haven't anything especial to say to you, after all."

A wait, then from him: "I'm sorry. I had hoped—" He halted.

"Hoped—what?"

"Hoped it was off with you and Whitney."

"Has some one been saying it was?" she asked sharply.

"No. I thought I felt it when I first saw you."

"Oh!" she said, enormously relieved. A pause, then constrainedly, "Your guess was right."

"And was that why you sent for me?"

The assent of silence.

"You thought perhaps you might—care for—me?"

It seemed almost true, with him looking so earnestly and hopefully at her, and in the moonlight—moonlight that can soften even falsehood until true and false seem gently to merge. She hesitated to say No. "I don't know just what I thought," she replied.

But her tone jarred on the young man whose nerves were as sensitive as a thermostat. "You mean, when you saw me again, you felt you really didn't care," he said, drawing back so that she could not see his face.

"No," she replied, earnestly and honestly. "Not that." And then she flung out the truth. "Ross has engaged himself to Theresa Howland, a girl with a huge big fortune. And I—I—"

"You needn't say it," he interrupted, feeling how it was distressing her to confess. "I understand."

"I wasn't altogether—wicked," she pleaded. "I didn't think of you wholly because I thought you cared for me. I thought of you chiefly because I feel more at home with you than with anyone else. It has always seemed to me that you see me exactly as I am, with all the pretenses and meannesses—yet not unkindly, either. And, while you've made me angry sometimes, when you have refused to be taken in by my best tricks, still it was as one gets angry with—with oneself. It simply wouldn't last. And, as you see, I tell you anything and everything."

"You thought you'd engage yourself to me—and see how it worked out?"

"I'm afraid I did."

A pause. She knew what he was going to say next, and waited for him to say it. At last it came. "Well, now that there's no deception, why shouldn't you?"

"Somehow, I don't seem to mind—about Ross, so much. It—it was while I was in with father this evening. You haven't seen him since he became so ill, but you will understand why he is a rebuke to all mean thoughts. I suppose I'll be squirming again to-morrow, but to-night I feel—"

"That Ross has done you a great service. That you've lost nothing but a dangerous illusion; that you have been honorable with him, and all the wrong and the shame are upon him. You must feel it, for it is true."

Adelaide sighed. "I wish I were strong enough to feel it with my friends jeering at me, as I can feel it now, Dory."

He moved nearer the hammock in which she was sitting. "Del," he said, "shall we become engaged, with the condition that we'll not marry unless we both wish to, when the time comes?"

"But you're doing this only to help me—to help me in a weakness I ought to be ashamed of."

"Not altogether," he replied. "You on your part give me a chance to win you. You will look at me differently—and there's a great deal in that, a very great deal, Del."

She smiled—laughed. "I see what you mean."

But he looked gravely at her. "You promise to do your best to care? An engagement is a very solemn thing, Del. You promise?"

She put out her hand. "Yes," she answered. And, after a moment, in tones he would have known meant opportunity had he been less in love with her, less modest about his own powers where she was concerned, she went on: "The night you told me you loved me I did not sleep. What you said—what I saw when you opened your heart to me—oh, Dory, I believed then, and I believe now, that the reason I have not loved you is because I am not worthy of you. And I'm afraid I never can—for just that reason."

He laughed and kissed her hand. "If that's all that stands in the way," said he, "you'll love me to distraction."

Her spirits went soaring as she realized that she had gained honorably all she had been tempted to gain by artifice. "But you said a while ago," she reminded him mischievously, "that you didn't need me."

"So I did," said he, "but the fox shouldn't be taken too literally as he talks about the grapes that are out of reach."

Suddenly she was longing for him to take her in his arms and compel her to feel, and to yield to, his strength and his love. But he, realizing that he was in danger of losing his self-control, released her hand and drew away—to burn aloof, when he might have set her on fire.

Ross Whitney found his cousin, Ernest Belden, in the Chicago express next morning. When they were well on their way, Belden said: "I'm really sorry it's all off between you and Adelaide, Ross."

Ross was silent, struggling against curiosity. Finally curiosity won.
"How did you know, Ernest?" he asked.

"On the way to the station I met Dory Hargrave looking like a sunrise. I asked him what was up—you know, he and I are like brothers. And he said: 'I've induced Adelaide Ranger to promise to marry me.' 'Why, I never knew you cared about her in that way,' said I. And he said: 'There's lots of things in this world you don't know, Ernest, a lot of important things, and this is one of 'em. I've never cared about anybody else.'"

Belden had been thinking that the engagement between Ross and Adelaide was dissolved by mutual consent. A glance at Ross and he changed his mind; for, Ross was so amazed at Adelaide's thus challenging him—it could be nothing more than an audacious challenge—that he showed it. "I beg your pardon, old man," Belden said impulsively. "I didn't appreciate that I was making a prying brute of myself."

Ross decided that a "gentleman" would be silent under the suspicion of having been jilted, and that therefore he must be silent—on that subject. "Not at all," said he. "I suppose you haven't heard yet that I'm engaged to Miss Howland, of Chicago."

"Ah—Really—I congratulate you," said Belden.

And Ross, seeing that his cousin understood precisely what he had intended he should, felt meaner than ever.

CHAPTER IX

THE LONG FAREWELL

Not until Adelaide told Arthur and saw the expression that succeeded his first blank stare of incredulity did she realize what the world, her "world," would think of her engagement to Theodore Hargrave. It was illuminative of her real character and of her real mind as to Ross, and as to Dory also, that, instead of being crushed by her brother's look of downright horror, she straightway ejected the snobbish suggestions with which her vanity had been taunting her, and called her heart, as well as her pride, to the defense of Dory.

"You're joking," said Arthur, when he was able to articulate; "and a mighty poor joke it is. Dory! Why, Del, it's ridiculous. And in place of Ross Whitney!"

"Be careful what you say, Artie," she warned in a quiet, ominous tone, with that in her eyes which should in prudence have halted him. "I am engaged to Dory, remember."

"Nonsense!" cried Arthur. "Why, he hasn't a cent, except his beggarly salary as professor at that little jay college. And even if he should amount to something some day, he'll never have anything or any standing in society. I thought you had pride, Del. Just wait till I see him! I'll let him know what I think of his impudence. Of course, I don't blame him. Naturally, he wants to get up in the world. But you—" Arthur's laugh was a sneer—"And I thought you were proud!"

From Del's eyes blazed that fury which we reserve for those we love when they exasperate us. "Shame on you, Arthur Ranger!" she exclaimed. "Shame on you! See what a snob you have become. Except that he's poor, Dory Hargrave has the advantage of any man we know. He's got more in his head any minute than you or your kind in your whole lives. And he is honorable and a gentleman—a real gentleman, not a pretender. You aren't big enough to understand him; but, at least, you know that if it weren't for your prospects from father, you wouldn't be in the same class with him. He is somebody in himself. But you—and—and your kind—what do you amount to, in yourselves?"

Arthur lowered at her. "So this is what you've been leading up to, with all the queer talk you've been giving me on and off, ever since we came home."

That remark seemed to Adelaide for an instant to throw a flood of light in amazing revelation upon her own innermost self. "I believe it is!" she exclaimed, as if dazed. Then the light seemed to go, seemed to have been only imaginary. It is not until we are much older than Del then was, that we learn how our acts often reveal us to ourselves.

"So you're in love with Dory," scoffed Arthur. "You're a wonder—you are! To go about the world and get education and manners and culture, and then to come back to Saint X and take up with a jay—a fellow that's never been anywhere."

"Physically, he hasn't traveled much," said Del, her temper curiously and suddenly restored. "But mentally, Artie, dear, he's been distances and to places and in society that your poor brain would ache just at hearing about."

"You've lost your senses!"

"No, dear," replied Del sweetly; "on the contrary, I've put myself in the way of finding them."

"You needn't 'bluff' with me," he retorted. He eyed her suspiciously.
"There's some mystery in this."

Del showed that the chance shot had landed; but, instantly recovering herself, she said: "It may interest you to know that a while ago, when I told you I was engaged to him, I felt a little uneasy. You see, I've had a long course at the same school that has made such a gentleman of you. But, as the result of your talk and the thoughts it suggested, I haven't a doubt left. I'd marry Dory Hargrave now, if everybody in the world opposed me. Yes, the more opposition, the prouder I'll be to be his wife!"

"What's the matter, children?" came in their mother's voice. "What are you quarreling about?" Mrs. Ranger was hurrying through the room on her way to the kitchen; she was too used to heated discussions between them to be disturbed.

"What do you think of this, mother?" almost shouted Arthur. "Del here says she's engaged to Dory Hargrave!"

Mrs. Ranger stopped short. "Gracious!" she ejaculated.

She felt for her "specs," drew them down from her hair, and hastily adjusted them for a good look, first at Arthur, then at Del. She looked long at Del, who was proudly erect and was at her most beautiful best, eyes glittering and cheeks aglow. "Have you and Ross had a falling out, Del?" she asked.

"No, mother," replied Adelaide; "but we—we've broken our engagement, and—What Artie says is true."

No one spoke for a full minute, though the air seemed to buzz with the thinking and feeling. Then, Mrs. Ranger: "Your father mustn't hear of this."

"Leave me alone with mother, Artie," commanded Adelaide.

Arthur went, pausing in the doorway to say: "I'm sorry to have hurt you, Del. But I meant every word, only not in anger or meanness. I know you won't do it when you've thought it over."

When Arthur had had time to get far enough away, Adelaide said: "Mother, I want you to hear the whole truth—or as much of it as I know myself. Ross came and broke off our engagement so that he could marry Theresa Howland. And I've engaged myself to Dory—partly to cover it, but not altogether, I hope. Not principally, I believe. I'm sick and ashamed of the kind of things I've been so crazy about these last few years. Before this happened, before Ross came, being with father and thinking over everything had made me see with different eyes. And I—I want to try to be—what a woman ought to be."

Ellen Ranger slowly rolled her front hair under her fingers. At length she said: "Well—I ain't sorry you've broke off with Ross. I've been noticing the Whitneys and their goings on for some time. I saw they'd got clean out of my class, and—I'm glad my daughter hasn't. There's a common streak in those Whitneys. I never did like Ross, though I never would have said anything, as you seemed to want him, and your father had always been set on it, and thought so high of him. He laid himself out to make your pa think he was a fine character and full of business—and I ain't denying that he's smart, mighty smart—too smart to suit me." A long reflective pause, then: "But—Dory—Well, my advice is to think it over before you jump clear in. Of course, you'll have enough for both, but I'd rather see you taking up with some man that's got a good business. Teachin' 's worse than preachin' as a business. Still, there's plenty of time to think about that. You're only engaged."

"Teachin' 's worse than preachin'"—Adelaide's new, or, rather, revived democracy was an aspiration rather than an actuality, was—as to the part above the soil, at least—a not very vigorous looking forced growth through sordid necessity. In this respect it was like many, perhaps most, human aspirations—and, like them, it was far more likely to wither than to flourish. "Teachin' 's worse than preachin'"—Del began to slip dismally down from the height to which Arthur's tactless outburst had blown her. Down, and down, and down, like a punctured balloon—gently, but steadily, dishearteningly. She was ashamed of herself, as ashamed as any reader of these chronicles is for her—any reader with one standard for judging other people and another for judging himself. To the credit of her character must be set down her shame at her snobbishness. The snobbishness itself should not be set down to her discredit, but should be charged up to that class feeling, as old as property, and fostered and developed by almost every familiar fact in our daily environment.

"I shouldn't be surprised but your father'd be glad, if he knew," her mother was saying. "But it's no use to risk telling him. A shock might—might make him worse." She started up. "I must go to him. I came to send you, while I was looking after Mary and the dinner, and I clean forgot."

She hurried away. Adelaide sat thinking, more and more forlorn, though not a whit less determined. "I ought to admire him more than I did Ross, and I ought to want to marry him—and I will!"

The birds had stopped singing in the noonday heat. The breeze had died down. Outdoors, in the house, there was not a sound. She felt as if she must not, could not breathe. The silence, like a stealthy hand, lifted her from her chair, drew her tiptoeing and breathless toward the room in which her father was sitting. She paused at its threshold, looked. There was Hiram, in his chair by the window, bolt upright, eyes open and gazing into the infinite. Beside that statue of the peace eternal knelt Ellen, a worn, wan, shrunken figure, the hands clasped, the eyes closed, the lips moving.

"Mother! Mother!" cried Del.

Her mother did not hear. She was moaning, "I believe, Lord, I believe!
Help Thou my unbelief!"

CHAPTER X

"THROUGH LOVE FOR MY CHILDREN"

On the day after the funeral, Mrs. Ranger and the two children and young Hargrave were in the back parlor, waiting for Judge Torrey to come and read the will. The well-meant intrusions, the services, the burial—all those barbarous customs that stretch on the rack those who really love the dead whom society compels them publicly to mourn—had left cruel marks on Adelaide and on Arthur; but their mother seemed unchanged. She was talking incessantly now, addressing herself to Dory, since he alone was able to heed her. Her talk was an almost incoherent stream, as if she neither knew nor cared what she was saying so long as she could keep that stream going—the stream whose sound at least made the voice in her heart, the voice of desolation, less clear and terrible, though not less insistent.

There was the beat of a man's footsteps on the side veranda. Mrs. Ranger started up, listened, sat again. "Oh," she said, in the strangest tone, and with a hysterical little laugh, "I thought it was your father coming home to dinner!" Then from her throat issued a stifled cry like nothing but a cry borne up to the surface from a deep torture-chamber. And she was talking on again—with Adelaide sobbing and Arthur fighting back the tears. Hargrave went to the door and admitted the old lawyer.

He had a little speech which he always made on such occasions; but to-day, with the knowledge of the astounding contents of that will on his mind, his lips refused to utter it. He simply bowed, seated himself, and opened the document. The old-fashioned legal phrases soon were steadying him as the harness steadies an uneasy horse; and he was monotonously and sonorously rolling off paragraph after paragraph. Except the judge, young Hargrave was the only one there who clearly understood what those wordy provisions meant. As the reading progressed Dory's face flushed a deep red which slowly faded, leaving him gray and haggard. His father's beloved project! His father's! To carry out his father's project, Arthur and Adelaide, the woman he loved and her brother, were to lose their inheritance. He could not lift his eyes. He felt that they were all looking at him, were hurling reproaches and denunciations.

Presently Judge Torrey read: "I make this disposal of my estate through my love for my children and because I have firm belief in the soundness of their character, and in their capacity to do and to be. I feel they will be better off without the wealth which would tempt my son to relax his efforts to make a useful man of himself and would cause my daughter to be sought for her fortune instead of for herself."

At the words "without the wealth," Arthur shifted sharply in his chair, and both he and Adelaide looked at Judge Torrey in puzzled wonder. The judge read on, read the names of signer and witnesses, then laid the will down and stared gloomily at it. Mrs. Ranger said: "And now, judge, can you tell us in plain words just what it means?"

With many a pause and stammer the old lawyer made it clear: the house and its contents and appurtenances, and seven thousand a year to the widow for life; two thousand a year to Adelaide; five thousand in cash to Arthur and the chance to earn the mill and factory; the rest, practically the whole estate, to Tecumseh University.

"Any further questions?" he asked, breaking the silence that followed his explanation.

No one spoke.

Still without looking at anyone, he put away his glasses? "Then I guess I'll be going. It won't be necessary to do anything further for a day or two."

And, with face like that of criminal slinking from scene of crime, he got himself to the door by a series of embarrassed bows and shuffling steps. Outside, he wiped the streaming sweat from his forehead. "It wasn't my fault," he muttered, as if some one were accusing him. Then, a little further from the house, "I ain't sure Hiram hasn't done right. But, God help me, I couldn't never save my children at such a price."

He was clear of the grounds before Adelaide, the first to move, cast a furtive glance at her brother. Her own disaster was swallowed up for her in the thought of how he had been struck down. But she could read nothing in his face. He was simply gazing straight ahead, and looking so like his father at his most unfathomable. As soon as he had fully realized what the will meant, his nerves had stopped feeling and his brain had stopped thinking. Adelaide next noted Dory, and grew cold from head to foot. All in a rush it came over her how much she had relied upon her prospective inheritance, how little upon herself. What would Dory think of her now? And Ross—what a triumph for him, what a narrow escape! Had he suspected? Had others in the town known that of which they of the family were in complete ignorance? Oh, the horror of the descent—the horror of the rude snatching away of the golden aureole! "Father, father, how could you do it? How could you hurt us so?" she muttered. Then, up before her rose his face with that frightful look in the eyes. "But how doing it made him suffer!" she thought. And the memory of those hours on hours she had spent with him, buried alive, flooded over her. "Doing it killed him!" she said to herself.

She felt cruel fingers grinding into her arm. With a sharp cry she sprang up. Her brother was facing her, his features ablaze with all the evil passions in his untrained and unrestrained nature. "You knew!" he hissed. "You traitor! You knew he was doing this. You honeyfugled him. And you and Hargrave get it all!"

Adelaide shrank as she would not have shrunk under a lash.

"O Arthur! Arthur!" she cried, clasping her hands and stretching them toward him.

"You admit it, do you?" he shouted, seizing her by the shoulders like a madman. "Yes, your guilty face admits it. But I'll undo your work. I'll break the will. Such an outrage as that, such a robbery, won't stand in court for a minute."

Dory had risen, was moving to fling the brother from the sister; but Mrs. Ranger was before him. Starting up from the stupor into which Judge Torrey's explanation had thrown her, she thrust herself between her children. "Arthur!" she said, and her voice was quiet and solemn. "Your father is dead." She drew herself up, and facing her son in her widow's black, seemed taller than he. "If I had needed any proof that he was right about what he did with his own," she went on, "I'd have found it in your face and in what you just said to your sister. Go to the glass there, boy! Look at your face and remember your words!"

Young Hargrave left the room, went to the garden where they could see him from the windows and call him if they wished. Arthur hung his head before his mother's gaze. "It isn't his will," he muttered. "Father in his right mind would never have made such a will."

"He never would have made such a will if his children had been in their right mind," replied his mother sternly; and sternness they had never before seen in those features or heard in that voice. "I know now what he was broodin' over for weeks. Yes—" and her voice, which rose shrill, was the shriek of the tempest within her—"and I know now what made him break so sudden. I noticed you both driftin' off into foolishness, ashamed of the ways of your parents, ashamed of your parents, too. But I didn't give no attention to it, because I thought it was the silliness of children and that you'd outgrow it. But he always did have a good head on him, and he saw that you were ridin' loose-rein to ruin—to be like them Whitneys. Your pa not in his right mind? I see God in that will."

She paused, but only for breath to resume: "And you, Arthur Ranger, what was in your head when you came here to-day? Grief and love and willingness to carry out your dead father's last wishes? No! You came thinking of how you were to benefit by his death. Don't deny! I saw your face when you found you weren't going to get your father's money."

"Mother!" exclaimed Arthur.

She waved him down imperiously; and he was afraid before her, before her outraged love for her outraged dead. "Take care how you stamp on my Hiram's grave, Arthur Ranger!"

"He didn't mean it—you know he didn't," pleaded Adelaide. At that moment she could not think of this woman as her mother, but only as the wife, the widow.

But Ellen's instinct told her that her son, though silent, was still in traitorous rebellion against her idol. And she kept on at him: "With Hiram hardly out of the house, you've forgot all he did for you, all he left you—his good name, his good example. You think only of his money. I've heard you say children owe nothing to their parents, that parents owe everything to the children. Well, that's so. But it don't mean what you think. It don't mean that parents ought to ruin their children. And your pa didn't spare himself to do his duty by you—not even though it killed him. Yes, it killed him! You'd better go away and fall on your knees and ask God to forgive you for having shortened your father's life. And I tell you, Arthur Ranger, till you change your heart, you're no son of mine."

"Mother! Mother!" cried Arthur, rushing from the room.

Mrs. Ranger looked vacantly at the place where he had been, dropped into a chair and burst into a storm of tears.

"Call him back, mother," entreated Del.

"No! no!" sobbed Ellen Ranger. "He spoke agin' my dead! I'll not forgive him till his heart changes."

Adelaide knelt beside her mother and tried to put her arms around her. But her mother shrank away. "Don't touch me!" she cried; "leave me alone. God forgive me for having bore children that trample on their father's grave. I'll put you both out of the house—" and she started up and her voice rose to a shriek. "Yes—I'll put you both out! Your foolishness has ate into you like a cancer, till you're both rotten. Go to the Whitneys. Go among the lepers where you belong. You ain't fit for decent people."

She pushed Adelaide aside, and with uncertain steps went into the hall and up toward her own room.

CHAPTER XI

"SO SENSITIVE"

Adelaide was about to go in search of her brother when he came hunting her. A good example perhaps excepted, there is no power for good equal to a bad example. Arthur's outburst before his mother and her, and in what seemed the very presence of the dead, had been almost as potent in turning Adelaide from bitterness as the influence her father's personality, her father's character had got over her in his last illness. And now the very sight of her brother's face, freely expressing his thoughts, since Ellen was not there to shame him, gave double force to the feelings her mother's denunciations had roused in her. "We've got to fight it, Del," Arthur said, flinging himself down on the grass at her feet. "I'll see Torrey to-morrow morning."

Adelaide was silent.

He looked fiercely at her. "You're going to help me, aren't you?"

"I must have time to think," she replied, bent on not provoking him to greater fury.

He raised himself to a sitting posture. "What has that Hargrave fellow been saying to you?" he cried. "You'll have to break off with him. His father—the old scoundrel!—got at father and took advantage of his illness and his religious superstition. I know just how it was done. We'll bring it all out."

Adelaide did not answer.

"What did Dory say to you?" repeated Arthur.

"He went as soon as I came out from mother," she replied. She thought it best not to tell him that Dory had stopped long enough to urge her to go to her brother, and to make and keep peace with him, no matter what he might say to anger her. "Don't you think," she continued, "that you ought to see Janet and talk with her?"

Artie sank back and stared somberly at the ground.

"When is she coming?" asked his sister.

"I don't know," he answered surlily. "Not at all, perhaps. The Whitneys won't especially care about having any of us in the family now." He looked furtively at Adelaide, as if he hoped she would protest that he was mistaken, would show him that Janet would be unchanged.

"Mrs. Whitney won't," said Adelaide. "But Janet—she's different, I think. She seems to be high-minded, and I believe she loves you."

Arthur looked relieved, though Adelaide was too honest to have been able to make her tone as emphatic as her words. Yes, Janet was indeed high-minded, he said to himself; did indeed love him. Her high-mindedness and the angel purity of her love had often made him uneasy, not to say uncomfortable. He hated to be at the trouble of pretenses; but Janet, living on a far higher plane than he, had simply compelled it. To let her see his human weaknesses, to let her suspect that he was not as high-minded as she told him he was, to strip from himself the saintly robes and the diadem with which she had adorned him—well, he would put it off until after marriage, he had always told himself, and perhaps by that time he would feel a little less like a sinner profaning a sanctuary when he kissed her. He had from time to time found in himself a sinful longing that she were just a little less of an angel, just a little more of a fellow sinner—not too much, of course, for a man wants a pure wife, a pure mother for his children. But, while the attitudes of worship and of saintliness were cramped, often severely so, still on the whole Arthur had thought he was content with Janet just as she was.

"Why don't you go to Chicago and see her?" suggested Adelaide. "You ought to talk with her before anyone else has a chance. I wouldn't put anything past her mother."

"That's a good idea!" exclaimed Arthur, his face clearing before the prospect of action. "I'll take the night train. Yes, I must be the one to tell her."

Adelaide had a sense of relief. Arthur would see Janet; Janet would pour balm upon his wounds, would lift him up to a higher, more generous view. Then, whatever he might do would be done in the right spirit, with respect for the memory of their father, with consideration for their mother.

"You had better not see mother again until you come back," she suggested.

His face shadowed and shame came into it that was from the real Arthur Ranger, the son of Hiram and Ellen. "I wish I hadn't burst out as I did, Del," he said. "I forgot everything in my own wrongs. I want to try to make it all right with mother. I can't believe that I said what I remember I did say before her who'd be glad to die for us."

"Everything'll be all right when you come back, Artie," she assured him.

As they passed the outbuilding where the garden tools were kept they both glanced in. There stood the tools their father had always used in pottering about the garden, above them his old slouch and old straw hats. Arthur's lip quivered; Adelaide caught her breath in a sob. "O Artie," she cried brokenly, "He's gone—gone—gone for ever." And Artie sat on the little bench just within the door and drew Del down beside him, and, each tightly in the other's arms, they cried like the children that they were, like the children that we all are in face of the great tragedy.

A handsome and touching figure was Arthur Ranger as he left his cab and slowly ascended the lawn and the steps of the Whitney palace in the Lake Drive at eleven the next morning. His mourning garments were most becoming to him, contrasting with the fairness of his hair, the blue of his eyes, and the pallor of his skin. He looked big and strong and sad, and scrupulously fashionable, and very young.

The Whitneys were leading in Chicago in building broad and ever broader the barriers, not between rich and poor, but between the very, very rich and all the rest of the world. Mrs. Whitney had made a painstaking and reverent study of upper-class life in England and on the Continent, and was endeavoring to use her education for the instruction of her associates, and for the instilling of a proper awe into the multitude. To enter her door was at once to get the impression that one was receiving a high privilege. One would have been as greatly shocked as was Mrs. Whitney herself, could one have overheard "Charley" saying to her, as he occasionally did, with a grin which he strove to make as "common" as he knew how, "Really, Tillie, if you don't let up a little on this putting on dog, I'll have to take to sneaking in by the back way. The butler's a sight more of a gent than I am, and the housekeeper can give you points on being a real, head-on-a-pole-over-the-shoulder lady." A low fellow at heart was Charley Whitney, like so many of his similarly placed compatriots, though he strove as hard as do they, almost as hard as his wife, to conceal the deficiencies due to early training in vulgarly democratic ways of living and thinking.

Arthur, ushered by the excruciatingly fashionable butler into the smallest of the series of reception salons, fell straightway into the most melancholy spirits. He felt the black, icy shadow of the beginnings of doubt as to his right to admittance on terms of equality, now that his titles to nobility had been torn from him and destroyed. He felt that he was in grave danger of being soon mingled in the minds of his fashionable friends and their servants with the vulgar herd, the respectable but "impossible" middle classes. Indeed, he was not sure that he didn't really belong among them. The sound of Janet's subdued, most elegant rustle, drove out of his mind everything but an awful dread of what she would say and think and feel when he had disclosed to her the hideous truth. She came sweeping in, her eyes full of unshed tears, her manner a model of refined grief, sympathetic, soothing. She was tall and slim, a perfect figure of the long, lithe type; her face was small and fine and dreamy; her hair of an unusual straw color, golden, yet pale, too, like the latest autumn leaves in the wan sun of November; her eyes were hazel, in strange and thrilling contrast to her hair. To behold her was to behold all that man finds most fascinating in woman, but so illumined by the soul within that to look on it with man's eye for charms feminine seemed somewhat like casting sensuous glances upon beauty enmarbled in a temple's fane. Janet was human, but the human that points the way to sexless heaven.

"Dear Artie!" she said gently. "Dear Artie!" And she took both his hands and, as she looked at him, her tears fell. Arthur, in his new humility of poverty, felt honored indeed that any loss of his could cause her matchless soul thus to droop upon its dazzling outer walls the somber, showery insignia of grief. "But," she went on, "you have him still with you—his splendid, rugged character, the memory of all he did for you."

Arthur was silent. They were seated now, side by side, and he was, somewhat timidly, holding one of her hands.

"He was so simple and so honest—such a man!" she continued. "Does it hurt you, dear, for me to talk about him?"

"No—no," he stammered, "I came to you—to—to—talk about him." Then, desperately, seizing her other hand and holding both tightly, "Janet, would it make any difference with you if I—if I—no—What am I saying? Janet, I release you from our engagement. I—I—have no prospects," he rushed on. "Father—They got round him and wheedled him into leaving everything to the college—to Tecumseh. I have nothing—I must give you up. I can't ask you to wait—and—"

He could not go on. He longed for the throbbing, human touch that beauty of hers could make so thrilling. But she slowly drew away her hands. Her expression made him say:

"What is it, Janet? What have I said that hurt you?"

"Did you come," she asked, in a strange, distant voice, "because you thought your not having money would make a difference with me?"

"No," he protested, in wild alarm. "It was only that I feel I—"

"You feel that there could be a question of money between us?" she interrupted.

"Not between us, Janet," he said eagerly; "but there is your—your mother."

"I beg you," she replied coldly, "not to speak of mamma in that way to me, even if you have such unjust thoughts of her."

Arthur looked at her uncertainly. He had an instinct, deep down, that there was something wrong—something in her that he was not fathoming. But in face of that cloud-dwelling beauty, he could only turn and look within himself. "I beg your pardon, dear," he said. "You know so little of the practical side of life. You live so apart from it, so high above it, that I was afraid I'd be doing wrong by you if I did not put that side of it before you, too. But in the bottom of my heart I knew you would stand by me."

She remained cold. "I don't know whether I'm glad or sorry, Arthur, that you let me see into your real self. I've often had doubts about our understanding each other, about our two natures being in that perfect harmony which makes the true marriage. But I've shut out those doubts as disloyal to you. Now, you've forced me to see they were only too true!"

"What do you mean, Janet? Of course, I'm not good enough for you—no one is, for that matter; but I love you, and—Do you care for me, Janet?"

"Yes," she replied mournfully. "But I must conquer it. O Arthur, Arthur!" Her voice was tremulous now, and her strange hazel eyes streamed sorrowful reproach. "How could you think sordidly of what was sacred and holy to me, of what I thought was holy to us both? You couldn't, if you had been the man I imagined you were."

"Don't blame a fellow for every loose word he utters when he's all upset, Janet," he pleaded. "Put yourself in my place. Suppose you found you hadn't anything at all—found it out suddenly, when all along you had been thinking you'd never have to bother about money? Suppose you—But you must know how the world, how all our friends, look on that sort of thing. And suppose you loved—just as I love you. Wouldn't you go to her and hope she'd brace you up and make you feel that she really loved you and—all that? Wouldn't you, Janet?"

She looked sadly at him. "You don't understand," she said, her rosebud mouth drooping pathetically. "You can't realize how you shook—how you shattered—my faith in you."

He caught her by the arms roughly. "Look here, Janet Whitney. Do you love me or don't you? Do you intend to throw me over, now that I have lost my money, or do you intend to be all you've pretended to be?"

The sadness in her sweet face deepened. "Let me go, Arthur," she said quietly. "You don't understand. You never will."

"Yes or no?" he demanded, shaking her. Then suddenly changing to tenderness, with all his longing for sympathy in his eyes and in his voice, "Janet—dear—yes or no?"

She looked away. "Don't persist, Arthur," she said, "or you will make me think it is only my money that makes you, that made you, pretend to—to care for me."

He drew back sharply. "Janet!" he exclaimed.

"Of course, I don't think so," she continued, after a constrained silence. "But I can't find any other reason for your talking and acting as you have this morning."

He tried to see from her point of view. "Maybe it's true," he said, "that other things than our love have had too much to do with it, with both of us, in the past. But I love you for yourself alone, now, Janet. And, you haven't a fortune of your own, but only expectations—and they're not always realized, and in your case can't be for many a year. So we don't start so unevenly. Give yourself to me, Janet. Show that you believe in me, and I know I shall not disappoint you."

Very manly his manner was as he said this, and brave and convincing was the show of his latent, undeveloped powers in his features and voice. She hesitated, then lowered her head, and, in a sad, gentle voice, said, "I don't trust you, Arthur. You've cut away the foundation of love. It would be fine and beautiful for us to start empty-handed and build up together, if we were in sympathy and harmony. But, doubting you—I can't."

Again he looked at her uneasily, suspicious, without knowing why or what. But one thing was clear—to plead further with her would be self-degradation. "I have been tactless," he said to her. "Probably, if I were less in earnest, I should get on better. But, perhaps you will judge me more fairly when you think it over. I'll say only one thing more. I can't give up hope. It's about all I've got left—hope of you—belief in you. I must cling to that. I'll go now, Janet."

She said nothing, simply looked unutterable melancholy, and let her hand lie listlessly in his until he dropped it. He looked back at her when he reached the door. She seemed so sad that he was about to return to her side. She sighed heavily, gazed at him, and said, "Good-by, Arthur." After that he had no alternative. He went. "I must wait until she is calm," he said to himself. "She is so delicately strung."

As he was driving toward the hotel, his gloom in his face, he did not see Mrs. Whitney dash past and give him an anxious searching glance, and sink back in her carriage reassured somewhat. She had heard that he was on the Chicago express—had heard it from her masseuse, who came each morning before she was up. She had leaped to the telephone, had ordered a special train, and had got herself into it and off for her Chicago home by half-past eight. "That sentimental girl, full of high ideals—what mayn't she do!" she was muttering, almost beside herself with anxiety. "No doubt he'll try and induce her to run away with him." And the rushing train seemed to creep and crawl.

She burst into the house like a dignified whirlwind. "Where's Miss
Janet?" she demanded of the butler.

"Still in the blue salon, ma'am, I think," he replied. "Mr. Arthur
Ranger just left a few moments ago."

Clearing her surface of all traces of agitation, Mrs. Whitney went into the presence of her daughter. "Mamma!" cried Janet, starting up. "Has anything happened?"

"Nothing, nothing, dear," replied her mother, kissing her tenderly. "I was afraid my letter might have miscarried. And, when I heard that Arthur had slipped away to Chicago, I came myself. I've brought you up so purely and innocently that I became alarmed lest he might lead you into some rash sentimentality. As I said in my letter, if Arthur had grown up into a strong, manly character, I should have been eager to trust my daughter to him. But my doubts about him were confirmed by the will. And—he is simply a fortune-hunter now."

Janet had hidden her face in her handkerchief. "Oh, no!" she exclaimed.
"You wrong him, mother."

"You haven't encouraged him, Janet!" cried Mrs. Whitney. "After what I've been writing you?"

"The loss of his money hasn't made any difference about him with me," said Janet, her pure, sweet face lighting up with the expression that made her mother half-ashamed of her own worldliness.

"Of course not! Of course not, Janet," said she. "No child of mine could be mercenary without being utterly false to my teachings."

Janet's expression was respectful, yet not confirmatory. She had often protested inwardly against the sordid views of life which her mother unconsciously held and veiled with scant decency in the family circle in her unguarded moments. But she had fought against the contamination, and proudly felt that her battle for the "higher plane" was successful.

Her mother returned, somewhat awkwardly, to the main point. "I hope you didn't encourage him, Janet."

"I don't wish to talk of it, mother," was Janet's reply. "I have not been well, and all this has upset me."

Mrs. Whitney was gnawing her palms with her nails and her lip with her teeth. She could scarcely restrain herself from seizing her daughter and shaking the truth, whatever it was, out of her. But prudence and respect for her daughter's delicate soul restrained her.

"You have made it doubly hard for me," Janet went on. "Your writing me to stay away because there was doubt about Arthur's material future—oh, mother, how could that make any difference? If I had not been feeling so done, and if father hadn't been looking to me to keep him company, I'd surely have gone. For I hate to have my motive misunderstood."

"He has worked on her soft-heartedness and inexperience," thought Mrs.
Whitney, in a panic.

"And when Arthur came to-day," the girl continued, "I was ready to fly to him." She looked tragic. "And even when he repulsed me—"

"Repulsed you!" exclaimed Mrs. Whitney. She laughed disagreeably. "He's subtler than I thought."

"Even when he repulsed me," pursued Janet, "with his sordid way of looking at everything, still I tried to cling to him, to shut my eyes."

Mrs. Whitney vented an audible sigh of relief. "Then you didn't let him deceive you!"

"He shattered my last illusion," said Janet, in a mournful voice. "Mother, I simply couldn't believe in him, in the purity of his love. I had to give him up."

Mrs. Whitney put her arms round her daughter and kissed her soothingly again and again. "Don't grieve, dear," she said. "Think how much better it is that you should have found him out now than when it was too late."

And Janet shuddered.

* * * * *

Ross dropped in at the house in the Lake Drive the next morning on his way East from the Howlands. As soon as he was alone with his mother, he asked, "How about Janet and Arthur?"

Mrs. Whitney put on her exalted expression. "I'm glad you said nothing before Janet," said she. "The child is so sensitive, and Arthur has given her a terrible shock. Men are so coarse; they do not appreciate the delicateness of a refined woman. In this case, however, it was most fortunate. She was able to see into his true nature."

"Then she's broken it off? That's good."

"Be careful what you say to her," his mother hastened to warn him. "You might upset her mind again. She's so afraid of being misunderstood."

"She needn't be," replied Ross dryly.

And when he looked in on Janet in her sitting room to say good-by, he began with a satirical, "Congratulations, Jenny."

Jenny looked at him with wondering eyes. She was drooping like a sunless flower and was reading poetry out of a beautifully bound volume. "What is it, Ross?" she asked.

"On shaking Artie so smoothly. Trust you to do the right thing at the right time, and in the right way. You're a beauty, Jen, and no mistake," laughed Ross. "I never saw your like. You really must marry a title—Madame la Duchesse! And nobody's on to you but me. You aren't even on to yourself!"

Janet drew up haughtily and swept into her bedroom, closing the door with almost coarse emphasis.