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The Standard Oratorios: Their Stories, Their Music, And Their Composers

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About This Book

A concise handbook that traces the origin and development of the oratorio, explains its musical structure and modes of performance, and outlines its historical evolution. It presents readable sketches of the sacred narratives set to music, summarizes principal numbers, and supplies brief biographies and historical context for leading composers. The survey treats canonical works by figures such as Bach, Handel, Haydn, Mozart, Mendelssohn, Berlioz, Brahms, Verdi, and others, and also discusses large-scale sacred compositions often performed by oratorio societies though not strictly oratorios. Written for general readers, the volume emphasizes description over criticism and concludes with material on sacred music in America and an appendix.

About the Author

Upton, George P. portrait

George P. Upton

George P. Upton was an American author and musicologist known for his contributions to the understanding of operatic and musical literature. He is particularly recognized for his works that explore the plots, music, and composers of various musical forms, including operas, light operas, and cantatas. His notable titles include "The Standard Operas: Their Plots, Their Music, and Their Composers" and "The Standard Cantatas: Their Stories, Their Music, and Their Composers / A Handbook." Upton's writings serve as valuable resources for both music enthusiasts and scholars, providing insights into the narratives and compositions that shape the musical canon.

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