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The Serapion Brethren, Vol. I.

Chapter 56: HOW FRAU MARTHA CONVERSED WITH ROSA ABOUT THE THREE JOURNEYMEN. CONRAD'S QUARREL WITH MASTER MARTIN.
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About This Book

A circle of friends revive their fellowship by exchanging framed narratives and conversations that alternate between everyday social observation and uncanny tales. The collection pairs realist detail with episodes of the supernatural and the mechanical—automata, enchanted objects, and ghostly intrusions—while frequent discussions of music, art, and aesthetics underline the telling. Narrators debate form and then enact it through stories that blur inner psychological experience and outward marvel, yielding tones of irony, melancholy, and wit. The structure emphasizes narrative variety and the power of imaginative fiction to explore identity, creativity, and the shifting boundary between perception and reality.


HOW THE TWO YOUNG JOURNEYMEN, REINHOLD AND FRIEDRICH,
WERE RECEIVED INTO MASTER MARTIN'S HOUSE.

When Friedrich awoke the next morning, he missed his new friend, who had thrown himself down by his side on the straw bed; and as he saw neither the lute nor the bundle, he thought Reinhold, for reasons to him unknown, had left him and taken another road. When he went out, however, he saw Reinhold with his lute under his arm, and his knapsack, bat dressed quite differently to what he had been the day before. He had taken the feather from his cap, was not wearing his sword, and had on a homely citizen's doublet, of sober hue, instead of the velvet slashed one he had previously.

"Now, brother," he cried, with a kindly smile, "I am sure you see that I really am your comrade and fellow-journeyman. However, I must say you slept wonderfully well for a man in love. Look how high the sun is. Let's be off at once."

Friedrich was silent and thoughtful; he scarcely answered Reinhold, or paid any attention to his jests, for he darted about hither and thither in the highest spirits, shouting aloud, and throwing his cap into the air; but even he became quieter as they approached the town, quieter and quieter.

"I cannot go any further, I am so anxious, so uncertain, so filled with delicious unrest," said Friedrich, throwing himself down as one exhausted, when they had all but arrived at the gates of Nürnberg. Reinhold sat down beside him, and after a time said:--

"Last night I must have seemed to you to be a very strange creature, good brother, but when you told me of your love, and were so disconsolate, all manner of absurd nonsense came into my head, making me feel confused. I think I should have gone crazy at last, had not your singing and my lute driven the evil spirits away. This morning, when the first rays of the sun awoke me, all my sense of enjoyment in life had come back to me. I went out, and as I strolled up and down amongst the trees, all manner of glorious thoughts came into my mind; the way in which I had met you--how my whole heart had so turned to you. I remembered a pretty tale of a matter which happened some time ago in Italy when I chanced to be there. I should like to tell it to you, as it shows very vividly what true friendship can accomplish. It so happened that a certain noble prince, a zealous friend and protector of the Arts, offered a valuable prize for a picture, the subject of which, very interesting, and not over-difficult to treat, was duly announced. Two young painters, who were united in bonds of the closest friendship, determined to compete for this prize. They were in the habit of working together; they told each other their respective ideas on the subject, showed each other their sketches for it, and talked much together as to the difficulties to be overcome. The elder of the two, who had more experience than the other in drawing and grouping, had soon grasped the idea of his picture, had sketched it, and was helping the younger with all his power; for the latter was so discouraged at the very threshold of his sketch for the picture, that he would have given up all idea of going on had not the elder unceasingly encouraged him, and given him advice and suggestions. Now when they began to paint their pictures, the younger, who was quite a master of colour, was able to give the elder many suggestions, which he skilfully adopted and availed himself of; thus, the elder had never coloured a picture so well, and the younger had never drawn one so well. When the pictures were finished, the masters embraced each other, each of them inwardly delighted with the work of the other, and each convinced that the well-earned prize belonged of right to the other. The younger, however, was the gainer of the prize; upon which he cried out, thoroughly ashamed: 'Why should I have it? What is my merit compared to my friend's? I could not have accomplished anything worthy of praise but for his help.' But the elder said: 'And did you not help me with valuable counsel and advice? No doubt my picture is by no means bad; but you have got the prize, as was proper. To strive towards the same goal, bravely and openly, that is real friendship. Then the laurel which the victor gains honours the vanquished too. I like you all the more for your having laboured so doughtily, and brought me, too, honour and renown by your victory.' Now, Friedrich, that painter was right, was he not? Would it not rather truly and intimately unite than separate true friends to strive for the same prize, honestly, openly, genuinely, to the utmost of their power? Can petty envy or hatred find place in noble minds?"

"Never!" answered Friedrich; "assuredly never! We are now loving brethren; very likely we shall both ere long set to work to turn out the great Nürnberg 'masterpiece'--the two-fudder cask, without firing--each on his own account. But heaven forfend that I should be able to trace in myself the faintest tinge of envy, if yours, dear brother Reinhold, should be a better one than mine."

"Ha, ha, ha!" laughed Reinhold. "What does your 'masterpiece' signify? You will soon make that, I have no doubt, to the admiration of all competent coopers; and let me tell you that, as far as concerns the measurements, the proportions, curves, etc., you have found in me your man; moreover, you can trust me as to the choice of the timber, staves of red oak, felled in the winter, free from worm-holes, red or white stripes, or blaze-marks--that is what we will seek out. You can trust my eye; I will give you the best possible advice about everything, and my own 'masterpiece' will be none the worse for that."

"But, heaven help us," cried Friedrich, "why should we talk about 'masterpieces,' and which of us is going to succeed there? Is that what we are going to contend for? The real 'masterpiece' is winning Rosa; how are we to set about that? My head reels at it."

"Well, brother," cried Reinhold, still laughing; "really we were not saying anything about Rosa at that moment; you are a dreamer. Come along, let us get to the town, at all events."

Friedrich rose, and walked along, perplexed in mind. As they were washing and brushing themselves in the inn, Reinhold said:

"For my part, I don't know in the least what master I am going to work with. I don't know a creature in the place, so I was thinking that perhaps you would take me with you to Master Martin's, dear brother; perhaps he would give me work."

"You take a weight from my heart," answered Friedrich; "for if you are with me I shall find it easier to overcome my anxiety and my uneasiness."

So they set out together stoutly for the house of the renowned cooper, Master Martin.

It happened to be the very Sunday on which Master Martin was giving his great official dinner in honour of his appointment, and it was exactly dinner-time. Thus, when Reinhold and Friedrich crossed Master Martin's threshold, they became aware of a ringing of wine-glasses, and the confused buzz of a merry dinner-company.

"Ah!" said Friedrich, despondingly; "I fear we have come at an unfortunate time."

"I think just the contrary," said Reinhold; "for Master Martin will be in a fine temper, after all that good cheer, and disposed to grant our requests."

And presently Master Martin--to whom they had caused their coming to be announced--came out to them, in festal attire, and with no small amount of rubicundity of nose and cheeks. As soon as he saw Friedrich, he cried out, "Aha, Friedrich, good lad, thou art home again! That is well; and thou hast betaken thyself to the noble cooper-craft, too! No doubt Herr Holzschuer makes terrible faces when thy name is mentioned, and says a really great artist is spoilt in thee, and that thou couldst very likely have cast all sorts of little niminy-piminy figures, like those in St. Sebald's--that, and trellis-work, such as there is in Fugger's house in Augsburg. Stupid stuff and nonsense; thou hast done the proper thing in turning to what is right; many thousand welcomes to thee." With which Master Martin took him by the shoulders and embraced him, according to his wont when highly pleased. Friedrich completely revived at Master Martin's kind reception of him. All his bashfulness abandoned him: he not only laid his own desires before Master Martin, fully and unhesitatingly, but begged him to take Reinhold into his service too.

"Well," said Master Martin, "you could not possibly have come at a better time; there is heaps of work, and I'm greatly in need of men. You are both heartily welcome. Take off your bundles and come in; dinner is nearly done, but there is room at the table, and Rosa will take every care of you." And Master Martin went in with the two journeymen.

The worthy and honourable masters were all seated there, Herr Paumgartner in the place of honour. Their faces were all aglow; dessert was just served, and a noble wine was pearling in the great drinking-glasses. Matters had arrived at a point when each of the masters was talking, very loud, about something different from all the others, yet they all thought they quite followed and understood; and now one, and now another, laughed loud, without quite knowing why or wherefore. But when Master Martin, with Friedrich and Reinhold in either hand, announced that those two fine young journeymen, with good certificates, the sort of fellows after his own heart, had come offering to work for him, all grew silent, and everybody looked at the handsome lads with a pleasant satisfaction. Reinhold glanced round him with his clear eyes, almost proudly; but Friedrich cast his down, and toyed with his barret-cap. Master Martin gave the two lads places at the bottom of the table. But they were the most glorious places of all, for presently Rosa came and sat down beside them, carefully helping and serving them with exquisite dishes and delicious wines. All this made a delightful picture to behold. The beautiful Rosa, the handsome lads, the bearded masters, one could not but think of some shining morning cloudlet rising up alone on a dark background of sky; or, perhaps, of pretty spring flowers, raising their heads from melancholy, colourless grass. Friedrich could hardly breathe for rapture and delight; only by stealth did he now and then glance at her who was filling all his soul. He stared down at his plate; how was it possible for him to swallow a morsel? Reinhold, on the other hand, never moved his eyes (from which sparkling lightnings flashed) from the girl. He began to talk of his far travels in such a marvellous style, that she had never heard anything like it before. All that he spoke of seemed to rise before her eyes in thousands of ever-changing images; she was all eye, all ear. She did not know where she was, or what was happening to her when Reinhold, in the fire of his discourse, grasped her hand and pressed it to his heart. "Friedrich," he cried, "why are you sitting mum and sad? Have you lost your tongue? Come, let's clink our glasses to the health of this young lady, who is taking such care of us here." Friedrich took, with trembling hand, the tall goblet which Reinhold had filled to the brim, and which, as Reinhold did not draw breath, he had to empty to the last drop. "Here's to our brave master!" Reinhold cried again, filling the glasses; and once more Friedrich had to empty his bumper. Then the fire-spirit of the wine permeated him, and set his halting blood a-moving, till it coursed, seething and dancing, through all his veins. "What a blissful feeling," he whispered, as the glowing scarlet mantled in his cheeks; "I cannot express how delightful; never did I feel so happy in all my life before."

Rosa--to whom those words might, perhaps, convey another sense smiled on him with marvellous sweetness, and he, befreed from all his bashfulness, said: "Dear Rosa, I suppose you don't remember me at all, do you?"

"Now, Friedrich," answered Rosa, with downcast eyes; "how could it be possible that I should forget you so soon? At old Herr Holzschuer's I was only a child, certainly, but you did not think it beneath you to play with me; and you always talked of such charming things. And that beautiful little basket of silver wire which you gave me one Christmas, I still have, and shall always prize it as a precious keepsake." Tears stood in the lad's eyes, in the intoxication of his happiness. He tried to speak; but only the words, "Ah, Rosa! Dear Rosa!" came out of his heart like a deep sigh. Rosa went on to say: "I have always wished most heartily that I might see you again, but that you should take to the cooper's craft, I never could have imagined. Ah! when I think of the beautiful things you used to make at Herr Holzschuer's, it is really a shame that you do not keep to your own art."

"Ah, Rosa," said Friedrich, "it was all for your sake that I was faithless to my own beloved art." Scarcely were the words spoken than he would fain have sunk into the ground with shame and alarm. The most unintentional of avowals had come from his lips. Rosa, as if she saw it all, turned her face away from him. He strove in vain for words. However, Herr Paumgartner rapped on the table loudly with a knife, and announced to the company that Herr Vollrad, a worthy master-singer, would favour them with a song. So Herr Vollrad stood up, cleared his throat, and sung such a beautiful song in Hans Vogelsang's "golden tone," that all hearts throbbed for joy, and even Friedrich recovered from his serious embarrassment. After Herr Vollrad had sung other beautiful songs, in various other "tones" or "manners,"--such as the "sweet" tone, the "crooked horn" manner, the "flowery paradise" manner, the "fresh orange" manner, etc.,--he said that, should there be any at the table who knew anything of the gracious craft of the master-singers, he should now be so good as to sing a song. At this Reinhold rose, and said that, if he might be permitted to accompany himself on the lute, after the Italian manner, he too would be happy to sing a song, keeping, however, in it wholly to the German "modes." No one saying anything to the contrary, he got out his lute, and after preluding a little in the loveliest way, went on with the following song:--

"Where is the little fount,

Where springs the flavourous wine?

Deep in the ground.

There found,

All men may see with joy its golden glory shine.

Who found it, thought it out,

With doughty might and thews,

With craft and careful skill?

Who but the cooper!

None but he can build

The precious fount and source."

(With a little more to the same effect.) This song pleased everyone beyond measure, but none so much as Master Martin, whose eyes beamed with joy and delight. Without attending to Herr Vollrad--who spake more than was necessary concerning that "manner" of "Herr Müller's" which the journeyman had "hit off by no means badly"--Master Martin rose, and, lifting his glass on high, cried: "Come here--thou--proper cooper and fine master-singer--come here! with me--with thy master--shalt thou empty this glass!"

Reinhold had to do as he was told. As he came back to his seat he whispered to the thoughtful Friedrich, "You must sing now, what you snug last night."

"You are mad," Friedrich cried, in anger. But Reinhold spoke out to the company, in a loud voice, saying:--

"Honourable gentlemen and masters, my dear brother Friedrich here knows much more beautiful songs and has a far finer voice than I. But the dust of the journey has got into his throat, so that he will sing to you in all 'manners' on another occasion."

Then they all begun praising and applauding Friedrich as if he had actually sung, and some of the masters even thought his voice was finer than Reinhold's. Herr Vollrad (after another glass) thought, and said, that Friedrich caught the beautiful German "modes" even better than Reinhold, who had just a little too much of the Italian school about him. But Master Martin threw his head back, smote his breast with his fist till it resounded again, and cried--

"Those are my men--mine, I say! Master Tobias Martin, the Cooper of Nürnberg's men."

And all the masters nodded their heads, and said, as they savoured the last drops out of their tall drinking-glasses--

"Aye, aye, it is so! All right! Master Martin's, the Cooper of Nürnberg's fine, clever men."

At last they all went home to bed; and Master Martin gave each of his new journeymen a nice bright chamber in his house.


HOW A THIRD JOURNEYMAN CAME TO MASTER MARTIN'S
AND WHAT HAPPENED THEREUPON.

After Friedrich and Reinhold had worked with Master Martin for a week or two, he observed that, as regarded measurements, rule and compass work, calculations, and correctness of eye, Reinhold was probably without a rival. But it was otherwise as concerned work at the bench with the adze or the mallet. At those Reinhold soon wearied, and the work would not progress, let him exert himself as he would. Friedrich, on the other hand, hammered and planed away sturdily, and did not get very tired of it. What they both had in common, however, was a refinement of manner, to which there joined themselves, chiefly at Reinhold's instigation, much innocent merriment and witty fun. Moreover (especially when Rosa was by) they did not spare their throats, but sang many a beautiful song, often together, when their voices went delightfully. And when Friedrich, turning his eyes to Rosa, would tend towards falling into a melancholy and sentimental strain, Reinhold would immediately strike in with a comic ditty of his own devising, which began--

"The vat is not the zither--the zither not the vat,"

so that old Martin had often to drop the tool which he had in his hand raised in act to strike, and hold his sides for inward laughter. On the whole both the journeymen, but especially Reinhold, stood high in Master Martin's favour; and one might almost fancy that Rosa too sometimes found a pretext for lingering oftener and longer in the workshop than perhaps she otherwise would have done.

One day Master Martin went thoughtfully to his workshop outside the town gate, where work was carried on in the summer-time. Friedrich and Reinhold were just beginning a small cask. Master Martin placed himself before them with folded arms, and said:--

"I really cannot tell you, you two dear lads, how thoroughly I am satisfied with you. But I find myself in a considerable predicament. People write to me from the Rhine country that as regards crop this present year is going to be more blessed than any that has gone before it. A certain wise man has said that this comet which has appeared in the sky so fertilises the earth with its wonderful rays, that it will give forth all the heat which genders the noble metals out of its deepest depths, which will so stream and exhale up into the thirsting vines, that they will yield crops upon crops brimful of the liquid fire which has heated them. It seems there has not been such a lucky 'constellation' for well on to three hundred years. Very good; hence will spring great abundance of work. And, moreover, the Bishop of Bamberg has written to order a large vat. We shall not be able to finish it, so that I shall have to be looking out for another journeyman hand--a good one. All the same, I don't want to bring the first comer out of the street amongst us. And yet what's to be done? I see no choice. If you happen to know of a good hand anywhere whom you would have no objection to work with, say the word, and I'll send and get him though it should cost me no small sum."

Scarce had Master Martin said this, when a young man of tall, powerful figure cried in at the door, in a loud voice, "I say, is this Master Martin's?"

"Yea," said Master Martin, stepping up to the young man, "verily it is; but there's no occasion to shout in that murdering sort of style. That is not the way to come at people."

"Ha, ha, ha!" laughed the young man. "I see you are Master Martin yourself. You answer exactly to the description of him given to me--the fat corporation, the imposing double chin, the flashing eyes, and the red nose. My best respects to you, Master Martin."

"Well, sir," said Master Martin, greatly irritated, "and what may your business with Master Martin be?"

"I am a journeyman cooper," the young man answered, "and all I want is to know if you can give me a job of work here."

Master Martin took a step or two backward in sheer amazement at the notion that, just when he had made up his mind to look out for another hand, one should appear and offer himself; and he scanned the young man closely from head to foot. The latter met his gaze with which flashed. Now, as Master Martin observed the broad chest, athletic build, and powerful hands of the young man, he thought to himself, "This is just the stout, strong-built sort of fellow that I want." And he asked him for his certificates.

"I have not got them with me," the young man said, "but I will soon get them. In the meantime, I give you my word that I will do your work faithfully and honourably. That must suffice for the time." And therewith, without waiting for Master Martin's leave, he strode into the workshop, threw down his barret and his bundle, tied on his apron, and said, "Now then, Master Martin, tell me what to set about."

Master Martin, puzzled by this cool manner of setting about matters, had to take thought with himself for a moment. "Well," he said, "my lad, to show us that you are a trained cooper, set to with the notcher upon that cask there at the end stool."

The stranger journeyman accomplished the task told off to him with remarkable force, skill, and rapidity. And then, loudly laughing, he cried, "Now, master, have you any doubt that I am a trained cooper? But," he continued, as he strolled up and down the shop examining the tools, timber, &c., "you seem to have a good deal of queer stuff about here. Now here's a funny little bit of a mallet. I suppose your children amuse themselves with that. And the broad-axe yonder, that's for your apprentice boys, I presume; isn't it?" With that he whirled the great heavy mallet--which Reinhold could not wield, and which Friedrich could only use with difficulty--up to the rooftree, did the like with the ponderous broad-axe which Master Martin worked with, and then rolled great casks about as if they had been bowls; and, seizing a thick unshaped stave, he cried, "Master, this seems good sort of oak-heart. I reckon it will fly like glass!" and banged it against the grindstone, so that it broke right across into two pieces with a loud report.

"My good sir," Master Martin cried, "all I beg of you is, don't smash up that two-fudder cask there, or bring the whole workshop down about our ears. You might make a mallet of one of the rafters; and, by way of a broad-axe to your liking, I'll send to the Town Hall for Roland's sword, three ells long."

"That would do for me nicely," said the young man, with sparkling eyes. But presently he cast them down, and spoke in a gentler tone:

"All I was thinking, dear Master Martin, was that your work needed men of thews and sinews. But perhaps I was a little hasty in swaggering as to my strength. Take me into your employ all the same. I will do what work you give me in first-rate style, you will see."

Master Martin looked him in the face, and had to own to himself that he had probably never seen nobler or more thoroughly honest features. Indeed he felt somehow that the young man's face stirred up a dim remembrance of someone whom he had known and esteemed for a very long time. But this would not become clear, although, for this cause, he at once agreed to employ the young man, merely stipulating that he should produce proper certificates to prove that he belonged to the craft.

Reinhold and Friedrich meanwhile had finished setting up the cask at which they were working, and were putting on the first hoops. At such times they were in the habit of singing, and they now begun a pretty song, in the "goldfinch manner" of Adam Puschmann. At this Conrad (such was the new-comer's name) shouted out from the planing bench where Master Martin had set him to work, "Ugh! what a cheeping and chirping. Sounds as though the mice were squeaking about the shop. If you're going to sing, sing something that will cheer a fellow up and put some heart into him to go on with his work. I sometimes sing a thing of that sort myself." With which he commenced a rough, wild hunting song, full of "Hulloh!" and "Hussah!" And he imitated the cry of the hounds and the shouts of the people in such a thundering, all-penetrating voice, that the workshop shook and resounded. Master Martin stopped both his ears with his hands, and the boys of Frau Martha (Valentine's widow), who were playing in the workshop, hid themselves in terror amongst the timber. Just then Rosa came in astonished, nay terrified, at the prodigious shouting, for "singing" it could not be called. Conrad was silent the moment he saw Rosa. He rose and went up to her in the most courteous manner, saying, in a soft voice, and with gleaming fire in his bright brown eyes: "Beautiful lady, how this old working cabin beamed with roseate splendour as soon as you entered it. Ah! had I but seen you a little sooner I should not have offended your ears with my rough hunting song." He turned to Master Martin and the workmen, and cried, "Hold that abominable noise, every one of you! Whenever this beautiful lady deigns to show herself here, hammers and mallets must stop. We will hear only her sweet voice, and listen with bowed heads to such commands as she may deign to issue to us--her humblest servants."

Reinhold and Friedrich gazed at each other in amazement; but Master Martin shouted with laughter, and said, "Well, Conrad, I must say you are the very drollest rascal that ever put on an apron. You come here, and seem to be going to set to work to smash the whole place to atoms, like some great lumbering giant. Next you bellow till we're all obliged to hold our ears; and, by way of a worthy finale, you treat my little daughter here as if she were a lady of quality, and you her page, in love with her."

"I know your lovely daughter quite well, Master Martin," answered Conrad unconcernedly; "and I tell you she is the most glorious lady that walks the earth, and would to heaven that she would permit her most devoted servitor to be her Paladin!"

Master Martin held his sides. He nearly suffocated himself before he made way for his laughter by dint of wheezing and coughing. He then managed to get out a "Good! very good! my dear young sir. Take my little girl Rosa for a lady of quality, if you will, but just get back to your work at the bench there."

Conrad stood rooted to the spot with eyes fixed on the ground; rubbed his forehead, and said softly, "So I must." He did as he was ordered. Rosa sat down on a small barrel, as she usually did when she came to the workshop. Reinhold and Friedrich brought this barrel forward for her as they were wont to do; and then they sang together (as Master Martin bade them) the pretty song in which Conrad had interrupted them. The latter went on with his task, silent and thoughtful. When the song was ended Master Martin said, "Heaven has endowed you two dear lads with a precious gift. You have no idea how much I honour the glorious Art of Song. In fact I once wanted to be a Master-singer myself. But it wouldn't do. I could make nothing of it, try as hard as I might. With all my endeavours I earned nothing but derision and jesting, when I tried my hand at the master-singing. I always made wrong 'annexations' or too many syllables, In fact there was always something askew with it. Well, well! you will make a better job of it. What the master couldn't manage, his men will. Next Sunday there will be a master-singing at the usual time, after noonday service, at Saint Catherine's Church; and there you two, Reinhold and Friedrich, may gain praise and honour by means of your beautiful art. For before the head-singing, a free-singing will be holden, open to strangers, at which you may try your skill. Now, Herr Conrad" (Master Martin called over to the planing bench), "mightn't you mount the singing stool too, and treat them to that beautiful hunting song of yours?"

"Don't jest, good master," answered Conrad, without looking up; "there's a place and time for everything: while you are edifying yourself at the Master-singing, I shall go in search of my own pleasure, to the Common Meadow."

Things turned out as Master Martin had expected. Reinhold mounted the singing stool and sang songs, which could not be classified as being any special "tones" or "manners," but which delighted all the Master-singers, albeit they were of opinion that, though the singer committed no actual errors, yet a certain "outlandish," or foreign style, which they could not quite define themselves, somewhat detracted from their merit. Soon after, Friedrich seated himself on the singing stool, took off his barret, and, after looking before him for a second or two, cast a glance at the assembly (which darted through Rosa's heart like a glowing arrow, so that she could not help sighing deeply), then began such a glorious song, in the tender "tone" of Heinrich Frauenlob, that all the masters declared unanimously that none of them could surpass this young journeyman.

When evening came, and the singing was over, Master Martin, by way of thoroughly completing the enjoyment of the day, betook himself with Rosa to the Common Meadow. Reinhold and Friedrich were allowed to go with them. Rosa walked between the two. Friedrich, in a state of great glorification by reason of the praise of the Master-singers, ventured, in the intoxication of his blissfulness, on many a daring word, which Rosa, drooping her eyes modestly, did not seem to wish to hear. She turned the rather to Reinhold, who, after his wont, chattered and made many a lively jest and sally, not hesitating to sling his arm round one of hers. When they came where the young men were engaged in divers athletic sports (some of them of knightly sort), they heard the people crying, over and over again, "He has won again!--nobody can stand before him! There! he wins again!--that strong one!" When Master Martin had pressed his way through the crowd, he found that all this shouting and acclamation were to the address of none other than his own journeyman, Conrad, who had excelled everybody at running, boxing, and throwing the javelin. Just as Master Martin came on the scene, Conrad was challenging all-comers to a bout of fencing with blunted rapiers, and several young patrician "bloods," skilled at this exercise, accepted; but he very soon conquered them all, with little difficulty, so that there was no end to the laudation of his strength and skill.

The sun had set; the evening sky was glowing red, and the twilight rapidly falling. Master Martin, Rosa, and the two journeymen had seated themselves beside a plashing fountain. Reinhold told many delightful things concerning far-away Italy; but Friedrich gazed, silent and happy, into Rosa's beautiful eyes. Then Conrad approached, with slow and hesitating steps, as if he had not quite made up his mind whether to join the others or not. So Master Martin called out: "Come along, come along, Conrad! You have held your own bravely; just as I like my journeymen to do. Don't be bashful, my lad; you have my full permission." Conrad flashed a penetrating glance at the master, who was nodding to him condescendingly, and said, in a hollow tone: "So far, I have not asked your permission whether I might join you or not. On the whole, it was not to you that I was thinking whether I should come, or otherwise. I have laid all my opponents prostrate in the dust in knightly play, and what I wanted to do was to ask this beautiful lady if she would not mind giving me, as my guerdon, those flowers which she wears in her breast." With which Conrad knelt on one knee before Rosa, looked her honestly in the face with his clear brown eyes, and petitioned, "Give me the flowers, if you will be so kind, fair Rosa; you can hardly refuse me." Rosa at once took the flowers from her breast, and gave them to him, saying, with a smile, "I am sure such a doughty knight deserves a prize of honour from a woman; so take my flowers, although they are beginning to wither a little." Conrad kissed them, and placed them in his barret cap; but Master Martin rose up crying, "Stupid stuff and nonsense! Let's get away home; it'll soon be dark." Martin walked first; Conrad, in a courtier-like fashion, gave Rosa his arm, and Reinhold and Friedrich brought up the rear, not in the best of temper. The people who met them stopped and looked after them, saying:

"Ey! look there!--that is Master Martin, the rich cooper, with his pretty daughter and his fine journeymen; happy folks, these, I can tell you!"


HOW FRAU MARTHA CONVERSED WITH ROSA ABOUT THE THREE JOURNEYMEN.
CONRAD'S QUARREL WITH MASTER MARTIN.

Young girls are wont to live over again all the enjoyments of a festal day, in detail, on the subsequent morning, and this secondary feast seems then almost more delicious to them than the original itself. Thus did the fair Rosa sit pondering on the subsequent morning alone in her chamber, with her hands folded in her lap, and her head hung down in reverie, letting spindle and needle-work rest. Probably she was mentally listening again to Reinhold and Friedrich's singing, and again watching the athletic Conrad vanquishing his adversaries, and receiving from her the victor's prize. Now and then she would hum a line or two of some song; then she would say, "My flowers, do you want?" and then a deeper crimson mantled in her cheeks; flashes darted through her half-closed eyelids, faint sighs stole forth from her innermost breast.

Frau Martha came in, and Rosa was delighted to have the opportunity of giving her a circumstantial account of all that had happened in Saint Catherine's Church, and afterwards in the Common Meadow. When she had finished, Martha said, smiling, "Well, Rosa dear, you will soon have to make up your mind which of those three brave wooers you are going to choose."

"What are you talking about, Frau Martha?" Rosa cried; "I haven't got any wooers."

"Come, come," answered Martha, "don't pretend that you don't know what's going on. Anybody who has got eyes, and is not as blind as a mole, sees well enough that all the three, Reinhold, Friedrich, and Conrad, are over head and ears in love with you."

"What an idea!" cried Rosa, hiding her eyes with her hand.

"Come, come," said Martha, sitting down beside her and putting an arm about her; "you bonny bashful child, take your hand away; look me straight in the face, and then deny, if you can, that you have known for many a day that all the three of them are devoted to you, heart and soul! You see that you can't deny it. It would be a miracle if a woman's eye should not see a thing of that sort in an instant. When you come into the workshop, all their eyes turn away from their work, to you, and everything goes on in a different way, three times as swimmingly. Reinhold and Friedrich begin singing their prettiest songs; even that wild fellow Conrad turns quiet and kindly. They all try to get beside you; and fire flashes out of the face of whichever of them has a kind glance or a friendly word from you. Aha! little daughter! you are a very fortunate girl to have three such charming fellows paying attention to you. Whether you will ever choose either of them--and, if so, which--of course I cannot tell, for you are good and nice to them all; though I--but silence as to that! If you were to come to me, and say, 'Frau Martha, give me your advice,' I should freely answer, 'Doesn't your own heart speak out quite clearly and distinctly? Then he is the one. Of course, they're all pretty much alike, to me. I like Reinhold, and I like Friedrich too; and Conrad as well, for the matter of that; and still I have some objections to every one of them. Aye! the fact is, dear Rosa, when I look at those three young fellows at their work, I always think of my dear husband. And I must say, as far as the work which he did went, everything which he did was done in a different style to theirs. There was a swing and a go about it: you saw that his heart was in it; that he wasn't thinking of anything else. But they always seem to unto be doing it for the doing's sake, as if they all had something else at the bottom of their minds all the time; as if the work was a sort of task which they had taken up of their own accords, and were sticking to as well as they could, against the grain. I get on best with Friedrich. He is a nice, straight-forward fellow. He seems more like us, somehow. One understands whatever he says. And what I like about him is, that he loves you in such a silent sort of way, with all the bashfulness of a good child; that he hardly dares to look at you, and blushes whenever you say a word to him."

A tear came to Rosa's eye. She rose, turned to the window, and said: "Yes, I am very fond of Friedrich too; but you mustn't think too little of Reinhold, either."

"How should I?" said Martha; "he's the nicest-looking of them all, by far and away. When he looks one through and through, with his eyes like lightning, one can hardly bear it. Still, there is a something about him so strange and wonderful, that I feel a little inclined to draw back from him in a sort of awe. I think the master must feel, when he is at work in the workshop, as I should if somebody brought a lot of pots and pans all sparkling with gold and jewels into my kitchen, and I had to set to work with them as if they were so many ordinary pots and pans. I shouldn't dare to touch them. He talks, and tells tales, and it all sounds like beautiful music, and carries one away. But when I think seriously about what he has been saying after he has done, I haven't understood a word of it, really. And then, when he will sometimes joke and jest just like one of ourselves, and I think he is only one of us after all, all of a sudden he will look up at one so proudly, and seem such a gentleman, that one feels frightened. It is not that he ever swaggers, as plenty of the young gentlefolks do; it's something quite different. In one word, it strikes me--God forgive me for saying it!--that he must have dealing with higher powers; as if he really belonged to another world altogether, Conrad is a rough, overbearing sort of fellow, but he has something cursedly aristocratic about him, too, which doesn't go a bit well with the cooper's apron; and he goes on as if it were his place to give orders, which everybody else had to obey. In the little time that he has been here, you see he has got so far that even Master Martin himself has to obey him, when he roars at him with that thundering voice of his. But then, at the same time, Conrad is so good-humoured, and so thoroughly straight-forward and honourable, that one can't be vexed with him. In fact I must say that, in spite of his wildness, I like him better than Reinhold, almost; for though he does often speak roughly, yet one always understands what he is saying. I would wager he has once been a soldier, however he may pretend to disguise himself now. That's why he knows so well about weapons, and the knightly exercises, which become him so well. Now tell me, truly and sincerely, Rosa dear, which of them do you like the best?"

"Don't be so crafty with me, Frau Martha," Rosa replied. "One thing is certain--that I don't feel at all as you do about Friedrich. It is quite true that he is of quite a different sort to the others. When he talks, it seems as if some beautiful garden opened upon one, full of lovely flowers, blossoms, and fruit, the like of which are not to be found on earth; but it delights me to look into this garden. And many things strike me quite differently since Reinhold has been here. Many things which were dim and formless in my mind have grown so distinct and clear, that I can see them and understand them perfectly."

Frau Martha got up, and, as she departed, she threatened Rosa with uplifted finger, saying, "Well, Rosa! I suppose Reinhold is to be the one: I never should have dreamt he would have been."

"I beg and pray you, Martha dear, neither dream, nor anticipate anything. Leave it all to the future. What the future brings will be the will of Heaven, and to that we must all submit with resignation."

Meanwhile things were very stirring in Master Martin's workshop. To enable him to execute all his commissions he had taken on fresh hands and a few apprentices, and there was such a banging and hammering going on that it was audible far and wide. Reinhold had made out all the measurements for the Bishop of Bamberg's great vat, and set it up so cleverly that Master Martin's heart laughed in his body, and he cried out, over and over again, "that I do call a piece of work! that's going to be a cask such as I never turned out before--always excepting my own masterpiece." The three journeymen, hooping the cask, were hammering till the whole place rang. Old Valentine was shaving away busily with the hollowing-cramp. Frau Martha, with her two youngest children in her lap, was sitting just behind Conrad, while the others were playing and chasing each other about with the hoops. It was such a merry, boisterous affair altogether, that nobody noticed the incoming of old Master Johannes Holzschuer. However, Master Martin went up to him, and asked him courteously what might be his will.

"Well," said Master Holzschuer, "I wanted to see my dear Friedrich again, who is working away so hard there. But, besides that, Master Martin, I want a fine cask for my cellar, and I was going to ask you to turn me one out. See! there is just the sort of cask I want--that one your men have in hand there, let me have that one. You have but to tell me the price."

Reinhold, who, being a little tired, was resting, said on his way on to the scaffold again, "Ah, dear Herr Holzschuer, you will have to forego your fancy for this cask; we are making it for the Bishop of Bamberg."

Master Martin, folding his arms behind his back, advancing his left foot, and lifting his head proudly, blinked at the cask with his eyes, and said somewhat boastfully, "My dear master, you might know by the choiceness of the timber, and the superiority of the workmanship, that a masterpiece such as this is a thing for a Prince-Bishop's cellar alone. My journeyman Reinhold has said well. But when we have got the vintage off our hands, I will turn you out a tidy little cask, such as will be suitable for your cellar."

Old Holzschuer, annoyed with Master Martin's conceit, thought, for his part, that his money was just as good as the Bishop of Bamberg's, and that he would probably get as good value for it elsewhere; and he said so. Master Martin, overwhelmed with anger, contained himself with difficulty. He scarcely dared to offend old Holzschuer, friend of the Council as he was, highly esteemed by all the town. But just at that moment, Conrad was making such a tremendous hammering with his mallet on the cask that the whole place was ringing and resounding; and Master Martin's boiling wrath ran over, so that he spluttered out, with a shout, "Conrad--dunderhead that you are--don't whack away in that blind, furious style, man! You'll ruin that cask on our hands altogether."

"Ho! ho! you funny little master," Conrad cried, looking round with an angry face, "why shouldn't I?" and set to work again, hammering at the cask with such violence that the largest of the hoops burst with a "clirr," knocking Reinhold off the narrow board of the scaffold, whilst, from the hollow sound which followed, it was evident that one of the staves must have sprung as well. Overcome with rage and fury, Master Martin seized the stave which Valentine was shaving at, and, with a loud roar of, "Cursed hound!" dealt Conrad a heavy blow with it across the back.

When Conrad felt the blow, he turned quickly round, and stood for a moment as if unconscious, and then his eyes flamed with wild anger; he gnashed his teeth, howled out, "Struck!" got down, with one spring, from the scaffold, seized the broad-axe which was on the ground, and aimed with it a tremendous stroke at the master, which would have split his skull, had not Friedrich drawn him aside, so that it missed his head; but it fell on his arm, whence the blood at once streamed out. Martin, stout and unwieldy, lost his balance and stumbled over the bench, at which an apprentice was working, and on to the ground. All the rest now threw themselves around Conrad, who was raging, and wielding the bloody broad-axe in the air, yelling, in a terrible voice.

"To Hell with him!--to Hell with him!"

Exerting all his gigantic strength, he sent them flying from him in all directions, and was raising his weapon for a second stroke, which would certainly have given Master Martin his quietus as he lay coughing and groaning on the ground, but Rosa, pale as death, appeared at the door; and the moment Conrad saw her, he paused like a stone image, with the uplifted weapon in his hand. Then he threw it away far from him, struck his hands together in front of his breast, cried--in a voice which went to every one's heart--"Gracious God of Heaven! what have I done?" and darted out of the building. Nobody thought of following him.

Master Martin was now set on his legs again, by dint of some effort, and it was found that the blade of the broad-axe had struck the fleshy part of his arm without doing very much mischief. Old Master Holzschuer, whom Martin had dragged over also in his fall, was got out from amongst the timber; and Frau Martha's children, who were frightened and crying, were pacified. Master Martin was much confounded; but on the whole thought that if that devil of a wicked fellow had only not damaged the beautiful cask, he himself was not much the worse. Carrying chairs were brought for the old gentlemen, for Herr Holzschuer was more or less the worse for his tumble, too, and expressed a very mean opinion of a calling which was carried on where there were so many lethal weapons at hand, advising Friedrich to return to the beautiful metals, and the modelling, and that the sooner the better.

When the world was wrapt in twilight, Friedrich, and with him Reinhold, who had been hard hit by the hoop, and felt sore in every bone of his body, crept, very unhappy, back to town. At the back of a hedge they heard a low sobbing and sighing. They stopped: and presently a tall figure rose from the earth, which they at once recognised to be Conrad; and they started back, alarmed. "Ah! don't fear me, you dear fellows!" Conrad cried. "You think I am a diabolical, murdering dog; but I really am nothing of the kind. Only I couldn't help myself. I was obliged to dash the life out of that fat old master--shiver all the bones in his body--settle the hash of him; oh! come along back with me now, and let me do it properly! Ah! no!--no, no! The whole thing is over! you won't see me any more. Give my deepest homage to the beautiful Rosa, whom I love so dearly, so dearly. Tell her I will wear her flowers on my heart as long as I live, and that they shall be upon me when I--but perhaps she may hear of me again yet. Good-bye! good-bye! dear old friends and comrades!" With which he ran off across the fields without a stop.

"There's something very strange about that young fellow," Reinhold said. "We can't judge what he does by every-day standards. Perhaps the future may unravel this mystery which so weighs on us now."