The Spectator, Volume 2.

Before I enter upon the first of these, I must advertise my Reader, that it is my Design as soon as I have finished my general Reflections on these four several Heads, to give particular Instances out of the Poem which is now before us of Beauties and Imperfections which may be observed under each of them, as also of such other Particulars as may not properly fall under any of them. This I thought fit to premise, that the Reader may not judge too hastily of this Piece of Criticism, or look upon it as Imperfect, before he has seen the whole Extent of it.

The Sentiments in an Epic Poem are the Thoughts and Behaviour which the Author ascribes to the Persons whom he introduces, and are

just

when they are conformable to the Characters of the several Persons. The Sentiments have likewise a relation to

Things

as well as

Persons

, and are then perfect when they are such as are adapted to the Subject. If

either of these Cases the Poet

endeavours to argue or explain, to magnify or diminish, to raise

Love or Hatred, Pity or Terror, or any other Passion, we ought to consider whether the Sentiments he makes use of are proper for

those

Ends.

Homer

censured

by the Criticks for his Defect as to this Particular in several parts of the

Iliad

and

Odyssey

, tho' at the same time those, who have treated this great Poet with Candour, have attributed this Defect to the Times in which he lived

⁴

. It was the Fault of the Age, and not of

Homer

, if there wants that Delicacy in some of his Sentiments which now appears in the Works of Men of a much inferior Genius. Besides, if there are Blemishes in any particular Thoughts, there is an infinite Beauty in the greatest Part of them. In short, if there are many Poets who would not have fallen into the Meanness of some of his Sentiments, there are none who could have risen up to the Greatness of others.

Virgil

has excelled all others in the Propriety of his Sentiments.

Milton

shines likewise very much in this Particular: Nor must we omit one Consideration which adds to his Honour and Reputation.

Homer

and

Virgil

introduced Persons whose Characters are commonly known among Men, and such as are to be met with either in History, or in ordinary Conversation.

Milton's

Characters, most of them, lie out of Nature, and were to be formed purely by his own Invention. It shews a greater Genius in

Shakespear

to have drawn his

Calyban,

than his

Hotspur

Julius Cæsar:

The one was to be supplied out of his own Imagination, whereas the other might have been formed upon Tradition, History and Observation. It was much easier therefore for

Homer

to find proper Sentiments for an Assembly of

Grecian

Generals, than for

Milton

to diversify his infernal Council with proper Characters, and inspire them with a Variety of Sentiments. The Lovers of

Dido

and

Æneas

are only Copies of what has passed between other Persons.

Adam

and

Eve

, before the Fall, are a different Species from that of Mankind, who are descended from them; and

none

but a Poet of the most unbounded Invention, and the most exquisite Judgment, could have filled their Conversation and Behaviour with

so many apt

⁵

Circumstances during their State of Innocence.

Nor is it sufficient for an Epic Poem to be filled with such Thoughts as are

Natural

, unless it abound also with such as are

Sublime

. Virgil in this Particular falls short of

Homer

. He has not indeed so many Thoughts that are Low and Vulgar; but at the same time has not so many Thoughts that are Sublime and Noble. The Truth of it is,

Virgil

seldom rises into very astonishing Sentiments, where he is not fired by the

Iliad

. He every where charms and pleases us by the Force of his own Genius; but seldom elevates and transports us where he does not fetch his Hints from

Homer

Milton's

chief Talent, and indeed his distinguishing Excellence, lies in the Sublimity of his Thoughts. There are others of the Moderns who rival him in every other part of Poetry; but in the Greatness of his Sentiments he triumphs over all the Poets both Modern and Ancient,

Homer

only excepted. It is impossible for the Imagination of Man to distend itself with greater Ideas, than those which he has laid together in his first,

second

, and sixth Book

. The seventh, which describes the Creation of the World, is likewise wonderfully Sublime, tho' not so apt to stir up Emotion in the Mind of the Reader, nor consequently so perfect in the Epic Way of Writing, because it is filled with less Action.

Let

the judicious Reader compare what

Longinus

has observed

⁶

on several Passages in

Homer

, and he will find Parallels for most of them in the

Paradise Lost

From what has been said we may infer, that as there are two kinds of Sentiments, the Natural and the Sublime, which are always to be pursued in an Heroic Poem, there are also two kinds of Thoughts which are carefully to be avoided. The first are such as are affected and unnatural; the second such as are mean and vulgar. As for the first kind of Thoughts, we meet with little or nothing that is like them in

Virgil:

has none of those

trifling

⁷

Points and Puerilities that are so often to be met with in

Ovid

, none of the Epigrammatick Turns of

Lucan

, none of those swelling Sentiments which are so frequent in

Statins

and

Claudian

, none of those mixed Embellishments of

Tasso

. Every thing is just and natural.

His

Sentiments shew that he had a perfect Insight into human Nature, and that he knew every thing which was the most proper to

affect it

⁸

Mr.

Dryden

has in some Places, which I may hereafter take notice of, misrepresented

Virgil's

way of thinking as to this Particular, in the Translation he has given us of the

Æneid

. I do not remember that

Homer

any where falls into the Faults above-mentioned, which were indeed the false Refinements of later Ages.

Milton

, it must be confest, has sometimes erred in this Respect, as I shall shew more at large in another Paper; tho' considering how all the Poets of the Age in which he writ were infected with this wrong way of thinking, he is rather to be admired that he did not give more into it, than that he did sometimes comply with the vicious Taste which still prevails so much among Modern Writers.

But

since

several Thoughts may be natural which are low and groveling, an Epic Poet should not only avoid such Sentiments as are unnatural or affected, but also such as are

mean

⁹

and vulgar.

Homer

has opened a great Field of Raillery to Men of more Delicacy than Greatness of Genius, by the Homeliness of some of his Sentiments. But, as I have before said, these are rather to be imputed to the Simplicity of the Age in which he lived, to which I may also add, of that which he described, than to any Imperfection in that Divine Poet.

Zoilus

¹⁰

among the Ancients, and Monsieur

Perrault

¹¹

among the Moderns, pushed their Ridicule very far upon him, on account of some such Sentiments. There is no Blemish to be observed in

Virgil

under this Head, and but

very few in Milton.

shall

give but one Instance of this Impropriety of

Thought

¹²

Homer

, and at the same time compare it with an Instance of the same Nature, both in

Virgil

and

Milton

. Sentiments which raise Laughter, can very seldom be admitted with any Decency into an Heroic Poem, whose Business it is to excite Passions of a much nobler Nature.

Homer

, however, in his Characters of

Vulcan

¹³

and

Thersites

¹⁴

, in his Story of

Mars

and

Venus

¹⁵

in his Behaviour of

Irus

¹⁶

and in other Passages, has been observed to have lapsed into the Burlesque Character, and to have departed from that serious Air which seems essential to the Magnificence of an Epic Poem. I remember but one Laugh in the whole Æneid, which rises in the fifth Book, upon

Monætes

, where he is represented as thrown overboard, and drying himself upon a Rock. But this Piece. of Mirth is so well timed, that the severest Critick can have nothing to say against it; for it is in the Book of Games and Diversions, where the Reader's Mind may be supposed to be sufficiently relaxed for such an Entertainment. The only Piece of Pleasantry in

Paradise Lost

, is where the Evil Spirits are described as rallying the Angels upon the Success of their new invented Artillery. This Passage I look upon to be the most exceptionable in the whole Poem, as being nothing else but a String of Punns, and those too very indifferent ones.

—Satan beheld their Plight,
And to his Mates thus in Derision call'd.
O Friends, why come not on those Victors proud?
Ere-while they fierce were coming, and when we,
To entertain them fair with open Front,
And Breast, (what could we more?) propounded terms
Of Composition, straight they chang'd their Minds,*
Flew off, and into strange Vagaries fell
As they would dance: yet for a Dance they seem'd
Somewhat extravagant, and wild; perhaps
For Joy of offer'd Peace; but I suppose
If our Proposals once again were heard,
We should compel them to a quick Result.
To whom thus Belial in like gamesome Mood:
Leader, the Terms we sent were Terms of Weight,
Of hard Contents, and full of force urg'd home;
Such as we might perceive amus'd them all,
And stumbled many: who receives them right,
Had need, from Head to Foot, will understand;
Not understood, this Gift they have besides,
They shew us when our Foes walk not upright.
Thus they among themselves in pleasant vein
Stood scoffing¹⁷——

Footnote 1:

It is in Part II. of the

Poetics

, when treating of Tragedy, that Aristotle lays down his main principles. Here after treating of the Fable and the Manners, he proceeds to the Diction and the Sentiments. By Fable, he says (§ 2),

'I mean the contexture of incidents, or the Plot. By Manners, I mean, whatever marks the Character of the Persons. By Sentiments, whatever they say, whether proving any thing, or delivering a general sentiment, &c.'

In dividing Sentiments from Diction, he says (§22): The Sentiments include whatever is the Object of speech, Diction (§ 23-25) the words themselves. Concerning Sentiment, he refers his reader to the rhetoricians.

return to footnote mark

Footnote 2:

argues or explains, magnifies or diminishes, raises

these

René le Bossu says in his treatise on the Epic, published in 1675, Bk, vi. ch. 3:

'What is base and ignoble at one time and in one country, is not always so in others. We are apt to smile at Homer's comparing Ajax to an Ass in his Iliad. Such a comparison now-a-days would be indecent and ridiculous; because it would be indecent and ridiculous for a person of quality to ride upon such a steed. But heretofore this Animal was in better repute: Kings and princes did not disdain the best so much as mere tradesman do in our time. 'Tis just the same with many other smiles which in Homer's time were allowable. We should now pity a Poet that should be so silly and ridiculous as to compare a Hero to a piece of Fat. Yet Homer does it in a comparison he makes of Ulysses... The reason is that in these Primitive Times, wherein the Sacrifices ... were living creatures, the Blood and the Fat were the most noble, the most august, and the most holy things.'

such Beautiful

Longimus on the Sublime, I. § 9. of Discord, Homer says (Pope's tr.):

While scarce the skies her horrid head can bound,
She stalks on earth.

(Iliad iv.)

Of horses of the gods:

Far as a shepherd from some spot on high
O'er the wide main extends his boundless eye,
Through such a space of air, with thund'ring sound,
At one long leap th' immortal coursers bound.

(Iliad v.)

Longinus quotes also from the

Iliad

xix., the combat of the Gods, the description of Neptune,

Iliad

xi., and the Prayer of Ajax,

Iliad

xvii.

little

affect it. I remember but one line in him which has been objected against, by the Criticks, as a point of Wit. It is in his ninth Book, where Juno, speaking of the Trojans, how they survived the Ruins of their City, expresses her self in the following words;

Num copti potuere copi, num incense cremorunt Pergama?

Were the Trojans taken even after they were Captives, or did Troy burn even when it was in Flames?

low

Zoilus, who lived about 270 B. C., in the time of Ptolemy Philadelphus, made himself famous for attacks upon Homer and on Plato and Isocrates, taking pride in the title of Homeromastix. Circe's men turned into swine Zoilus ridiculed as weeping porkers. When he asked sustenance of Ptolemy he was told that Homer sustained many thousands, and as he claimed to be a better man than Homer, he ought to be able to sustain himself. The tradition is that he was at last crucified, stoned, or burnt for his heresy.

return

Footnote 11:

Charles Perrault, brother of Claude Perrault the architect and ex-physician, was himself Controller of Public Buildings under Colbert, and after his retirement from that office, published in 1690 his Parallel between the Ancients and Moderns, taking the side of the moderns in the controversy, and dealing sometimes disrespectfully with Homer. Boileau replied to him in

Critical Reflections on Longinus

Sentiments

Iliad

, Bk. i., near the close.

return

Footnote 14:

Iliad

, Bk. ii.