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The speaker's ideal entertainments

Chapter 65: Enguerrande’s Child.
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About This Book

A curated anthology of recitations, dialogues, and short dramas compiled for use in home, church, and school entertainments, accompanied by practical annotations on gesture, dramatic poses, and delivery. Selections include newly obtained manuscripts and engraved illustrations, and introductory guidance defines a system of hand positions and movement directions to shape expressive action. Hints on staging, tasteful modulation, and the distinctions between emphatic and conversational gestures aim to help novices and trained elocutionists alike, making the collection a hands-on resource for developing vocal technique and coordinated physical expression.

Enguerrande’s Child.

La Comtesse Marie holds festival
In the fairest nook of her fair demesne,
For courtly gallants and smiling dames
To mimic the sports of the village green,
In hats à la paysanne looped up with gems,
And rustic kirtles of satin sheen.
But Comtesse Marie, though crowned with May,
Scarce smiles on the lovers who round her press,
And sits on her floral throne distrait,
Nor heeds who, watching her, strives to guess
What troubles this heiress, free to choose
From the proudest peers of the haute noblesse.
She sighs—and a suitor the sigh repeats;
Again—and another bends over her chair,
For every mood of a lady charms
When la dame is so wealthy, so young, and fair;
She speaks—and the murmur of talk is hushed,
And they throng around with expectant air:
“Too sad to sing, and too tired to dance—
Shall our sport take sober cast to-night?
And gathering under the fragrant limes,
Shall we tell old stories of maidens bright,
Of crusader bold, and the Soldan grim,
Of dreary legend of ghost and sprite?”
Then gay De Norville, for wild, weird tale
To please the layde, has racked his brain;
While Saint Leu, with twirls of his huge mustache,
His last duello fights o’er again,
And fancies that Marie’s cheek grows pale
As he lightly dwells on his wounds and pain.
But on one tall figure, that stands aloof,
The eye of la Comtesse is seen to fall:
And hast thou nothing to tell?” she asks,
“Canst thou from the past no deed recall,
That might quicken awhile our sluggish blood?
Bethink thee, I pray, good Capitaine Paul.”
Le Capitaine Paul, whom no one knows,
A soldier of fortune, scarred and browned,
A man more prized in the camp than court,
Steps into the circle and glances round;
And scornful eyes on his boldness frown,
But Marie has smiled, and he holds his ground.
What boots the rest if she bids him speak?
What matter who lists if he gains her ear?
The shaft of malice is launched in vain,
That aims at the stranger a barbèd sneer,
And the sauciest suitors of belle Marie
Unchecked may flout him while she is near.
He turns from the guests, with their covert smiles,
Begins with a stammer, and speaks by rote
Till treasured mem’ries awake—and then
His full lip quivers, and swells his throat,
And his sinewy hand is clenched, as oft
It hath clenched at the ring of the bugle’s note.