THE TRIUMPHS OF A TAXIDERMIST
Here are some of the secrets of taxidermy. They were told me by the taxidermist in a mood of elation. He told me them in the time between the first glass of whisky and the fourth, when a man is no longer cautious and yet not drunk. We sat in his den together; his library it was, his sitting and his eating-room—separated by a bead curtain, so far as the sense of sight went, from the noisome den where he plied his trade.
He sat on a deck chair, and when he was not tapping refractory bits of coal with them, he kept his feet—on which he wore, after the manner of sandals, the holy relics of a pair of carpet slippers—out of the way upon the mantel-piece, among the glass eyes. And his trousers, by-the-by—though they have nothing to do with his triumphs—were a most horrible yellow plaid, such as they made when our fathers wore side-whiskers and there were crinolines in the land. Further, his hair was black, his face rosy, and his eye a fiery brown; and his coat was chiefly of grease upon a basis of velveteen. And his pipe had a bowl of china showing the Graces, and his spectacles were always askew, the left eye glaring nakedly at you, small and penetrating; the right, seen through a glass darkly, magnified and mild. Thus his discourse ran: “There never was a man who could stuff like me, Bellows, never. I have stuffed elephants and I have stuffed moths, and the things have looked all the livelier and better for it. And I have stuffed human beings—chiefly amateur ornithologists. But I stuffed a nigger once.
“No, there is no law against it. I made him with all his fingers out and used him as a hat-rack, but that fool Homersby got up a quarrel with him late one night and spoilt him. That was before your time. It is hard to get skins, or I would have another.
“Unpleasant? I don’t see it. Seems to me taxidermy is a promising third course to burial or cremation. You could keep all your dear ones by you. Bric-`-brac of that sort stuck about the house would be as good as most company, and much less expensive. You might have them fitted up with clockwork to do things.
“Of course they would have to be varnished, but they need not shine more than lots of people do naturally. Old Manningtree’s bald head.... Anyhow, you could talk to them without interruption. Even aunts. There is a great future before taxidermy, depend upon it. There is fossils again....”
He suddenly became silent.
“No, I don’t think I ought to tell you that.” He sucked at his pipe thoughtfully. “Thanks, yes. Not too much water.
“Of course, what I tell you now will go no further. You know I have made some dodos and a great auk? No! Evidently you are an amateur at taxidermy. My dear fellow, half the great auks in the world are about as genuine as the handkerchief of Saint Veronica, as the Holy Coat of Treves. We make ’em of grebes’ feathers and the like. And the great auk’s eggs too!”
“Good heavens!”
“Yes, we make them out of fine porcelain. I tell you it is worth while. They fetch—one fetched #300 only the other day. That one was really genuine, I believe, but of course one is never certain. It is very fine work, and afterwards you have to get them dusty, for no one who owns one of these precious eggs has ever the temerity to clean the thing. That’s the beauty of the business. Even if they suspect an egg they do not like to examine it too closely. It’s such brittle capital at the best.
“You did not know that taxidermy rose to heights like that. My boy, it has risen higher. I have rivalled the hands of Nature herself. One of the genuine great auks”—his voice fell to a whisper—one of the genuine great auks was made by me.”
“No. You must study ornithology, and find out which it is yourself. And what is more, I have been approached by a syndicate of dealers to stock one of the unexplored skerries to the north of Iceland with specimens. I may—some day. But I have another little thing in hand just now. Ever heard of the dinornis?
“It is one of those big birds recently extinct in New Zealand. ‘Moa’ is its common name, so called because extinct: there is no moa now. See? Well, they have got bones of it, and from some of the marshes even feathers and dried bits of skin. Now, I am going to—well, there is no need to make any bones about it—going to forge a complete stuffed moa. I know a chap out there who will pretend to make the find in a kind of antiseptic swamp, and say he stuffed it at once, as it threatened to fall to pieces. The feathers are peculiar, but I have got a simply lovely way of dodging up singed bits of ostrich plume. Yes, that is the new smell you noticed. They can only discover the fraud with a microscope, and they will hardly care to pull a nice specimen to bits for that.
“In this way, you see, I give my little push in the advancement of science.
“But all this is merely imitating Nature. I have done more than that in my time. I have—beaten her.”
He took his feet down from the mantel-board, and leant over confidentially towards me. “I have created birds,” he said in a low voice. “New birds. Improvements. Like no birds that was ever seen before.”
He resumed his attitude during an impressive silence.
“Enrich the universe; rath-er. Some of the birds I made were new kinds of humming birds, and very beautiful little things, but some of them were simply rum. The rummest, I think, was the Anomalopteryx Jejuna. Jejunus-a-um—empty—so called because there was really nothing in it; a thoroughly empty bird—except for stuffing. Old Javvers has the thing now, and I suppose he is almost as proud of it as I am. It is a masterpiece, Bellows. It has all the silly clumsiness of your pelican, all the solemn want of dignity of your parrot, all the gaunt ungainliness of a flamingo, with all the extravagant chromatic conflict of a mandarin duck. Such a bird. I made it out of the skeletons of a stork and a toucan and a job lot of feathers. Taxidermy of that kind is just pure joy, Bellows, to a real artist in the art.
“How did I come to make it? Simple enough, as all great inventions are. One of those young genii who write us Science Notes in the papers got hold of a German pamphlet about the birds of New Zealand, and translated some of it by means of a dictionary and his mother-wit—he must have been one of a very large family with a small mother—and he got mixed between the living apteryx and the extinct anomalopteryx; talked about a bird five feet high, living in the jungles of the North Island, rare, shy, specimens difficult to obtain, and so on. Javvers, who even for a collector, is a miraculously ignorant man, read these paragraphs, and swore he would have the thing at any price. Raided the dealers with enquiries. It shows what a man can do by persistence—will-power. Here was a bird-collector swearing he would have a specimen of a bird that did not exist, that never had existed, and which for very shame of its own profane ungainliness, probably would not exist now if it could help itself. And he got it. He got it.”
“Have some more whisky, Bellows?” said the taxidermist, rousing himself from a transient contemplation of the mysteries of will-power and the collecting turn of mind. And, replenished, he proceeded to tell me of how he concocted a most attractive mermaid, and how an itinerant preacher, who could not get an audience because of it, smashed it because it was idolatry, or worse, at Burslem Wakes. But as the conversation of all the parties to this transaction, creator, would-be preserver, and destroyer, was uniformly unfit for publication, this cheerful incident must still remain unprinted.
The reader unacquainted with the dark ways of the collector may perhaps be inclined to doubt my taxidermist, but so far as great auks’ eggs, and the bogus stuffed birds are concerned, I find that he has the confirmation of distinguished ornithological writers. And the note about the New Zealand bird certainly appeared in a morning paper of unblemished reputation, for the Taxidermist keeps a copy and has shown it to me.
A DEAL IN OSTRICHES
“Talking of the prices of birds, I’ve seen an ostrich that cost three hundred pounds,” said the Taxidermist, recalling his youth of travel. “Three hundred pounds!”
He looked at me over his spectacles. “I’ve seen another that was refused at four.”
“No,” he said, “it wasn’t any fancy points. They was just plain ostriches. A little off colour, too—owing to dietary. And there wasn’t any particular restriction of the demand either. You’d have thought five ostriches would have ruled cheap on an East Indiaman. But the point was, one of ’em had swallowed a diamond.
“The chap it got it off was Sir Mohini Padishah, a tremendous swell, a Piccadilly swell you might say up to the neck of him, and then an ugly black head and a whopping turban, with this diamond in it. The blessed bird pecked suddenly and had it, and when the chap made a fuss it realised it had done wrong, I suppose, and went and mixed itself with the others to preserve its incog. It all happened in a minute. I was among the first to arrive, and there was this heathen going over his gods, and two sailors and the man who had charge of the birds laughing fit to split. It was a rummy way of losing a jewel, come to think of it. The man in charge hadn’t been about just at the moment, so that he didn’t know which bird it was. Clean lost, you see. I didn’t feel half sorry, to tell you the truth. The beggar had been swaggering over his blessed diamond ever since he came aboard.
“A thing like that goes from stem to stern of a ship in no time. Every one was talking about it. Padishah went below to hide his feelings. At dinner—he pigged at a table by himself, him and two other Hindoos—the captain kind of jeered at him about it, and he got very excited. He turned round and talked into my ear. He would not buy the birds; he would have his diamond. He demanded his rights as a British subject. His diamond must be found. He was firm upon that. He would appeal to the House of Lords. The man in charge of the birds was one of those wooden-headed chaps you can’t get a new idea into anyhow. He refused any proposal to interfere with the birds by way of medicine. His instructions were to feed them so-and-so and treat them so-and-so, and it was as much as his place was worth not to feed them so-and-so and treat them so-and-so. Padishah had wanted a stomach-pump—though you can’t do that to a bird, you know. This Padishah was full of bad law, like most of these blessed Bengalis, and talked of having a lien on the birds, and so forth. But an old boy, who said his son was a London barrister, argued that what a bird swallowed became ipso facto part of the bird, and that Padishah’s only remedy lay in an action for damages, and even then it might be possible to show contributory negligence. He hadn’t any right of way about an ostrich that didn’t belong to him. That upset Padishah extremely, the more so as most of us expressed an opinion that that was the reasonable view. There wasn’t any lawyer aboard to settle the matter, so we all talked pretty free. At last, after Aden, it appears that he came round to the general opinion, and went privately to the man in charge and made an offer for all five ostriches.
“The next morning there was a fine shindy at breakfast. The man hadn’t any authority to deal with the birds, and nothing on earth would induce him to sell; but it seems he told Padishah that a Eurasian named Potter had already made him an offer, and on that Padishah denounced Potter before us all. But I think the most of us thought it rather smart of Potter, and I know that when Potter said that he’d wired at Aden to London to buy the birds, and would have an answer at Suez, I cursed pretty richly at a lost opportunity.
“At Suez, Padishah gave way to tears—actual wet tears—when Potter became the owner of the birds, and offered him two hundred and fifty right off for the five, being more than two hundred per cent. on what Potter had given. Potter said he’d be hanged if he parted with a feather of them—that he meant to kill them off one by one and find the diamond; but afterwards, thinking it over, he relented a little. He was a gambling hound, was this Potter, a little queer at cards, and this kind of prize-packet business must have suited him down to the ground. Anyhow, he offered, for a lark, to sell the birds separately to separate people by auction at a starting price of #80 for a bird. But one of them, he said, he meant to keep for luck.
“You must understand this diamond was a valuable one—a little Jew chap, a diamond merchant, who was with us, had put it at three or four thousand when Padishah had shown it to him—and this idea of an ostrich gamble caught on. Now it happened that I’d been having a few talks on general subjects with the man who looked after these ostriches, and quite incidentally he’d said one of the birds was ailing, and he fancied it had indigestion. It had one feather in its tail almost all white, by which I knew it, and so when, next day, the auction started with it, I capped Padishah’s eighty-five by ninety. I fancy I was a bit too sure and eager with my bid, and some of the others spotted the fact that I was in the know. And Padishah went for that particular bird like an irresponsible lunatic. At last the Jew diamond merchant got it for #175, and Padishah said #180 just after the hammer came down—so Potter declared. At any rate the Jew merchant secured it, and there and then he got a gun and shot it. Potter made a Hades of a fuss because he said it would injure the sale of the other three, and Padishah, of course, behaved like an idiot; but all of us were very much excited. I can tell you I was precious glad when that dissection was over, and no diamond had turned up—precious glad. I’d gone to one-forty on that particular bird myself.
“The little Jew was like most Jews—he didn’t make any great fuss over bad luck; but Potter declined to go on with the auction until it was understood that the goods could not be delivered until the sale was over. The little Jew wanted to argue that the case was exceptional, and as the discussion ran pretty even, the thing was postponed until the next morning. We had a lively dinner-table that evening, I can tell you, but in the end Potter got his way, since it would stand to reason he would be safer if he stuck to all the birds, and that we owed him some consideration for his sportsmanlike behaviour. And the old gentleman whose son was a lawyer said he’d been thinking the thing over and that it was very doubtful if, when a bird had been opened and the diamond recovered, it ought not to be handed back to the proper owner. I remember I suggested it came under the laws of treasure-trove—which was really the truth of the matter. There was a hot argument, and we settled it was certainly foolish to kill the bird on board the ship. Then the old gentleman, going at large through his legal talk, tried to make out the sale was a lottery and illegal, and appealed to the captain; but Potter said he sold the birds as ostriches. He didn’t want to sell any diamonds, he said, and didn’t offer that as an inducement. The three birds he put up, to the best of his knowledge and belief, did not contain a diamond. It was in the one he kept—so he hoped.
“Prices ruled high next day all the same. The fact that now there were four chances instead of five of course caused a rise. The blessed birds averaged 227, and, oddly enough, this Padishah didn’t secure one of ’em—not one. He made too much shindy, and when he ought to have been bidding he was talking about liens, and, besides, Potter was a bit down on him. One fell to a quiet little officer chap, another to the little Jew, and the third was syndicated by the engineers. And then Potter seemed suddenly sorry for having sold them, and said he’d flung away a clear thousand pounds, and that very likely he’d draw a blank and that he always had been a fool, but when I went and had a bit of a talk to him, with the idea of getting him to hedge on his last chance, I found he’d already sold the bird he’d reserved to a political chap that was on board, a chap who’d been studying Indian morals and social questions in his vacation. That last was the three hundred pounds bird. Well, they landed three of the blessed creatures at Brindisi—though the old gentleman said it was a breach of the Customs regulations—and Potter and Padishah landed too. The Hindoo seemed half mad as he saw his blessed diamond going this way and that, so to speak. He kept on saying he’d get an injunction—he had injunction on the brain—and giving his name and address to the chaps who’d bought the birds, so that they’d know where to send the diamond. None of them wanted his name and address, and none of them would give their own. It was a fine row I can tell you—on the platform. They all went off by different trains. I came on to Southampton, and there I saw the last of the birds, as I came ashore; it was the one the engineers bought, and it was standing up near the bridge, in a kind of crate, and looking as leggy and silly a setting for a valuable diamond as ever you saw—if it was a setting for a valuable diamond.
“How did it end? Oh! like that. Well—perhaps. Yes, there’s one more thing that may throw light on it. A week or so after landing I was down Regent-street doing a bit of shopping, and who should I see arm-in-arm and having a purple time of it but Padishah and Potter. If you come to think of it—
“Yes. I’ve thought that. Only, you see, there’s no doubt the diamond was real. And Padishah was an eminent Hindoo. I’ve seen his name in the papers—often. But whether the bird swallowed the diamond certainly is another matter, as you say.”
THROUGH A WINDOW
After his legs were set, they carried Bailey into the study and put him on a couch before the open window. There he lay, a live—even a feverish man down to the loins, and below that a double-barrelled mummy swathed in white wrappings. He tried to read, even tried to write a little, but most of the time he looked out of the window.
He had thought the window cheerful to begin with, but now he thanked God for it many times a day. Within, the room was dim and grey, and in the reflected light the wear of the furniture showed plainly. His medicine and drink stood on the little table, with such litter as the bare branches of a bunch of grapes or the ashes of a cigar upon a green plate, or a day old evening paper. The view outside was flooded with light, and across the corner of it came the head of the acacia, and at the foot the top of the balcony-railing of hammered iron. In the foreground was the weltering silver of the river, never quiet and yet never tiresome. Beyond was the reedy bank, a broad stretch of meadow land, and then a dark line of trees ending in a group of poplars at the distant bend of the river, and, upstanding behind them, a square church tower.
Up and down the river, all day long, things were passing. Now a string of barges drifting down to London, piled with lime or barrels of beer; then a steam-launch, disengaging heavy masses of black smoke, and disturbing the whole width of the river with long rolling waves; then an impetuous electric launch, and then a boatload of pleasure-seekers, a solitary sculler, or a four from some rowing club. Perhaps the river was quietest of a morning or late at night. One moonlight night some people drifted down singing, and with a zither playing—it sounded very pleasantly across the water.
In a few days Bailey began to recognise some of the craft; in a week he knew the intimate history of half-a-dozen. The launch Luzon, from Fitzgibbon’s, two miles up, would go fretting by, sometimes three or four times a day, conspicuous with its colouring of Indian-red and yellow, and its two Oriental attendants; and one day, to Bailey’s vast amusement, the house-boat Purple Emperor came to a stop outside, and breakfasted in the most shameless domesticity. Then one afternoon, the captain of a slow-moving barge began a quarrel with his wife as they came into sight from the left, and had carried it to personal violence before he vanished behind the window-frame to the right. Bailey regarded all this as an entertainment got up to while away his illness, and applauded all the more moving incidents. Mrs Green, coming in at rare intervals with his meals, would catch him clapping his hands or softly crying, “Encore!” But the river players had other engagements, and his encore went unheeded.
“I should never have thought I could take such an interest in things that did not concern me,” said Bailey to Wilderspin, who used to come in in his nervous, friendly way and try to comfort the sufferer by being talked to. “I thought this idle capacity was distinctive of little children and old maids. But it’s just circumstances. I simply can’t work, and things have to drift; it’s no good to fret and struggle. And so I lie here and am as amused as a baby with a rattle, at this river and its affairs.
“Sometimes, of course, it gets a bit dull, but not often.
“I would give anything, Wilderspin, for a swamp—just one swamp—once. Heads swimming and a steam launch to the rescue, and a chap or so hauled out with a boat-hook.... There goes Fitzgibbon’s launch! They have a new boat-hook, I see, and the little blackie is still in the dumps. I don’t think he’s very well, Wilderspin. He’s been like that for two or three days, squatting sulky-fashion and meditating over the churning of the water. Unwholesome for him to be always staring at the frothy water running away from the stern.”
They watched the little steamer fuss across the patch of sunlit river, suffer momentary occultation from the acacia, and glide out of sight behind the dark window-frame.
“I’m getting a wonderful eye for details,” said Bailey: “I spotted that new boat-hook at once. The other nigger is a funny little chap. He never used to swagger with the old boat-hook like that.”
“Malays, aren’t they?” said Wilderspin.
“Don’t know,” said Bailey. “I thought one called all that sort of manner Lascar.”
Then he began to tell Wilderspin what he knew of the private affairs of the houseboat, Purple Emperor. “Funny,” he said, “how these people come from all points of the compass—from Oxford and Windsor, from Asia and Africa—and gather and pass opposite the window just to entertain me. One man floated out of the infinite the day before yesterday, caught one perfect crab opposite, lost and recovered a scull, and passed on again. Probably he will never come into my life again. So far as I am concerned, he has lived and had his little troubles, perhaps thirty—perhaps forty—years on the earth, merely to make an ass of himself for three minutes in front of my window. Wonderful thing, Wilderspin, if you come to think of it.”
“Yes,” said Wilderspin; “isn’t it?”
A day or two after this Bailey had a brilliant morning. Indeed, towards the end of the affair, it became almost as exciting as any window show very well could be. We will, however, begin at the beginning.
Bailey was all alone in the house, for his housekeeper had gone into the town three miles away to pay bills, and the servant had her holiday. The morning began dull. A canoe went up about half-past nine, and later a boat-load of camping men came down. But this was mere margin. Things became cheerful about ten o’clock.
It began with something white fluttering in the remote distance where the three poplars marked the river bend. “Pocket-handkerchief,” said Bailey, when he saw it “No. Too big! Flag perhaps.”
However, it was not a flag, for it jumped about. “Man in whites running fast, and this way,” said Bailey. “That’s luck! But his whites are precious loose!”
Then a singular thing happened. There was a minute pink gleam among the dark trees in the distance, and a little puff of pale grey that began to drift and vanish eastward. The man in white jumped and continued running. Presently the report of the shot arrived.
“What the devil!” said Bailey. “Looks as if someone was shooting at him.”
He sat up stiffly and stared hard. The white figure was coming along the pathway through the corn. “It’s one of those niggers from the Fitzgibbon’s,” said Bailey; “or may I be hanged! I wonder why he keeps sawing with his arm.”
Then three other figures became indistinctly visible against the dark background of the trees.
Abruptly on the opposite bank a man walked into the picture. He was black-bearded, dressed in flannels, had a red belt, and a vast grey felt hat. He walked, leaning very much forward and with his hands swinging before him. Behind him one could see the grass swept by the towing-rope of the boat he was dragging. He was steadfastly regarding the white figure that was hurrying through the corn. Suddenly he stopped. Then, with a peculiar gesture, Bailey could see that he began pulling in the tow-rope hand over hand. Over the water could be heard the voices of the people in the still invisible boat.
“What are you after, Hagshot?” said someone.
The individual with the red belt shouted something that was inaudible, and went on lugging in the rope, looking over his shoulder at the advancing white figure as he did so. He came down the bank, and the rope bent a lane among the reeds and lashed the water between his pulls.
Then just the bows of the boat came into view, with the towing-mast and a tall, fair-haired man standing up and trying to see over the bank. The boat bumped unexpectedly among the reeds, and the tall, fair-haired man disappeared suddenly, having apparently fallen back into the invisible part of the boat. There was a curse and some indistinct laughter. Hagshot did not laugh, but hastily clambered into the boat and pushed off. Abruptly the boat passed out of Bailey’s sight.
But it was still audible. The melody of voices suggested that its occupants were busy telling each other what to do.
The running figure was drawing near the bank. Bailey could now see clearly that it was one of Fitzgibbon’s Orientals, and began to realise what the sinuous thing the man carried in his hand might be. Three other men followed one another through the corn, and the foremost carried what was probably the gun. They were perhaps two hundred yards or more behind the Malay.
“It’s a man hunt, by all that’s holy!” said Bailey.
The Malay stopped for a moment and surveyed the bank to the right. Then he left the path, and, breaking through the corn, vanished in that direction. The three pursuers followed suit, and their heads and gesticulating arms above the corn, after a brief interval, also went out of Bailey’s field of vision.
Bailey so far forgot himself as to swear. “Just as things were getting lively!” he said. Something like a woman’s shriek came through the air. Then shouts, a howl, a dull whack upon the balcony outside that made Bailey jump, and then the report of a gun.
“This is precious hard on an invalid,” said Bailey.
But more was to happen yet in his picture. In fact, a great deal more. The Malay appeared again, running now along the bank up stream. His stride had more swing and less pace in it than before. He was threatening someone ahead with the ugly krees he carried. The blade, Bailey noticed, was dull—it did not shine as steel should.
Then came the tall, fair man, brandishing a boat-hook, and after him three other men in boating costume, running clumsily with oars. The man with the grey hat and red belt was not with them. After an interval the three men with the gun reappeared, still in the corn, but now near the river bank. They emerged upon the towing-path, and hurried after the others. The opposite bank was left blank and desolate again.
The sick-room was disgraced by more profanity. “I would give my life to see the end of this,” said Bailey. There were indistinct shouts up stream. Once they seemed to be coming nearer, but they disappointed him.
Bailey sat and grumbled. He was still grumbling when his eye caught something black and round among the waves. “Hullo!” he said. He looked narrowly and saw two triangular black bodies frothing every now and then about a yard in front of this.
He was still doubtful when the little band of pursuers came into sight again, and began to point to this floating object. They were talking eagerly. Then the man with the gun took aim.
“He’s swimming the river, by George!” said Bailey.
The Malay looked round, saw the gun, and went under. He came up so close to Bailey’s bank of the river that one of the bars of the balcony hid him for a moment. As he emerged the man with the gun fired. The Malay kept steadily onward—Bailey could see the wet hair on his forehead now and the krees between his teeth—and was presently hidden by the balcony.
This seemed to Bailey an unendurable wrong. The man was lost to him for ever now, so he thought. Why couldn’t the brute have got himself decently caught on the opposite bank, or shot in the water?
“It’s worse than Edwin Drood,” said Bailey.
Over the river, too, things had become an absolute blank. All seven men had gone down stream again, probably to get the boat and follow across. Bailey listened and waited. There was silence. “Surely it’s not over like this,” said Bailey.
Five minutes passed—ten minutes. Then a tug with two barges went up stream. The attitudes of the men upon these were the attitudes of those who see nothing remarkable in earth, water, or sky. Clearly the whole affair had passed out of sight of the river. Probably the hunt had gone into the beech woods behind the house.
“Confound it!” said Bailey. “To be continued again, and no chance this time of the sequel. But this is hard on a sick man.”
He heard a step on the staircase behind him and looking round saw the door open. Mrs Green came in and sat down, panting. She still had her bonnet on, her purse in her hand, and her little brown basket upon her arm. “Oh, there!” she said, and left Bailey to imagine the rest.
“Have a little whisky and water, Mrs Green, and tell me about it,” said Bailey.
Sipping a little, the lady began to recover her powers of explanation.
One of those black creatures at the Fitzgibbon’s had gone mad, and was running about with a big knife, stabbing people. He had killed a groom, and stabbed the under-butler, and almost cut the arm off a boating gentleman.
“Running amuck with a krees,” said Bailey. “I thought that was it.”
And he was hiding in the wood when she came through it from the town.
“What! Did he run after you?” asked Bailey, with a certain touch of glee in his voice.
“No, that was the horrible part of it,” Mrs Green explained. She had been right through the woods and had never known he was there. It was only when she met young Mr Fitzgibbon carrying his gun in the shrubbery that she heard anything about it. Apparently, what upset Mrs Green was the lost opportunity for emotion. She was determined, however, to make the most of what was left her.
“To think he was there all the time!” she said, over and over again.
Bailey endured this patiently enough for perhaps ten minutes. At last he thought it advisable to assert himself. “It’s twenty past one, Mrs Green,” he said. “Don’t you think it time you got me something to eat?”
This brought Mrs Green suddenly to her knees.
“Oh Lord, sir!” she said. “Oh! don’t go making me go out of this room, sir, till I know he’s caught. He might have got into the house, sir. He might be creeping, creeping, with that knife of his, along the passage this very—”
She broke off suddenly and glared over him at the window. Her lower jaw dropped. Bailey turned his head sharply.
For the space of half a second things seemed just as they were. There was the tree, the balcony, the shining river, the distant church tower. Then he noticed that the acacia was displaced about a foot to the right, and that it was quivering, and the leaves were rustling. The tree was shaken violently, and a heavy panting was audible.
In another moment a hairy brown hand had appeared and clutched the balcony railings, and in another the face of the Malay was peering through these at the man on the couch. His expression was an unpleasant grin, by reason of the krees he held between his teeth, and he was bleeding from an ugly wound in his cheek. His hair wet to drying stuck out like horns from his head. His body was bare save for the wet trousers that clung to him. Bailey’s first impulse was to spring from the couch, but his legs reminded him that this was impossible.
By means of the balcony and tree the man slowly raised himself until he was visible to Mrs Green. With a choking cry she made for the door and fumbled with the handle.
Bailey thought swiftly and clutched a medicine bottle in either hand. One he flung, and it smashed against the acacia. Silently and deliberately, and keeping his bright eyes fixed on Bailey, the Malay clambered into the balcony. Bailey, still clutching his second bottle, but with a sickening, sinking feeling about his heart, watched first one leg come over the railing and then the other.
It was Bailey’s impression that the Malay took about an hour to get his second leg over the rail. The period that elapsed before the sitting position was changed to a standing one seemed enormous—days, weeks, possibly a year or so. Yet Bailey had no clear impression of anything going on in his mind during that vast period, except a vague wonder at his inability to throw the second medicine bottle. Suddenly the Malay glanced over his shoulder. There was the crack of a rifle. He flung up his arms and came down upon the couch. Mrs Green began a dismal shriek that seemed likely to last until Doomsday. Bailey stared at the brown body with its shoulder blade driven in, that writhed painfully across his legs and rapidly staining and soaking the spotless bandages. Then he looked at the long krees, with the reddish streaks upon its blade, that lay an inch beyond the trembling brown fingers upon the floor. Then at Mrs Green, who had backed hard against the door and was staring at the body and shrieking in gusty outbursts as if she would wake the dead. And then the body was shaken by one last convulsive effort.
The Malay gripped the krees, tried to raise himself with his left hand, and collapsed. Then he raised his head, stared for a moment at Mrs Green, and twisting his face round looked at Bailey. With a gasping groan the dying man succeeded in clutching the bed clothes with his disabled hand, and by a violent effort, which hurt Bailey’s legs exceedingly, writhed sideways towards what must be his last victim. Then something seemed released in Bailey’s mind and he brought down the second bottle with all his strength on to the Malay’s face. The krees fell heavily upon the floor.
“Easy with those legs,” said Bailey, as young Fitzgibbon and one of the boating party lifted the body off him.
Young Fitzgibbon was very white in the face. “I didn’t mean to kill him,” he said.
“It’s just as well,” said Bailey.
THE TEMPTATION OF HARRINGAY
It is quite impossible to say whether this thing really happened. It depends entirely on the word of R.M. Harringay, who is an artist.
Following his version of the affair, the narrative deposes that Harringay went into his studio about ten o’clock to see what he could make of the head that he had been working at the day before. The head in question was that of an Italian organ-grinder, and Harringay thought—but was not quite sure—that the title would be the “Vigil.” So far he is frank, and his narrative bears the stamp of truth. He had seen the man expectant for pennies, and with a promptness that suggested genius, had had him in at once.
“Kneel. Look up at that bracket,” said Harringay. “As if you expected pennies.”
“Don’t grin!” said Harringay. “I don’t want to paint your gums. Look as though you were unhappy.”
Now, after a night’s rest, the picture proved decidedly unsatisfactory. “It’s good work,” said Harringay. “That little bit in the neck ... But.”
He walked about the studio and looked at the thing from this point and from that. Then he said a wicked word. In the original the word is given.
“Painting,” he says he said. “Just a painting of an organ-grinder—a mere portrait. If it was a live organ-grinder I wouldn’t mind. But somehow I never make things alive. I wonder if my imagination is wrong.” This, too, has a truthful air. His imagination is wrong.
“That creative touch! To take canvas and pigment and make a man—as Adam was made of red ochre! But this thing! If you met it walking about the streets you would know it was only a studio production. The little boys would tell it to ‘Garnome and git frimed.’ Some little touch ... Well—it won’t do as it is.”
He went to the blinds and began to pull them down. They were made of blue holland with the rollers at the bottom of the window, so that you pull them down to get more light. He gathered his palette, brushes, and mahl stick from his table. Then he turned to the picture and put a speck of brown in the corner of the mouth; and shifted his attention thence to the pupil of the eye. Then he decided that the chin was a trifle too impassive for a vigil.
Presently he put down his impedimenta, and lighting a pipe surveyed the progress of his work. “I’m hanged if the thing isn’t sneering at me,” said Harringay, and he still believes it sneered.
The animation of the figure had certainly increased, but scarcely in the direction he wished. There was no mistake about the sneer. “Vigil of the Unbeliever,” said Harringay. “Rather subtle and clever that! But the left eyebrow isn’t cynical enough.”
He went and dabbed at the eyebrow, and added a little to the lobe of the ear to suggest materialism. Further consideration ensued. “Vigil’s off, I’m afraid,” said Harringay. “Why not Mephistopheles? But that’s a bit too common. ‘A Friend of the Doge,’—not so seedy. The armour won’t do, though. Too Camelot. How about a scarlet robe and call him One of the Sacred College’? Humour in that, and an appreciation of Middle Italian History.”
“There’s always Benvenuto Cellini,” said Harringay; “with a clever suggestion of a gold cup in one corner. But that would scarcely suit the complexion.”
He describes himself as babbling in this way in order to keep down an unaccountably unpleasant sensation of fear. The thing was certainly acquiring anything but a pleasing expression. Yet it was as certainly becoming far more of a living thing than it had been—if a sinister one—far more alive than anything he had ever painted before. “Call it Portrait of a Gentleman,’” said Harringay;—“A Certain Gentleman.”
“Won’t do,” said Harringay, still keeping up his courage. “Kind of thing they call Bad Taste. That sneer will have to come out. That gone, and a little more fire in the eye—never noticed how warm his eye was before—and he might do for—? What price Passionate Pilgrim? But that devilish face won’t do—this side of the Channel.
“Some little inaccuracy does it,” he said; “eyebrows probably too oblique,”—therewith pulling the blind lower to get a better light, and resuming palette and brushes.
The face on the canvas seemed animated by a spirit of its own. Where the expression of diablerie came in he found impossible to discover. Experiment was necessary. The eyebrows—it could scarcely be the eyebrows? But he altered them. No, that was no better; in fact, if anything, a trifle more satanic. The corner of the mouth? Pah! more than ever a leer—and now, retouched, it was ominously grim. The eye, then? Catastrophe! he had filled his brush with vermilion instead of brown, and yet he had felt sure it was brown! The eye seemed now to have rolled in its socket, and was glaring at him an eye of fire. In a flash of passion, possibly with something of the courage of panic, he struck the brush full of bright red athwart the picture; and then a very curious thing, a very strange thing indeed, occurred—if it did occur.
The diabolified Italian before him shut both his eyes, pursed his mouth, and wiped the colour off his face with his hand.
Then the red eye opened again, with a sound like the opening of lips, and the face smiled. “That was rather hasty of you,” said the picture.
Harringay states that, now that the worst had happened, his self-possession returned. He had a saving persuasion that devils were reasonable creatures.
“Why do you keep moving about then,” he said, “making faces and all that—sneering and squinting, while I am painting you?”
“I don’t,” said the picture.
“You do,” said Harringay.
“It’s yourself,” said the picture.
“It’s not myself,” said Harringay.
“It is yourself,” said the picture. “No! don’t go hitting me with paint again, because it’s true. You have been trying to fluke an expression on my face all the morning. Really, you haven’t an idea what your picture ought to look like.”
“I have,” said Harringay.
“You have not,” said the picture: “You never have with your pictures. You always start with the vaguest presentiment of what you are going to do; it is to be something beautiful—you are sure of that—and devout, perhaps, or tragic; but beyond that it is all experiment and chance. My dear fellow! you don’t think you can paint a picture like that?”
Now it must be remembered that for what follows we have only Harringay’s word.
“I shall paint a picture exactly as I like,” said Harringay, calmly.
This seemed to disconcert the picture a little. “You can’t paint a picture without an inspiration,” it remarked.
“But I had an inspiration—for this.”
“Inspiration!” sneered the sardonic figure; “a fancy that came from your seeing an organ-grinder looking up at a window! Vigil! Ha, ha! You just started painting on the chance of something coming—that’s what you did. And when I saw you at it I came. I want a talk with you!”
“Art, with you,” said the picture,—“it’s a poor business. You potter. I don’t know how it is, but you don’t seem able to throw your soul into it. You know too much. It hampers you. In the midst of your enthusiasms you ask yourself whether something like this has not been done before. And ...”
“Look here,” said Harringay, who had expected something better than criticism from the devil. “Are you going to talk studio to me?” He filled his number twelve hoghair with red paint.
“The true artist,” said the picture, “is always an ignorant man. An artist who theorises about his work is no longer artist but critic. Wagner ... I say!—What’s that red paint for?”
“I’m going to paint you out,” said Harringay. “I don’t want to hear all that Tommy Rot. If you think just because I’m an artist by trade I’m going to talk studio to you, you make a precious mistake.”
“One minute,” said the picture, evidently alarmed. “I want to make you an offer—a genuine offer. It’s right what I’m saying. You lack inspirations. Well. No doubt you’ve heard of the Cathedral of Cologne, and the Devil’s Bridge, and—”
“Rubbish,” said Harringay. “Do you think I want to go to perdition simply for the pleasure of painting a good picture, and getting it slated. Take that.”
His blood was up. His danger only nerved him to action, so he says. So he planted a dab of vermilion in his creature’s mouth. The Italian spluttered and tried to wipe it off—evidently horribly surprised. And then—according to Harringay—there began a very remarkable struggle, Harringay splashing away with the red paint, and the picture wriggling about and wiping it off as fast as he put it on. “Two masterpieces,” said the demon. “Two indubitable masterpieces for a Chelsea artist’s soul. It’s a bargain?” Harringay replied with the paint brush.
For a few minutes nothing could be heard but the brush going and the spluttering and ejaculations of the Italian. A lot of the strokes he caught on his arm and hand, though Harringay got over his guard often enough. Presently the paint on the palette gave out and the two antagonists stood breathless, regarding each other. The picture was so smeared with red that it looked as if it had been rolling about a slaughterhouse, and it was painfully out of breath and very uncomfortable with the wet paint trickling down its neck. Still, the first round was in its favour on the whole. “Think,” it said, sticking pluckily to its point, “two supreme masterpieces—in different styles. Each equivalent to the Cathedral...”
“I know,” said Harringay, and rushed out of the studio and along the passage towards his wife’s boudoir.
In another minute he was back with a large tin of enamel—Hedge Sparrow’s Egg Tint, it was, and a brush. At the sight of that the artistic devil with the red eye began to scream. “Three masterpieces—culminating masterpieces.”
Harringay delivered cut two across the demon, and followed with a thrust in the eye. There was an indistinct rumbling. “Four masterpieces,” and a spitting sound.
But Harringay had the upper hand now and meant to keep it. With rapid, bold strokes he continued to paint over the writhing canvas, until at last it was a uniform field of shining Hedge Sparrow tint. Once the mouth reappeared and got as far as “Five master—” before he filled it with enamel; and near the end the red eye opened and glared at him indignantly. But at last nothing remained save a gleaming panel of drying enamel. For a little while a faint stirring beneath the surface puckered it slightly here and there, but presently even that died away and the thing was perfectly still.
Then Harringay—according to Harringay’s account—lit his pipe and sat down and stared at the enamelled canvas, and tried to make out clearly what had happened. Then he walked round behind it, to see if the back of it was at all remarkable. Then it was he began to regret he had not photographed the Devil before he painted him out.
This is Harringay’s story—not mine. He supports it by a small canvas (24 by 20) enamelled a pale green, and by violent asseverations. It is also true that he never has produced a masterpiece, and in the opinion of his intimate friends probably never will.