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The spirit of American sculpture

Chapter 3: NOTE
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About This Book

The author surveys the development of American sculpture, tracing how public commissions, wars, international study, and major expositions shaped stylistic change and public taste. She profiles prominent practitioners and public monuments, critiques commercial and overly sentimental memorial trends, and charts influences from European schools alongside occasional experimental departures. The narrative examines shifts in art education, the growing cooperation between museums and manufacture, and debates about appropriate forms of memorial sculpture, offering a concise, critical account of institutional, pedagogical, and aesthetic forces that shaped the nation’s sculptural practice.

In the preparation of the present work, the author has found herself, through the natural insistence of her own and her husband’s feelings, placed in a somewhat delicate position. It remains, therefore, for those editing the volume to preface it with some expression of admiration, however inadequate.

To sculptors, it is needless to point out the importance of the work of Herbert Adams. It is therefore to the lay reader that some word must be said of the man who hesitates to have recorded the admirable production of a fruitful and influential career. The wisdom, restraint, and true sense of the just and fitting, which for years have rendered all relation with his calm and balanced intellect the delight of friends and the aid of fellow workers, are mirrored in an art which so easily reflects these qualities. To those connected with the preparation of this exhibition it is a great pleasure to render serious tribute to the man who among sculptors has brought such faithful homage to the Art of Sculpture, and whose influence must be cherished as one of the permanent forces for Truth in the Art of our land.

The Committee.