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The Shakespeare Garden

Chapter 46: XI The Dove-cote
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About This Book

A study of Elizabethan horticulture and the flowers evoked in Shakespeare's plays, this work traces the evolution of medieval enclosed gardens into the Tudor garden of delight, surveys herbalists and the introduction of foreign species, and catalogs the blossoms and folk lore Shakespeare references. It combines close readings of period sources with lists of historically accurate varieties and old common names, and concludes with practical, period-sensitive guidance for recreating an authentic garden layout, choosing appropriate plants, and arranging color and scent according to early modern gardening practices.

Every manor-house had its dove-cote, or columbary, as it was called. Here doves and pigeons aided in making a very pretty picture as they flew in and out of the architecturally designed bird-house. The right to keep them was confined to the lords of the manor, and the law was very strictly enforced.

Andrew Borde tells us that a dove-house is a necessary thing about a mansion-place. It is, therefore, quite proper to include a bird-house in the Shakespeare garden; and a pool for the birds' comfort is also a pretty as well as necessary adjunct to the dove-cote.

Birds add much to the pleasure of the garden. Pigeons and doves give a poetic touch as they strut along the paths and flutter about. Nothing gives more quality and elegance, however, than a peacock, and, to quote from a contemporary writer:

"The peacock is a bird of more beautiful feathers than any other that is. He is quickly angry, but he is goodly to behold, very good to eat, and serveth as a watch in the inner court, for that he, spying strangers to come into the lodging, he faileth not to cry out and advertise them of the house."

The peacock is as much of a joy to the garden lover as the sun-dial.