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The Strand District

Chapter 8: PART III THE STRAND
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A guided perambulation of central London neighborhoods that interweaves architectural description, historical anecdotes, and street-level topography, organized by sections covering areas west and north of Charing Cross, Piccadilly and St. James's, and the Strand itself. It traces the evolution of notable sites—palaces, squares, parks, churches, and theatres—records past residents and uses, explains architectural changes and urban redevelopment, and supplies practical details such as maps and indexes. The tone combines antiquarian research with lively reminiscence, aimed at both local readers and students of London, highlighting how streets and buildings preserve layers of civic memory.

St. James's Square is redolent of old memories. It was, as has been stated, built by Henry Jermyn, Earl of St. Albans. The square seems to have been a fashionable locality from its very foundation, and, curiously enough, has escaped the fate of so many of its compeers, and still continues aristocratic.

The workmanship of all the houses was solid and durable, and as soon as they were built they were occupied. A catalogue of the names of the early inhabitants would occupy much space: titled men, men eminent in letters, science and political life, thronged the arena. The proximity to the Court was a great attraction. The centre of the square was at first left in a neglected condition, a remnant of the "Fields" on which the houses had been built, and it served as a base for the displays of fireworks which were given after the taking of Namur and the Peace of Ryswick.

In 1726 a Bill was passed in Parliament for the cleansing and beautifying of the square, which had become a disgrace to the neighbourhood, being a mere offal-heap. An ornamental basin was constructed and the square paved, and a bronze equestrian statue of William III., clad, according to the ludicrous custom of a bygone time, in Roman habit, was erected in 1808, on a pedestal which had been built for it in the centre of the basin years before. The water in this basin is associated with at least one historic scene, for in the riots of 1780 the malcontents threw the keys of Newgate into it, where they remained undiscovered for many years. The basin was finally drained in 1840, trees were planted, and the garden laid out. Among the historic associations is one of a memorable night, when Dr. Johnson and Richard Savage paced round and round the square for lack of a lodging, and pledged each other, as they separated, to stand by their country.

Norfolk House stands on the site of that of the Earl of St. Albans, which he built for his own use in the south-east corner, he afterwards removed to the mansion on the north side. In the Earl's first house the Grand-Duke of Tuscany, afterwards Cosmo III., lodged, when on a visit to London in 1669. Frederick, Prince of Wales, rented the old house before Carlton House was prepared for his reception, and here George III. was born. The old house still stands behind the newer building.

Next to Norfolk House is London House, attached to the See of London since about 1720.

Next to this, at the south corner of Charles Street, is Derby House, with handsome iron veranda and railings running round it. It was built by Lord Bellasis, and one of the earliest occupants was Aubrey de Vere, twentieth Earl of Oxford. Dasent says there is some reason for supposing it to have been occupied by Sir Robert Walpole between the years 1732-35. It was bought by the Earl of Derby about the middle of the present century. All the houses on this side of the square are of dull brick, in formal style, with neither beauty nor originality. The next, at the northern corner of Charles Street (now the West End branch of the London and Westminster Bank), was known as Ossulston House until 1753, and belonged for a long period to the Bennet family. It covered two numbers, of which one was occupied by Lord Dartmouth, Lord Privy Seal under Lord North's Administration, and is now the bank, and the other was bought by the second Viscount Falmouth, and is now occupied by the seventh Viscount of that name.

No. 3 has passed through the hands of many titled and distinguished owners, and is at present the property of the Duke of Leeds. It was occupied by the Copyhold Inclosure and the Tithe Commission Office, now the Board of Agriculture.

No. 4, in the corner, belongs to Lord Cowper, and No. 5 to the Earl of Strafford.

The next two belong to Lord Avebury and Earl Egerton.

No. 8 has had many vicissitudes. It was for a time occupied as the French Embassy, later by Sir Cyril Wyche, President of the Royal Society, also by Monmouth's widow, Josiah Wedgwood, and by many intervening tenants of distinction. After the occupancy of Wedgwood, the second Earl of Romney was here for eight years, until 1839, and then the house became successively the home of the Erectheum Club, of the Charity Commissioners, the Junior Oxford and Cambridge Club, Vine Club, York Club, Junior Travellers' Club, and at present it is the Sports Club. Ormond or Chandos House, which took up three numbers at the west corner of York Street, has a history. It was built by Lord St. Albans in place of his first house in the south-eastern corner of the square, and passed into the possession of the Duke of Ormond, the only man who was four times Lord Lieutenant of Ireland. Entertainments on a large scale took place during this period. Perhaps the most interesting fact in the history of the house is that a meeting of noblemen and gentlemen was held here in 1688, at which an address of welcome to the Prince of Orange was drawn up, in which he was besought to carry on the Government until a Convention could meet. The Spanish Embassy was here in 1718. The Duke of Chandos bought the mansion a year later, and in 1735 it was pulled down, and the present three houses built on its site. These three houses have been well tenanted, especially the centre one, No. 10, which can boast the successive occupancy of Pitt, Lady Blessington, the great Earl of Derby, and Mr. Gladstone. Here old link-extinguishers still remain on the posts before the door.

No. 9 is now the home of the Portland Club.

No. 12 has also its string of names, but, for fear of degenerating into a mere catalogue, we will only mention a few of the most important, Sir Cyril Wyche was the first owner in 1676, and he was succeeded in 1678 by Aubrey de Vere, twentieth Earl of Oxford. The Dukes of Roxburgh were in possession from 1796 to 1812, and at the latter date the famous Roxburgh Library was sold. The last private occupier was J. W. Spencer Churchill, seventh Duke of Marlborough. After this the house was used successively by the Salisbury Club, the Nimrod Club, and the Pall Mall Club, the last of which remains here at present.

No. 13, the corner house, has passed through many hands, and is now in the occupation of the Windham Club. The London Library is well known to all book-lovers.

Wheatley states that Philip Francis lived at No. 14 until his death in 1818, but the houses have been renumbered since then, and his 14 is now 16.

No. 15 is known as Lichfield House from its former owner. It was built by Stuart (known as "Athenian Stuart") in 1763-65. In 1855 it was the home of the Junior United Service Club. In 1856 it was bought by the Clerical, Medical, and General Life Assurance Society. The chief event in its history took place on June 28, 1815, when the Prince Regent displayed the trophies and banners just brought from Waterloo to the crowd below.

No. 16, which is now amalgamated with 17, is occupied by the East India United Service Club.

Nos. 17 and 18 formed old Halifax House. Many political intrigues and meetings must have taken place here, for Lord Halifax gained the name of always being on the winning side. In 1725 Halifax House was demolished and the present buildings erected. In 1820 Queen Caroline stayed in No. 17 during her trial. The house was afterwards used by the Colonial Club.

No. 18 boasts such names among its tenants as the fourth Earl of Chesterfield, the first Lord Thurlow, and Viscount Castlereagh, afterwards second Marquis of Londonderry. It was used by the Oxford and Cambridge Club and the Army and Navy Club.

At the south-east corner of King Street, in the square, was Cleveland House, which has been demolished and replaced by "mansions."

Apsley and Winchester Houses follow. The former was rebuilt by Robert Adam in 1772-74, and follows the well-known lines of his work, with fluted pilasters rising from above the basement to an entablature. The entrance has the fan-shaped glass above the door so characteristic of Adam's work.

Winchester House was from 1826 to 1875 occupied by the Bishops of that see, and was later a branch of the War Office, several departments of which are still here. The next magnificent building, which really faces George Street, but was formerly considered to be in the square, is one of the palatial clubs evolved by the demands of modern luxury. The house which formerly stood here was used by the Parthenon Club from 1837-41, and was subsequently pulled down to make way for the present clubhouse, opened 1851, and built from designs by Parnell and Smith. The exterior is a combination of Sansovino's Palazzo Cornaro and the Library of St. Mark at Venice. The lower part follows Sansovino's beautiful work very closely. On the site of this stood formerly a house belonging to Nell Gwynne, of which Pennant writes: "The back-room of the ground-floor was (within memory) entirely of looking-glass, as was said to have been the ceiling; over the chimney was her picture, and that of her sister in a third room." He describes this house as the "first good one on the left hand of St. James's Square entered from Pall Mall."

The south side of the square has never been held in such esteem as the remaining three-fourths. But the Junior Carlton Club, facing Pall Mall, has removed this stigma; it is a fine specimen of architecture. Demolition, previous to reconstruction, has already begun next to it. After this as far as John Street is a row of comparatively insignificant narrow houses of various heights and styles. Some of the houses on the north side of Pall Mall were built before the completion of the square, so that there was no room for large mansions here. At the corner of John Street and Pall Mall is what is called "Ye Olde Bull Tavern," a square box-like stuccoed house. This is probably contemporary with the first building of Pall Mall, and may have been the substitute of the seventeenth century wits and men of letters for the magnificent clubs of the present day.

Charles Street was built about 1671, and was, of course, named after the King. Burke and Canning are numbered among the former residents.

York Street was named in compliment to the Duke of York, afterwards James II. It may be noted that the four streets surrounding the square form the names King Charles and Duke of York.

Bury Street was named after a Mr. Berry, who was landlord of many of the houses; the spelling is a corruption. Sir Richard Steele lodged here, also Thomas Moore and Crabbe, the poet, during one of his later visits to London, when contact with cultured men had rubbed off his early boorishness.

"St. James's Street is much more remarkable for the natural advantages and beauty of the ground, than from any addition it has received from art," so says Ralph ("Critical Review of Public Buildings," 1783 edition). In the very earliest maps of the parish a road is marked on this site, leading northward from the palace. The street was built about 1670, and was first known as Long Street. In the time of the Stuarts it shared the aristocratic tendency of the square, and had a list of noble occupiers. It was levelled and made uniform in 1764, having previously descended from Piccadilly by steps.

St. James's Street has been noted from the very beginning for its clubs, gaming-houses, and convivial gatherings. Its proximity to the Court attracted all the fops and beaux, and it was the resort of fashionable and gay young idlers. Many anecdotes are related of the street, but chiefly in connection with the clubs, for which it is still famous. White's (37 and 38) is one of the oldest; it was established about 1698, and was at first a chocolate-house. It stood near the low end of the street, on the west side. It was burnt down in 1733, and the present building, designed by Wyatt, was erected in 1755, and altered nearly a century later by Lockyer. The gaming-room of the old house forms the scene of the sixth plate of Hogarth's "Rake's Progress," where the gamblers are represented intent on their cards, though the flames are bursting out. It was after the fire that the house became a private club, and it was long noted as a gambling-house for high stakes and reckless betting. It is of White's that the story is told that a man dropped down before the door insensible, and was taken inside. The members immediately began to bet whether he were dead or not, and when the physician came to bleed him, those on the affirmative side protested.

"Brooke's" is now No. 60, on the opposite side of the street from White's, at the northern corner of Park Place, and was as notorious a gaming-house as White's. It was of later origin, dating from 1764, and was originally in Pall Mall. It began life under the name of Almack's. The play was prodigiously high. Timbs says that it was for rouleaux of £50 each, and there was generally £10,000 in specie on the table.

"Boodle's," is another celebrated club, which was also named the "Savoir Vivre." This is now No. 28.

The Cocoa-tree Club recalls by its name an old chocolate house of Queen Anne's time, a favourite resort of the Tories, often mentioned by Addison. Lord Byron was one of the members. The old house was situated nearer to the south end of the street than the present club.

"Arthurs," south of St. James's Place, was founded by the proprietor of White's in 1765. The present building was erected in 1825 by Hopper. The Conservative Club house (74) was built in 1845 from designs by Smirke and Basevi. The building is large, with slightly projecting wings, and a stone balcony extending uninterruptedly across the frontage.

Next door is the "Thatched House" Club, which originated in the Thatched House Tavern, in which the dilettanti and literary societies used to meet. Wheatley describes a row of low-built shops standing before the tavern, one of which was that of the hairdresser Rowland, who made a fortune by his macassar oil.

St. James's Coffee-house, a celebrated Whig rendezvous from the reign of Queen Anne until the beginning of the nineteenth century, was at this end of the street. In this street there are also many other clubs of later origin. It was at the foot of St. James's Street that the Duke of Ormond was attacked in his coach in 1670, by the notorious Colonel Blood. The Duke had been responsible for the execution of some of Blood's associates in Ireland, and Blood determined to take him to Tyburn and hang him in revenge. He actually succeeded in dragging him from his coach and mounting him on horseback behind one of his men. When they had proceeded as far as Devonshire House, the Duke succeeded in unhorsing his companion, and in the delay that followed his servants made their appearance and rescued him. For this outrage Blood was never punished. Sir Christopher Wren died in St. James's Street in 1723, and Gibbon, the historian, in 1794. The names of Waller, the poet, Wolfe, C. Fox, and Lord Byron, are among the residents. It was here that the last named was lodging when his "Childe Harold" created such an extraordinary sensation. Alexander Pope was also a resident.

McLean, the famous highwayman, lodged opposite "White's." He was hung in 1750, and the first Sunday after he was condemned 3,000 people went to see him in gaol. St. James's Street at present is sufficiently noticeable because of its width, in which the old palace gateway at the foot is framed.

Park Place was built in 1683. William Pitt came to live here in 1801. St. James's Place is a medley of old and modern buildings, some having been built in the last decade. Wheatley speaks of it because of its tortuous course, as "one of the oddest built streets in London." Wilkes and Addison, and Mrs. Delaney, at whose house Miss Burney stayed, have been among the residents. Samuel Rogers lived for fifty years at No. 22, which looked out over the park.

Cleveland Square is an open space before the Duke of Bridgewater's House. The house was restored, as an inscription over the doorway tells us, or in other words rebuilt, in 1849. This house has a history. It was originally Berkshire House, and belonged to the Howards, Earls of Berkshire. Charles II. bought it in 1670, and gave it to that "beautiful fury," Barbara, Duchess of Cleveland. She pulled down the house and sold part of the site before rebuilding. In 1730 the first Duke of Bridgewater bought it, and it was alternately known by the names of Cleveland and Bridgewater. The third Duke died unmarried in 1803, when the title became extinct. He left the house and the magnificent collection of pictures to his nephew, the Marquis of Stafford, afterwards Duke of Sutherland, with reversion to the Marquis's second son. This son was created Earl of Ellesmere in 1846. He rebuilt the house, still retaining the old name. The famous collection of pictures within, includes works of Raphael, Titian, Vandervelde, Turner, Rembrandt, Cuyp, and others, and is one of the finest private collections in England.

The house opposite was the home of Grenville, First Lord of the Admiralty in 1806, and here he collected the magnificent library which is now at the British Museum. Admiral Rodney lived in Cleveland Row in 1772.

On Pall Mall the game of the same name was originally played. On both sides of the open space were rows of elm-trees. But being such an obvious route from the palace to Charing Cross it was soon used as a thoroughfare, and after the warrant for "building of the new street of St. James" Charles II. laid out the new mall in the park. The street, when built, was at first called Catherine, in honour of the Queen, but the older name soon returned into favour.

It early became fashionable. Nell Gwynne was one of the first residents. She had a house numbered 79, near the War Office, afterwards, by the irony of fate, occupied by the Society for the Propagation of the Gospel, and since rebuilt. Evelyn records an occasion on which he attended King Charles II. in the park, when he heard "a familiar discourse between the King and Mrs. Nellie as they call an impudent comedian, she looking out of her garden on a terrace at the top of the wall, and the King standing on the green walk under it."

During Wyatt's insurrection in 1554, the mob passed along this road, and the Earl of Pembroke planted artillery on the high ground of Hay Hill and Piccadilly, when a piece of the Queen's ordnance, we are told, "slew three of Wyatt's followers, in a rank, and after carrying off their heads passed through this wall into the park" (Jesse). In 1682 Thynne was murdered at the instigation of Count Konigsmarck in what is now Pall Mall East, because he had married the heiress of the Percys, whom the Count wished to marry himself. The principal was acquitted, but his three accomplices or tools, who had actually committed the murder, were executed, according to the poetic justice of the time, at the scene of their offence, in 1682.

The Star and Garter Hotel, nearly opposite the War Office, was a fashionable tavern in the time of Queen Anne. Here took place the famous duel between the fifth Lord Byron and Mr. Chaworth in 1765. They fought in the house by the light of only a single candle. Byron killed his opponent, and was found guilty of manslaughter by his peers. However, he claimed benefit of a statute of Edward VI., and was discharged. The original dispute was merely as to which gentleman had the larger amount of game on his estate.

Among other famous taverns in this street are mentioned the King's Arms, under the Opera Colonnade in Pall Mall East. Also the Rumpsteak Club, which consisted of five Dukes, one Marquis, fifteen Earls, three Viscounts, and three Barons, all in opposition to Sir Robert Walpole. The King's Head, the George, the Smyrna Coffee-house, Giles' Coffee-house, Hercules Pillars, and the Tree, were among the ancient places of resort in this street—a foreshadowing of the palatial mansions of Clubland.

The north side of the street is the poorer of the two. Beginning at the western end on the south side, we have the New Oxford and Cambridge Club, the Guards, and the Oxford and Cambridge University Clubs. The first of these has a very massive entrance; the house has only a north aspect, the windows at the back being glazed with ground-glass so as not to overlook Marlborough House. A little further on is an old red-brick house with a portico on which is a female figure in bas-relief with palette and brushes. This is in great contrast to its neighbours; it is what remains (centre and west wing) of Schomberg House, built about the middle of the seventeenth century. The first Schomberg came over in the train of William of Orange; he was Count in his own country, bore several French titles, and was created an English Duke. He was killed at the Battle of the Boyne. The house was later occupied by Cumberland of Culloden, George III.'s uncle, and subsequently by Astley the painter. Astley divided it into three parts, reserving the centre for his own use. Among the tenants who succeeded him we find the names of Cosway, Paine the bookseller, and Nathaniel Hone. In the western wing Gainsborough lived, so the building has every right to its distinguishing panel of palette and brushes. During Gainsborough's occupancy everyone of wealth, beauty or fashion in the society of the day resorted here to have their features immortalized. This house is now part of the War Office, which, in a previous stage of its career, was the Ordnance Office.

The entrance to the War Office stands back behind a courtyard in which is a statue of Lord Herbert of Lea. The War Office was originally at the Horse Guards, and since its removal has gradually extended its premises by absorbing one house after another. We now come to a long series of clubs. The Carlton is rich in ornament, with polished granite columns decorating a front of Caen stone. The design was by Sydney Smirke, and is said to be founded on that of a Venetian palace. It contrasts with its neighbour, the Reform, which presents a breadth of plain surface broken only by little pediments over the windows. This was the work of Sir Charles Barry, and was copied from the Farnese Palace at Venice, of which the upper storey was the work of Michael Angelo. It is a dull, heavy-looking piece of work. On part of its site stood the house of Angerstein, a Russian merchant, whose collection of pictures formed the nucleus of our National Gallery.

The Travellers', next door, also the work of Barry, is in an Italian style. One of the rules of this club is that no person shall be eligible for membership who shall not have travelled out of the British Isles at least 500 miles in a direct line from London.

The Athenæum is one of the most princely of clubs. It was established in 1823, and the present house was built about half a dozen years later. Decimus Burton was the architect, and his work is Grecian, with a frieze copied from the famous procession in the Parthenon. The recently-added storey has been the subject of much criticism. Among those present at the preliminary meeting we find the names of Sir Humphrey Davy, Sir Francis Chantrey, Sir Thomas Lawrence, the Earl of Aberdeen, Sir Walter Scott, Thomas Moore and Faraday. Theodore Hook was one of the most popular members.

At the corner of Pall Mall East and Waterloo Place is the United Service Club built by Nash. It was instituted after the Battle of Waterloo, and was at first at the corner of Charles Street, on the site of the Junior Club of the same name.

The Guards' Monument, in Waterloo Place, was put up in 1859 in memory of the Crimea. Three figures of guardsmen—Grenadier, Coldstream, and Fusilier—in full marching uniform, stand round a granite pedestal, on which are inscribed the names of the famous Crimean battles; a pile of Russian guns actually brought from Sebastopol completes the group.

The Church of St. Philip, on the west side of Lower Regent Street, is a quaint building with Doric portico and curious little cupola, the latter a copy of the Lanthorn of Demosthenes at Athens. It was built in 1820 by Repton, from designs by Sir W. Chambers, and has the merit of being almost continually open for prayer and meditation.

On the east side the most important building is the Junior United Service Club, erected in 1852 by Nelson and James.

Market Street and St. James's Market recall the market held "west of the Haymarket, mid-way between Charles and Jermyn Street." This originated in a fair held in St. James's Fields, before the square was built, and from which Mayfair partly derives its name. This fair was suppressed on account of disorder in 1651, but revived again, and was not finally stopped until the end of Charles II.'s reign. After having been suppressed in the Fields in 1664, it was held in the market. Strype describes this market as "a large place, with a commodious market-house in the midst filled with butchers' shambles; besides the stalls in the market-place for country butchers, higglers and the like, being a market now grown to great account, and much resorted unto as being served with good provisions." In a house at the corner of Market Street lived Hannah Lightfoot, said to have been married to King George III. when Prince of Wales. The market belonged to Lord St. Albans, whose name is preserved in St. Albans Place, which ends in a foot-passage leading into Charles Street.

The Haymarket derives its name from a market for hay and straw which was held here until 1830, and was then transferred to Cumberland Market, Regent's Park, where it still continues. The market naturally involved many taverns in its neighbourhood, and the street was lined with them. The names of some were Black Horse, White Horse, Nag's Head, Cock, Phœnix, Unicorn, and Blue Posts. The theatre and the old opera-house were the most important buildings in the Haymarket. The latter was on the site of Her Majesty's Theatre and the Carlton Hotel. It was called at different times the Queen's Theatre, the King's Theatre, and Her Majesty's Theatre, so the new name is but a revival of the old. The first theatre on this site was begun in 1703 as a theatre for Betterton's famous company, which had been performing in Lincoln's Inn Fields. Operas were subsequently performed here; in fact, nearly all Handel's operas were written for this theatre. Masquerades were held in the opera-house in 1749 and 1766, and were attended by all the rank and fashion of the day, and even by royalty in disguise. In 1789 the theatre was burnt down. It was rebuilt and completed only three years after the catastrophe. This house saw some fine performances of the Italian Opera Company, and in it the names of Grisi, Rubini, Tamburini, Lablache, Mario, and Jenny Lind, first became known to the public. In 1867 it also was burnt down. For about a quarter of a century a third theatre stood here, but had no success, and was pulled down. The present theatre is of great magnificence, and will seat between 1,600 and 1,700 persons. The Haymarket Theatre opposite is dwarfed by the proximity of its gorgeous neighbour. The names of Fielding, Cibber, Macklin, and Foote are connected with various attempts to make the earliest venture on this site pay. Mozart performed here in 1765, when only eight years old. In 1820 the present building was erected by Nash, adjacent to the old theatre. The Haymarket in the last century was a great place for shows and entertainments.

In James's Street was a tennis-court much patronized by Charles II. and the Duke of York.

Whitcomb Street was formerly called Hedge Lane, an appropriate name when it stood in a rural district; now it is a narrow, dirty thoroughfare, bordered by poor dwellings and small shops.


PART III
THE STRAND

We have now made a circuit, noting all that is interesting by the way, and have returned to busy Charing Cross, from which runs the great thoroughfare, the Strand, which gives the district its name.

This important street might be considered either as a street of palaces—and in this respect not to be surpassed by any street in medieval Europe, not even Venice—or a street full of associations, connected chiefly with retail trade, taverns, shops, sedan-chairs, and hackney coaches.

The Strand, as the name implies, was the shore by the river. It has passed through two distinct phases. First, when it was an open highway, with a few scattered houses here and there, crossed by small bridges over the rivulets which flowed down to the Thames. One of these was the Strand Bridge, between the present Surrey Street and Somerset House; another, Ivy Bridge, between Salisbury Street and Adam Street. In 1656 there were more than 800 watercourses crossing it between Palace Yard and the Old Exchange! It was not paved until Henry VIII.'s reign, and we read of the road being interrupted with thickets and bushes.

Then came a period of great grandeur, when the Strand was lined with palatial mansions, which had gardens stretching down to the river, when the town-houses of the Prince-Bishops, of the highest nobility, and even of royalty, rose up in grandeur. The names of the streets, Salisbury and Buckingham, York and Durham, Norfolk and Exeter, are no mere fancy, but recall a vision of bygone splendour which might well cause the Strand to be named a street of palaces.

The palaces, which occupied at one time the whole of the south side of the street, were at first the town-houses of the Bishops. They were built along the river because, in their sacred character, they were safe from violence (except in one or two cases), and therefore did not need the protection of the wall, while it was perhaps felt that even if the worst happened, as it did happen in Jack Straw's rebellion, the river offered a liberally safe way of escape. In the thirteenth century Henry III. gave Peter of Savoy "all those houses in the Thames on the way called the Strand."

Gay speaks of the change that had fallen upon the Strand in his time:

"Through the long Strand together let us stray;
With thee conversing I forget the way.
Behold that narrow street which steep descends,
Whose building to the shining shore extends;
Here Arundel's fam'd structure rear'd its frame,
The street alone retains an empty name:
Where Titian's glowing paint the canvas warm'd,
And Raphael's fair design with judgment charm'd,
Now hangs the bellman's song, and pasted here
The colour'd prints of Overton appear;
Where statues breath'd the work of Phidias' hands,
A wooden pump or lonely watch-house stands;
There Essex's stately pile adorn'd the shore,
There Cecil's, Bedford's, Villiers's—now no more."

Disraeli, in "Tancred," says: "The Strand is, perhaps, the finest street in Europe." Charles Lamb said: "I often shed tears in the motley Strand for fulness of joy at so much life."

The Strand has now become a street of shops instead of a street of palaces; it has been, but is no more, a fashionable resort; it has been a place for the lodgings of visitors, and still has many small hotels and boarding-houses in its riverside lanes; its personal associations are many, but not so important as those in the City or Westminster; it is a street of great interest, but its architectural glories have almost all vanished.

Beginning at the west end, we note on the north side the Golden Cross Hotel, rebuilt. This is the successor of a famous old coaching inn, which stood further west. On the south side is Craven Street, formerly Spur Alley, where once Benjamin Franklin lived at No. 7. The site of Hungerford Market is now covered by the Charing Cross railway-station. In Charing Cross station-yard is a modern reproduction of the original Queen Eleanor's Cross. The market was built in 1680, rebuilt in 1831, and stretched to the river. The name will always be connected with that of Charles Dickens, and with "David Copperfield." Beside the market was the suspension bridge constructed by Brunel, opened in 1845, and removed to make room for the railway-bridge.

On the site of Hungerford Market there stood the "Inn" or House of the Bishop of Norwich. In 1536 Charles Brandon, Duke of Suffolk, exchanged his house in Southwark for this place; twenty years later it fell into the hands of Heath, Archbishop of York, who called it York House, and in the reign of James I. it became the property of the Crown. Bacon was born in this house. In 1624 the Duke of Buckingham obtained the house; he pulled it down, and began to build a large mansion to take its place. The watergate is the only part of his structure still existing. Cromwell gave the house to Fairfax, whose daughter married the second Duke of Buckingham, of the Villiers family. In 1655 Evelyn describes the house as "much ruined through neglect." In 1672 the house and gardens were sold to four persons of Westminster, who laid out the site in streets, viz., Villiers Street, Duke Street, Buckingham Street, and Of Alley, forming in conjunction the words Villiers, Duke of Buckingham. York House was pulled down soon after, and York Buildings erected on the site. Peter the Great had lodgings in York Buildings during his visit to England, and Pepys occupied a house on the west side, near the river, for some time. The gardens of the Victoria Embankment now fill up the space over which the river formerly flowed, and the watergate is merely a meaningless ornament 100 yards or more from the water.

At the corner of Agar and King William Streets, on the north, is the Charing Cross Hospital, founded 1818, and built on the present site in 1831, the architect being Decimus Burton. It is a dreary stuccoed building, with a rounded end, and contains nothing that specially marks it out from other general hospitals.

In Chandos Street the highwayman Claude Duval was arrested, after which he was executed at Tyburn, 1669. There was an ancient hostelry called the Black Prince in Chandos Street, which is mentioned by Dickens. This was demolished to make way for the Medical College. Opposite was the blacking shop where Dickens spent a miserable part of his childhood.

The next group of streets on the south side, namely, John, Robert, James, and William Streets, was built by four brothers of the name of Adam, who gave their Christian names to their handiwork, and from whom this particular district was called the "Adelphi," from the Greek word signifying brothers. The site was occupied by Durham House, a palace built by Anthony de Beck, Bishop of Durham in Edward I.'s reign. Bishop Tunstall in 1535 exchanged it with Henry VIII. for Cold Harbour and other houses in the City, and for a time it was frequented by royalty. The King gave a great tournament here on his marriage with Anne of Cleves. Proclamations of the jousts were made in France, Spain, Scotland, and Flanders. The young King, Edward VI., granted the house to his sister Elizabeth for life. The unfortunate Lady Jane Grey was married within the walls of Durham House to the son of Northumberland. When Queen Mary ascended the throne, she gave the palace back to Bishop Tunstall, but Elizabeth regarded it as one of the royal palaces, and after her accession bestowed it on Sir Walter Raleigh. In Aubrey's "Letters" Raleigh's occupation of the house is mentioned in a descriptive passage: "Durham House was a noble palace.... I well remember his (Raleigh's) study, which was on a little turret that looked into and over the Thames, and had the prospect which is, perhaps, as pleasant as any in the world." When Raleigh was imprisoned the See of Durham again obtained the house. The stables, facing the Strand, were then in a very ruinous condition, and were pulled down. On their site was built an exchange, called the New Exchange, which obtained some popularity. This was erected partly on the pattern of the Royal Exchange, and was opened by King James I. This, Strype tells us, "was for milliners, sempstresses, and other trades that furnish dresses."

The place was opened in 1609 by James I. and the Queen; it was called Britain's Burse. It became fashionable after the Restoration, and, after a period of popularity lasting a little more than fifty years, it was taken down. Here Anne Clarges, daughter of John Clarges, a farrier of the Savoy, sold gloves, washballs, and powder. She married General Monk, and died Duchess of Albemarle. Here Henry Herringman, publisher, had his shop. The Restoration literature abounds in references to the New Exchange. The shops were served by girls who spent a great part of their time in flirting with the fops. The Duchess of Tyrconnell, sister of Sarah, Duchess of Marlborough, is said to have kept a shop here for her own maintenance, wearing a white mask which she never removed. The lower walk was a notorious place for assignations. It was taken down in 1737. In 1768 the brothers Adam obtained the lease of the ground and began to build. Robert Adam had been much struck in his foreign travels with the palace of Diocletian on the Bay of Spalatro. The terrace facing the sea had impressed his imagination, and the Adelphi Terrace is the result of his adaptation of the idea. It was necessary to gain a solid foundation on the slippery river-bank, therefore the brothers designed the wonderful system of arches on which all the Adelphi precinct rests. On building their terrace they had to encroach on the river, and form an embankment, which was much resented by the Londoners. The centre house in the terrace was taken by Garrick, who remained there until his death, about seven years later. The arches were at first left open, but formed a refuge for the vicious and destitute, who made a regular city of the underground passages. They were subsequently filled in, and now are brewers' vaults, with only the high-vaulted roadway left open to form a passage for the drays and vans. Beneath the terrace is a curious little strip of land cut off from the Embankment garden by high wooden pales. This is practically useless, as it can only be reached through the arches. On it is an old dilapidated shed, once a much-frequented tavern, called the Fox under the Hill, a curious feature on land which is of so much value.

There are several interesting houses in the Adelphi precinct. In the centre of the terrace is the Savage Club, and there are many other societies and institutions on the terrace. In John Street is the building expressly designed for the Society of Arts.

The work of the Society is brought before the notice of the public by circular tablets, which are affixed to houses in London which have formerly been the homes of men eminent in literature, science, or art. Close at hand is the bank of Messrs. Coutts, on the site of the New Exchange. This important bank deserves some special notice. It was established by a goldsmith of the name of Middleton, who kept a shop near St. Martin's Church about 1692. The name of Coutts first appears in 1755. Many interesting stories are told in connection with this famous house. The Mr. Coutts who was head of the firm at the beginning of the present century was twice married. By his first wife he had three daughters, who married respectively the third Earl of Guilford, the first Marquess of Bute, and Sir Francis Burdett. His second wife was Miss Mellon, an actress, to whom he left the whole of his vast fortune. She afterwards married the Duke of St. Albans, but left the whole of her great wealth to Miss Angela Burdett, grand-daughter of Mr. Coutts. This lady assumed the additional name of Coutts, and was raised to the peerage on account of her munificent charities.

The Adelphi Theatre stands on the north side of the Strand, but is identified by name with this district; it was originally called the Sans Pareil. Charles Mathews gave many of his celebrated "at homes" here. A few doors west is the Vaudeville.

Ivy Bridge Lane, now closed, runs to the west of Salisbury Street. It is a narrow, dirty passage, and was named from a bridge in the Strand which crossed one of the numerous rivulets running down to the Thames. Pennant mentions a house of the Earl of Rutland's near this bridge. The Cecil Hotel is built over Salisbury and Cecil Streets, names that recall a mansion of Sir Robert Cecil, second son of Lord Burleigh, called Salisbury House.

Adjacent to this stood Worcester House. It was originally the town-house of the Bishops of Carlisle; at the Reformation it was presented to the Earl of Bedford, and known as Bedford House, until the owner built another house on the north side of the Strand. It then became the property of the Marquis of Worcester, and was known as Worcester House. Lord Clarendon lived here after the Restoration. At Worcester House his daughter Anne was married to the Duke of York. Lord Clarendon left the house, and went to live in St. James's Street. Worcester House was then used for great occasions.

Here the Duke of Ormond (1669) was installed Chancellor of the University of Oxford, and in 1674 the Duke of Monmouth Chancellor of the University of Cambridge. The Worcester House Conference was also held in the hall of this place. Beaufort Buildings occupy a part of the site. The house itself was destroyed by the Duke of Beaufort.

Exeter Street and Hall (north) preserve the name of Exeter House, built by Lord Burleigh. It was at first Cecil House, but on the succession of his eldest son, the Earl of Exeter, elder brother of Sir Robert Cecil, it became Exeter House. Afterwards the house was used by Doctors of Ecclesiastical Law, etc., and later was converted into an exchange, at first designed for the sale of fancy goods, but later famous for an exhibition of wild beasts. The body of Gay the poet rested in this Exchange before being interred in Westminster Abbey.

Exeter Hall was erected in 1830 for the purpose of religious meetings. Exeter Street will always be associated with the name of Dr. Johnson, who took lodgings here when he came up to London first, and dined at a neighbouring cookshop for eightpence.

The Lyceum Theatre was designed by S. Beazley, and opened in 1834. It will be always associated with the names of Sir Henry Irving and Ellen Terry. It stands on the site of the English Opera-House, burnt down in 1830, which during many years was the home of a quaint convivial gathering, called the Beefsteak Society, founded by Rich and Lambert in 1735. The members dined together off beefsteaks at five o'clock on Saturdays from November until the end of June. The gridiron was their emblem.

Just before arriving at Wellington Street there is a glimpse of green trees, and of a brilliant bed of flowers, down a little narrow street on the south side of the Strand. Many people must have noticed these things, few have had the curiosity to explore further; yet it is well worth while to get down from omnibus or cab and venture into this little backwater of the Savoy. Between eleven and one, and two and four o'clock every day the garden gate is open, and the verger is in the chapel, ready to answer questions. The little graveyard garden, with its waving trees, is a veritable oasis in the desert of brick and mortar, and the quaint chapel with its turret forms a suitable background. The precincts of the Savoy appertain to the Duchy of Lancaster, and as such are royal property; the reigning Sovereign keeps up the place, and pays for choir and service. In former days many irregular marriages were performed here, until the place gained a reputation second only to the Fleet Prison. Weddings are still held here, though the procedure is now strictly legal. The origin of the church was in the reign of Henry VII., but the fire which raged in 1864, and burnt out the interior, destroyed many old relics, and the present interior is Early Victorian. There is a curious old oil-painting opposite the door, which looks as if it had been part of a triptych, and in the chancel two quaint little stone figures, which survived the fire. The latest stained-glass window was filled in quite recently in memory of D'Oyley Carte. It was unveiled by Sir Henry Irving in the spring of 1902. Several persons of importance have been buried here, but none whose names are sufficiently well known to merit quotation. Many Bishops have been consecrated in the chapel, and it was here that the memorable Conference on the Book of Common Prayer took place in Charles II.'s reign. The chapel was made parochial after the greedy Somerset had destroyed the first Church of St. Mary le Strand, in order to use its materials for his own mansion. It had before that time been dedicated to St. John the Baptist, but was henceforth known as St. Mary le Savoy.

The history of the precinct of Savoy is difficult to treat in a volume like the present, because it requires a book to itself. It is not the paucity of material, but the quantity, that is embarrassing. The great palace which stood here first was built by Simon de Montfort, Earl of Leicester, one of the Barons to whom our present Constitution is due. By one of the frequent vicissitudes of the times, when no man's land or property was safe, this palace came into the hands of King Henry III., who took the opportunity of a visit from his wife's uncle, Peter of Savoy (afterwards Earl of Savoy and Richmond), to present it to him. Peter either gave it to or exchanged it with a religious fraternity, from whom it was rebought by the Queen, Eleanor, who gave it to her son Edmund, Earl of Lancaster.

After the Battle of Poitiers, King John of France was brought here a prisoner, and, oddly enough, though he was soon set at liberty, his death occurred here many years later when he had returned to make amends for the escape of one of his sons held hostage by the English until the payment of his ransom.

John of Gaunt, Duke of Lancaster, had made the palace into a most magnificent building, and here he lived in great state. Chaucer, Froissart and Wycliff are mentioned as having been his frequent guests. In the sack of the town by Wat Tyler this house particularly attracted the attention of the unruly mob, who did their utmost to wreck it, and were assisted by the explosion of several barrels of gunpowder, which, ignorant of their contents, they had thrown upon the flames. The costly plate and rich furniture were flung into the Thames by the rioters. After this it lay in ruins until King Henry VII., himself a descendant of John of Gaunt, founded here a hospital for 100 poor people, but he hardly lived to see his project carried out. Amid the general spoliation of the religious houses that followed, Henry VIII. seems to have respected his father's wish and left the hospital alone. It is described as a goodly building in the form of a cross. However, it was suppressed under Edward VI., and restored by Mary, whose maids of honour "did with exemplary piety furnish it with all necessaries." Elizabeth laid hands on it, and later it seems to have been reserved for such nobles as had the favour of the Crown and the right of free quarters, something in the same way as Hampton Court is reserved at present. There is an illustration by Hollar showing the palace-hospital as it was in 1650. It is right on the water's edge, presenting a very solid line of wall to the river, pierced by two rows of small windows. In the upper stories the parapet is battlemented, and a square tower built over arches projects from the frontage. We have also a plan of about a hundred years later (1754), showing the congeries of buildings that then covered the precincts. The part near the river is marked "Dwellings"; the ancient hospital has become "barracks." There is a military prison at the west side, and churches of the German Calvinist, German Lutheran and French persuasions are all within the walls.

The present church in this plan is at the north-west end, and all the above-mentioned buildings are to the south and east of it, covering ground now devoted to offices and mansions. A good deal of the buildings was standing even at the beginning of the nineteenth century, when it was demolished to make way for the approaches to Waterloo Bridge.

At the east corner of what is now Wellington Street stood Wimbledon House, built by Sir Edward Cecil, son to the first Earl of Exeter. It was burned down in 1628.

The great palace called Somerset House was at first built by the Protector Somerset, brother of Jane Seymour. He cleared away to make room for it the palace of the Bishops of Worcester and Chester, the Strand Inn belonging to the Temple, and many other buildings. The cloister on the north side of St. Paul's containing the "Dance of Death" was demolished in order to find stones for the new building, which was unfinished when the Protector was beheaded in 1552. The architect is supposed to have been John of Padua. It is not, however, certain how far the place was completed at the death of the Protector. Elizabeth gave the keeping of the house to her kinsman, Lord Hunsdon. James called it Denmark House. Charles gave it to his Queen, Henrietta Maria, and built a chapel for the Roman Catholic service. Some of the Queen's attendants are buried here; their tombs are in vaults under the great square. A register of the marriages, baptisms and burials which have taken place at Somerset House has been published by Sir T. Philips. Here Henrietta appeared in a masque; here died Inigo Jones; here Oliver Cromwell's body lay in state; after the Restoration Henrietta returned here for a time; Catherine of Braganza succeeded; here the body of Monk, Duke of Albemarle, lay in state; and here, after Catherine left England, the place became like the Savoy, the favoured residence of the poorer nobility. The old building was destroyed in 1775.

In the new Somerset House, erected 1776-1786—architect, Sir William Chambers—were for many years held the meetings of the Royal Society; the Society of Antiquaries; the Royal Academy of Arts; the Astronomical, Geological and Geographical Societies. A great deal of public business is carried on at Somerset House. The east wing is occupied by King's College, founded in 1828. Opposite to Somerset House a stream came down from the higher ground; it was crossed by the Strand Bridge. The waters flowed through the palace into the river.

On the east side of Somerset House stood Arundel House, originally Bath's Inn, as the town-house of the Bishop of Bath and Wells. In this house were set up the famous Arundel marbles. The Duc de Sully, who was lodged here during his embassy to England on the accession of James I., speaks of it as a most commodious house. Near Arundel House and Somerset House was an Inn of Chancery called Chester Inn.

Among the buildings destroyed to make room for Somerset House was a small church dedicated to the Virgin Mary, and, according to some, to St. Ursula. The Duke of Somerset promised to build another for the people, but was beheaded before he could fulfil his promise. On the present site of St. Mary's Church, and at the west end, stood a stone cross where the justices itinerant sat at certain seasons, and also on the site was the old Strand well. The cross became decayed, and a maypole was erected either on its site or close beside it. The Puritans pulled down the maypole, but after the Restoration another and a much taller one, measuring in two pieces 134 feet, was put up by sailors under the direction of the Duke of York amid the rejoicings of the people. The maypole stood until 1713, when the remaining portion was carried away to Wanstead Park, where it was used for holding a telescope. The Church of St. Mary le Strand was built 1714-1723 by James Gibbs. It was the first of the fifty new churches ordered (not all built) by Queen Anne, and it was at first called New Church. The style of the church has been vehemently abused, and yet it has grown in favour and has now many admirers. It is divided into two parts, of which the lower has no window, being built solid to keep out the noise of the street. The windows are in the upper part. The church within is nobly ornamented and is without galleries. Before the west end of the church was the first stand for hackney coaches.