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The Tallants of Barton, vol. 1 (of 3)

Chapter 24: CHAPTER XXII. IN WHICH THOMAS DIBBLE CONTINUES TO “RUN AWAY.”
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About This Book

A provincial family drama interweaves domestic life, ambition, and commercial enterprise at a handsome country estate. The narrative follows a self-made patriarch, his children, and neighboring households as romantic attachments, secrets, and social visitors complicate their lives. Business ventures in ironworks and financial speculation produce a crisis that reshapes fortunes and prompts flight, confidences, and unexpected alliances. Episodic chapters present rural scenes, an artist’s presence, and moral reflections while tracing how shifts in wealth and reputation affect personal choices. Themes of social mobility, the precariousness of prosperity, and the interplay of private motive and public finance run through the intertwined episodes.

CHAPTER XXII.
IN WHICH THOMAS DIBBLE CONTINUES TO “RUN AWAY.”

This strange, mongrel-looking dog, which Dibble encountered amongst the corn, was not only a source of amusement to the runaway porter, but gave rise to a variety of speculations far beyond the usual scope of Dibble’s imagination.

As the evening came on, and the mist began to rise upon the brooks and rivers, and the leaves whirled about amongst the dust, however, poor Dibble’s somewhat dull imagination took its hue from surrounding objects, and he suddenly became very thoughtful. He looked at the dog as it walked by his side, with its nose nearly upon the ground and its stumpy tail sticking up behind, and a sense of fear came over him.

All at once it occurred to Dibble that the devil could assume any shape he pleased. Supposing this dog were the devil, come to claim the price of the broken oath which Dibble had sworn to Gibbs! Just then the dog began to walk on his hind-legs and barked, as if to confirm Dibble’s supposition.

The runaway porter quickened his pace immediately, and his heart sunk within him. He was glad to see a cart coming along the road; this re-assured him, and he began to run as fast as he could; but the dog soon dropped on all fours again, and overtook his companion.

Dibble would have cried out to the carter for help, but just at that moment he came to a bend in the road, and saw a roadside inn and a little village not many yards ahead. The dog, it would seem, saw the inn, too, and the sight was not so pleasant to him as to Dibble, for the dog stood still, and then turned tail and crept into the hedge, and howled. Thomas was surprised at this, and plucked up courage enough to whistle and beckon his companion, believing that if the dog were not the devil, it was staying behind because of Dibble’s unkindness in running away, and feeling that if it were the devil he might get some assistance in the village to kill him, and thus get rid of the devil for ever; which Thomas, in his own way, thought would be a grand achievement.

It was some little time before the dog acknowledged Dibble’s sympathetic whistles and encouraging words to “come along;” but at length the vagrant animal came forth, and walked sadly and solemnly at the porter’s heels.

They went into the roadside inn together, along the passage, past the bar window, and into the tap-room, where two or three rough-looking fellows were drinking beer. Dibble sat down, and the dog slunk away into a corner under a long seat with a high back, called a “settle.” One of the men, a little fellow with a fur cap on his head, and a brown velvet jacket on his back, evidently noticed the dog, for he smiled and winked at another fellow, who sat opposite to him.

“There’ll be some fun jest now,” said the little man, looking at Dibble, who called for a pint of ale.

Several other people came in at this moment, three women amongst the rest. Most of them had bundles, and the men all wore caps and shabby coats; the women wore shawls and showy ribbons, and spoke in a hoarse, foggy style, and reminded Dibble of the women he remembered presiding over nut-stalls and shooting galleries at the Gloucestershire fairs when he was a boy.

Whilst he was drinking his beer the window at the back was darkened with several show-houses, caravans, and ricketty canvas-covered carts, which were coming into the yard for the night, and then Dibble knew that he was amongst show people. He ventured to ask an old man, who sat next to him, and who was engaged in spinning a penny in a peculiar way, and twitching it up his sleeve, if there was a fair coming off.

“Severntown races,” said the man, continuing his occupation, and evincing a desire not to be interrupted.

“Oh!” said Dibble, looking round, and taking stock of his new acquaintances. Several of them, he saw, had bundles like himself, and all of them produced something to eat. Bread and sausages, bread and herrings, bread and cheese, bread and onions, bread and black-pudding, bread and tripe; and bread and many other things were exhumed from those mysterious bundles, and from deep greasy pockets. The edibles were demolished along with beer, and gin-and-water, and porter, and cider, and other liquors, which a thick-fisted waiter brought in, amidst much talking and some swearing.

All this time the little man in the velvet coat kept careful watch over Dibble and the dog; and by-and-by, when the man who had been spinning the penny went out with a person in an overcoat and tights (who had been standing on his head in the villages through which he passed, and doing other funny tricks upon a square piece of carpet), the little man went and sat beside Dibble, at whom he nodded pleasantly, and for whose especial behoof he tapped a nose somewhat flattened by hard usage and dirty weather.

“I forgives yer, old gal, I forgives yer,” he said, directing one eye towards the dog’s hiding-place, and winking at Dibble with the other.

Whereupon the dog came forth, rubbed his bony sides against Dibble’s legs, and licked the porter’s dusty boots.

“Oh, this is the gent whose bin keind to yer,—eh, Mistress Momus?” said the man, nodding pleasantly to Dibble.

The dog gave a short bark, and rubbed herself once more against Dibble.

“Well, well, I forgives yer, Momus,” said the man again, but this time in a softer voice, and with a coaxing kindliness which the dog seemed to understand.

“Come, then, old gal; stand up and make him a bow,” he went on, motioning to the dog with his hand.

Dibble’s companion stood up as it had done in the corn-field, bowed gravely to Dibble, and raised a forepaw to its head, like charity school-boys on an inspection day.

“You’ve not fed the dawg too much, guvner,” said the man, patting the dog’s head, and addressing Dibble.

“I only saw un this afternoon,” said Dibble, “for the first time, and I never see a dog so hungry and so quiet over it, nor one half so funny; I began to be afeared he wor something evil, he acted so much like a Christian, surely,” said Dibble.

“Why, he’s been away for this week or more—broken-hearted a’most; and we’ve bin obliged to fall back on the basket trick.”

Thomas looked inquiringly at the little man, and wondered why showmen were so addicted to brown velveteen and pearl buttons.

“She can do pretty nigh everythin’, can Momus; she was the wife of a clown’s dawg called Momus, so we called her Mistress Momus. Everythin’ she can do pretty nigh, but like a brute I expected her to do somethin’ more nor everythin’; nothin’ would do but she must talk, and she couldn’t do that of course—no dawg could—and so we quarrelled. Didn’t we, old gal?”

The dog licked her master’s hands, and looked up into his face.

“I wanted her to say ‘Thank ’e, sir.’ Poor lass, she tried hard, but she couldn’t.”

Mistress Momus here opened her mouth, and jerked out something very much like “thank,” and wagged her wretched stumpy tail.

“Never mind it, old gal; don’t try agin,” said the master, patting the dog’s head. “She couldn’t say ‘thank ’e, sir,’ and I got savage and kicked her, and druv her out, and threw a hammer at her. Poor Momus! She’s sulked before for a day, but allers turned up for the evening performances; but this time she’s been out, as I was a sayin’, about a week—reglar done up, poor old gal, and as thin as a skeleton. Why, you’d do to go with the human skeleton from Brummagem eh, old lass?—eh? They could get up a bit of special business for yer, eh, old wench?”

The dog barked, as if the notion was highly entertaining, and laid her head on the showman’s knee.

“That’s a new idea, isn’t it, Momus,” he went on; “but never mind, old gal, you shan’t go on as a skeleton. Tip us a tumble, just to show you’ve got the free use of yer limbs, and then you shall have yer supper.”

Momus turned a somersault, walked on her fore-legs, danced on her hind-legs, and then made another bow to Mr. Dibble; and that runaway conspirator was so diverted, that he forgot Mrs. Dibble and all his old friends, and called for another pint of beer.

The showman ordered in a dish of tripe, of which savoury meat the landlord had procured a large supply on the day previously for his expected customers; and Dibble, the dog, and an interesting young lady in faded silk and curls, were to be the showman’s guests; the young lady being his daughter Christabel, as he informed Dibble, and one of the most rising gals of the day.

Supper was laid on a little round table near the fireplace, and an old pewter plate was placed on the floor for Momus.

“Give her all the scraps you’ve got, Dick,” the showman said to the waiter, “and I’ll come down ’ansum for it.”

Dick brought in a variety of pickings, and heaped them upon the dish; Momus speedily devoured them, and then lay down beside the plate, at her master’s request, “becos there was tripe to foller.”

The tripe came in at length, hot and steaming, and floating about in a milky flood redolent of onions. A candle was placed in the middle of the table, and the showman held it over the brown dish for a moment to feast his eyes upon the contents, and then he dashed in a wooden spoon and served out a plateful to Dibble and his daughter, a few inches to Momus, and a large quantity for himself. They all set-to with a will, Christabel making short work with her allowance, and helping herself to more, with sudden rapidity. Her father cautioned her not to be greedy. She only deigned to reply in one word, the meaning of which, under the circumstances, seemed to be particularly significant; for her father began to heap more tripe upon his own plate, and Dibble began to ply his knife and fork with increased rapidity. “Walker” was the word which the fair Christabel had used with such magic effect; but there was no necessity for the alarm which it evidently created in her fond parent’s breast, seeing that she could not eat the whole of that second lot, and the showman and Dibble were not compelled to stint their appetites.

After supper, the showman lighted a short pipe, and ordered rum-and-water for three; Christabel brought some mysterious article of finery from her basket, and began to sew; and the three looked particularly happy and contented.

The showman drank Dibble’s health, and then asked him what his little game might be.

Dibble drank the showman’s health and the young lady’s, and said he did not know what the showman meant.

“Gammon,” said the showman. “Did yer ’ear that, Momus?”

Momus did not, for she was fast asleep at her master’s feet.

“Ever been in the profession?” the showman inquired.

Dibble looked puzzled, and said “No.”

“I mean the show business,” said the man, blowing a cloud of smoke into the candlelight.

“No, I’ve been in different employ,” said Dibble, feeling hot and comfortable with so much eating and drinking.

“Looking for work?”

“Yes,” said Dibble.

“Would you like the show business?”

“Shouldn’t mind anything to turn an honest penny,” said Dibble.

“Well, as you’ve bin good to the dawg,” said the showman, “I’ll give you a few weeks’ regler employment certain, though the season is getting to an end. I’ve been and invested in a horgan. I was afraid the dawg ’ud never come back, and I’ve added a horgan to the drum for the sake of hextra attraction on the outside. Would yer mind takin’ the outside dooty and grindin’ the horgan? I can give you a matter o’ twelve shillin a week and most o’ your grub.”

Dibble said he was much obliged to the gentleman, and he would be glad to try his hand at the business; he could only give it up if he did not suit. So he was engaged on the spot, and became part of the establishment of “The Northern Magician,” otherwise Digby Marquis, otherwise Bill Smith, the showman’s real name.

The company consisted of himself and Christabel, who figured as “The Mysterious Lady,” and the dog, who was known as “Madam Momus the four-legged Wonder.” They travelled with a big cart-load of canvas, long poles, tressles, boards, and boxes, drawn by two ancient horses remarkable for “high points,” long necks, and drooping heads.

They rose early the next morning and went on their way over dusty high-roads, through green shaded lanes covered with leaves, over country bridges, and beneath railway viaducts. They went on, now merrily down hill with cheery words from Digby the showman, and now sadly up hill with Dibble and Digby pushing behind, and Christabel and Momus urging the horses in front. Occasionally they rested beside green patches of grass, and unlimbered the horses that the poor brutes might crop the herbage. On these occasions the showman smoked his pipe, and gave Dibble bits of philosophical advice anent his “outside dooties” in connection with the organ and the drum.

Sometimes they travelled in company with cheap-jacks and peep-shows; but these were generally too swift of motion for Digby’s establishment. Once a grand photographic saloon on radiant wheels, and with a smart young lady doing crochet work at the front door, went saucily by, without even a smile of contempt for the magician’s poles and bundles and boxes. But Digby had a merry word for everybody, and Momus stood upon her hind-legs and made derisive bows now and then when the vehicles were particularly fast and showy.

At night, when the moon had risen, they arrived at the Severntown race-course, and Dibble sat down to rest, and wonder what Mrs. Dibble, Mr. Gibbs, and sundry other persons, thought about his running away.