The Street Called Straight

t was in the nature of a relief to Olivia Guion when, on the following day, her father was too ill to go to his office. A cold, caused by the exposure of two nights previous, and accompanied by a rising temperature, kept him confined to his room, though not to bed. The occurrence, by maintaining the situation where it was, rendered it impossible to take any irretrievable step that day. This was so much gain.

She had slept little; she had passed most of the night in active and, as it seemed to her, lucid thinking. Among the points clearest to her was the degree to which she herself was involved in the present business. In a measure, the transfer of a large sum of money from Peter Davenant to her father would be an incident more vital to her than to any one else, since she more than any one else must inherit its moral effects. While she was at a loss to see what the man could claim from them in return for his generosity, she was convinced that his exactions would be not unconnected with herself. If, on the other hand, he demanded nothing, then the lifelong obligation in the way of gratitude that must thus be imposed on her would be the most intolerable thing of all. Better any privation than the incurring of such a debt—a debt that would cover everything she was or could become. Its magnitude would fill her horizon; she must live henceforth in the world it made, her very personality would turn into a thing of confused origin, sprung, it was true, from Henry and Carlotta Guion in the first place, but taking a second lease of life from the man whose beneficence started her afresh. She would date back to him, as barbarous women date to their marriage or Mohammedans to the Flight. It was a relation she could not have endured toward a man even if she loved him; still less was it sufferable with one whom she had always regarded with an indefinable disdain, when she had not ignored him. The very possibility that he might purchase a hold on her inspired a frantic feeling, like that of the ermine at pollution.

Throughout the morning she was obliged to conceal from her father this intense opposition—or, at least to refrain from speaking of it. When she made the attempt he grew so feverish that the doctor advised the postponement of distressing topics till he should be better able to discuss them. She could only make him as comfortable as might be, pondering while she covered him up in the chaise-longue, putting his books and his cigars within easy reach, how she could best convert him to her point of view. It was inconceivable to her that he would persist in the scheme when he realized how it would affect her.

She had gone down to the small oval sitting-room commanding the driveway, thinking it probable that Drusilla Fane might come to see her. Watching for her approach, she threw open the French window set in the rounded end of the room and leading out to the Corinthian-columned portico that adorned what had once been the garden side of the house. There was no garden now, only a stretch of elm-shaded lawn, with a few dahlias and zinnias making gorgeous clusters against the already gorgeous autumn-tinted shrubbery. On the wall of a neighboring brick house, Virginia creeper and ampelopsis added fuel to the fire of surrounding color, while a maple in the middle distance blazed with all the hues that might have flamed in Moses's burning bush. It was one of those days of the American autumn when the air is shot with gold, when there is gold in the light, gold on the foliage, gold on the grass, gold on all surfaces, gold in all shadows, and a gold sheen in the sky itself. Red gold like a rich lacquer overlay the trunks of the occasional pines, and pale-yellow gold, beaten and thin, shimmered along the pendulous garlands of the American elms, where they caught the sun. It was a windless morning and a silent one; the sound of a hammer or of a motorist's horn, coming up from the slope of splendid woodland that was really the town, accentuated rather than disturbed the immediate stillness.

To Olivia Guion this quiet ecstasy of nature was uplifting. Its rich, rejoicing quality restored as by a tonic her habitual confidence in her ability to carry the strongholds of life with a high and graceful hand. Difficulties that had been paramount, overpowering, fell all at once into perspective, becoming heights to be scaled rather than barriers defying passage. For the first time in the twenty-four hours since the previous morning's revelations, she thought of her lover as bringing comfort rather than as creating complications.

Up to this minute he had seemed to withdraw from her, to elude her. As a matter of fact, though she spoke of him rarely and always with a purposely prosaic touch, he was so romantic a figure in her dreams that the approach of the sordid and the ugly had dispelled his image. It was quite true, as she had said to Drusilla Fane, that from one point of view she didn't know him very well. She might have said that she didn't know him at all on any of those planes where rents and the price of beef are factors. He had come into her life with much the same sort of appeal as the wandering knight of the days of chivalry made to the damsel in the family fortress. Up to his appearing she had thought herself too sophisticated and too old to be caught by this kind of fancy, especially as it was not the first time she had been exposed to it. In the person of Rupert Ashley, however, it presented itself with the requisite limitations and accompaniments. He was neither so young nor so rich nor of such high rank as to bring a disproportionate element into their romance, while at the same time he had all the endowments of looks, birth, and legendary courage that the heroine craves in the hero. When he was not actually under her eyes, her imagination embodied him most easily in the svelte elegance of the King Arthur beside Maximilian's tomb at Innspruck.

Their acquaintance had been brief, but illuminating—one of those friendships that can afford to transcend the knowledge of mere outward personal facts to leap to the things of the heart and the spirit. It was one of the commonplaces of their intimate speech together that they "seemed to have known each other always"; but now that it was necessary for her to possess some practical measure of his character, she saw, with a sinking of the heart, that they had never passed beyond the stage of the poetic and pictorial.

Speculating as to what he would say when he received her letter telling of her father's misfortunes, she was obliged to confess that she "had not the remotest idea." Matters of this sort belonged to a world on which they had deliberately turned their backs. That is to say, she had turned her back on it deliberately, though by training knowing its importance, fearing that to him it would seem mundane, inappropriate, American. This course had been well enough during the period of a high-bred courtship, almost too fastidiously disdainful of the commonplace; but now that the Fairy Princess had become a beggar-maid, while Prince Charming was Prince Charming still, it was natural that the former should recognize its insufficiency. She had recognized it fully yesterday; but this morning, in the optimistic brightness of the golden atmosphere, romance came suddenly to life again and confidence grew strong. Drusilla had said that she, Olivia, knew him well enough to be sure that he would want to do—everything right. They would do everything right—together. They would save her father whom she loved so tenderly, from making rash mistakes, and—who knew?—find a way, perhaps, to rescue him in his troubles and shelter his old age.

She was so sure of herself to-day, and so nearly sure of Ashley, that even the shock of seeing Peter Davenant coming up the driveway, between the clumps of shrubbery, brought her no dismay. She was quick in reading the situation. It was after eleven o'clock; he had had time to go to Boston, and, learning that her father was not at his office, had come to seek him at home.

She made her arrangements promptly. Withdrawing from the window before he could see her, she bade the maid say that, Mr. Guion being ill, Miss Guion would be glad to see Mr. Davenant, if he would have the kindness to come in. To give an air of greater naturalness to the mise-en-scène, she took a bit of embroidery from her work-basket, and began to stitch at it, seating herself near the open window. She was not without a slight, half-amused sense of lying in ambush, as if some Biblical voice were saying to her, "Up! for the Lord hath delivered thine enemy into thine hand."

"My father isn't well," she explained to Davenant, when she had shaken hands with him and begged him to sit down. "I dare say he may not be able to go out for two or three days to come."

"So they told me at his office. I was sorry to hear it."

"You've been to his office, then? He told me you were there yesterday. That's partly the reason why I've ventured to ask you to come in."

She went on with her stitching, turning the canvas first on one side and then on the other, sticking the needle in with very precise care. He fancied she was waiting for him to "give himself away" by saying something, no matter what. Having, however, a talent for silence without embarrassment, he made use of it, knowing that by means of it he could force her to resume.

He was not at ease; he was not without misgiving. It had been far from his expectation to see her on this errand, or, for the matter of that, on any errand at all. It had never occurred to him that Guion could speak to her of a transaction so private, so secret, as that proposed between them. Since, then, his partner in the undertaking had been foolish, Davenant felt the necessity on his side of being doubly discreet. Moreover, he was intuitive enough to feel her antipathy toward him on purely general grounds. "I'm not her sort," was the summing-up of her sentiments he made for himself. He could not wholly see why he excited her dislike since, beyond a moment of idiotic presumption long ago, he had never done her any harm.

He fancied that his personal appearance, as much as anything, was displeasing to her fastidiousness. He was so big, so awkward; his hands and feet were so clumsy. A little more and he would have been ungainly; perhaps she considered him ungainly as it was. He had tried to negative his defects by spending a great deal of money on his clothes and being as particular as a girl about his nails; but he felt that with all his efforts he was but a bumpkin compared with certain other men—Rodney Temple, for example—who never took any pains at all. Looking at her now, her pure, exquisite profile bent over her piece of work, while the sun struck coppery gleams from her masses of brown hair, he felt as he had often felt in rooms filled with fragile specimens of art—flower-like cups of ancient glass, dainty groups in Meissen, mystic lovelinesses wrought in amber, ivory, or jade—as if his big, gross personality ought to shrink into itself and he should walk on tiptoe.

"I understand from my father," she said, when she found herself obliged to break the silence, "that you've offered to help him in his difficulties. I couldn't let the occasion pass without telling you how much I appreciate your generosity."

She spoke without looking up; words and tone were gently courteous, but they affected him like an April zephyr, that ought to bring the balm of spring, and yet has the chill of ice in it.

"Haven't you noticed," he said, slowly, choosing his words with care, "that generosity consists largely in the point of view of the other party? You may give away an old cloak, for the sake of getting rid of it; but the person who receives it thinks you kind."

"I see that," she admitted, going on with her work, "and yet there are people to whom I shouldn't offer an old cloak, even if I had one to give away."

He colored promptly. "You mean that if they needed anything you'd offer them the best you had."

"I wonder if you'd understand that I'm not speaking ungraciously if I said that—I shouldn't offer them anything at all?"

He put up his hand and stroked his long, fair mustache. It was the sort of rebuke to which he was sensitive. It seemed to relegate him to another land, another world, another species of being from those to which she belonged. It was a second or two before he could decide what to say. "No, Miss Guion," he answered then; "I don't understand that point of view."

"I'm sorry. I hoped you would."

"Why?"

She lifted her clear gray eyes on him for the briefest possible look. "Need I explain?"

The question gave him an advantage he was quick to seize. "Not at all, Miss Guion. You've a right to your own judgments. I don't ask to know them."

"But I think you ought. When you enter into what is distinctly our private family affair, I've a right to give my opinion."

"You don't think I question that?"

"I'm afraid I do. I imagine you're capable of carrying your point, regardless of what I feel."

"But I've no point to carry. I find Mr. Guion wanting to borrow a sum of money that I'm prepared to lend. It's a common situation in business."

"Ah, but this is not business. It's charity."

"Did Mr. Guion tell you so?"

"He did. He told me all about it. My father has no secrets from me."

"Did he use the word—charity?"

"Almost. He said you offered him a loan, but that it really was a gift."

His first impulse was to repudiate this point of view, but a minute's reflection decided him in favor of plain speaking. "Well," he said, slowly, "suppose it was a gift. Would there be any harm in it?"

"There wouldn't be any harm, perhaps; there would only be an—impossibility." She worked very busily, and spoke in a low voice, without looking up. "A gift implies two conditions—on the one side the right to offer, and on the other the freedom to take."

"But I should say that those conditions existed—between Mr. Guion and me."

"But not between you and me. Don't you see? That's the point. To any such transaction as this I have to be, in many ways, the most important party."

Again he was tempted to reject this interpretation; but, once more, on second thought, he allowed it to go uncontested. When he spoke it was to pass to another order of question.

"I wonder how much you know?"

"About my father's affairs? I know everything."

"Everything?"

"Yes; everything. He told me yesterday. I didn't expect him to come home last night at all; but he came—and told me what you had proposed."

"You understood, then," Davenant stammered, "that he might have to—to—go away?"

"Oh, perfectly."

"And aren't you very much appalled?"

The question was wrung from him by sheer astonishment. That she should sit calmly embroidering a sofa-cushion, with this knowledge in her heart, with this possibility hanging over her, seemed to him to pass the limits of the human. He knew there were heroic women; but he had not supposed that with all their heroism they carried themselves with such sang-froid. Before replying she took time to search in her work-basket for another skein of silk.

"Appalled is scarcely the word. Of course, it was a blow to me; but I hope I know how to take a blow without flinching."

"Oh, but one like this—"

"We're able to bear it. What makes you think we can't? If we didn't try, we should probably involve ourselves in worse."

"But how could there be worse?"

"That's what I don't know. You see, when my father told me of your kind offer, he didn't tell me what you wanted."

"Did he say I wanted anything?"

"He said you hadn't asked for anything. That's what leaves us so much in the dark."

"Isn't it conceivable—" he began, with a slightly puzzled air.

"Not that it matters," she interrupted, hurriedly. "Of course, if we had anything with which to compensate you—anything adequate, that is—I don't say that we shouldn't consider seriously the suggestion you were good enough to make. But we haven't. As I understand it, we haven't anything at all. That settles the question definitely. I hope you see."

"Isn't it conceivable," he persisted, "that a man might like to do a thing, once in a way, without—"

"Without asking for an equivalent in return? Possibly. But in this case it would only make it harder for me."

"How so?"

"By putting me under an overwhelming obligation to a total stranger—an obligation that I couldn't bear, while still less could I do away with it."

"I don't see," he reasoned, "that you'd be under a greater obligation to me in that case than you are to others already."

"At present," she corrected, "we're not under an obligation to any one. My father and I are contending with circumstances; we're not asking favors of individuals. I know we owe money—a great deal of money—to a good many people—"

"Who are total strangers, just like me."

"Not total strangers just like you—but total strangers whom I don't know, and don't know anything about, and who become impersonal from their very numbers."

"But you know Mrs. Rodman and Mrs. Clay. They're not impersonal."

All he saw for the instant was that she arrested her needle half-way through the stitch. She sat perfectly still, her head bent, her fingers rigid, as she might have sat in trying to catch some sudden, distant sound. It was only in thinking it over afterward that he realized what she must have lived through in the seconds before she spoke.

"Does my father owe money to them?"

The hint of dismay was so faint that it might have eluded any ear but one rendered sharp by suspicion. Davenant felt the blood rushing to his temples and a singing in his head. "My God, she didn't know!" he cried, inwardly. The urgency of retrieving his mistake kept him calm and cool, prompting him to reply with assumed indifference.

"I really can't say anything about it. I suppose they would be among the creditors—as a matter of course."

For the first time she let her clear, grave eyes rest fully on him. They were quiet eyes, with exquisitely finished lids and lashes. In his imagination their depth of what seemed like devotional reverie contributed more than anything else to her air of separation and remoteness.

"Isn't it very serious—when there's anything wrong with estates?"

He answered readily, still forcing a tone of careless matter-of-fact.

"Of course it's serious. Everything is serious in business. Your father's affairs are just where they can be settled—now. But if we put it off any longer it might not be so easy. Men often have to take charge of one another's affairs—and straighten them out—and advance one another money—and all that—in business."

She looked away from him again, absently. She appeared not to be listening. There was something in her manner that advised him of the uselessness of saying anything more in that vein. After a while she folded her work, smoothing it carefully across her knee. The only sign she gave of being unusually moved was in rising from her chair and going to the open window, where she stood with her back to him, apparently watching the dartings from point to point of a sharp-eyed gray squirrel.

Rising as she did, he stood waiting for her to turn and say something else. Now that the truth was dawning on her, it seemed to him as well to allow it to grow clear. It would show her the futility of further opposition. He would have been glad to keep her ignorant; he regretted the error into which she herself unwittingly had led him; but, since it had been committed, it would not be wholly a disaster if it summoned her to yield.

Having come to this conclusion, he had time to make another observation while she still stood with her back to him. It was to consider himself fortunate in having ceased to be in love with her. In view of all the circumstances, it was a great thing to have passed through that phase and come out of it. He had read somewhere that a man is never twice in love with the same person. If that were so, he could fairly believe himself immune, as after a certain kind of malady. If it were not for this he would have found in her hostility to his efforts and her repugnance to his person a temptation—a temptation to which he was specially liable in regard to living things—to feel that it was his right to curb the spirit and tame the rebellion of whatever was restive to his control. There was something in this haughty, high-strung creature, poising herself in silence to stand upright in the face of fate, that would have called forth his impulse to dominate her will, to subdue her lips to his own, if he had really cared. Fortunately, he didn't care, and so could seek her welfare with detachment.

Turning slowly, she stood grasping the back of the chair from which she had risen. He always remembered afterward that it was a chair of which the flowing curves and rich interlacings of design contrasted with her subtly emphasized simplicity. He had once had the morbid curiosity to watch, in an English law-court, the face and attitude of a woman—a surgeon's wife—standing in the dock to be sentenced to death. It seemed to him now that Olivia Guion stood like her—with the same resoluteness, not so much desperate as slightly dazed.

"Wasn't it for something of that kind—something wrong with estates—that Jack Berrington was sent to prison?"

The question took him unawares. "I—I don't remember."

"I do. I should think you would. The trial was in all the papers. It was the Gray estate. He was Mrs. Gray's trustee. He ruined the whole Gray family."

"Possibly." He did his best to speak airily. "In the matter of estates there are all sorts of hitches that can happen. Some are worse than others, of course—"

"I've seen his wife, Ada Berrington, once or twice, when I've been in Paris. She lives there, waiting for him to come out of Singville. She avoids her old friends when she can—but I've seen her."

"I think I remember hearing about them," he said, for the sake of saying something; "but—"

"I should like to go and talk with my father. Would you mind waiting?"

She made as though she would pass him, but he managed to bar her way.

"I wouldn't do that if I were you, Miss Guion. If he's not well it'll only upset him. Why not let everything be just as it is? You won't regret it a year hence—believe me. In nine things out of ten you'd know better than I; but this is the tenth thing, in which I know better than you. Why not trust me—and let me have a free hand?"

"I'm afraid I must go to my father. If you'll be kind enough to wait, I'll come back and tell you what he says. Then we shall know. Will you please let me pass?"

He moved to one side. He thought again of the woman in the English law-court. It was like this that she walked from the dock—erect, unflinching, graceful, with eyes fixed straight before her, as though she saw something in the air.

He watched her cross the hall to the foot of the staircase. There she paused pensively. In a minute or two she came back to the sitting-room door.

"If it should be like—like Jack Berrington," she said, from the threshold, with a kind of concentrated quiet in her manner, "then—what you suggested—would be more out of the question than ever."

"I don't see that," he returned, adopting her own tone. "I should think it would be just the other way."

She shook her head.

"There are a lot of points of view that you haven't seen yet," he persisted. "I could put some of them before you if you'd give me time."

"It would be no use doing that. I should never believe anything but that we, my father and I, should bear the responsibilities of our own acts."

"You'll think differently," he began, "when you've looked at the thing all round; and then—"

But before he could complete his sentence she had gone.

Having seen her go up-stairs, he waited in some uncertainty. When fifteen or twenty minutes had gone by and she did not return, he decided to wait no longer. Picking up his hat and stick from the chair on which he had laid them, he went out by the French window, making his way to the gate across the lawn.

inding the door of her father's room ajar, Miss Guion pushed it open and went in.

Wearing a richly quilted dressing-gown, with cuffs and rolled collar of lavender silk, he lay asleep in the chaise-longue, a tan-colored rug across his feet. On a table at his left stood a silver box containing cigars, a silver ash-tray, a silver match-box, and a small silver lamp burning with a tiny flame. Each piece was engraved with his initials and a coat-of-arms. On his right there was an adjustable reading-stand, holding an open copy of a recent English review. One hand, adorned with an elaborately emblazoned seal-ring, hung heavily toward the floor; a cigar that had gone out was still between the fingers. His head, resting on a cushion of violet brocade, had fallen slightly to one side.

She sat down beside him, to wait till he woke up. It was a large room, with white doors and wainscoting. Above the woodwork it was papered in pale yellow. On the walls there were water-colors, prints, photographs, and painted porcelain plaques. Over the bed, for decorative rather than devotional purposes, hung an old French ivory crucifix, while lower down was a silver holy-water stoup of Venetian make, that was oftenest used for matches. It had been the late Mrs. Guion's room, and expressed her taste. It contained too many ornaments, too many knickknacks, too many mirrors, too many wardrobes, too many easy-chairs, too much embossed silver on the dressing-table, too much old porcelain, wherever there was a place for it. Everything was costly, from the lace coverlet on the bed to the Persian rugs on the floor.

Olivia looked vaguely about the room, as on an apartment she had never before seen. She found herself speculating as to the amount these elaborate furnishings would fetch if sold. She recalled the fact, forgotten till now, that when the Berringtons' belongings, purchased with reckless extravagance, passed under the hammer, they had gone for a song. She made the same forecast regarding the contents of Tory Hill. Much money had been spent on them, but, with the exception perhaps of some of the old portraits, there was little of real intrinsic value. She made the reflection coldly, drearily, as bearing on things that had no connection with herself.

Her eyes traveled back to her father. With the muscles of the face relaxed in sleep, he looked old and jaded. The mustache, which had not been waxed or curled that day, sagged at the corners, the mouth sagging under it. Above the line of the beard the skin was mottled and puffy. The lashes rested on his cheeks with the luxuriance of a girl's, and the splendid eyebrows had all their fullness; but the lids twitched and quivered like those of a child that has fallen asleep during a fit of weeping.

It was this twitching that softened her, that compelled her to judge him from the most merciful point of view. There was something piteous about him, something that silenced reproaches, that disarmed severity. She had come up-stairs staggered, incredulous—incredulous and yet convinced—outraged, terrified; but now the appeal of that fagged face and those quivering lids was too strong for her. It wrought in her not so much sympathy as comprehension, an understanding of him such as she had never before arrived at. In his capacity of father she had loved him unrestrainedly, but admired him with reserves. It was impossible not to love a parent so handsome, so genial, so kind, so generally admired; it was equally impossible not to criticize, however gently, a man with such a love of luxury, of unwarranted princeliness, and of florid display. She was indulgent to his tastes in the degree to which a new and enlightened generation can be tolerant of the errors of that preceding it, but she could not ignore the fact that the value he set on things—in morals, society, or art—depended on their power to strike the eye. She had smiled at that, as at something which, after all, was harmless. She had smiled, too, when he offered to himself—and to her also, it had to be admitted—the best of whatever could be had, since, presumably, he could afford it; though, as far as she was concerned, she would have been happier with simpler standards and a less ambitious mode of life. In following the path her parents had marked out for her, and to some extent beaten in advance, she had acquiesced in their plans rather than developed wishes of her own. Having grown tired of her annual round of American and English country-houses, with interludes for Paris, Biarritz, or Cannes, she had gone on chiefly because, as far as she could see, there was nothing else to do.

Looking at him now, it came over her for the first time that she must be a disappointment to him. He had never given her reason to suspect it, and yet it must be so. First among the aims for which he had been striving, and to attain to which he had hazarded so much, there must have been the hope that she should make a brilliant match. That, and that alone, would have given them as a family the sure international position he had coveted, and which plenty of other Americans were successful in securing.

It was only of late years, with the growth of her own independent social judgment, that she could look back over the past and see the Guions as in the van of that movement of the New World back upon the Old of which the force was forever augmenting. As Drusilla Fane was fond of saying, it was a manifestation of the nomadic, or perhaps the predatory, spirit characteristic of the Anglo-Saxon peoples. It was part of that impulse to expand, annex, appropriate, which had urged the Angles to descend on the shores of Kent and the Normans to cross from Dives to Hastings. Later, it had driven their descendants over the Atlantic, as individuals, as households, or as "churches"; and now, from their rich, comfortable, commonplace homes in New England, Illinois, or California, it bade later descendants still lift up their eyes and see how much there was to be desired in the lands their ancestors had left behind—fair parks, stately manors, picturesque châteaux, sonorous titles, and varied, dignified ways of living.

To a people with the habit of compassing sea and land to get whatever was good to have the voyage back was nothing, especially in the days of easy money and steam. The Guions had been among the first to make it. They had been among the first Americans to descend on the shores of Europe with the intention—more or less obscure, more or less acknowledged, as the case might be—of acquiring and enjoying the treasures of tradition by association or alliance or any other means that might present themselves. Richard Guion, grandfather of Henry Guion, found the way to cut a dash in the Paris of the early Second Empire and to marry his daughter, Victoria Guion, to the Marquis de Melcourt. From the simple American point of view of that day and date it was a dazzling match, long talked of by the naïve press of New York, Boston, and Philadelphia.

By the more ambitious members of the Guion house it was considered as the beginning of a glorious epoch; but, looking back now, Olivia could see how meager the results had been. Since those days a brilliant American society had sprung up on the English stem, like a mistletoe on an oak; but, while Henry and Charlotta Guion would gladly have struck their roots into that sturdy trunk, they lacked the money essential to parasitic growth. As for Victoria Guion, French life, especially the old royalist phase of it, which offers no crevices on its creaseless bark in which a foreign seed can germinate, absorbed her within its tough old blossom as a pitcher-plant sucks in a fly. Henceforth the utmost she could do for her kith and kin was to force open the trap from time to time, so that Olivia, if she liked, could be swallowed, too. In that task the old lady was not only industrious but generous, offering to subscribe handsomely toward the dot, as well as giving it to be understood that the bride-elect would figure in the end as her residuary legatee. Owing to this prospect Olivia had been compelled to decline a comte and a vicomte of crusading ancestry, procured at some pains by Madame de Melcourt; but when she also refused the eminently eligible Duc de Berteuil, whose terms in the way of dowry were reasonable, while he offered her a splendidly historic name and background, the Marquise not unnaturally lost her temper and declared that she washed her hands of her grandniece once for all.

Not till this minute had Olivia ever considered that this reluctance on her part to be "well established" must have been something like a grief to her father, for he had never betrayed a sign of it. On the contrary, he had seemed to approve her decisions, and had even agreed with her in preferring the mistletoe to the pitcher-plant. He welcomed her back to Tory Hill, where her residences were longer, now that she ceased to be much with Madame de Melcourt, and yet was always ready with money and his consent when she had invitations from her friends abroad. On her engagement to Rupert Ashley he expressed complete satisfaction, and said in so many words that it was a more appropriate match for her than any French alliance, however distinguished. His tenderness in this respect came over her now as peculiarly touching, unsealing the fount of filial pity at a moment when other motives might have made for indignation and revolt.

He opened his eyes without giving any other sign of waking.

"Hallo! What are you looking at me for?"

The tone was not impatient, but she heard in it an implication of fear.

"Papa, are your troubles anything like Jack Berrington's?"

He gazed at her without moving a muscle or changing a shade. She only fancied that in the long look with which he regarded her there was a receding, sinking, dying light, as though the soul within him was withdrawing.

"What makes you ask that?"

The intonation was expressionless, and yet, it seemed to her, a little wary.

"I ask chiefly because—well, because I think they are."

He looked at her for a minute more, perhaps for longer.

"Well, then—you're right."

Again she had the sensation, familiar to her since yesterday, of the world reeling to pieces around her while her own personality survived. When she spoke, her voice sounded as if it came out of the wildness of a surging wreck.

"Then that's what you meant in saying yesterday that when everything was settled you still wouldn't be able to pay all you owed."

"That's what I meant—exactly."

He lay perfectly still, except that he raised his hand and puffed at his extinct cigar. She looked down at the pattern on the Persian rug beside his couch—a symmetrical scroll of old rose, on a black ground sown with multicolored flowerets.

"I suppose it's the Clay heirs and the Rodman heirs you owe the money to?"

"And the Compton heirs, and old Miss Burnaby, and the two Misses Brown, and—"

"Haven't they anything left?"

"Oh yes. It isn't all gone, by any means." Then he added, as if to make a clean breast of the affair and be done with it: "The personal property—what you may call the cash—is mostly gone! Those that have owned real estate—like the Rodmans and Fanny Burnaby—well, they've got that still."

"I see." She continued to sit looking meditatively down at the rug. "I suppose," she ventured, after long thinking, "that that's the money we've been living on all these years?"

"Yes; in the main." He felt it useless to quibble or to try to extenuate the facts.

"How many years would that be?"

"I'm not very sure; on and off, it's about ten since I began using some of their money to—help out my income. Latterly—you may as well know it—I haven't had any real income of my own at all."

"So that their money has been paying for—for all this."

Her hands made a confused little gesture, indicating the luxury of his personal appointments and of the room.

He shrugged his shoulders and arched his eyebrows in a kind of protest, which was nevertheless not denial. "W-well! If you choose to put it so!"

"And for me, too," she went on, looking at him now with a bewildered opening of her large gray eyes—"for my visits, my clothes, my maid—everything!"

"I don't see any need," he said, with a touch of peevishness, "for going so terribly into detail."

"I don't see how it can be helped. It's so queer—and startling—to think I've had so much that wasn't mine."

"You mustn't think it was deliberately planned—" he began, weakly.

"And now the suggestion is," she interrupted, "that Mr. Davenant should pay for it. That seems to me to make it even worse than—than before."

"I confess I don't follow you there," he complained. "If he doesn't—then I go to Singville."

"Wouldn't you rather?"

He raised himself stiffly into a sitting posture. "Would you?"

She did not hesitate in her reply. "Yes, papa. I would rather—if I were you."

"But since you're not me—since you are yourself—would you still rather that I went to Singville?"

There was a little lift to her chin, a faint color in her face as she replied: "I'd rather pay—however I did it. I'd rather pay—in any way—than ask some one else to do it."

He fell back on the cushion of violet brocade. "So would I—if I had only myself to think of. We're alike in that."

"Do you mean that you'd rather do it if it wasn't for me?"

"I've got to take everything into consideration. It's no use for me to make bad worse by refusing a good offer. I must try to make the best of a bad business for every one's sake. I don't want to take Davenant's money. It's about as pleasant for me as swallowing a knife. But I'd swallow a knife if we could only hush the thing up long enough for you to be married—and for me to settle some other things. I shouldn't care what happened after that. They might take me and chuck me into any hole they pleased."

"But I couldn't be married in that way, papa dear. I couldn't be married at all to—to one man—when another man had a claim on me."

"Had a claim on you? How do you mean?"

"He'll have that—if he pays for everything—pays for everything for years and years back. Don't you see?"

"A claim on you for what, pray?"

"That's what I don't know. But whatever it is, I shall feel that I'm in his debt."

"Nonsense, dear. I call that morbid. It is morbid."

"But don't you think it's what he's working for? I can't see anything else that—that could tempt him; and the minute we make a bargain with him we agree to his terms."

There was a long silence before he said, wearily:

"If we call the deal off we must do it with our eyes open to the consequences. Ashley would almost certainly throw you over—"

"No; because that possibility couldn't arise."

"And you'll have to be prepared for the disgrace—"

"I shall not look on it as disgrace so much as—paying. It will be paying for what we've had—if not in one sort of coin, then in another. But whatever it is, we shall be paying the debt ourselves; we sha'n't be foisting it off on some one else."

"Why do you say we?"

"Well, won't it be we? I shall have my part in it, sha'n't I? You wouldn't shut me out from that? I've had my share of the—of the wrong, so I ought to take my share in the reparation. My whole point is that we should be acting together."

"They can't put you in Singville."

"No; but they can't keep me from sitting outside the walls. I shall want to do that, papa, if you're within. I'm not going to separate myself from you—or from anything you're responsible for. I couldn't if I wanted to; but as it happens I shouldn't try. I should get a kind of satisfaction out of it, shouldn't you?—the satisfaction of knowing that every day we suffered, and every night we slept through or wept through, and every bit of humiliation and dishonor, was so much contributed to the great work of—paying up. Isn't that the way you'd take it?"

"That's all very fine now, dear, when you're—what shall I say?—a little bit exaltée; but how do you think you'll feel when they've—when they've"—he continued to speak with his eyes shut convulsively—"when they've arrested me and tried me and sentenced me and locked me up for ten or fifteen years?"

"I shall feel as if the bitterness of death were past. But I should feel worse than that—I should feel as if the bitterness of both death and hell were still to come if we didn't make an effort to shoulder our own responsibilities."

There was more in the same vein. He listened for the greater part of the time with his eyes closed. He was too unutterably tired to argue or to contest her point of view. Beyond suggesting that there were sides to the question she hadn't yet considered, he felt helpless. He was restrained, too, from setting them forth by a certain hesitation in demanding from her anything she did not concede of her own accord. That she would ultimately see for herself he had little doubt. In any case he was more or less indifferent from sheer spiritual exhaustion. He had ceased to direct, or try to direct, his own affairs or those of any one else. In his present condition he could only lie still and let come what might. Fate or God would arrange things either in the way of adjustment or of fatal ruin without interference on his part.

So as he lay and listened to his daughter he uttered some bit of reason or some feeble protest only now and then. When, occasionally, he looked at her, it was to see her—somewhat deliriously—white, slim, ethereal, inexorable, like the law of right. He was feverish; his head throbbed; whenever he opened his eyes the objects in the room seemed to whirl about, while she sat tense, low-voiced, gentle, a spirit of expiation.

Among the various ways in which he had thought she might take his dread announcement this one had never occurred to him; and yet, now that he saw it, he recognized it as just what he might have expected from the almost too rigid rectitude and decidedly too uncompromising pride that made up her character. It was the way, too, he admitted, most worthy of a Guion. It was the way he would have chosen for himself if he had nothing to consider but his own tastes. He himself was as eager in his way to make satisfaction as she; he was only deterred by considerations of common sense. From the point of view of a man of business it was more than a little mad to refuse the money that would pay his creditors, hush up a scandal, and keep the course of daily life running in something like its accustomed channel, merely because for the rest of his days he must be placed in a humiliating moral situation. He wouldn't like that, of course; and yet everything else was so much worse for his clients, even more than for himself. This was something she did not see. In spite of the measure in which he had agreed with her heroic views of "paying," he returned to that thought after she had kissed him and gone away.

During the conversation with him Olivia had so completely forgotten Davenant that when she descended to the oval sitting-room she was scarcely surprised to find that he had left and that Drusilla Fane was waiting in his place.

"You see, Olivia," Mrs. Fane reasoned, in her sympathetic, practical way, "that if you're not going to have your wedding on the 28th, you've got to do something about it now."

"What would you do?"

Olivia brought her mind back with some effort from the consideration of the greater issues to fix it on the smaller ones. In its way Drusilla's interference was a welcome diversion, since the point she raised was important enough to distract Olivia's attention from decisions too poignant to dwell on long.

"I've thought that over," Drusilla explained—"mother and I together. If we were you we'd simply scribble a few lines on your card and send it round by post."

"Yes? And what would you scribble?"

"We'd say—you see, it wouldn't commit you to anything too pointed—we'd say, simply, 'Miss Guion's marriage to Colonel Ashley will not take place on October 28th.' There you'd have nothing but the statement, and they could make of it what they liked."

"Which would be a good deal, wouldn't it?"

"Human nature being human nature, Olivia, you can hardly expect people not to talk. But you're in for that, you know, whatever happens now."

"Oh, of course."

"So that the thing to do is to keep them from going to the church next Thursday fortnight, and from pestering you with presents in the mean while. When you've headed them off on that you'll feel more free to—to give your mind to other things."

The suggestion was so sensible that Olivia fell in with it at once. She accepted, too, Drusilla's friendly offer to help in the writing of the cards, of which it would be necessary to send out some two hundred. There being no time to lose, they set themselves immediately to the task, Drusilla at the desk, and Olivia writing on a blotting-pad at a table. They worked for twenty minutes or half an hour in silence.

"Miss Guion's marriage to Colonel Ashley will not take place on October 28th."

"Miss Guion's marriage to Colonel Ashley will not take place on October 28th."

"Miss Guion's marriage to Colonel Ashley will not take place on October 28th."

The words, which to Olivia had at first sounded something like a knell, presently became, from the monotony of repetition, nothing but a sing-song. She went on writing them mechanically, but her thoughts began to busy themselves otherwise.

"Drusilla, do you remember Jack Berrington?"

The question slipped out before she saw its significance. She might not have perceived it so quickly even then had it not been for the second of hesitation before Drusilla answered and the quaver in her voice when she did.

"Y-es."

The amount of information contained in the embarrassment with which this monosyllable was uttered caused Olivia to feel faint. It implied that Drusilla had been better posted than herself; and if Drusilla, why not others?

"Do you know what makes me think of him?"

Again there was a second of hesitation. Without relaxing the speed with which she went on scribbling the same oft-repeated sentence, Olivia knew that her companion stayed her pen and half turned round.

"I can guess."

Olivia kept on writing. "How long have you known?"

Drusilla threw back the answer while blotting with unnecessary force the card she had just written: "A couple of days."

"Has it got about—generally?"

"Generally might be too much to say. Some people have got wind of it; and, of course, a thing of that kind spreads."

"Of course."

After all, she reflected, perhaps it was just as well that the story should have come out. It was no more possible to keep it quiet than to calm an earthquake. She had said just now to her father that she would regard publicity less as disgrace than as part of the process of paying up. Very well! If they were a mark for idle tongues, then so much the better, since in that way they were already contributing some few pence toward quenching the debt.

"I should feel worse about it," Drusilla explained, after a silence of some minutes, "if I didn't think that Peter Davenant was trying to do something to—to help Cousin Henry out."

Olivia wrote energetically. "What's he doing?"

"Oh, the kind of thing men do. They seem to have wonderful ways of raising money."

"How do you know he's trying it?"

"I don't know for certain; I've only an idea. I rather gather it by the queer way he comes and goes. The minute a thing is in Peter's hands—"

"Have you such a lot of confidence in him?"

"For this sort of thing—yes. He's terribly able, so they say, financially. For the matter of that, you can see it by the way he's made all that money. Bought mines, or something, and sold them again. Bought 'em for nothing, and sold 'em for thousands and thousands."

"Did I ever tell you that he once asked me to marry him?"

Drusilla wheeled round in her chair and stared, open-mouthed, at her friend's back.

"No!"

"Oh, it was years ago. I dare say he's forgotten it."

"I'll bet you ten to one he hasn't."

Olivia took another card and wrote rapidly. "Do you suppose," she said, trying to speak casually, "that his wanting to help papa out has anything to do with that?"

"I shouldn't wonder. I shouldn't wonder at all."

"What could it have?"

"Oh, don't ask me! How should I know? Men are so queer. He's getting some sort of satisfaction out of it, you may depend."

Drusilla answered as she would have liked to be answered were she in a similar position. That an old admirer should come to her aid like a god from the machine would have struck her as the most touching thing in the world. As she wheeled round again to her task it was not without a pang of wholly impersonal envy at so beautiful a tribute. She had written two or three cards before she let fall the remark:

"And now poor, dear old mother is manœuvering to have me marry him."

The idea was not new to Olivia, so she said, simply, "And are you going to?"

"Oh, I don't know." Drusilla sighed wearily, then added: "I sha'n't if I can help it."

"Does that mean that you'll take him if you can't do better?"

"It means that I don't know what I shall do at all. I'm rather sick of everything—and so I might do anything. I don't want to come back to live in America, and yet I feel an alien over there, now that I haven't Gerald to give me a raison d'être. They're awfully nice to me—at Southsea—at Silchester—everywhere—and yet they really don't want me. I can see that as plainly as I can see your name on this card. But I can't keep away from them. I've no pride. At least, I've got the pride, but there's something in me stronger than pride that makes me a kind of craven. I'm like a dog that doesn't mind being kicked so long as he can hang about under the dining-room table to sniff up crumbs. With my temperament it's perfectly humiliating, but I can't help it. I've got the taste for that English life as a Frenchman gets a taste for absinthe—knows that it'll be the ruin of him, and yet goes on drinking."

"I suppose you're not in love with any one over there?"

There was no curiosity in this question. Olivia asked it—she could scarcely tell why. She noticed that Drusilla stopped writing again and once more half turned round, though it was not till long afterward that she attached significance to the fact.

"Who on earth should I be in love with? What put that into your head?"

"Oh, I don't know. Stranger things have happened. You see a great many men—"

So they went skimming over the surface of confidence, knowing that beneath what they said there were depths below depths that they dared not disturb. All the same, it was some relief to both when the maid came to the door to summon them to luncheon.