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The Story of a Great Schoolmaster

Chapter 10: CHAPTER III
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About This Book

The author provides a personal and analytical portrait of a schoolmaster whose energetic leadership transformed a modest grammar school into a progressive teaching centre. Drawing on recollection and documentary detail, the narrative traces administrative and curricular innovations—practical science instruction, the replacement of competitive routines with group work, and efforts to reconnect schooling with social realities—and describes the head's sermons, moral instruction, wartime advocacy for reconstruction, and architectural projects such as a chapel and a House of Vision. The account balances character study with discussion of pedagogical aims and institutional experiments intended to broaden the school's social purpose.

Interior in Science Block

The little world of Oundle heard of the new appointment with mixed and various feelings, in which there was no doubt a considerable amount of resentment. No man becomes headmaster of an established school without facing many difficulties. If he is promoted from among the staff of his predecessor old disputes and rivalries are apt to take on an exaggerated importance, and if he comes in from outside he finds a staff disposed to a meticulous defence of established usage. And the young couple from Dulwich came to the place in direct condemnation of its current condition and its best traditions. There can be no doubt that at the outset the school and town bristled defensively and unpleasantly to the new-comers.

In one respect the old educational order had a great advantage over the new that Sanderson was to inaugurate. It had a completed tradition, and it provided the standards by which the new was tried. Whatever it taught was held to be necessary to education, and all that it did not know was not knowledge. By such tests the equipment of Sanderson was exhibited as both defective and superfluous. Moreover, the new system was confessedly undeveloped and experimental. It could not be denied that Sanderson might be making blunders, and that he might have to retrace his steps. People had been teaching the classics for three centuries; the routine had become so mechanical that it was done best by men who were intellectually and morally half asleep. It led to nothing; except in very exceptional cases it did not even lead to a competent use of either the Latin or Greek languages; it involved no intelligent realisation of history, it detached the idea of philosophy from current life, and it produced the dreariest artistic Philistinism, but there was a universal persuasion that in some mystical way it educated. The methods of teaching science, on the other hand, were still in the experimental stage, and had still to convince the world that even at the lowest levels of failure they constituted a highly beneficent discipline.

I do not propose to disentangle here the story of Sanderson's first seven years of difficulty. He found the school and the town sullen and hostile, and he was young, eager, and irascible. The older boys had all been promoted upon classical qualifications, they were saturated with the old public-school tradition that Sanderson had come to destroy, and behind them were various members of a hostile and resentful staff inciting them to obstruction and mischief. Neither Mr. nor Mrs. Sanderson was old enough or wise enough to disregard slights or to ignore mere gestures of hostility.

Reminiscences of old boys in the official life give us glimpses of the way in which the old order fought against the new. Everything was done to emphasise the fact that Sanderson was 'no gentleman,' 'no sportsman,' 'no cricketer,' 'no scholar.' It is the dearest delusion of snobs everywhere that able men who have made their way in the world are incapable of acquiring a valet's knowledge of what is correct in dress and deportment, and the dark legend was spread that he wore a flannel shirt with a sort of false front called a 'dicky' and detachable cuffs, in place of the evening shirt of the genteel. Moreover, his dress tie was reported to be a made-up tie. Unless he is to undress in public I do not see how a man under suspicion is to rebut such sinister scandals. The boys, with the help and encouragement of several members of the staff, made up a satirical play full of the puns and classical tags and ancient venerable turns of humour usual in such compositions, against this Barbarian invader and his new laboratories. It was the mock trial of an incendiary found trying to burn down the new laboratories. It was 'full of envenomed and insulting references' to all the new headmaster was supposed to hold dear. Finally it was rehearsed before him. He sat brooding over it thoughtfully, as shaft after shaft was launched against him. 'It didn't seem so funny then,' said my informant, 'as it had done when we prepared it.' It went to a 'ragged and unconvinced applause.' At the end 'came a pause—a stillness that could be felt.' The headmaster sat with downcast face, thinking.

I suppose he was chiefly busy reckoning how soon he would be rid of this hostile generation of elder boys. They had to go. It was a pity, but nothing was to be done with them. The school had to grow out of them, as it had to grow out of its disloyal staff.

He rose slowly in his seat. 'Boys, we will regard this as the final performance,' he said, and departed thoughtfully, making no further comment. He took no action in the matter, attempted neither reproof nor punishment. He dropped the matter with a magnificent contempt. And, says the old boy who tells the story, from that time the spirit of the school seemed to change in his favour. The old order had discharged its venom. The boys began to realise the true value of the forces of spite and indolent obstructiveness with which their youth was in alliance.

§ 4

Not always did Sanderson carry things off with an equal dignity. His temperament was choleric, and ever and again his smouldering indignation at the obstinate folly and jealousy that hampered his work blazed out violently. Dignified silence is impossible as a permanent pose for a teacher whose duty is to express and direct. Sanderson's business was to get ideas into resisting heads; he was not a born orator but a confused, abundant speaker, and he had to scold, to thrust strange sayings at them, to force their inattention, to beat down an answering ridicule. He was often simply and sincerely wrathful with them, and in his early years he thrashed a great deal. He thrashed hard and clumsily in a white-heat of passion—'a hail of swishing strokes that seemed almost to envelop one.' A newspaper or copybook at the normal centre of infliction availed but little. Cuts fell everywhere on back or legs or fingers. He had been sorely tried, he had been overtried. It was a sort of heartbreak of blows.

The boys argued mightily about these unorthodox swishings. It was all a part of Sanderson being a strange creature and not in the tradition. It was lucky no one was ever injured. But they found something in their own unregenerate natures that made them understand and sympathise with this eager, thwarted stranger and his thunderstorms of anger. Generally he was a genial person, and that, too, they recognised. It is manifest quite early in the story that Sanderson interested his boys as his predecessor had never done. They discussed his motives, his strange sayings, his peculiar locutions with accumulating curiosity. Two sorts of schoolmasters boys respect: those who are completely dignified and opaque to them, and those who are transparent enough to show honesty at the core. Sanderson was transparently honest. If he was not pompously dignified he was also extraordinarily free from vanity; and if he thrust work and toil upon his boys it was at any rate not to spare himself that he did so. And he won them also by his wonderful teaching. In the early days he did a lot of the science teaching himself; later on the school grew too big for him to do any of this. All the old boys I have been able to consult agree that his class instruction was magnificent.

Every year in the history of Sanderson's headmastership shows a growing understanding between the boys and himself. 'Beans,' they called him, but every year it was less and less necessary to 'Give 'm Beans,' as the vulgar say. The tale of storms and thrashings dwindles until it vanishes from the story. In the last decade of his rule there was hardly any corporal punishment at all. The whole school as time went on grew into a humorous affectionate appreciation of his genius. It was a sunny, humorous school when I knew it; there was little harshness and no dark corners. No boy had been expelled for a long time.

§ 5

The official life gives a diagram and particulars of the growth of the school during Sanderson's time, and there is no need to repeat those particulars here. From 1892 to 1900 there was no very remarkable increase in the number of boys; it rose from ninety-odd to a hundred and twenty or so. Then as Sanderson's grip became sure there followed a rapid expansion.

From 1900 onwards Oundle grew about as fast as it was possible to grow. New laboratories were built, new subjects introduced so as to furnish a wider and wider variety of courses to meet such intellectual types as the school had hitherto failed to interest. There was a great development of biological and agricultural work from about 1909 onward. The attention given to art increased, and there was a great change and revolution in the history teaching. By 1920 the numbers of the school were soaring up towards six hundred. He wanted them to go to eight hundred, because he still wanted to increase the variety of courses, and the larger numbers gave a better prospect of classifying out the boys effectively and making sure that each course of studies was sufficiently attended to keep it active and efficient.

The prestige of the school grew even more rapidly than its size. From 1905 onward the inquiring parent who wanted something more than school games and esprit de corps was sure to hear of Oundle.

And Sanderson was growing with his school. Every installment of success stimulated him to new experiments and fresh innovations. No one learnt so much at Oundle as he did, and it is with that growth of his conception of school method and his widening vision of the schoolmaster's rôle in the world that we must now proceed to deal.


CHAPTER III

The Replacement of Competition by Group Work

§ 1

When Sanderson first came to Oundle his ideas seem to have differed from the normal scholastic opinion of his time mainly in his conviction of the interestingness and attractiveness of real scientific work for many types of boys that the established classical and stylistic mathematical teaching failed to grip. He developed these new aspects of school work, and his earliest success lay in the fact that he got a higher percentage of boys interested and active in school work than was usual elsewhere, and that the report of this and the report of his wholesome and stimulating personality spread into the world of anxious parents. But it early became evident to him that the new subjects necessitated methods of handling in vivid contrast to the methods stereotyped for the classical and mathematical courses.

There have been three chief phases in the history of educational method in the last five centuries, the phase of compulsion, the phase of competition, and the phase of natural interest. They overlap and mingle. Medieval teaching being largely in the hands of celibates, who had acquired no natural understanding of children and young people, and who found them extremely irritating, irksome, or exciting, was stupid and brutal in the extreme. Young people were driven along a straight and narrow road to a sort of prison of dusty knowledge by teachers almost as distressed as themselves. The medieval school went on to the chant of rote-learning with an accompaniment of blows, insults, and degradations of the dunce-cap type. The Jesuit schools, to which the British public schools owe so much, sought a human motive in vanity and competition; they turned to rewards, distinctions, and competitions. Sir Francis Bacon recommended them justly as the model schools of his time. The class-list with its pitiless relegation of two-thirds of the class to self-conscious mediocrity and dufferdom was the symbol of this second, slightly more enlightened phase. The school of the rod gave place to the school of the class-list. An aristocracy of leading boys made the pace and the rest of the school found its compensation in games or misbehaviour. So long as the sole subjects of instruction remained two dead languages and formal mathematics, subjects essentially unappetising to sanely constituted boys, there was little prospect of getting school method beyond this point.

By the end of the eighteenth century schoolmasters were beginning to realise what most mothers know by instinct, that there is in all young people a curiosity, a drive to know, an impulse to learn, that is available for educational ends, and has still to be properly exploited for educational ends. It is not within our present scope to discuss Pestalozzi, Froebel, and the other great pioneers in this third phase of education. Nearly all children can be keenly interested in some subject, and there are some subjects that appeal to nearly all children. Directly you cease to insist upon a particular type of achievement in a particular line of attainment, directly your school gets out of the narrow lane and moves across open pasture, it goes forward of its own accord. The class-list and the rod, so necessary in the dusty fury of the lane, cease to be necessary. In the effective realisation of this Sanderson was a leader.

For a time he let the classical and literary work of the school run on upon the old competition-compulsion, class-list lines. For some years he does not seem to have realised the possibility of changes in these fields. But from the first in his mechanical teaching and very soon in mathematics the work ceased to have the form of a line of boys all racing to acquire an identical parcel of knowledge, and took on the form more and more of clusters of boys surrounding an attractive problem. There grew up out of the school Science a periodic display, the Science Conversazione, in which groups of youngsters displayed experiments and collections they had co-operated to produce. Later on a Junior Conversazione developed. These conversaziones show the Oundle spirit in its most typical expression. Sanderson derived much from the zeal and interest these groups of boys displayed. He realised how much finer and how much more fruitful was the mutual stimulation of a common end than the vulgar effort for a class place. The clever boy under a class-list system loves the shirker and the dullard who make the running easy, but a group of boys working for a common end display little patience with shirking. The stimulus is much more intimate, and it grows. Jones minor is told to play up, exactly as he is told to play up in the playing field.

In the summer term the conversazione in its fully developed form took up a large part of the energy of the school. Says the official life:

'All the senior boys in the school were eligible for this work, the only qualification necessary being a willingness to work and to sacrifice some, at least, of one's free time. There was never any dearth of willing workers, the total number often exceeding two hundred. The chief divisions of the conversazione were: Physics and Mechanics; Chemistry; Biology; and Workshops. A boy who volunteered to help was left free to choose which branch he would adopt. Having chosen, he gave his name to the master in charge; if he had any particular experiment in view, he mentioned it, and if suitable, it was allotted to him. If he had no suggestion, an experiment was suggested, and he was told where information could be obtained. As a general rule two or three boys worked together at any one experiment.

'Some of the experiments chosen required weeks of preparation; there was apparatus to be made and fitted up, information to be sought and absorbed, so that on the final day an intelligent account could be given to any visitor watching the experiment. This work was all done out of school hours. Four or five days before Speech Day, ordinary school lessons ceased for those taking part in the conversazione; the laboratories, class-rooms, and workshops were portioned out so that each boy knew exactly where he was to work, and how much space he had. The setting up of the experiments began. To any one visiting the school on these particular days it must have seemed in a state of utter confusion, boys wandering about in all directions apparently under no supervision, and often to all appearances with no purpose. A party might be met with a jam-jar and fishing-net near the river; others might be found miles away on bicycles, going to a place where some particular flower might be found. Three or four boys would appear to be smashing up an engine and scattering its parts in all directions, while others could be seen wheeling a barrow-load of bricks or trying to mix a hod of mortar. Gradually a certain amount of order appeared, some experiments were tried and found to work satisfactorily, others failed, and investigation into the cause of failure had to be carried out. As the final day approached excitement increased, frantic telegrams were sent to know, for example, if the liquid air had been despatched, frequent visits to the railway-station were made in the hopes of finding some parcel had arrived; sometimes it was even necessary to motor to Peterborough to pick up material which otherwise would arrive too late. A programme giving a short description of the experiment or exhibit had to pass through the printer's hands. At last everything would be ready; occasionally, but very seldom, an experiment had to be abandoned or another substituted at the last moment.'

The year 1905 marked a phase in the co-operative system of work on the mechanical side with the machining and erection of a six-horse-power reversing engine, designed for a marine engine of 3500 horse-power. Castings and drawings were supplied by the North Eastern Marine Engineering Works. The engine was a triumphant success, and thereafter a number of engines has been built by groups of boys. Concurrently with this steady replacement of the instructional-exercise system by the group-activity system, the mathematical work became less and less a series of exercises in style and more and more an attack upon problems needing solution in the workshops and laboratories, with the solution as the real incentive to the work. These dips into practical application gave a great stimulus to the formal mathematical teaching, for the boys realised as they could never have done otherwise the value of such work as a 'tool-sharpening' exercise of ultimately real value.

§ 2

Quite early in his Oundle days Sanderson displayed his disposition towards collective as against solitary activity in his dealings with the school music. When he came to the school the 'musical' boys were segregated from the non-musical in a choir; the rest listened in conscious exclusion and inferiority. But from the outset he set himself to make the whole school sing and attend to music. The few boys with bad ears were carried along with the general flood; the discord they made was lost in the mass effect. Towards the end a very great proportion of the boys were keen listeners to and acute critics of music. They would crowd into the Great Hall on Sunday evenings to listen to the organ recital with which that day usually concluded.

§ 3

Presently Sanderson began to apply the lessons he had learnt from grouping boys for scientific work to literature and history. Most of us can still recall the extraordinary dreariness of school literature teaching; the lesson that was a third-rate lecture, the note-taking, the rehearsal of silly opinions about books unread and authors unknown, the horrible annotated editions, the still more horrible text-books of literature. Sanderson set himself to sweep all this away. A play, he held, was primarily to be played, and the way to know and understand it was to play it. The boys must be cast for parts and learn about the other characters in relation to the one they had taken. Questions of language and syntax, questions of interpretation, could be dealt with best in relation to the production. But most classes had far too many boys to be treated as a single theatrical company, so small groups of boys were cast for each part. There would be three or four Othellos, three or four Desdemonas or Iagos. They would act their parts simultaneously or successively. The thing might or might not ripen into a chosen cast giving a costume performance in public. The important thing is that the boys were brought into the most active contact possible with the reality of the work they studied. The groups discussed stage 'business' and gesture and the precise stress to lay on this or that phrase. The master stood like a producer in the auditorium of the Great Hall. Let any one compare the vitality of that sort of thing with the ordinary lesson from an annotated text-book.

The group system was extended with increasing effectiveness into more and more of the literary and historical work. Here the School Library took the place of the laboratory and was indeed as necessary to the effective development of the group method. The official life of Sanderson gives a typical scheme of operations pursued in the case of a form studying the period 1783-1905. The subject was first divided up into parts, such as the state of affairs preceding the French Revolution; the French Revolution in relation to England; the industrial system and economic problems generally; and so on. The form divided up into groups and each group selected a part or a section of a part for its study. The objective of each group was the preparation of a report, illustrated by maps, schedules, and so forth, upon the section it had studied. After a preliminary survey of the whole field under the direction of a master, each boy followed up the particular matter assigned to him by individual reading for a term, supplemented when necessary by consultation with the master. Then came the preparation of maps and other material, the assembling of illuminating quotations from the books studied, the drafting of the group's report, the discussion of the report. In some cases where the group was in disagreement there would be a minority report.

In this way there was scarcely a boy in the form who did not feel himself contributing and necessary to the general result, and who was not called upon not merely by his master but by his colleagues, for some special exertion. It might be thought that the departmentalising of the subject among groups would mean that the knowledge would accumulate in pockets, but this was not the case. Boys of separate groups talked with one another of their work and found a lively interest in their different points of view. It is rare that boys who have received the same lesson can find much in it to talk about, unless it is a comparison of who has retained most, but a boy who has been preparing maps of the Napoleonic military campaigns may find the liveliest interest in another who has been following the history of the same period from the point of view of sea power. There was indeed a very considerable amount of interchange, and when it came to facing external examiners and testing the general knowledge attained, the Oundle boys were found to compare favourably with boys who had been drummed in troops through complete histories of the chosen period.

This group system of work had arisen naturally out of the conditions of the new laboratory teaching, and it had been developed for the sake of its educational effectiveness; but as it grew it became more and more evident to Sanderson that its effects went far beyond mere intellectual attainment. It marked a profound change in the spirit of the school. It was not only that the spirit of co-operation had come in. That had already been present on the cricket and football fields. But the boys were working to make something or to state something and not to gain something. It was the spirit of creation that now pervaded the school.

And he perceived, too, that the boys he would now be sending out into the world must needs carry that creative spirit with them and play a very different part from the ambitious star boys who went on from a training under the older methods. They would play an as yet incalculable part in redeeming the world from the wild orgy of competition that was now afflicting it. In one of his very characteristic sermons he gave his ripened conception of this side of his work. He had been speaking, perhaps with a certain idealisation, of the old craftsmen's guilds—with a glance or so at the Grocers' Company. The school, he declared, was to be no longer an arena but a guild. For what was a guild?

'A community of co-workers and no competition, that was its idea. It is all based on the system of apprenticeships and co-workers. The apprentices helped the masters in every way they could; even the masters were grouped together for mutual assistance and were called assistants. The Company was a mystery or guild of craftsmen and dealers, and their aim was to produce good craftsmen and good dealers.

'To-day, in these days of renascence, we return to the aim and methods of the guilds. Boys are to be apprentices and master-workers and co-workers. In a community this needs must be. We are called to a definite work, all who are privileged to attend here, staff and boys alike—the work of infusing life into the boys committed to our care. Nor can any one stand out of this and seek work elsewhere. Nemesis sets in for all who try to live for themselves alone. They may try to work—but their work is sterile. The community calls for the energies and activities of all. We are beginning to learn something of what this means. It does not mean an abandonment of the best methods of the past. But it does mean that we have to concern ourselves with the pressing needs and problems of to-day, and join in the work. I do not dwell on this now. My mind goes off to the possible effect of these ideas on the general life of the school.

'The working of these ideas is well seen already in the outdoor life of the school. We see it when houses are getting their teams together to join a competition for a shield, say. We see the mutual help, the voluntary practice, the consultations of the captain with others. We see it in the work in the Cadet Corps. We see it in the preparation for a play—this time, the Midsummer Night's Dream. We see it in the new work in the library, and we see it as clearly as in anything in the preparation for a conversazione. No more valuable training can be given than this last—well worth all the many kinds of sacrifice it entails. From it, at any rate, the spirit of competition is, I think, altogether removed. Boys, we believe, set forth to do their work as well as they possibly can—but not to beat one another.... I dwell upon these things because we hope that all boys will become workers at last, with interest and zeal, in some part of the field of creation and inquiry, which is the true life of the world. It is from such workers, investigators, searchers, the soul of the nation is drawn. We will first of all transform the life of the school, then the boys, grown into men—and girls from their schools grown into women—whom their schools have enlisted into this service, will transform the life of the nation and of the whole world.'


CHAPTER IV

The Re-establishment of Relations Between School and Reality

§ 1

In the previous chapter I have told how Sanderson was taught by his laboratories and library the possibility of a new type of school with a new spirit, and how he grew to realise that an organisation of such new schools, a multiplication of Oundles, must necessarily produce a new spirit in social and industrial life. Concurrently with that, the obvious implications of applied science were also directing his mind to the close reaction between schools and the organisation of the economic life of the community.

It is amusing to reflect that Sanderson probably owed his appointment at Oundle to the simple desire of various members of the Grocers' Company for a good school of technical science. They did not want any change in themselves, they did not want any change in the world nor in the methods of trading and employment, but they did want to see their sons and directors and managers equipped with the sharper, more modern edge of a technical scientific training. Germany had frightened them. If this new training could be technical without science and modern without liberality, so much the better. So the business man brought his ideas to bear upon Oundle, to produce quite beyond his expectation a counteroffensive of the school upon business organisation and methods. Oundle built its engines, organised itself as an efficient munitions factory during the war, made useful chemical inquiries, extended its work into agriculture, analysed soils and manures for the farmers of its district, ran a farm and did much able competent technical work, but it also set itself to find out what were the aims and processes of business and what were the reactions of these processes upon the life of the community. From the laboratory a boy would go to a careful examination of labour conditions under the light of Ruskin's Unto This Last; he was brought to a balanced and discriminating attitude towards strikes and lock-outs; he was constantly reminded that the end of industry is not profits but life—a more abundant life for men.

As one reads through the sermons and addresses that are given in Sanderson of Oundle one finds a steadily growing consciousness of the fact that there was a considerable and increasing proportion of Oundle boys destined to become masters, managers, and leaders in industrial and business life, and with that growing consciousness there is a growing determination that the school work they do shall be something very far beyond the acquisition of money-getting dodges and devices and commercialised views of science. More and more does he see the school not as a training ground of smart men for the world that is, but as a preliminary working model of the world that is to be.

Two quotations from two of Sanderson's sermons will serve to mark how vigorously he is tugging back the English schools from the gentlemanly aloofness of scholarship and school-games to a real relationship to the current disorder of life, and how high he meant to carry them to dominance over that disorder.

The first extract is from a sermon on Faraday. Under Sanderson, it has been remarked, Faraday ousted St. Anthony from being the patron saint of Oundle School. 'With what abundant prodigality,' Sanderson exclaims, 'has Nature given up of her secrets since his day!'

'A hundred years ago Man and Nature as we think of them to-day were unexplored by science; to-day a new world, a new creation. Industrial life has developed, machinery, discoveries, inventions—steam engine, gas engine, dynamo—electrical machinery, telegraphy, radioactive bodies, tremendous openings out of chemistry, biology, economics, ethics. All new. These are Thy works, O God, and tell of Thee. Not now only may we search for Thy Presence in the places where Thou wert wont in days of old to come to man. Not there only. Not only now in the stars of heaven; or by the seashore, or in the waters of the river, or of the springs; among the trees, the flowers, the corn and wine, on the mountain or in the plain; not now only dost Thou come to man in Thy works of art, in music, in literature; but Thou, O God, dost reveal Thyself in all the multitude of Thy works; in the workshop, the factory, the mine, the laboratory, in industrial life. No symbolism here, but the Divine God. A new Muse is here—

'Mightier than Egypt's tombs,
Fairer than Grecia's, Roma's temples.
Prouder than Milan's statued, spired cathedral,
More picturesque than Rhenish castle-keeps,
We plan even now to raise, beyond them all,
Thy great cathedral, sacred industry, no tomb—
A keep for Life.'

And the builders, a mighty host of men: Homeric heroes, fighting against a foe, and yet not a foe, but an invisible, impalpable thing wherein the combatant is the shadow of the assailant.

'Mighty men of science and mighty deeds. A Newton who binds the universe together in uniform law; Lagrange, Laplace, Leibnitz with their wondrous mathematical harmonies; Coulomb measuring out electricity; Oversted with the brilliant flash of insight "that the electric conflict acts in a revolving manner"; Faraday, Ohm, Ampère, Joule, Maxwell, Hertz, Röntgen; and in another branch of science, Cavendish, Davy, Dalton, Dewar; and in another, Darwin, Mendel, Pasteur, Lister, Sir Ronald Ross. All these and many others, and some whose names have no memorial, form a great host of heroes, an army of soldiers—fit companions of those of whom the poets have sung; all, we may be sure, living daily in the presence of God, bending like the reed before His will; fit companions of the knights of old of whom the poets sing, fit companions of the men whose names are renowned in history, fit companions of the great statesmen and warriors whose names resound through the world.

'There is the great Newton at the head of this list comparing himself to a child playing on the seashore gathering pebbles, whilst he could see with prophetic vision the immense ocean of truth yet unexplored before him. At the end is the discoverer Sir Ronald Ross, who had gone out to India in the medical service of the Army, and employed his leisure in investigating the ravishing diseases which had laid India low and stemmed its development. In twenty years of labour he discovers how malaria is transmitted and brings the disease within the hold of man.'

The second is from a sermon called 'The Garden of Life.'

'As Canon Driver says, "Man is not made simply to enjoy life; his end is not pleasure; nor are the things he has to do necessarily to give pleasure or lead to what men call happiness." This is not the biological purpose of man. His purpose or instinctive end is to develop the capacities of the garden in the wilderness of nature; to adapt it to his own ends, i.e. to the ends of the races of men. Or, as we would now say, his aim is to take his part in the making of his kind; and he is to "keep it," or guard it—i.e. he is to conquer the jungle in it, to prevent it from roving wild again, from reverting to the jungle, from losing law and order, from becoming unruly and disorderly, from breaking loose and running amok. He is to bring and maintain order out of the tangle of things, he is to diagnose diseases; he is to co-ordinate the forces of nature; he is above all things to reveal the spirit of God in all the works of God.

'And in all this we read the duty and service of schools. The business of schools is through and by the use of a common service to get at the true spiritual nature of the ordinary things we have to deal with. The spirit of the true active life does not come to us only in those experiences we have been so accustomed to think of as beautiful and revealing. The active spirit of life is not revealed simply by the arts—the beautiful arts as they may be thought—of music or painting, or literature. These indeed may be only and abundantly material, and the eye and ear may be blind and deaf to the active, creative, discovering, revealing spirit. "Painting, or art generally, as such," says Ruskin in his Modern Painters, "with all its technicalities, difficulties, executive skills, pleasant and agreeable sensations, and its particular ends, is nothing but an expressive language, invaluable if we know it as we might know it as the vehicle of thought, but by itself nothing." He who has learnt what is commonly considered as the whole art of painting, that is the art of representing any natural object faithfully, has as yet only learnt the language by which his thoughts are to be expressed. One language or mode of expression may be more difficult than another; but it is not by the mode of representing and saying, but by the greatness, the awakening, the transmuting and transfiguring conception and knowledge of the thought presented, that the gift cometh, that man is created. Awkward, discordant, stammering attempts may be the burning message of a new hope. But this "voice" of art is too often drowned. It is drowned by executive skill—as is the history of all art—when this skill stretches itself to present things that are static, motionless, dead....

'It is especially our duty to reveal the spirit of God in the things of science and of the practical life. Herein lies a new revelation, a new language, a direct symbolism. Science, just like art and music, can be materialistic—science can aim only at mechanical advancement and worldly wealth, which is not wealth at all—just as art can aim only at pleasure, desire, and drawing-room appreciation. But this need not be so. Certainly no one in a responsible position can teach science for long without the coming of the revelation of a new voice, a new method of expression, a new art—revealing quite changed standards of value, quite new significances of what we speak of as culture, beauty, love, justice. A new voice speaks to the souls of men and women calling for a new age with all its altered relationships and adventures of life.

'With eyes opened to this new art you can wander through the science block and find in it all a new Bible, a new book of Genesis. So we believe. This is our duty and our faith. Into this Paradise have you been placed to dress it and to keep it.'

Let me turn from these two passages of talk to his boys—they are rescued from a mass of pencil notes in his study—to a passage from an address delivered in the Great Hall in Leeds in 1920. It shows very plainly the quality of his conception of what I have called the return of schools to reality.

'Schools should be miniature copies of the world. We often find that methods adopted in school are just the methods we should like applied in the state. We should, in fact, direct school life so that the spirit of it may be the spirit which will tend to alleviate social and industrial conditions. I will give an example of the kind of influence the ideals and methods of a school can exert upon the working life. I will take a condition of labour which is now recognised as probably the greatest of tragedies. It is the slow decay of the faculties of crowds of men and women, caused by the nature of their employment—the tragedy of the unstretched faculties. So common is it, and ordinary, that we pass it by on one side; but no one can go into a factory without seeing workers engaged in work which is far below their capacities. Decay sets in, and the death of talent and enthusiasm, the inspirer of creative work. A little thought will convince us that the process of decay of such a delicate and vital organism as the brain is bound to set up violent, destructive, anarchic forces which go on for several years. A recent writer in the Times Educational Supplement (and this paper cannot be called revolutionary) says that the tragedy of undeveloped talent is being seen more and more to be a gigantic waste of potentiality and an unpardonable cruelty. It is a tragic disease and produces in early life startling intellectual and moral disturbances, which are the natural sources of unrest. As years go on a mental stupor sets in, and there is peace, but peace on a low plane of life. The loss to the community by this waste is colossal, and it is not too much to say that the output of man could be multiplied beyond conception.

'Schools should send boys out into the industrial world whose aim should be to study these tragedies, and by experiments, by new inventions, by organisation, try, we may hope, by some of their own school experience, to alleviate the disease. To my mind this is the supreme aim of schools in the new era.'


CHAPTER V

The Growth of Sanderson Shown in His Sermons and Scripture Lessons

§ 1

Before I go on to a discussion of the latest, broadest, and most interesting phase of Sanderson's mental life, I would like to give my readers as vivid a picture as I can of his personality and his methods of delivery. I have tried to convey an impression of his stout and ruddy presence, his glancing spectacles, his short, compact but allusive delivery, his general personal jolliness. I will give now a sketch of one of his Scripture lessons made by two of the boys in the school. Nothing I think could convey so well his rich discursiveness nor the affectionate humour he inspired throughout the school. Here it is.

'SCRIPTURE LESSON

'Delivered by F. W. Sanderson on Sunday, 25th May 1919, and taken down word for word by X and Y, and subsequently written up by them.

'Limitations of space and time have prevented them from including all the lesson. Omissions have been indicated. They apologise for the lapses of the speaker into inaudibility, which were not their fault. They do not hold themselves in any way responsible for the opinions expressed herein.

'ANALYSIS

'of the portions copied.

'Characteristic portions in the Gospel of St. Matthew.

'Obstinacy of the Oxford and Cambridge Schools Examination Board.

'Character of the devil, according to some modern writers.

'First act of our Lord on beginning the Galilean Ministry.

'Empire Day.

'Subject of the Scripture lesson:—St. Matthew, chaps. iv and v.

('The Temptations, the commencement of the Galilean Ministry, the first portion of the Sermon on the Mount.')

'(The headmaster enters, worries his gown, sits down, adjusts his waistcoat, and coughs once.)

'The—um—er—I am taking you through the Gospel of St. Matthew. I think, as a matter of fact, we got to the end of the third chapter. We won't spend much time over the fourth. The fourth, I think, is the—er—er—Temptations, which I have already taken with you—a rather—er—very interesting—ah—very interesting—er—survival. That the Temptation Narrative should have survived shows that there is probably something of value in it or I do not think it would have survived. There are two incidents of very similar character of—er—very—er—similar character and—ah—different to a certain extent from everything else—er—ah— There is a boy in that corner not listening to me. Who is that boy in the corner there? No, not you—two rows in front. I will come down to you later, my boy. There are two incidents in the Gospel Narrative which are similar in—er—character and which I have for the moment called "Survivals"—very characteristic, namely, the somewhat surprising narrative of the Temptation of our Lord, and the other the account of the Transfiguration. These are different in form and character from other narratives, just in the same way as the account of our Lord sending messages to the Baptist differs from others. Er—yes—that last one. I should put them together as coming from a similar source (lapse into inaudibility—bow wow wow. Unique in characteristic—bow wow wow—Somewhat subtle—bow wow). One remarks that the Temptations are always looked at from the personal point of view, which I have put down in my synopsis. Has anybody here got my synopsis? lend it to me a moment. I don't think the personal significance of the Gospel stories has importance nowadays. We needn't consider it. That's what I think about things in general. Personal importance giving place to universal needs. We are not so much concerned with whether boys do evil or not. Of course it annoys me if I find a boy doing evil. Leading others astray. Shockingly annoying. Oughtn't to be. Like continuous mathematics not enabling a boy to pass in arithmetic—bow wow wow—screw loose. See what I mean, K——? Not referring to you, my boy (laughter). Hunt me up something in Plato about all these things. During the last generation—

'(Half a page omitted.)

'Just in the same way from another point of view shall we live for own advancement, which we are continually tempted to do? It's awfully annoying if you do certain things and people won't recognise them. I was pretty heftily annoyed myself at a meeting of the Oxford and Cambridge Board. Professor Barker—great man—I nearly always agree with him. Professor Barker. They had made science compulsory for the school certificate. Bow wow wow. I don't want boys turned aside from their main purpose to have to get up scraps and snippets of science. Literary pursuits and so on. I wouldn't have it at any price. Bow wow wow. Modern languages are compulsory too. By looking at a boy's French set I can tell whether he can pass or not. Bow wow. Professor Barker proposed that science should be voluntary. I seconded him, but I said that languages should be voluntary as well. He didn't see that at all. Isn't it enough to make a man angry?

'(Half a dozen lines omitted from our note as incomprehensible.)

'Now I am inclined to think that Satan in this Gospel is not intended to be the Satan of our minds—the prince of evil. He is intended to be more like the Satan in the book of Job. He is the devil's advocate. He argues for the other side. For the opposition. He is put up to create opposition. This may in itself be a valuable thing. I don't know that I need go further into it. I would just like to tell you this, boys. Some modern writers, especially Bernard Shaw, have a very high esteem for the devil. He[1] prefers hell to heaven. So he says. Of course he hasn't been there, so he can't tell. So he is voted a dangerous personage because, dear souls, they don't know what he means. What he means is that heaven as it has been run down to and God as He has been run down to—everything placid and simple and inactive and non-creative and sleepy. People don't worship God. They worship (burble burble). They don't disturb their minds and think about things. That's what he means. Yes. Man and Superman. Activity of intellect. That's more or less what he has in mind. He prefers people doing something outrageously wrong than doing nothing at all. I don't know if it's true; it's all expressed in Greek thought.

'(Four pages omitted on running with the tide, Lloyd George, the importance of French in examinations, and the correct way of getting a true national spirit.)

'Well, our Lord now proceeded to found His Galilean Ministry. And what was the first thing He did, L——? It's quite obvious. What did He do? Obvious. Were you thinking of what I said just now? No, sir. My stream of words goes over you, not through you. Obvious. Now what was the first thing He did? What is obviously the first thing He did? Why, it's painfully obvious, even to L——. What was it? What? Where are we, L——? L—— has lost the place. Which paragraph do I mean, L——? Read the paragraph I mean. No. I have finished that. Next one. Obvious. What is it about? Yes, what is it about? What is it about? Two or four? Yes, four! Now what is obvious? Obvious! Now you've just got it, and you're ten minutes behind. Of course. The first obvious thing He had to do was to get a band of faithful disciples. Very first thing He did. What did He call them to be? To be what? Fishers of Men. Obvious.

'(Five pages omitted on Empire Day, Medical Study, and Cancer.)

'Now the—er—the Sermon on the Mount. You have heard this ever since you were on your mother's knee. At least I hope so. Beyond the historical times of your memory. For you, the Sermon on the Mount is as old as the ages. And yet I dare trespass on the Sermon on the Mount. "I've heard of it before," you say. "I'm tired of it. Do something fresh." Boys, you must go and read old things and breathe into them the new Spirit of Life. Now what is that chapter in Ezekiel, boys? Do you know the number of the page, and the paragraph, and the chapter? No. What am I talking about? Why, the valley of dry bones. Never heard of it! No. Is it in Jeremiah, Ezekiel, or where, or Habakkuk? Is it in Ezekiel 1? No. 36? No. 37? Yes. Dry Bones. Bones. Yes. That's what. I am going to take you to a valley of dry bones. Dry Bones. Bones. It is your business to go into the dry bones of the past and cover them with flesh, and breathe into them the new Spirit. I often read the Sermon on the Mount. It never bores me. I have more excuse to be bored than you. I learned it, gracious goodness, how long ago! Beyond Historic times. I loved it as a boy. Dry Bones.

'(Three pages on the Sermon on the Mount.)

'Now yesterday was Empire Day. Why did you want me to put the flag up? Rule Britannia! Britannia rules the waves! Is not that it? (Yes, sir.) Dear boys! I wouldn't throw cold water on it for worlds. Well, you had your flag. It didn't fly. There was no wind behind it. There was no devil to blow it. Dear boys, you wanted that flag for a reason I think a shade wrong. It wouldn't be within the—what's the word I want?—suited for our modern gauges. The new world won't come until we give up the idea of Conquest and Extension of Empire—no new kingdom until its members are imbued with the principles that competition is wrong, that conquest is wrong, that co-operativeness is right, and sacrifice a law of nature. Now, how do the seven Beatitudes read with Rule Britannia? Now you say you believe in your Bibles. You say you are Christians. Pious Christians. You would be most annoyed if I called you heathens. Well, if so, you believe that these are right:—

'Blessed are the poor in spirit, for theirs is the kingdom of heaven. Rule Britannia!

'Blessed are they that mourn, for they shall be comforted. Rule Britannia!

'Blessed are the meek, for they shall inherit the earth. Rule Britannia!

'Blessed are they that hunger and thirst after righteousness, for they shall be filled. Britannia rules the waves!

'Blessed are the merciful, for they shall obtain mercy. Rule Britannia!

'Blessed are the pure in heart, for they shall see all that is worth seeing and living for. Wave your flag! Rule Britannia!

'Blessed are the peacemakers, for they shall be called sons of God. Rule Britannia!

'Blessed are they that have been persecuted for righteousness sake. Rule Britannia! It is incongruous....

'Dear souls! My dear souls! I wouldn't lead you astray for anything. I can't explain it ... this national spirit of yours. Beneath it all there is a spirit of great righteousness. I wouldn't tamper with it for thousands of pounds. But you must just see the other side....

'(Starts on the Salt of the Earth, but is interrupted by time. Sets a heavy prep., and goes.)'

§ 2

Now that was the key in which Sanderson dealt with his boys and in which he gave his message to the world. And that is also the key in which they dealt with him. I want to clear out of the reader's mind any idea that this great teacher of men was a solemn and superior person, clear, exact, and exalted, and that his boys had any vague sentimental worship for him. They laughed at him, loved him, understood him, assimilated his ideas, and worked with him. He was much more like a sweating, panting, burly leader pushing a way for himself and others through a thorny thicket. And when I sat in his study and read over the notes of his sermons and scripture lessons I got the same impression of a sturdy fighter thrusting through a tangle.

Altogether there were several hundred of these sermon-memoranda. He would take a quire of manuscript paper and write down his notes, not headings merely but sentences, writing very fast, missing out halves of words, leaving phrases incomplete. The result would be a little book with perhaps a title and a date scribbled on the back page. The dozen specimen sermons in the official Life were mostly taken from these rough drafts. There was also a quantity of printed sermons dating from his earliest days at Oundle. So that it was possible to trace his development from the days when every heretical utterance was jealously noted, to the days of complete freedom of thought and expression.

He came into the interlaced briars and brakes of modern religious thought, a trained theological student, but already a very broad one, far from the trite materialistic superstitions of the narrowly orthodox. 'Of what is termed "definite religious teaching" his boys received little,' says one of his clerical assistants. 'The Head fought shy of anything which he felt might cramp a boy's tendency to think for himself and develop his own views.'

This is far from the old days of salvation by belief.

He took Christ as the central figure in his teaching. In his early days he had prepared a parallel arrangement of the gospels, and this developed into his Synopsis of the Life of Christ. He seems to have clung stoutly to the authenticity of the recorded sayings of Christ, but he held himself free to doubt whether we have as yet 'got to the bottom of many sayings of the Master.' And, says the same witness, at once rather vaguely and rather illuminatingly: 'He brushed aside impatiently doubts as to the feasibility of this miracle or that. To any who seemed to be worrying about the actual turning of water into wine at Cana he would urge that they were missing the whole point; cold, lifeless water was turned into warm, life-giving wine—and this was the work of the Master and His new teaching. Could they doubt that? He seemed to feel acutely that the passing of the centuries is liable to bring a distortion as well as an enrichment of the Christian revelation, and for that reason he was always trying to meditate himself, and to get others to meditate, on the true characteristics of the Master in the earliest portraits of Him handed down to us in the Gospels.'