The garden-house was very important in Shakespeare's time. It was often a substantial edifice, built of brick or stone, placed at the corner of a boundary, or dividing wall, so as to afford a view of more than one part of the garden. Sometimes two buildings were constructed, one at each corner, as at Montacute. Another favorite position was at the end of a long walk ending in a vista; and another was overlooking the bowling-alley, from which visitors could watch the game. The garden-house was often fitted with handsome woodwork and even a fireplace. An outside staircase sometimes led to the roof.
The summer-house arbor was also often made of wooden lattice-work and covered with vines. Sometimes it was hollowed out of the clipped hedge, or out of a large tree properly shaped by the toparian artist. The gazebo, built at the corner of a wall overlooking the garden within and the road without, was also a popular kind of summer-house. The origin of the name is still obscure. Some people say it comes from the same root as to gaze, and refers to viewing the scenery; but there is a suggestion of the Orient in the word. The gazebo may best be described as a kind of wall pavilion.