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The silver net

Chapter 22: ROSES TWO
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About This Book

A sequence of lyrical meditations that shifts between dreamlike visions, confessional solitude, and mythic or biblical reverie. Recurring images of sea and shipwreck, roses and gardens, and masked or legendary figures are used to probe longing, shame, desire, and the hope for spiritual renewal. Poems alternate between dramatic monologue, fable-like sketches, and brief nocturnes, exploring the tensions between illusion and revelation, life and death, and love as both ensnaring and ennobling, producing a compact, contemplative cycle of symbolist-inflected verse.

ROSES TWO

A Dialogue.

Julie, seventeen.
Auriol, sixteen.
Any place; any time.

Auriol

Julie, I have a secret for your ear.

Julie

What have you, little cousin, with such things
As secrets?

Auriol

Tut, a girl has many thoughts
She knows are better kept....

Julie

Yet longs to tell.

Auriol

Yes, pretty secrets have a double joy,
The keeping and the breaking; and I think
They’re like old Saxe, more valued when they’re broken.

Julie (eagerly)

Yes, darling, I agree, so....

Auriol

It is hard,
Awfully hard to break. The story runs
Something like this: the giver was a man....

Julie

Giver of what?

Auriol

Ah! do not interrupt;
For if, at once, I told you what he gave
Where would the story be. We’ll call him he
The abstract always has a secret charm—
The other person ... she, you see, was I....
That is....

Julie

Do not explain.

Auriol

It might mislead.

Julie

I like historians with imagination,
And Truth when she has draped her nakedness.

Auriol

It was last evening ... you remember, dear,
How fine it was last evening, how the stars....

Julie

Oh! never mind the stars.

Auriol

Poor little things!
And yet they’re very troublesome, I grant,
Prying upon this world of ours, at night,
Just when good people want to say their prayers,
Or gather dewy roses in the garden.

Julie

Sweet, are not afraid to go alone
Rose-gathering, when the fairies are abroad?

Auriol

I did not say I was alone.

Julie

So he...?

Auriol

Was there. (Producing a rose which she has held concealed.)
And see, Julie, the lovely rose
He gave me; but I cannot quite remember
His words. Ah! yes, he said the rose was love’s
Dear symbol, and was made to be a gift
From those who love to those they love, that I
Was Beauty.... Do you catch his meaning, dear?

Julie

I think the gentleman was quite explicit.

Auriol

One cannot be too careful in such matters.

Julie

Especially with a stranger ... and a man.

Auriol

Lothario is not a stranger.

Julie

Ah!
Lothario indeed. So it was he?

Auriol

Julie, you should say ‘Mr.,’ if you please.

Julie

Traitors their titles forfeit.

Auriol

He is not
A traitor. See how fair his rose has kept:
And symbols die, they say, when vows are broken.

Julie (taking a faded rose from her bosom)

True, this poor rose he gave me, three days since,
Is withered.

Auriol

Are you sure he gave it you?
(Sadly)
These roses look like sisters.

Julie

Merely cousins.
Yes, he gave it to me. (Sighs.) Three days is all
A man’s love and a rose’s life can last.

Auriol

But he swore that I was his only love.

Julie

That’s what they always say.

Auriol

How do you know?

Julie

My ... brother told me so.

Auriol

It is too bad....
He stole a kiss.

Julie

That’s what they always do.

Auriol

How do you know?

Julie

My brother told me so.

Auriol

I think that men are knaves.

Julie

May be they are;
Yet, Auriol, ’tis not perhaps their fault,
For women keep the goodness to themselves.
Come, we must not waste time on faded flowers,
Nor lose our tempers on a faded heart.
We’ll give these rosy petals to the wind,

(They throw the flowers away)

Lest it should take our thoughts and toy with them.
When comes Lothario, with honeyed words,
To claim his pledge of you or me, we’ll send
The swain to parley with the mocking wind,
Tell him that since he makes a sport of love,
’Tis wrong to run two hares at once. Now, sweet,
Let’s go and listen to the piping birds
And hear their music, being tired of words.