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The silver net cover

The silver net

Chapter 8: A STRANGER
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About This Book

A sequence of lyrical meditations that shifts between dreamlike visions, confessional solitude, and mythic or biblical reverie. Recurring images of sea and shipwreck, roses and gardens, and masked or legendary figures are used to probe longing, shame, desire, and the hope for spiritual renewal. Poems alternate between dramatic monologue, fable-like sketches, and brief nocturnes, exploring the tensions between illusion and revelation, life and death, and love as both ensnaring and ennobling, producing a compact, contemplative cycle of symbolist-inflected verse.

A STRANGER

‘Yes, I was Desdemona yesterday,’
She said to me a-sudden as we stood beside
An antique vase of porphyry,
Gazing upon the swaying crowd below.
‘Arms nervous, eastern eyes which flashed fierce fires,
The coruscation of estival nights
Glowing amid the all-encircling dark,
These made my joy;
The coiling hatred of the devil-snake,
My pain.
I saw the twitching of Othello’s hands,
And died at twenty past eleven.
To-morrow, in Verona, at a mask,
I meet love’s arch-type glorified beyond
Mere human manhood to Apollo’s self;
And I, this magnificent lover’s love,
Shall be a maiden in her fourteenth year
For just three hours.
’Tis thus I live, and hate, and love, and die
Night after night,
In a superb and shameless prostitution,
Leaving self in my wardrobe, a disguise
Worn only in the daylight of the world
To hide these many souls.
Ghosts, born in gardens where the poet treads,
Resolve themselves into my being:
Alone, I merely stand in this death carnival
Which you call life—a stranger.’