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The Tempest

Chapter 18: Transcriber's Note.
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About This Book

The play opens with a violent storm conjured by an exiled ruler and magician to strand his enemies on the island where he lives with his daughter and supernatural servants. Through a mixture of enchantment, comic misrule, and staged spectacles, rival nobles, a young suitor, and coarse shipboard companions are separated, tempted, and confronted with their past deeds. The action alternates lyrical masque scenes and earthy farce while exploring themes of power, justice, colonization, freedom, forgiveness, and the mutable boundary between illusion and art. Resolution follows recognitions, moral reckonings, and the magician's deliberate relinquishment of supernatural control.

Boatswain: 'And were brought moping hither' (page 137).
Pros. [aside to Ariel.] My tricksy spirit!
Alon. These are not natural events; they strengthen
From strange to stranger. Say, how came you hither?
Boats. If I did think, sir, I were well awake,
I'ld strive to tell you. We were dead of sleep,
And—how we know not—all clapp'd under hatches;
Where but even now with strange and several noises,
Of roaring, shrieking, howling, jingling chains,
And mo diversity of sounds, all horrible,
We were awaked; straightway, at liberty;
Where we, in all her trim, freshly beheld
Our royal, good and gallant ship, our master
Capering to eye her: on a trice, so please you,
Even in a dream, were we divided from them
And were brought moping hither.
Ari. [aside to Pros.] Was't well done?
Pros. [aside to Ariel.] Bravely, my diligence.
Thou shalt be free.
Alon. This is as strange a maze as e'er men trod;
And there is in this business more than nature
Was ever conduct of: some oracle
Must rectify our knowledge.
Pros. Sir, my liege,
Do not infest your mind with beating on
The strangeness of this business; at pick'd leisure
Which shall be shortly, single I'll resolve you,
Which to you shall seem probable, of every
These happen'd accidents; till when, be cheerful
And think of each thing well. [Aside to Ariel.]
Come hither, spirit:
Set Caliban and his companions free;
Untie the spell. [Exit Ariel.] How fares my gracious sir?
There are yet missing of your company
Some few odd lads that you remember not.

Re-enter Ariel, driving in Caliban, Stephano, and Trinculo, in their stolen apparel.

Steph. Every man shift for all the rest, and let no
man take care for himself; for all is but fortune.
Coragio, bully-monster, coragio!
Trin. If these be true spies which I wear in my head, here's a goodly sight.
Cal. O Setebos, these be brave spirits indeed!
How fine my master is! I am afraid
He will chastise me.
Seb. Ha, ha!
What things are these, my lord Antonio?
Will money buy 'em?
Ant. Very like; one of them
Is a plain fish, and, no doubt, marketable.
Pros. Mark but the badges of these men, my lords,
Then say if they be true. This mis-shapen knave,
His mother was a witch, and one so strong
That could control the moon, make flows and ebbs,
And deal in her command without her power.
These three have robb'd me; and this demi-devil—
For he's a bastard one—had plotted with them
To take my life. Two of these fellows you
Must know and own; this thing of darkness I
Acknowledge mine.
Cal. I shall be pinch'd to death.

Alon. Is not this Stephano, my drunken butler?

Seb. He is drunk now: where had he wine?

Alon. And Trinculo is reeling ripe: where should they
Find this grand liquor that hath gilded 'em?
How camest thou in this pickle?

Trin. I have been in such a pickle since I saw you last that, I fear me, will never out of my bones: I shall not fear fly-blowing.

Seb. Why, how now, Stephano!

Steph. O, touch me not; I am not Stephano, but a cramp.

Pros. You'ld be king o' the isle, sirrah?

Steph. I should have been a sore one then.

Alon. This is a strange thing as e'er I look'd on.

Prospero: 'Calm seas, auspicious gales,
And sail so expeditious' (page 142).

[Pointing to Caliban.

Pros. He is as disproportion'd in his manners
As in his shape. Go, sirrah, to my cell;
Take with you your companions; as you look
To have my pardon, trim it handsomely.
Cal. Ay, that I will; and I'll be wise hereafter
And seek for grace. What a thrice-double ass
Was I, to take this drunkard for a god
And worship this dull fool!
Pros. Go to; away!

Alon. Hence, and bestow your luggage where you found it.

Seb. Or stole it, rather.

[Exeunt Cal., Steph., and Trin.

Pros. Sir, I invite your highness and your train
To my poor cell, where you shall take your rest
For this one night; which, part of it, I'll waste
With such discourse as, I not doubt, shall make it
Go quick away; the story of my life
And the particular accidents gone by
Since I came to this isle: and in the morn
I'll bring you to your ship and so to Naples,
Where I have hope to see the nuptial
Of these our dear-beloved solemnized;
And thence retire me to my Milan, where
Every third thought shall be my grave.
Alon. I long
To hear the story of your life, which must
Take the ear strangely.
Pros. I'll deliver all;
And promise you calm seas, auspicious gales
And sail so expeditious that shall catch
Your royal fleet far off. [Aside to Ariel.] My Ariel, chick,
That is thy charge: then to the elements
Be free, and fare thou well! Please you, draw near.

[Exeunt.


EPILOGUE

SPOKEN BY PROSPERO

Now my charms are all o'erthrown,
And what strength I have's mine own,
Which is most faint: now, 'tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got
And pardon'd the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands:
Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please. Now I want
Spirits to enforce, art to enchant,
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so that it assaults
Mercy itself and frees all faults.
As you from crimes would pardon'd be,
Let your indulgence set me free.

Printed by T. and A. Constable, Printers to His Majesty at the Edinburgh University Press


 

Transcriber's Note.

Some illustrations of this work have been moved from their original sequence to enable the contents to continue without interruption.