This eBook was produced by David Widger <widger@cecomet.net>

[NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them. D.W.]

THE SISTERS

By Georg Ebers

Volume 2.

CHAPTER VII.

In the very midst of the white wall with its bastions and ramparts, which formed the fortifications of Memphis, stood the old palace of the kings, a stately structure built of bricks, recently plastered, and with courts, corridors, chambers and halls without number, and veranda-like out- buildings of gayly-painted wood, and a magnificent pillared banqueting- hall in the Greek style. It was surrounded by verdurous gardens, and a whole host of laborers tended the flower-beds and shady alleys, the shrubs and the trees; kept the tanks clean and fed the fish in them; guarded the beast-garden, in which quadrupeds of every kind, from the heavy-treading elephant to the light-footed antelope, were to be seen, associated with birds innumerable of every country and climate.

A light white vapor rose from the splendidly fitted bath-house, loud barkings resounded from the dog-kennels, and from the long array of open stables came the neighing of horses with the clatter and stamp of hoofs, and the rattle of harness and chains. A semicircular building of new construction adjoining the old palace was the theatre, and many large tents for the bodyguard, for ambassadors and scribes, as well as others, serving as banqueting-halls for the various court-officials, stood both within the garden and outside its enclosing walls. A large space leading from the city itself to the royal citadel was given up to the soldiers, and there, by the side of the shady court-yards, were the houses of the police-guard and the prisons. Other soldiers were quartered in tents close to the walls of the palace itself. The clatter of their arms and the words of command, given in Greek, by their captain, sounded out at this particular instant, and up into the part of the buildings occupied by the queen; and her apartments were high up, for in summer time Cleopatra preferred to live in airy tents, which stood among the broad- leaved trees of the south and whole groves of flowering shrubs, on the level roof of the palace, which was also lavishly decorated with marble statues. There was only one way of access to this retreat, which was fitted up with regal splendor; day and night it was fanned by currents of soft air, and no one could penetrate uninvited to disturb the queen's retirement, for veteran guards watched at the foot of the broad stair that led to the roof, chosen from the Macedonian "Garde noble," and owing as implicit obedience to Cleopatra as to the king himself. This select corps was now, at sunset, relieving guard, and the queen could hear the words spoken by the officers in command and the clatter of the shields against the swords as they rattled on the pavement, for she had come out of her tent into the open air, and stood gazing towards the west, where the glorious hues of the sinking sun flooded the bare, yellow limestone range of the Libyan hills, with their innumerable tombs and the separate groups of pyramids; while the wonderful coloring gradually tinged with rose-color the light silvery clouds that hovered in the clear sky over the valley of Memphis, and edged them as with a rile of living gold.

The queen stepped out of her tent, accompanied by a young Greek girl—the fair Zoe, daughter of her master of the hunt Zenodotus, and Cleopatra's favorite lady-in-waiting—but though she looked towards the west, she stood unmoved by the magic of the glorious scene before her; she screened her eyes with her hand to shade them from the blinding rays, and said:

"Where can Cornelius be staying! When we mounted our chariots before the temple he had vanished, and as far as I can see the road in the quarters of Sokari and Serapis I cannot discover his vehicle, nor that of Eulaeus who was to accompany him. It is not very polite of him to go off in this way without taking leave; nay, I could call it ungrateful, since I had proposed to tell him on our way home all about my brother Euergetes, who has arrived to-day with his friends. They are not yet acquainted, for Euergetes was living in Cyrene when Publius Cornelius Scipio landed in Alexandria. Stay! do you see a black shadow out there by the vineyard at Kakem; That is very likely he; but no—you are right, it is only some birds, flying in a close mass above the road. Can you see nothing more? No!—and yet we both have sharp young eyes. I am very curious to know whether Publius Scipio will like Euergetes. There can hardly be two beings more unlike, and yet they have some very essential points in common."

"They are both men," interrupted Zoe, looking at the queen as if she expected cordial assent to this proposition.

"So they are," said Cleopatra proudly. "My brother is still so young that, if he were not a king's son, he would hardly have outgrown the stage of boyhood, and would be a lad among other Epheboi,—[Youths above 18 were so called]—and yet among the oldest there is hardly a man who is his superior in strength of will and determined energy. Already, before I married Philometor, he had clutched Alexandria and Cyrene, which by right should belong to my husband, who is the eldest of us three, and that was not very brotherly conduct—and indeed we had other grounds for being angry with him; but when I saw him again for the first time after nine months of separation I was obliged to forget them all, and welcome him as though he had done nothing but good to me and his brother—who is my husband, as is the custom of the families of Pharaohs and the usage of our race. He is a young Titan, and no one would be astonished if he one day succeeded in piling Pelion upon Ossa. I know well enough how wild he can often be, how unbridled and recalcitrant beyond all bounds; but I can easily pardon him, for the same bold blood flows in my own veins, and at the root of all his excesses lies power, genuine and vigorous power. And this innate pith and power are just the very thing we most admire in men, for it is the one gift which the gods have dealt out to us with a less liberal hand than to men. Life indeed generally dams its overflowing current, but I doubt whether this will be the case with the stormy torrent of his energy; at any rate men such as he is rush swiftly onwards, and are strong to the end, which sooner or later is sure to overtake them; and I infinitely prefer such a wild torrent to a shallow brook flowing over a plain, which hurts no one, and which in order to prolong its life loses itself in a misty bog. He, if any one, may be forgiven for his tumultuous career; for when he pleases my brother's great qualities charm old and young alike, and are as conspicuous and as remarkable as his faults—nay, I will frankly say his crimes. And who in Greece or Egypt surpasses him in grasp and elevation of mind?"

You may well be proud of him," replied Zoe. Not even Publius Scipio himself can soar to the height reached by Euergetes."

"But, on the other hand, Euergetes is not gifted with the steady, calm self-reliance of Cornelius. The man who should unite in one person the good qualities of those two, need yield the palm, as it seems to me, not even to a god!"

"Among us imperfect mortals he would indeed be the only perfect one," replied Zoe. "But the gods could not endure the existence of a perfect man, for then they would have to undertake the undignified task of competing with one of their own creatures."

"Here, however, comes one whom no one can accuse!" cried the young queen, as she hastened to meet a richly dressed woman, older than herself, who came towards her leading her son, a pale child of two years old. She bent down to the little one, tenderly but with impetuous eagerness, and was about to clasp him in her arms, but the fragile child, which at first had smiled at her, was startled; he turned away from her and tried to hide his little face in the dress of his nurse—a lady of rank-to whom he clung with both hands. The queen threw herself on her knees before him, took hold of his shoulder, and partly by coaxing and partly by insistence strove to induce him to quit the sheltering gown and to turn to her; but although the lady, his wet-nurse, seconded her with kind words of encouragement, the terrified child began to cry, and resisted his mother's caresses with more and more vehemence the more passionately she tried to attract and conciliate him. At last the nurse lifted him up, and was about to hand him to his mother, but the wilful little boy cried more than before, and throwing his arms convulsively round his nurse's neck he broke into loud cries.

In the midst of this rather unbecoming struggle of the mother against the child's obstinacy, the clatter of wheels and of horses' hoofs rang through the court-yard of the palace, and hardly had the sound reached the queen's ears than she turned away from the screaming child, hurried to the parapet of the roof, and called out to Zoe:

"Publius Scipio is here; it is high time that I should dress for the banquet. Will that naughty child not listen to me at all? Take him away, Praxinoa, and understand distinctly that I am much dissatisfied with you. You estrange my own child from me to curry favor with the future king. That is base, or else it proves that you have no tact, and are incompetent for the office entrusted to you. The office of wet-nurse you duly fulfilled, but I shall now look out for another attendant for the boy. Do not answer me! no tears! I have had enough of that with the child's screaming." With these words, spoken loudly and passionately, she turned her back on Praxinoa—the wife of a distinguished Macedonian noble, who stood as if petrified—and retired into her tent, where branched lamps had just been placed on little tables of elegant workmanship. Like all the other furniture in the queen's dressing-tent these were made of gleaming ivory, standing out in fine relief from the tent-cloth which was sky-blue woven with silver lilies and ears of corn, and from the tiger-skins which covered all the cushions, while white woollen carpets, bordered with a waving scroll in blue, were spread on the ground.

The queen threw herself on a seat in front of her dressing-table, and sat staring at herself in a mirror, as if she now saw her face and her abundant, reddish-fair hair for the first time; then she said, half turning to Zoe and half to her favorite Athenian waiting-maid, who stood behind her with her other women:

"It was folly to dye my dark hair light; but now it may remain so, for Publius Scipio, who has no suspicion of our arts, thought this color pretty and uncommon, and never will know its origin. That Egyptian headdress with the vulture's head which the king likes best to see me in, the young Greek Lysias and the Roman too, call barbaric, and so every one must call it who is not interested in the Egyptians. But to-night we are only ourselves, so I will wear the chaplet of golden corn with sapphire grapes. Do you think, Zoe, that with that I could wear the dress of transparent bombyx silk that came yesterday from Cos? But no, I will not wear that, for it is too slight a tissue, it hides nothing and I am now too thin for it to become me. All the lines in my throat show, and my elbows are quite sharp—altogether I am much thinner. That comes of incessant worry, annoyance, and anxiety. How angry I was yesterday at the council, because my husband will always give way and agree and try to be pleasant; whenever a refusal is necessary I have to interfere, unwilling as I am to do it, and odious as it is to me always to have to stir up discontent, disappointment, and disaffection, to take things on myself and to be regarded as hard and heartless in order that my husband may preserve undiminished the doubtful glory of being the gentlest and kindest of men and princes. My son's having a will of his own leads to agitating scenes, but even that is better than that Philopator should rush into everybody's arms. The first thing in bringing up a boy should be to teach him to say 'no.' I often say 'yes' myself when I should not, but I am a woman, and yielding becomes us better than refusal—and what is there of greater importance to a woman than to do what becomes her best, and to seem beautiful?

"I will decide on this pale dress, and put over it the net-work of gold thread with sapphire knots; that will go well with the head-dress. Take care with your comb, Thais, you are hurting me! Now—I must not chatter any more. Zoe, give me the roll yonder; I must collect my thoughts a little before I go down to talk among men at the banquet. When we have just come from visiting the realm of death and of Serapis, and have been reminded of the immortality of the soul and of our lot in the next world, we are glad to read through what the most estimable of human thinkers has said concerning such things. Begin here, Zoe."

Cleopatra's companion, thus addressed, signed to the unoccupied waiting- women to withdraw, seated herself on a low cushion opposite the queen, and began to read with an intelligent and practised intonation; the reading went on for some time uninterrupted by any sound but the clink of metal ornaments, the rustle of rich stuffs, the trickle of oils or perfumes as they were dropped into the crystal bowls, the short and whispered questions of the women who were attiring the queen, or Cleopatra's no less low and rapid answers.

All the waiting-women not immediately occupied about the queen's person— perhaps twenty in all, young and old-ranged themselves along the sides of the great tent, either standing or sitting on the ground or on cushions, and awaiting the moment when it should be their turn to perform some service, as motionless as though spellbound by the mystical words of a magician. They only made signs to each other with their eyes and fingers, for they knew that the queen did not choose to be disturbed when she was being read to, and that she never hesitated to cast aside anything or anybody that crossed her wishes or inclinations, like a tight shoe or a broken lutestring.

Her features were irregular and sharp, her cheekbones too strongly developed, and the lips, behind which her teeth gleamed pearly white- though too widely set—were too full; still, so long as she exerted her great powers of concentration, and listened with flashing eyes, like those of a prophetess, and parted lips to the words of Plato, her face had worn an indescribable glow of feeling, which seemed to have come upon her from a higher and better world, and she had looked far more beautiful than now when she was fully dressed, and when her women crowded round leer—Zoe having laid aside the Plato—with loud and unmeasured flattery.

Cleopatra delighted in being thus feted, and, in order to enjoy the adulation of a throng, she would always when dressing have a great number of women to attend her toilet; mirrors were held up to her on every side, a fold set right, and the jewelled straps of her sandals adjusted.

One praised the abundance of her hair, another the slenderness of her form, the slimness of her ankles, and the smallness of her tiny hands and feet. One maiden remarked to another—but loud enough to be heard— on the brightness of her eyes which were clearer than the sapphires on her brow, while the Athenian waiting-woman, Thais, declared that Cleopatra had grown fatter, for her golden belt was less easy to clasp than it had been ten days previously.

The queen presently signed to Zoe, who threw a little silver ball into a bowl of the same metal, elaborately wrought and decorated, and in a few minutes the tramp of the body-guard was audible outside the door of the tent.

Cleopatra went out, casting a rapid glance over the roof—now brightly illuminated with cressets and torches—and the white marble statues that gleamed out in relief against the dark clumps of shrubs; and then, without even looking at the tent where her children were asleep, she approached the litter, which had been brought up to the roof for her by the young Macedonian nobles. Zoe and Thais assisted her to mount into it, and her ladies, waiting-women, and others who had hurried out of the other tents, formed a row on each side of the way, and hailed their mistress with loud cries of admiration and delight as she passed by, lifted high above them all on the shoulders of her bearers. The diamonds in the handle of her feather-fan sparkled brightly as Cleopatra waved a gracious adieu to her women, an adieu which did not fail to remind them how infinitely beneath her were those she greeted. Every movement of her hand was full of regal pride, and her eyes, unveiled and untempered, were radiant with a young woman's pleasure in a perfect toilet, with satisfaction in her own person, and with the anticipation of the festive hours before her.

The litter disappeared behind the door of the broad steps that led up to the roof, and Thais, sighing softly, said to herself, "If only for once I could ride through the air in just such a pretty shell of colored and shining mother-of-pearl, like a goddess! carried aloft by young men, and hailed and admired by all around me! High up there the growing Selene floats calmly and silently by the tiny stars, and just so did she ride past in her purple robe with her torch-bearers and flames and lights-past us humble creatures, and between the tents to the banquet—and to what a banquet, and what guests! Everything up here greets her with rejoicing, and I could almost fancy that among those still marble statues even the stern face of Zeno had parted its lips, and spoken flattering words to her. And yet poor little Zoe, and the fair-haired Lysippa, and the black-haired daughter of Demetrius, and even I, poor wretch, should be handsomer, far handsomer than she, if we could dress ourselves with fine clothes and jewels for which kings would sell their kingdoms; if we could play Aphrodite as she does, and ride off in a shell borne aloft on emerald-green glass to look as if it were floating on the waves; if dolphins set with pearls and turquoises served us for a footstool, and white ostrich-plumes floated over our heads, like the silvery clouds that float over Athens in the sky of a fine spring day. The transparent tissue that she dared not put on would well become me! If only that were true which Zoe was reading yesterday, that the souls of men were destined to visit the earth again and again in new forms! Then perhaps mine might some day come into the world in that of a king's child. I should not care to be a prince, so much is expected of him, but a princess indeed! That would be lovely!"

These and such like were Thais' dreams, while Zoe stood outside the tent of the royal children with her cousin, the chief-attendant of prince Philopator, carrying on an eager conversation in a low tone. The child's nurse from time to time dried her eyes and sobbed bitterly as she said: "My own baby, my other children, my husband and our beautiful house in Alexandria—I left them all to suckle and rear a prince. I have sacrificed happiness, freedom, and my nights'-sleep for the sake of the queen and of this child, and how am I repaid for all this? As if I were a lowborn wench instead of the daughter and wife of noble men; this woman, half a child still, scarcely yet nineteen, dismisses me from her service before you and all her ladies every ten days! And why? Because the ungoverned blood of her race flows in her son's veins, and because he does not rush into the arms of a mother who for days does not ask for him at all, and never troubles herself about him but in some idle moment when she has gratified every other whim. Princes distribute favor or disgrace with justice only so long as they are children. The little one understands very well what I am to him, and sees what Cleopatra is. If I could find it in my heart to ill-use him in secret, this mother—who is not fit to be a mother—would soon have her way. Hard as it would be to me so soon to leave the poor feeble little child, who has grown as dear to my soul as my own—aye and closer, even closer, as I may well say—this time I will do it, even at the risk of Cleopatra's plunging us into ruin, my husband and me, as she has done to so many who have dared to contravene her will."

The wet-nurse wept aloud, but Zoe laid her hand on the distressed woman's shoulder, and said soothingly: "I know you have more to submit to from Cleopatra's humors than any of us all, but do not be overhasty. Tomorrow she will send you a handsome present, as she so often has done after being unkind; and though she vexes and hurts you again and again, she will try to make up for it again and again till, when this year is over, your attendance on the prince will be at an end, and you can go home again to your own family. We all have to practise patience; we live like people dwelling in a ruinous house with to-day a stone and to-morrow a beam threatening to fall upon our heads. If we each take calmly whatever befalls us our masters try to heal our wounds, but if we resist may the gods have mercy on us! for Cleopatra is like a strung bow, which sets the arrow flying as soon as a child, a mouse, a breath of air even touches it—like an over-full cup which brims over if a leaf, another drop, a single tear falls into it. We should, any one of us, soon be worn out by such a life, but she needs excitement, turmoil and amusement at every hour. She comes home late from a feast, spends barely six hours in disturbed slumber, and has hardly rested so long as it takes a pebble to fall to the ground from a crane's claw before we have to dress her again for another meal. From the council-board she goes to hear some learned discourse, from her books in the temple to sacrifice and prayer, from the sanctuary to the workshops of artists, from pictures and statues to the audience-chamber, from a reception of her subjects and of foreigners to her writing-room, from answering letters to a procession and worship once more, from the sacred services back again to her dressing-tent, and there, while she is being attired she listens to me while I read the most profound works—and how she listens! not a word escapes her, and her memory retains whole sentences. Amid all this hurry and scurry her spirit must need be like a limb that is sore from violent exertion, and that is painfully tender to every rough touch. We are to her neither more nor less than the wretched flies which we hit at when they trouble us, and may the gods be merciful to those on whom this queen's hand may fall! Euergetes cleaves with the sword all that comes in his way. Cleopatra stabs with the dagger, and her hand wields the united power of her own might and of her yielding husband's. Do not provoke her. Submit to what you cannot avert; just as I never complain when, if I make a mistake in reading, she snatches the book from my hand, or flings it at my feet. But I, of course, have only myself to fear for, and you have your husband and children as well."

Praxinoa bowed her head at these words in sad assent, and said:

"Thank you for those words! I always think only from my heart, and you mostly from your head. You are right, this time again there is nothing for me to do but to be patient; but when I have fulfilled the duties here, which I undertook, and am at home again, I will offer a great sacrifice to Asclepias and Hygiea, like a person recovered from a severe illness; and one thing I know: that I would rather be a poor girl, grinding at a mill, than change with this rich and adored queen who, in order to enjoy her life to the utmost, carelessly and restlessly hurries past all that our mortal lot has best to offer. Terrible, hideous to me seems such an existence with no rest in it! and the heart of a mother which is so much occupied with other things that she cannot win the love of her child, which blossoms for every hired nurse, must be as waste as the desert! Rather would I endure anything—everything—with patience than be such a queen!"

CHAPTER VIII.

"What! No one to come to meet me?" asked the queen, as she reached the foot of the last flight of porphyry steps that led into the ante-chamber to the banqueting-hall, and, looking round, with an ominous glance, at the chamberlains who had accompanied her, she clinched her small fist. "I arrive and find no one here!"

The "No one" certainly was a figure of speech, since more than a hundred body-guards-Macedonians in rich array of arms-and an equal number of distinguished court-officials were standing on the marble flags of the vast hall, which was surrounded by colonnades, while the star-spangled night-sky was all its roof; and the court-attendants were all men of rank, dignified by the titles of fathers, brothers, relatives, friends and chief-friends of the king.

These all received the queen with a many-voiced "Hail!" but not one of them seemed worthy of Cleopatra's notice. This crowd was less to her than the air we breathe in order to live—a mere obnoxious vapor, a whirl of dust which the traveller would gladly avoid, but which he must nevertheless encounter in order to proceed on his way.

The queen had expected that the few guests, invited by her selection and that of her brother Euergetes to the evening's feast, would have welcomed her here at the steps; she thought they would have seen her—as she felt herself—like a goddess borne aloft in her shell, and that she might have exulted in the admiring astonishment of the Roman and of Lysias, the Corinthian: and now the most critical instant in the part she meant to play that evening had proved a failure, and it suggested itself to her mind that she might be borne back to her roof-tent, and be floated down once more when she was sure of the presence of the company. But there was one thing she dreaded more even than pain and remorse, and that was any appearance of the ridiculous; so she only commanded the bearers to stand still, and while the master of the ceremonies, waiving his dignity, hurried off to announce to her husband that she was approaching, she signed to the nobles highest in rank to approach, that she might address a few gracious words to them, with distant amiability. Only a few however, for the doors of thyia wood leading into the banqueting hall itself, presently opened, and the king with his friends came forward to meet Cleopatra.

"How were we to expect you so early?" cried Philometor to his wife.

"Is it really still early?" asked the queen, "or have I only taken you by surprise, because you had forgotten to expect me?"

"How unjust you are!" replied the king. "Must you now be told that, come as early as you will, you always come too late for my desires."

"But for ours," cried Lysias, "neither too early nor too late, but at the very right time—like returning health and happiness, or the victor's crown."

"Health as taking the place of sickness?" asked Cleopatra, and her eyes sparkled keenly and merrily. "I perfectly understand Lysias," said Publius, intercepting the Greek. "Once, on the field of Mars, I was flung from my horse, and had to lie for weeks on my couch, and I know that there is no more delightful sensation than that of feeling our departed strength returning as we recover. He means to say that in your presence we must feel exceptionally well."

"Nay rather," interrupted Lysias, "our queen seems to come to us like returning health, since so long as she was not in our midst we felt suffering and sick for longing. Thy presence, Cleopatra, is the most effectual remedy, and restores us to our lost health."

Cleopatra politely lowered her fan, as if in thanks, thus rapidly turning the stick of it in her hand, so as to make the diamonds that were set in it sparkle and flash. Then she turned to the friends, and said:

"Your words are most amiable, and your different ways of expressing your meaning remind me of two gems set in a jewel, one of which sparkles because it is skilfully cut, and reflects every light from its mirrorlike facets, while the other shines by its genuine and intrinsic fire. The genuine and the true are one, and the Egyptians have but one word for both, and your kind speech, my Scipio—but I may surely venture to call you Publius—your kind speech, my Publius seems to me to be truer than that of your accomplished friend, which is better adapted to vainer ears than mine. Pray, give me your hand."

The shell in which she was sitting was gently lowered, and, supported by Publius and her husband, the queen alighted and entered the banqueting- hall, accompanied by her guests.

As soon as the curtains were closed, and when Cleopatra had exchanged a few whispered words with her husband, she turned again to the Roman, who had just been joined by Eulaeus, and said:

"You have come from Athens, Publius, but you do not seem to have followed very closely the courses of logic there, else how could it be that you, who regard health as the highest good—that you, who declared that you never felt so well as in my presence—should have quitted me so promptly after the procession, and in spite of our appointment? May I be allowed to ask what business—"

"Our noble friend," answered Eulaeus, bowing low, but not allowing the queen to finish her speech, "would seem to have found some particular charm in the bearded recluses of Serapis, and to be seeking among them the key-stone of his studies at Athens."

"In that he is very right," said the queen. "For from them he can learn to direct his attention to that third division of our existence, concerning which least is taught in Athens—I mean the future—"

"That is in the hands of the gods," replied the Roman. "It will come soon enough, and I did not discuss it with the anchorite. Eulaeus may be informed that, on the contrary, everything I learned from that singular man in the Serapeum bore reference to the things of the past."

"But how can it be possible," said Eulaeus, "that any one to whom Cleopatra had offered her society should think so long of anything else than the beautiful present?"

"You indeed have good reason," retorted Publius quickly, "to enter the lists in behalf of the present, and never willingly to recall the past."

"It was full of anxiety and care," replied Eulaeus with perfect self- possession. "That my sovereign lady must know from her illustrious mother, and from her own experience; and she will also protect me from the undeserved hatred with which certain powerful enemies seem minded to pursue me. Permit me, your majesty, not to make my appearance at the banquet until later. This noble gentleman kept me waiting for hours in the Serapeum, and the proposals concerning the new building in the temple of Isis at Philae must be drawn up and engrossed to-day, in order that they may be brought to-morrow before your royal husband in council and your illustrious brother Euergetes—"

"You have leave, interrupted Cleopatra."

As soon as Eulaeus had disappeared, the queen went closer up to Publius, and said:

"You are annoyed with this man—well, he is not pleasant, but at any rate he is useful and worthy. May I ask whether you only feel his personality repugnant to you, or whether actual circumstances have given rise to your aversion—nay, if I have judged rightly, to a very bitterly hostile feeling against him?"

"Both," replied Publius. "In this unmanly man, from the very first, I expected to find nothing good, and I now know that, if I erred at all, it was in his favor. To-morrow I will ask you to spare me an hour when I can communicate to your majesty something concerning him, but which is too repulsive and sad to be suitable for telling in an evening devoted to enjoyment. You need not be inquisitive, for they are matters that belong to the past, and which concern neither you nor me."

The high-steward and the cup-bearer here interrupted this conversation by calling them to table, and the royal pair were soon reclining with their guests at the festal board.

Oriental splendor and Greek elegance were combined in the decorations of the saloon of moderate size, in which Ptolemy Philometor was wont to prefer to hold high-festival with a few chosen friends. Like the great reception-hall and the men's hall-with its twenty doors and lofty porphyry columns—in which the king's guests assembled, it was lighted from above, since it was only at the sides that the walls—which had no windows—and a row of graceful alabaster columns with Corinthian acanthus-capitals supported a narrow roof; the centre of the hall was quite uncovered. At this hour, when it was blazing with hundreds of lights, the large opening, which by day admitted the bright sunshine, was closed over by a gold net-work, decorated with stars and a crescent moon of rock-crystal, and the meshes were close enough to exclude the bats and moths which at night always fly to the light. But the illumination of the king's banqueting-hall made it almost as light as day, consisting of numerous lamps with many branches held up by lovely little figures of children in bronze and marble. Every joint was plainly visible in the mosaic of the pavement, which represented the reception of Heracles into Olympus, the feast of the gods, and the astonishment of the amazed hero at the splendor of the celestial banquet; and hundreds of torches were reflected in the walls of polished yellow marble, brought from Hippo Regius; these were inlaid by skilled artists with costly stones, such as lapis lazuli and malachite, crystals, blood-stone, jasper, agates and chalcedony, to represent fruit-pieces and magnificent groups of game or of musical instruments; while the pilasters were decorated with masks of the tragic and comic Muses, torches, thyrsi wreathed with ivy and vine, and pan-pipes. These were wrought in silver and gold, and set with costly marbles, and they stood out from the marble background like metal work on a leather shield, or the rich ornamentation on a sword-sheath. The figures of a Dionysiac procession, forming the frieze, looked down upon the feasters—a fine relievo that had been designed and modelled for Ptolemy Soter by the sculptor Bryaxis, and then executed in ivory and gold.

Everything that met the eye in this hall was splendid, costly, and above all of a genial aspect, even before Cleopatra had come to the throne; and she—here as in her own apartments—had added the busts of the greatest Greek philosophers and poets, from Thales of Miletus down to Strato, who raised chance to fill the throne of God, and from Hesiod to Callimachus; she too had placed the tragic mask side by side with the comic, for at her table—she was wont to say—she desired to see no one who could not enjoy grave and wise discourse more than eating, drinking, and laughter.

Instead of assisting at the banquet, as other ladies used, seated on a chair or at the foot of her husband's couch, she reclined on a couch of her own, behind which stood busts of Sappho the poetess, and Aspasia the friend of Pericles.

Though she made no pretensions to be regarded as a philosopher nor even as a poetess, she asserted her right to be considered a finished connoisseur in the arts of poetry and music; and if she preferred reclining to sitting how should she have done otherwise, since she was fully aware how well it became her to extend herself in a picturesque attitude on her cushions, and to support her head on her arm as it rested on the back of her couch; for that arm, though not strictly speaking beautiful, always displayed the finest specimens of Alexandrian workmanship in gem-cutting and goldsmiths' work.

But, in fact, she selected a reclining posture particularly for the sake of showing her feet; not a woman in Egypt or Greece had a smaller or more finely formed foot than she. For this reason her sandals were so made that when she stood or walked they protected only the soles of her feet, and her slender white toes with the roseate nails and their polished white half-moons were left uncovered.

At the banquet she put off her shoes altogether, as the men did; hiding her feet at first however, and not displaying them till she thought the marks left on her tender skin by the straps of the sandals had completely disappeared.

Eulaeus was the greatest admirer of these feet; not, as he averred, on account of their beauty, but because the play of the queen's toes showed him exactly what was passing in her mind, when he was quite unable to detect what was agitating her soul in the expression of her mouth and eyes, well practised in the arts of dissimulation.

Nine couches, arranged three and three in a horseshoe, invited the guests to repose, with their arms of ebony and cushions of dull olive-green brocade, on which a delicate pattern of gold and silver seemed just to have been breathed.

The queen, shrugging her shoulders, and, as it would seem, by no means agreeably surprised at something, whispered to the chamberlain, who then indicated to each guest the place he was to occupy. To the right of the central group reclined the queen, and her husband took his place to the left; the couch between the royal pair, destined for their brother Euergetes, remained unoccupied.

On one of the three couches which formed the right-hand angle with those of the royal family, Publius found a place next to Cleopatra; opposite to him, and next the king, was Lysias the Corinthian. Two places next to him remained vacant, while on the side by the Roman reclined the brave and prudent Hierax, the friend of Ptolemy Euergetes and his most faithful follower.

While the servants strewed the couches with rose leaves, sprinkled perfumed waters, and placed by the couch of each guest a small table-made of silver and of a slab of fine, reddish-brown porphyry, veined with white-the king addressed a pleasant greeting to each guest, apologizing for the smallness of the number.

"Eulaeus," he said, "has been forced to leave us on business, and our royal brother is still sitting over his books with Aristarchus, who came with him from Alexandria; but he promised certainly to come."

"The fewer we are," replied Lysias, bowing low, "the more honorable is the distinction of belonging to so limited a number of your majesty's most select associates."

"I certainly think we have chosen the best from among the good," said the queen. "But even the small number of friends I had invited must have seemed too large to my brother Euergetes, for he—who is accustomed to command in other folks' houses as he does in his own—forbid the chamberlain to invite our learned friends—among whom Agatharchides, my brothers' and my own most worthy tutor, is known to you—as well as our Jewish friends who were present yesterday at our table, and whom I had set down on my list. I am very well satisfied however, for I like the number of the Muses; and perhaps he desired to do you, Publius, particular honor, since we are assembled here in the Roman fashion. It is in your honor, and not in his, that we have no music this evening; you said that you did not particularly like it at a banquet. Euergetes himself plays the harp admirably. However, it is well that he is late in coming as usual, for the day after tomorrow is his birthday, and he is to spend it here with us and not in Alexandria; the priestly delegates assembled in the Bruchion are to come from thence to Memphis to wish him joy, and we must endeavor to get up some brilliant festival. You have no love for Eulaeus, Publius, but he is extremely skilled in such matters, and I hope he will presently return to give us his advice."

"For the morning we will have a grand procession," cried the king. "Euergetes delights in a splendid spectacle, and I should be glad to show him how much pleasure his visit has given us."

The king's fine features wore a most winning expression as he spoke these words with heart-felt warmth, but his consort said thoughtfully: "Aye! if only we were in Alexandria—but here, among all the Egyptian people—"

CHAPTER IX.

A loud laugh re-echoing from the marble walls of the state-room interrupted the queen's speech; at first she started, but then smiled with pleasure as she recognized her brother Euergetes, who, pushing aside the chamberlains, approached the company with an elderly Greek, who walked by his side.

"By all the dwellers on Olympus! By the whole rabble of gods and beasts that live in the temples by the Nile!" cried the new-comer, again laughing so heartily that not only his fat cheeks but his whole immensely stout young frame swayed and shook. "By your pretty little feet, Cleopatra, which could so easily be hidden, and yet are always to be seen—by all your gentle virtues, Philometor, I believe you are trying to outdo the great Philadelphus or our Syrian uncle Antiochus, and to get up a most unique procession; and in my honor! Just so! I myself will take a part in the wonderful affair, and my sturdy person shall represent Eros with his quiver and bow. Some Ethiopian dame must play the part of my mother Aphrodite; she will look the part to perfection, rising from the white sea-foam with her black skin. And what do you think of a Pallas with short woolly hair; of the Charities with broad, flat Ethiopian feet; and an Egyptian, with his shaven head mirroring the sun, as Phoebus Apollo?"

With these words the young giant of twenty years threw himself on the vacant couch between his brother and sister, and, after bowing, not without dignity, to the Roman, whom his brother named to him, he called one of the young Macedonians of noble birth who served at the feast as cup-bearers, had his cup filled once and again and yet a third time, drinking it off quickly and without setting it down; then he said in a loud tone, while he pushed his hands through his tossed, light brown hair, till it stood straight up in the air from his broad temples and high brow:

"I must make up for what you have had before I came.—Another cup-full
Diocleides."

"Wild boy!" said Cleopatra, holding up her finger at him half in jest and half in grave warning. "How strange you look!"

"Like Silenus without the goat's hoofs," answered Euergetes. "Hand me a mirror here, Diocleides; follow the eyes of her majesty the queen, and you will be sure to find one. There is the thing! And in fact the picture it shows me does not displease me. I see there a head on which besides the two crowns of Egypt a third might well find room, and in which there is so much brains that they might suffice to fill the skulls of four kings to the brim. I see two vulture's eyes which are always keen of sight even when their owner is drunk, and that are in danger of no peril save from the flesh of these jolly cheeks, which, if they continue to increase so fast, must presently exclude the light, as the growth of the wood encloses a piece of money stuck into a rift in a tree- or as a shutter, when it is pushed to, closes up a window. With these hands and arms the fellow I see in the mirror there could, at need, choke a hippopotamus; the chain that is to deck this neck must be twice as long as that worn by a well-fed Egyptian priest. In this mirror I see a man, who is moulded out of a sturdy clay, baked out of more unctuous and solid stuff than other folks; and if the fine creature there on the bright surface wears a transparent robe, what have you to say against it, Cleopatra? The Ptolemaic princes must protect the import trade of Alexandria, that fact was patent even to the great son of Lagus; and what would become of our commerce with Cos if I did not purchase the finest bombyx stuffs, since those who sell it make no profits out of you, the queen—and you cover yourself, like a vestal virgin, in garments of tapestry. Give me a wreath for my head—aye and another to that, and new wine in the cup! To the glory of Rome and to your health, Publius Cornelius Scipio, and to our last critical conjecture, my Aristarchus— to subtle thinking and deep drinking!"

"To deep thinking and subtle drinking!" retorted the person thus addressed, while he raised the cup, looked into the wine with his twinkling eyes and lifted it slowly to his nose—a long, well-formed and slightly aquiline nose—and to his thin lips.

"Oh! Aristarchus," exclaimed Euergetes, and he frowned. "You please me better when you clear up the meaning of your poets and historians than when you criticise the drinking-maxims of a king. Subtle drinking is mere sipping, and sipping I leave to the bitterns and other birds that live content among the reeds. Do you understand me? Among reeds, I say- -whether cut for writing, or no."

"By subtle drinking," replied the great critic with perfect indifference, as he pushed the thin, gray hair from his high brow with his slender hand. "By subtle drinking I mean the drinking of choice wine, and did you ever taste anything more delicate than this juice of the vines of Anthylla that your illustrious brother has set before us? Your paradoxical axiom commends you at once as a powerful thinker and as the benevolent giver of the best of drinks."

"Happily turned," exclaimed Cleopatra, clapping her hands, "you here see,
Publius, a proof of the promptness of an Alexandrian tongue."

"Yes!" said Euergetes, "if men could go forth to battle with words
instead of spears the masters of the Museum in Alexander's city, with
Aristarchus at their head, they might rout the united armies of Rome and
Carthage in a couple of hours."

"But we are not now in the battle-field but at a peaceful meal," said the king, with suave amiability. "You did in fact overhear our secret Euergetes, and mocked at my faithful Egyptians, in whose place I would gladly set fair Greeks if only Alexandria still belonged to me instead of to you.—However, a splendid procession shall not be wanting at your birthday festival."

"And do you really still take pleasure in these eternal goose-step performances?" asked Euergetes, stretching himself out on his couch, and folding his hands to support the back of his head. "Sooner could I accustom myself to the delicate drinking of Aristarchus than sit for hours watching these empty pageants. On two conditions only can I declare myself ready and willing to remain quiet, and patiently to dawdle through almost half a day, like an ape in a cage: First, if it will give our Roman friend Publius Cornelius Scipio any pleasure to witness such a performance—though, since our uncle Antiochus pillaged our wealth, and since we brothers shared Egypt between us, our processions are not to be even remotely compared to the triumphs of Roman victors—or, secondly, if I am allowed to take an active part in the affair."

"On my account, Sire," replied Publius, "no procession need be arranged, particularly not such a one as I should here be obliged to look on at."

"Well! I still enjoy such things," said Cleopatra's husband. "Well- arranged groups, and the populace pleased and excited are a sight I am never tired of."

"As for me," cried Cleopatra, "I often turn hot and cold, and the tears even spring to my eyes, when the shouting is loudest. A great mass of men all uniting in a common emotion always has a great effect. A drop, a grain of sand, a block of stone are insignificant objects, but millions of them together, forming the sea, the desert or the pyramids, constitute a sublime whole. One man alone, shouting for joy, is like a madman escaped from an asylum, but when thousands of men rejoice together it must have a powerful effect on the coldest heart. How is it that you, Publius Scipio, in whom a strong will seems to me to have found a peculiarly happy development, can remain unmoved by a scene in which the great collective will of a people finds its utterance?"

"Is there then any expression of will, think you," said the Roman, "in this popular rejoicing? It is just in such circumstances that each man becomes the involuntary mimic and duplicate of his neighbor; while I love to make my own way, and to be independent of everything but the laws and duties laid upon me by the state to which I belong."

"And I," said Euergetes, "from my childhood have always looked on at processions from the very best places, and so it is that fortune punishes me now with indifference to them and to everything of the kind; while the poor miserable devil who can never catch sight of anything more than the nose or the tip of a hair or the broad back of those who take part in them, always longs for fresh pageants. As you hear, I need have no consideration for Publius Scipio in this, willing as I should be to do so. Now what would you say, Cleopatra, if I myself took a part in my procession—I say mine, since it is to be in my honor; that really would be for once something new and amusing."

"More new and amusing than creditable, I think," replied Cleopatra dryly.

"And yet even that ought to please you," laughed Euergetes. "Since, besides being your brother, I am your rival, and we would sooner see our rivals lower themselves than rise."

"Do not try to justify yourself by such words," interrupted the king evasively, and with a tone of regret in his soft voice. "We love you truly; we are ready to yield you your dominion side by side with ours, and I beg you to avoid such speeches even in jest, so that bygones may be bygones."

"And," added Cleopatra, "not to detract from your dignity as a king and your fame as a sage by any such fool's pranks."

"Madam teacher, do you know then what I had in my mind? I would appear as Alcibiades, followed by a train of flute-playing women, with Aristarchus to play the part of Socrates. I have often been told that he and I resemble each other—in many points, say the more sincere; in every point, say the more polite of my friends."

At these words Publius measured with his eye the frame of the royal young libertine, enveloped in transparent robes; and recalling to himself, as he gazed, a glorious statue of that favorite of the Athenians, which he had seen in the Ilissus, an ironical smile passed over his lips. It was not unobserved by Euergetes and it offended him, for there was nothing he liked better than to be compared to the nephew of Pericles; but he suppressed his annoyance, for Publius Cornelius Scipio was the nearest relative of the most influential men of Rome, and, though he himself wielded royal power, Rome exercised over him the sovereign will of a divinity.

Cleopatra noticed what was passing in her brother's mind, and in order to interrupt his further speech and to divert his mind to fresh thoughts, she said cheerfully:

"Let us then give up the procession, and think of some other mode of celebrating your birthday. You, Lysias, must be experienced in such matters, for Publius tells me that you were the leader in all the games of Corinth. What can we devise to entertain Euergetes and ourselves?"

The Corinthian looked for a moment into his cup, moving it slowly about on the marble slab of the little table at his side, between an oyster pasty and a dish of fresh asparagus; and then he said, glancing round to win the suffrages of the company:

"At the great procession which took place under Ptolemy Philadelphus— Agatharchides gave me the description of it, written by the eye-witness Kallixenus, to read only yesterday—all kinds of scenes from the lives of the gods were represented before the people. Suppose we were to remain in this magnificent palace, and to represent ourselves the beautiful groups which the great artists of the past have produced in painting or sculpture; but let us choose those only that are least known."

"Splendid," cried Cleopatra in great excitement, who can be more like Heracles than my mighty brother there—the very son of Alcmene, as Lysippus has conceived and represented him? Let us then represent the life of Heracles from grand models, and in every case assign to Euergetes the part of the hero."

"Oh! I will undertake it," said the young king, feeling the mighty muscles of his breast and arms, "and you may give me great credit for assuming the part, for the demi-god who strangled the snakes was lacking in the most important point, and it was not without due consideration that Lysippus represented him with a small head on his mighty body; but I shall not have to say anything."

"If I play Omphale will you sit at my feet?" asked Cleopatra.

"Who would not be willing to sit at those feet?" answered Euergetes. "Let us at once make further choice among the abundance of subjects offered to us, but, like Lysias, I would warn you against those that are too well-known."

"There are no doubt things commonplace to the eye as well as to the ear," said Cleopatra. "But what is recognized as good is commonly regarded as most beautiful."

"Permit me," said Lysias, "to direct your attention to a piece of sculpture in marble of the noblest workmanship, which is both old and beautiful, and yet which may be known to few among you. It exists on the cistern of my father's house at Corinth, and was executed many centuries since by a great artist of the Peloponnesus. Publius was delighted with the work, and it is in fact beautiful beyond description. It is an exquisite representation of the marriage of Heracles and Hebe—of the hero, raised to divinity, with sempiternal youth. Will Your Majesty allow yourself to be led by Pallas Athene and your mother Alcmene to your nuptials with Hebe?"

"Why not?" said Euergetes. "Only the Hebe must be beautiful. But one thing must be considered; how are we to get the cistern from your father's house at Corinth to this place by to-morrow or next day? Such a group cannot be posed from memory without the original to guide us; and though the story runs that the statue of Serapis flew from Sinope to Alexandria, and though there are magicians still at Memphis—"

"We shall not need them," interrupted Publius, "while I was staying as a guest in the house of my friend's parents—which is altogether more magnificent than the old castle of King Gyges at Sardis—I had some gems engraved after this lovely group, as a wedding-present for my sister. They are extremely successful, and I have them with me in my tent."

"Have you a sister?" asked the queen, leaning over towards the Roman.
"You must tell me all about her."

"She is a girl like all other girls," replied Publius, looking down at the ground, for it was most repugnant to his feelings to speak of his sister in the presence of Euergetes.

"And you are unjust like all other brothers," said Cleopatra smiling, "and I must hear more about her, for"—and she whispered the words and looked meaningly at Publius—"all that concerns you must interest me."

During this dialogue the royal brothers had addressed themselves to Lysias with questions as to the marriage of Heracles and Hebe, and all the company were attentive to the Greek as he went on: "This fine work does not represent the marriage properly speaking, but the moment when the bridegroom is led to the bride. The hero, with his club on his shoulder, and wearing the lion's skin, is led by Pallas Athene, who, in performing this office of peace, has dropped her spear and carries her helmet in her hand; they are accompanied by his mother Alcmene, and are advancing towards the bride's train. This is headed by no less a personage than Apollo himself, singing the praises of Hymenaeus to a lute. With him walks his sister Artemis and behind them the mother of Hebe, accompanied by Hermes, the messenger of the gods, as the envoy of Zeus. Then follows the principal group, which is one of the most lovely works of Greek art that I am acquainted with. Hebe comes forward to meet her bridegroom, gently led on by Aphrodite, the queen of love. Peitho, the goddess of persuasion, lays her hand on the bride's arm, imperceptibly urging her forward and turning away her face; for what she had to say has been said, and she smiles to herself, for Hebe has not turned a deaf ear to her voice, and he who has once listened to Peitho must do what she desires."

"And Hebe?" asked Cleopatra.

"She casts down her eyes, but lifts up the arm on which the hand of Peitho rests with a warning movement of her fingers, in which she holds an unopened rose, as though she would say; 'Ah! let me be—I tremble at the man'—or ask: 'Would it not be better that I should remain as I am and not yield to your temptations and to Aphrodite's power?' Oh! Hebe is exquisite, and you, O Queen! must represent her!"

"I!" exclaimed Cleopatra. "But you said her eyes were cast down."

"That is from modesty and timidity, and her gait must also be bashful and maidenly. Her long robe falls to her feet in simple folds, while Peitho holds hers up saucily, between her forefinger and thumb, as if stealthily dancing with triumph over her recent victory. Indeed the figure of Peitho would become you admirably."

"I think I will represent Peitho," said the queen interrupting the Corinthian. "Hebe is but a bud, an unopened blossom, while I am a mother, and I flatter myself I am something of a philosopher—"

"And can with justice assure yourself," interrupted Aristarchus, "that with every charm of youth you also possess the characters attributed to Peitho, the goddess, who can work her spells not only on the heart but on the intellect also. The maiden bud is as sweet to look upon as the rose, but he who loves not merely color but perfume too—I mean refreshment, emotion and edification of spirit—must turn to the full-blown flower; as the rose—growers of lake Moeris twine only the buds of their favorite flower into wreaths and bunches, but cannot use them for extracting the oil of imperishable fragrance; for that they need the expanded blossom. Represent Peitho, my Queen! the goddess herself might be proud of such a representative."

"And if she were so indeed," cried Cleopatra, "how happy am I to hear such words from the lips of Aristarchus. It is settled—I play Peitho. My companion Zoe may take the part of Artemis, and her grave sister that of Pallas Athene. For the mother's part we have several matrons to choose from; the eldest daughter of Epitropes appears to me fitted for the part of Aphrodite; she is wonderfully lovely."

"Is she stupid too?" asked Euergetes. "That is also an attribute of the ever-smiling Cypria."

"Enough so, I think, for our purpose," laughed Cleopatra. "But where are we to find such a Hebe as you have described, Lysias? The daughter of Alimes the Arabarch is a charming child."

"But she is brown, as brown as this excellent wine, and too thoroughly Egyptian," said the high-steward, who superintended the young Macedonian cup-bearers; he bowed deeply as he spoke, and modestly drew the queen's attention to his own daughter, a maiden of sixteen. But Cleopatra objected, that she was much taller than herself, and that she would have to stand by the Hebe, and lay her hand on her arm.

Other maidens were rejected on various grounds, and Euergetes had already proposed to send off a carrier-pigeon to Alexandria to command that some fair Greek girl should be sent by an express quadriga to Memphis—where the dark Egyptian gods and men flourish, and are more numerous than the fair race of Greeks—when Lysias exclaimed:

"I saw to-day the very girl we want, a Hebe that might have stepped out from the marble group at my father's, and have been endued with life and warmth and color by some god. Young, modest, rose and white, and just about as tall as Your Majesty. If you will allow me, I will not tell you who she is, till after I have been to our tent to fetch the gems with the copies of the marble."

"You will find them in an ivory casket at the bottom of my clothes- chest," said Publius; "here is the key."

"Make haste," cried the queen, "for we are all curious to hear where in
Memphis you discovered your modest, rose and white Hebe."

CHAPTER X.

An hour had slipped by with the royal party, since Lysias had quitted the company; the wine-cups had been filled and emptied many times; Eulaeus had rejoined the feasters, and the conversation had taken quite another turn, since the whole of the company were not now equally interested in the same subject; on the contrary, the two kings were discussing with Aristarchus the manuscripts of former poets and of the works of the sages, scattered throughout Greece, and the ways and means of obtaining them or of acquiring exact transcripts of them for the library of the Museum. Hierax was telling Eulaeus of the last Dionysiac festival, and of the representation of the newest comedy in Alexandria, and Eulaeus assumed the appearance—not unsuccessfully—of listening with both ears, interrupting him several times with intelligent questions, bearing directly on what he had said, while in fact his attention was exclusively directed to the queen, who had taken entire possession of the Roman Publius, telling him in a low tone of her life—which was consuming her strength—of her unsatisfied affections, and her enthusiasm for Rome and for manly vigor. As she spoke her cheeks glowed and her eyes sparkled, for the more exclusively she kept the conversation in her own hands the better she thought she was being entertained; and Publius, who was nothing less than talkative, seldom interrupted her, only insinuating a flattering word now and then when it seemed appropriate; for he remembered the advice given him by the anchorite, and was desirous of winning the good graces of Cleopatra.

In spite of his sharp ears Eulaeus could understand but little of their whispered discourse, for King Euergetes' powerful voice sounded loud above the rest of the conversation; but Eulaeus was able swiftly to supply the links between the disjointed sentences, and to grasp the general sense, at any rate, of what she was saying. The queen avoided wine, but she had the power of intoxicating herself, so to speak, with her own words, and now just as her brothers and Aristarchus were at the height of their excited and eager question and answer—she raised her cup, touched it with her lips and handed it to Publius, while at the same time she took hold of his.

The young Roman knew well enough all the significance of this hasty action; it was thus that in his own country a woman when in love was wont to exchange her cup with her lover, or an apple already bitten by her white teeth.

Publius was seized with a cold shudder—like a wanderer who carelessly pursues his way gazing up at the moon and stars, and suddenly perceives an abyss yawning; at his feet. Recollections of his mother and of her warnings against the seductive wiles of the Egyptian women, and particularly of this very woman, flashed through his mind like lightning; she was looking at him—not royally by any means, but with anxious and languishing gaze, and he would gladly have kept his eyes fixed on the ground, and have left the cup untouched; but her eye held his fast as though fettering it with ties and bonds; and to put aside the cup seemed to the most fearless son of an unconquered nation a deed too bold to be attempted. Besides, how could he possibly repay this highest favor with an affront that no woman could ever forgive—least of all a Cleopatra?

Aye, many a life's happiness is tossed away and many a sin committed, because the favor of women is a grace that does honor to every man, and that flatters him even when it is bestowed by the unloved and unworthy. For flattery is a key to the heart, and when the heart stands half open the voice of the tempter is never wanting to whisper: "You will hurt her feelings if you refuse."

These were the deliberations which passed rapidly and confusedly through the young Roman's agitated brain, as he took the queen's cup and set his lips to the same spot that hers had touched. Then, while he emptied the cup in long draughts, he felt suddenly seized by a deep aversion to the over-talkative, overdressed and capricious woman before him, who thus forced upon him favors for which he had not sued; and suddenly there rose before his soul the image, almost tangibly distinct, of the humble water- bearer; he saw Klea standing before him and looking far more queenly as, proud and repellent, she avoided his gaze, than the sovereign by his side could ever have done, though crowned with a diadem.

Cleopatra rejoiced to mark his long slow draught, for she thought the Roman meant to imply by it that he could not cease to esteem himself happy in the favor she had shown him. She did not take her eyes off him, and observed with pleasure that his color changed to red and white; nor did she notice that Eulaeus was watching, with a twinkle in his eyes, all that was going on between her and Publius. At last the Roman set down the cup, and tried with some confusion to reply to her question as to how he had liked the flavor of the wine.

"Very fine—excellent—" at last he stammered out, but he was no longer looking at Cleopatra but at Euergetes, who just then cried out loudly:

"I have thought over that passage for hours, I have given you all my reasons and have let you speak, Aristarchus, but I maintain my opinion, and whoever denies it does Homer an injustice; in this place 'siu' must be read instead of 'iu'."

Euergetes spoke so vehemently that his voice outshouted all the other guests; Publius however snatched at his words, to escape the necessity for feigning sentiments he could not feel; so he said, addressing himself half to the speaker and half to Cleopatra:

"Of what use can it be to decide whether it is one or the other—'iu' or 'siu'. I find many things justifiable in other men that are foreign to my own nature, but I never could understand how an energetic and vigorous man, a prudent sovereign and stalwart drinker—like you, Euergetes—can sit for hours over flimsy papyrus-rolls, and rack his brains to decide whether this or that in Homer should be read in one way or another."

"You exercise yourself in other things," replied Euergetes. "I consider that part of me which lies within this golden fillet as the best that I have, and I exercise my wits on the minutest and subtlest questions just as I would try the strength of my arms against the sturdiest athletes. I flung five into the sand the last time I did so, and they quake now when they see me enter the gymnasium of Timagetes. There would be no strength in the world if there were no obstacles, and no man would know that he was strong if he could meet with no resistance to overcome. I for my part seek such exercises as suit my idiosyncrasy, and if they are not to your taste I cannot help it. If you were to set these excellently dressed crayfish before a fine horse he would disdain them, and could not understand how foolish men could find anything palatable that tasted so salt. Salt, in fact, is not suited to all creatures! Men born far from the sea do not relish oysters, while I, being a gourmand, even prefer to open them myself so that they may be perfectly fresh, and mix their liquor with my wine."

"I do not like any very salt dish, and am glad to leave the opening of all marine produce to my servants," answered Publius. "Thereby I save both time and unnecessary trouble."

"Oh! I know!" cried Euergetes. "You keep Greek slaves, who must even read and write for you. Pray is there a market where I may purchase men, who, after a night of carousing, will bear our headache for us? By the shores of the Tiber you love many things better than learning."

"And thereby," added Aristarchus, "deprive yourselves of the noblest and subtlest of pleasures, for the purest enjoyment is ever that which we earn at the cost of some pains and effort."

"But all that you earn by this kind of labor," returned Publius, "is petty and unimportant. It puts me in mind of a man who removes a block of stone in the sweat of his brow only to lay it on a sparrow's feather in order that it may not be carried away by the wind."

"And what is great—and what is small?" asked Aristarchus. "Very opposite opinions on that subject may be equally true, since it depends solely on us and our feelings how things appear to us—whether cold or warm; lovely or repulsive—and when Protagoras says that 'man is the measure of all things,' that is the most acceptable of all the maxims of the Sophists; moreover the smallest matter—as you will fully appreciate —acquires an importance all the greater in proportion as the thing is perfect, of which it forms a part. If you slit the ear of a cart-horse, what does it signify? but suppose the same thing were to happen to a thoroughbred horse, a charger that you ride on to battle!

"A wrinkle or a tooth more or less in the face of a peasant woman matters little, or not at all, but it is quite different in a celebrated beauty. If you scrawl all over the face with which the coarse finger of the potter has decorated a water-jar, the injury to the wretched pot is but small, but if you scratch, only with a needle's point, that gem with the portraits of Ptolemy and Arsinoe, which clasps Cleopatra's robe round her fair throat, the richest queen will grieve as though she had suffered some serious loss.

"Now, what is there more perfect or more worthy to be treasured than the noblest works of great thinkers and great poets.

"To preserve them from injury, to purge them from the errors which, in the course of time, may have spotted their immaculate purity, this is our task; and if we do indeed raise blocks of stone it is not to weight a sparrow's feather that it may not be blown away, but to seal the door which guards a precious possession, and to preserve a gem from injury.

"The chatter of girls at a fountain is worth nothing but to be wafted away on the winds, and to be remembered by none; but can a son ever deem that one single word is unimportant which his dying father has bequeathed to him as a clue to his path in life? If you yourself were such a son, and your ear had not perfectly caught the parting counsels of the dying- how many talents of silver would you not pay to be able to supply the missing words? And what are immortal works of the great poets and thinkers but such sacred words of warning addressed, not to a single individual, but to all that are not barbarians, however many they maybe. They will elevate, instruct, and delight our descendants a thousand years hence as they do us at this day, and they, if they are not degenerate and ungrateful will be thankful to those who have devoted the best powers of their life to completing and restoring all that our mighty forefathers have said, as it must have originally stood before it was mutilated, and spoiled by carelessness and folly.

"He who, like King Euergetes, puts one syllable in Homer right, in place of a wrong one, in my opinion has done a service to succeeding generations—aye and a great service."

"What you say," replied Publius, "sounds convincing, but it is still not perfectly clear to me; no doubt because I learned at an early age to prefer deeds to words. I find it more easy to reconcile my mind to your painful and minute labors when I reflect that to you is entrusted the restoration of the literal tenor of laws, whose full meaning might be lost by a verbal error; or that wrong information might be laid before me as to one single transaction in the life of a friend or of a blood- relation, and it might lie with me to clear him of mistakes and misinterpretation."