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The soul of the moving picture

Chapter 13: Transcriber’s Notes
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About This Book

This work argues that cinema communicates through feeling and gesture and surveys the technical, dramaturgical, and poetic dimensions that shape moving pictures. It outlines practical tools and tricks, analyzes staging, setting, and scene construction, discusses adaptation from texts, and considers the role of the filmmaker as poet. Interwoven criticism of contemporary films illustrates aesthetic possibilities and pitfalls, while the concluding chapters map a path toward a more mature film art that balances inventive experimentation with the economic realities of production.

Transcriber’s Notes

Page numbers in the table of contents for illustrations point to the illustration. The placement before/after a full paragraph may have affected the location.

Missing full-stops and abbreviation stops silently added.

The paragraph ending on page 136 with “loses itself in moral fustian” probably is missing the word “melodrama” at the end.

Misspelled words have been corrected. Obsolete and alternative spellings are left unchanged (e.g. ascendent, dilettant, etherial, heterogenous, Shakespearian). Spelling and hyphenation has not been standardised. “Edit Distance” refers to the Levenshtein Distance.

Corrections:

Page Source Correction Edit distance
3 attendent attendant 1
22 dilettanteish dilettantish 1
41 obtrustively obtrusively 1
44 charcater character 2
74 docorations decorations 1
100 Liliputian Lilliputian 1
102 extaordinarily extraordinarily 1
110 words word 1
119 aristrocratic aristocratic 1
121 unobstrusive unobtrusive 1
125 adventursome adventuresome 1
126 titulation titillation 1
129 gruesomness gruesomeness 1
158 capitivated captivated 1
159 pouncey pouncy 1
164 that that that 1