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The Three Brothers; Complete cover

The Three Brothers; Complete

Chapter 30: CHAPTER VIII. YOUNG FRANK.
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A wealthy patriarch’s death and an unexpected will force his three sons into humbler lives, and the narrative follows their separate efforts to establish careers, reputations, and emotional steadiness. One brother responds with practical determination, another with sensitive artistic aspiration, and the third with hesitation and private disappointment; family loyalties, romantic attachments, and legal and social pressures complicate their choices. Through domestic scenes and social encounters the work examines ambition, duty, the strain of inherited expectations, and the gradual adjustments by which character and fortune are remade.

CHAPTER VI.

LAURIE’S FATE.

Next day was the day of the private exhibition made in the artists’ houses of their pictures before they were sent off to the Academy; not a day in which a man could make his appearance with any passionate or sentimental errand in the studio of a painter. All day long a stream of carriages were flocking about Fitzroy Square, and driving into the adjacent street, where carriages were not frequent visitors. There was a suppressed excitement about the district generally. It was, as we have said, like the eve of a battle, and every new spectator who appeared to judge of the pretensions of the combatants increased the commotion. Perhaps at another moment Laurie would have felt a certain oppression in a day which was so exciting for all his friends and so indifferent to himself; but now he had a shield against any such sentiment. He got up that morning with something of the lassitude of a man exhausted by great exertions. The sun was shining, which had been a rarity of late, and the consternation of the previous night had somehow died out of his mind. To-day he should see her, that was certain. To-day the sweetness of the presence of the woman whom he loved would smooth away all perversity of circumstances, and make rough places seem straight. He had a longing to see her, to make sure that she at least was the same, notwithstanding the wonderful change that had taken place in himself, or rather the wonderful unsuspected revelation he had had of his own sentiments. Somehow, with such a sympathy as there was between them, she must have divined, must have been affected by the extraordinary convulsion he had passed through. The daily impulse to seek her, and lay bare his thoughts to her, which had become a second nature to him, was mingled now with the curiosity a young man might have felt to see the person to whom he had been betrothed in his cradle, but had never seen. In a manner, Laurie had never seen this lady of his affections. When he parted with her yesterday she had been his friend; now she was his love,—the first and only woman in the world to him. It was impossible that she could be the same, look the same, in the face of this amazing change. He hurried to get one glimpse of her while the morning lasted,—to make acquaintance with her,—to familiarise himself with her looks and her ways.

But when Laurie reached the Square he found, alas! that he was not the only one who had been moved to visit the padrona in the early sunshine. Miss Hadley was there putting the finishing touches to the room; and so was Mrs. Suffolk, leaning back in the Louis Quinze chair, laughing and crying and chattering to the children in the picture as if they had been real babies. ‘Oh, you darlings!’ the little woman was saying, ‘I wonder how many people will go on their knees to you when you are out in the world. But though you are little angels, you are not so nice as your mother. You are sweet, but not so sweet as our padrona.’ This was the chatter Laurie heard as he went in. And it gave him a shock which it would be impossible to describe, when the padrona herself turned round upon him, palette in hand, smiling and placid and gracious, the very same woman from whom he had parted yesterday. All the heat and agitation of suppressed passion might be in his eyes, but in hers there was only the brightness of every day,—the composure of her usual, ordinary looks. Nay, as if to emphasize more and more the perfect unity, so far as she was concerned, of to-day and yesterday, she turned to him with the very words which, when he left that room last, before heaven and earth had changed for him, he had fancied her using. ‘Here comes the lob of spirits,’ said the padrona, ‘and his bowl of cream has not been placed for him as it ought to have been. Here is Robin Goodfellow, who does his friends’ work, and never asks even to be praised for it. Where were you that you never came near us all the night?’

‘Where was I?’ said Laurie. He was too much agitated to tune himself immediately to the key of his present companions. Fortunately Miss Hadley was busy arranging his lilies of the valley, and Mrs. Suffolk, who had sprung up to take him by both his hands, was not sharp-sighted. He looked over the little woman’s shoulder with dilated eyes, which looked to the padrona as if he had been up all night, or in some trouble. ‘I will tell you another time where I was,’ Laurie said, with a voice full of tender meaning. The padrona gazed at him with wonder unfeigned. ‘The boy has got into some scrape,’ she said to herself. And then both the women plunged without drawing breath into the story of the Angles and Mr. Rich, and Suffolk’s sudden and unhopedfor success.

‘We had given up thinking of it even,’ Mrs. Suffolk cried. ‘I did hope if the Saxon Maiden got a good place at the Academy——but I never even hoped for the Angles. Call him the lubber-fiend! when he rushed up to poor Reginald yesterday, and made him put on his good coat, and did everything for him, he was more like our guardian angel.’

What was it all about? Laurie had to stop and ask himself, glancing at them in a kind of consternation. Suffolk’s picture! why that was months and months ago! What did they mean by bringing that up again? And before he had recovered himself, the visitors began to arrive. He stood by her a little, watching, as in a dream, while the padrona shook hands with her friends, and explained her pictures to them, and received their plaudits. Yesterday he would have been proud of their universal admiration; but to-day it made him sick to see her receive such vulgar homage. He would have liked to take her hand publicly before them all, and draw it within his arm, and lead her away from such a scene. ‘Do you think your praise is anything to her?’ he felt himself saying; and then he took his hat abruptly and disappeared. So far, at least, the revelation to himself of the nature of his own feelings had not increased his happiness. And I cannot tell what old Welby meant by lifting the curtain so rudely from the poor young fellow’s dream; whether it was done in spite or kindness, or whether it was entirely unintentional,—a simple expression of his sentiments without any reference to Laurie,—is what I cannot tell.

The next day was again a day of exhibition, and the day after that was the one on which Laurie had engaged to go down with Suffolk to Richmont. He had been very reluctant to go at the time, and it may be supposed how much more reluctant he was now. It was his own country,—the very journey in the railway would bring a hundred recollections before him. His mother and his home would be within reach; but how could he go near that peaceful place with this agitation in his heart? Two days before he could have done it, and spoken of the padrona with that tender fervour which knew no need of concealing itself. Now,—his mother would find him out in a moment, and so would Mary Westbury. Indeed, it was wonderful to him that Suffolk did not find him out. So that it would be Saturday before he could actually see her with any chance of knowing her mind.

I will not enter into the visit to Richmont, which belongs to another portion of this history and had nothing to do, so to speak, with Laurie’s life. He got it over, and he got over those three days, but from Wednesday to Saturday he never entered the house at which he had hitherto been a daily visitor. He could not go now while she was surrounded with people, and talk ordinary talk to her as if she was anybody else. When he saw her, he must see her alone; and accordingly Laurie denied himself, and passed by her door, and saw others admitted, and watched the light come into the windows of the great drawing-room, and shadows appear on the blinds. This curious experience he went through as well as the rest, and gradually came to forget what was unusual in the story of his love; though not even now, after three days’ brooding over it, could he see how it was to be, or how she was to answer what he would have to say.

It was on Saturday morning that at last he made his way to the Square. It was a holiday, thank heaven, and the children were out in the Park with their maid, and Alice was at her music when he went in. To-day, at least, there could be no Miss Hadley. To-day there was no excuse for the presence of strangers. Somehow the sound of Alice’s piano struck him with an unpleasant sensation as he went up the stairs almost stealthily, fearing that a third person might start out from behind some door at the sound of his step, to mar the interview he sought. Alice was no common musician, even at her early age; and yet was her daughter. It may be understood how this consciousness, and the sound of the music the girl was playing, came in like one of the discords in his strange story. Had Alice been a child like her little sister, the effect would have been much lessened; but to love a woman whose daughter sat playing Mozart and Beethoven! The thought which passed through Laurie’s mind was not articulate, but yet the sound jarred upon him. Softly he went past the door. If his love-tale had been for Alice there would have been no incongruity in it. He went past the room where the young girl in her meditations sat alone, and knocked softly at the door of the other, in which her mother was pursuing her occupation. The padrona was not painting on that particular afternoon. She was standing by the table, with a portfolio of drawings open before her, searching for something. She called him to come in, and looked up with a bright look of pleasure when she saw who it was.

‘You have come at last,’ she said, holding out her hand to him. ‘What has been wrong? I thought you had forsaken us;’ and looked at him full in the face with candid, unembarrassed eyes.

‘Nothing has been wrong,’ said Laurie, holding her hand fast. His heart began to beat, but what could a man say in cold blood with a pair of frank, steady eyes looking at him, restraining him with their friendliness? The padrona withdrew her hand without even any appearance of wonder at his clinging clasp. She was glad to see him. She had wanted to see him; and new events had come in, effacing from her mind for the moment her temporary alarm on his account; and she could understand that he was glad to come back, though his absence had lasted only three days.

‘I was looking over some old sketches,’ she said. ‘I told you of the commission Mr. Rich had given me; I was looking for a drawing my dear Harry made some years ago,—you may have seen it,—for Cinderella. It would be a pleasure to me to go upon that; but I can’t find it in all those great portfolios,’ she said, with a sigh. Why she should have brought poor Severn in at that special moment it would have been hard to say; perhaps it was chance alone; perhaps there was in her some unconscious warning of nature as to what was coming. Laurie withdrew a step or two with sudden discomfiture. He hated poor Severn for the moment as he had never hated any man before.

‘You will do it much better yourself,’ he said, and his tone was such that the padrona turned and looked at him with wonder in her eyes.

‘How strangely you speak!’ she said; ‘and now I look at you, how strangely you look, Laurie! What is the matter? I have scarcely seen you since you were so good to the Suffolks. Something has happened. I heard from them last night that you had been in the country. Is it anything about home?’

‘No,’ said Laurie, in a kind of despair, ‘it is nothing about home.’

‘Perhaps it is something you cannot tell me,’ said the padrona, ‘and in that case never mind my questions; you may be sure of my sympathy anyhow, even without explanation. If you are vexed, I am sorry; you know that.’

‘How should I know it?’ said Laurie. ‘Yes, perhaps if I did not tell you,—if I left it to your imagination,—you are so kind to everybody,—you would be kind to me. If I did not tell you,—that might be my safeguard!’ For by this time it had begun to appear to him that madness itself could not be more mad than his dream.

‘It is strange to hear you speak so to me,’ said Mrs. Severn. ‘I never thought of being kind to you, as I am kind to everybody. What is it, Laurie,—tell me?’ And she laid her hand softly on his arm.

Then the young man’s composure and his boldness both abandoned him. He took her hand and kissed it wildly. ‘Perhaps it would be best to go and leave you,’ he cried, ‘never to come near you more!’ And then he left her, and paced up and down the room, trying to master the strange tumult of his thoughts. Nothing in the world could have disarmed him as her kindness did, and sympathy. But as he turned away, the padrona came to herself, or rather came to a recollection of the warning she had received. In a moment she saw how it was; and, as was natural, in a moment her anxiety to know what ailed him suddenly came to an end. Mr. Rich’s commission, which was a great event to Mrs. Severn, had startled her out of thought of Laurie. His little hieroglyph at the end of his note had gone almost unnoticed in the excitement of the moment, and every hour had been occupied since then. But now it all rushed back upon her, and the error she had been guilty of in asking any questions. If she had not made this discovery, most likely her sympathetic, kind unconsciousness would have staved off what was coming. But the moment she found it out, a thrill of tremulous knowledge came into her voice.

‘Well, never mind,’ she said, hastily; ‘you must not think that I want to pry into your secrets. Come, I am not working now; let us go to Alice and hear what she is about. You are pre-occupied,’ said the padrona, closing her portfolio and talking against time, ‘and I am désœuvrée. Let us go and listen to the child. Come, I will lead the way.’

‘Not yet,’ said Laurie. As soon as she knew the truth she lost her power, and he recovered a portion at least of his courage. He came and took her hand and brought her back. ‘Perhaps I may never ask it again,’ he said, ‘but you must listen to me now.’

‘Of course I will listen,’ said Mrs. Severn, much alarmed; ‘but just as well beside the child as anywhere else. If you have anything to tell me, she will be too much engaged with her music to hear. Come,—I was going to her when you came in.’

‘But now you will stay with me,’ said Laurie, leading her back. She was so much afraid of betraying any signs of trouble, that this time she did not even withdraw her hand. She sat down in the great chair, growing pale, but preserving with a great effort her composure, at least in appearance.

‘This looks very solemn,’ she said, with an attempt at a laugh. ‘What dreadful tale of misdemeanours has your mother-confessor to hear? Have you been robbing an orchard, or running away with a lady? I will put the Suffolks’ story against it, whatever it may be, and grant you absolution. You never did an hour’s work that will give you more pleasure than that. I suspect they had been badly off, much more than they permitted any one to know.’

‘Do you think I care for Suffolk,’ said Laurie, ‘or anybody else? Padrona! you know what I am going to say before I speak. You have found it out as well as I. Don’t you know for months back,—since ever I came here,—there has been but one person in the world for me,—but one! Whatever I have done, it has been to please you;—whatever I have given up, it has been for your sake. Night and day I have been thinking of you,—contriving to get a word from you or a smile. And I tried to make myself believe I could be content with what you give to your friends;—but that delusion is over. Padrona mia, what will you do with me?’ he cried, kneeling down by the arm of her chair.

It never occurred to him that he was kneeling, nor did he intend to kneel. It was but the most practicable way of getting close to her, and seeing into her face. There was something of the pleading look of a child in Laurie’s eyes. He did not make any passionate claim on her, nor appeal; he only put his fate into her hands, with a humility more like the diffidence of age than the equality of love.

Then there was a pause. The padrona was too much overwhelmed, too agitated, to speak. She said—‘For heaven’s sake, Laurie, rise, and do not break my heart!’ and took away her hand which he was still holding; but that was no answer,—rather the reverse.

‘Break your heart!’ he said. ‘I would heal every wound it ever had, if I had the power. I don’t seem to care for anything else in the world. Give me a right to stand by you, to take care of you. Padrona mia, you cannot always do all things, as you are doing, for yourself. Let me be the man to guard you, to labour for you. I don’t know what I am saying, and you don’t answer me one word,—not one word!’

‘To labour for her, to take care of her!’ Such words to her who was far better able to protect and care for another than he was. But that was not the thought that entered her mind. Her eyes filled with tears. To see this young man at her feet pleading with such passionate folly, woke all the tenderness in her heart. She was fond of him at all times. She put her hand caressingly on his head; her voice softened and broke as she spoke to him.

‘Laurie, I am old enough to be your mother,’ she said.

‘It is not true!’ he cried, with sudden fierceness; ‘and if it were, what matter? All the happiness I desire in life is in your hands.’

And then the woman, quite melted and overcome, was so weak as to cry, leaving him to think for the moment that he had won his wild suit. This love was so strange to her, so new, so old, such a sudden dash of the sweetness of youth into her sober cup! She was roused by the words that he began to pour into her ears, and with a little cry of pain drew back from her lover,—her lover! What a word for such as she to speak! She put him back with her outstretched hands.

‘Laurie,’ she said, ‘are we mad, both you and I? Do you know what you are doing? For some moments you have made me as foolish as yourself. But I am ashamed. Do you know who I am? Harry Severn’s wife,—Alice Severn’s mother! Yes,—that, and nothing else, so long as this life lasts! Can a woman make herself into two people? Laurie, let all this be as if it had never been.’

‘It can never be as if it had not been!’ he cried. ‘For a punctilio, for a form, for your pride,—you would cast aside a man’s love and life for that! Padrona! that is no answer. The past has nothing to do between us. To-day is to-day.’

Mrs. Severn turned upon him, and took his hand in hers. ‘Laurie,’ she said, ‘let me speak.’ Her eyes were full of tears; her face lighted up with a tremulous smile. ‘To-day is to-day, as you say. I am very fond of you. I will say I love you, if you like. Patience, and hear me to an end. If you go away, I shall miss you every hour; but if my child’s finger were to ache I should forget your existence, Laurie. A single hair on their heads is more to me than all the world beside. Do you understand? My poor Harry is past, if you will. God forgive me for saying so!—but to-day is so full there is no room in it for any other. Laurie, I want my friend. I want nothing else;—nothing else that any man can give.’

The young man stumbled up to his feet with the strongest passion he had ever known in his life maddening him, as it seemed. His heart was wounded, and so was his pride, bitterly,—beyond reach of healing. It was he who drew away from her the hand she had retained in hers, with kindness which felt to him like an insult.

‘Mrs. Severn, I have made an ass of myself!’ he said. ‘Don’t think of me any more,—it is not worth your while. As for your friend——’

He went to the table and took up his hat, and made as though he would go away. He was half blind, and did not see where he was going,—the room and the house swimming round him in his agitation. His last word had been said in a tone of contempt,—contempt to her, after all this passion! The padrona had not moved; she sat looking after him with her eyes full of tears and her hands clasped. Was it all to end and be over like this,—like a bad dream? But poor Laurie had not hardness enough in him to make such a conclusion. He faltered on his way to the door; he turned round, only half conscious of what he was doing, to look once more at the woman who had become the life of his life. And she, on her part, made a half-conscious movement of her hands towards him. He went back to her, and threw himself again at her feet. I don’t suppose anything was said,—at least, anything that either recollected. They kissed each other with that strange refinement of anguish which belongs to those movements of human affection which are beyond the simplicity of nature. The two beings met and clung together for a moment, and parted. He was speeding along the streets, half wild, wrapt in a mist of excitement and misery, not caring,—as he thought,—what became of him, before the steady hand of the clock had moved two minutes farther on. And she, in the great chair where her visitors used to sit and criticise her work, lay back, trembling, with her face hidden in her hands.

Alice, meanwhile, had played through Beethoven’s Moonlight Sonata, the pure, young soul carried away by it into a celestial dream; nothing articulate in her mind,—soft breathings of blessedness present, of joy to come, making an atmosphere around her,—a sacred creature, without a single discord in her, or jar of pain or trouble. And old Welby in his studio in the leisure of the moment,—his pictures gone to the Academy, and his year’s work completed,—mounted, classified, and made a catalogue of his Titians, with the truest satisfaction and content, thinking no more of what he had said three days before to Laurie Renton than of last year’s snow. The old painter and the young girl pursued their serene occupations under the same roof while this scene was going on, and knew no more than that the door had opened and closed abruptly, when poor Laurie, with all his wounds fresh and bleeding, rushed out into the outer world.

CHAPTER VII.

A FULL STOP.

The padrona was not a woman given to little ailments,—headaches, or the other visionary sufferings which are conventional names for those aches of the heart or temper to which we are all liable; but yet on the evening of this day she found herself unable for once to face her little world. It was not so much that her eyes were red, for eyes that have had to weep the bitterest of tears, and which have watched and toiled through most of life’s serious experiences, soon recover their outward serenity; but her heart was sore. It has been said so often, that most people by this time must be sick of hearing it, that love is the grand occupation of a woman’s life; and that, while in man it is subordinate to a hundred other matters, in her existence it is the chief interest. Whether this is or is not the case with the great majority of women, is a question which must be decided according to the experience of the observer; but we doubt much whether in any case it applies to women over thirty,—and it certainly did not apply to the padrona. There were many interests in her life; and love, as ordinarily so called, had no more to do with it than if she had been a stockbroker. Nothing more annoying, more out of place and harmony with her existence, could have happened than this curious interpolation of misplaced passion. Being a woman, her heart had melted over the foolish boy. She was fond of him, as she had avowed. His soft, devoted, tender ways,—the deference and subdued enthusiasm which women love,—had made his society a very pleasant feature in her life, and perhaps she had not seen as she ought to have done the dangers that might attend it. And now this sudden awakening all at once,—the force and reality of his feelings,—the doubt lest she had been to blame,—the compunctions over his pain, and even her sorrow at the loss of him, which was not the least poignant part of it all,—overwhelmed her. She went to her room as soon as the little ones had gone to bed. These little ones should of themselves have been a safeguard to her. A certain shame came over her when she looked at her own daughter, who was almost old enough to be herself the chief figure in some episode of the universal drama, and remembered what words had been said, what wild ovations made to Alice’s mother. The padrona’s friends were aghast when they were told that she was not well enough to receive them. Miss Hadley, who had come round to the Square with a mixture of jealousy and alarm on finding out that no sign of life had that day been seen at Laurie’s windows, was driven almost out of her senses with curiosity to know what it could have been that had given the padrona a headache. ‘Gone to bed with a headache!’ Miss Hadley did not believe it. She was angry not to be admitted,—not to judge with her own eyes what it was. But Alice, who suspected nothing, watched her mother’s rest like a young lioness. ‘I cannot let you go up; she will be better to-morrow,’ said Alice; and Miss Hadley could not for shame ask the child, as she longed to do it, if this mysterious headache had come on after a visit from Laurie. ‘She has been working too hard,’ people who were more charitable concluded without question, and congratulated themselves that the pictures had been sent in, and that now, if ever, a painter might draw breath for a moment. But the padrona had not gone to bed. She heard them come and go away as she sat up in her room; and she heard Jane Hadley’s voice, and trembled lest that enterprising woman should seek her out even in her retirement. She could not have borne any keen eye upon her that night. Alice was different, to whom her mother was as far lifted above such vanities or such suspicions as if she had been a saint in heaven. ‘I think it would kill Alice!’ the mother said to herself with a shudder. And I believe she would rather have died herself than betray to her woman-child what had happened;—although nothing had happened, except that a foolish young man had mistaken himself and her, and put love in the place of friendship. But her thoughts were very soft towards poor Laurie,—poor, foolish fellow!—to throw away all his love and fresh heart and feelings upon a woman old enough to be his mother! Anybody else might have laughed at him for it, or despised him; but Mrs. Severn did not despise him. It went to her heart to think of that gift being thrown at her feet. And she was fond of the boy,—poor Laurie!—and if all the world scorned him for his mad, boyish fancy, at all events it was not her place to scorn.

At the same time, after the edge of her compunction and regret and soft yearning over the poor boy that loved her had become a little blunted, the padrona had reason enough to be put out and vexed by the disturbing influence of this unlucky event. Love,—vulgarly so called,—was, as we have said, as much out of her way as if she had been an elderly stockbroker. Love,—of another kind,—was, it is true, her whole life and strength; but yet no man, however steeled by the world, could have been less disposed to any sentimental play of emotion than was this woman. Before Laurie came that morning her mind had been full of a hundred fancies, all pleasant of their kind. They were not thoughts of the highest elevation, perhaps. One of them was the rude, material reflection that she had her work secured and clear before her for a year certain; her living secured; no doubt about the sale of a picture; no sharp reminder of the precariousness of her profession to keep her uneasy;—but her work safe and sure for twelve months. And then it was pleasant work, and such as her soul loved. She had been commended by her visitors,—some of whom were people whose praise was worth having,—as she had never been before. Things were going well with her. The children were well, and developing their characteristics every day. She could look the world in the face and know that she was doing her best for them. When all at once,—in a moment,—the bitter-sweet of this boy’s love was thrown into the crystal fountain, and the surface that had been so clear, reflecting the heavens, was in a moment troubled and turbid. With a certain impatient pang she said to herself, as so many have said, that there was always something to lessen one’s satisfaction, always some twist in the web of life to obscure its colours at its best. And poor foolish Laurie, who had thrown away the best he had for nothing! Poor boy! how her heart ached for him! how it hurt her to think of his pain! and there was little, very little comfort in the thought that he was lost to her. His friendly talk, his ready heart-service, his difficulties and errors, and even his weakness, which it had been so pleasant to minister to, to reprove, and exhort, and accept,—that was all over now. A gap and dreary void was suddenly made in her closest surroundings,—a gap which was hard on him and hard on her, and yet inevitable,—to be made at all hazards. The padrona was very much downcast about the business altogether, and shed a few tears over it in her solitude. Nothing could have prevented, nothing could mend it,—except, perhaps, Time; and Time is a slow healer, whom it is hard to trust when one’s wound is of to-day.

If such was the effect this incident had on the padrona, it may be imagined what sort of a tempest it was which swept through Laurie’s mind and spirit when he left her. He disappeared under the bitter waves. Not only was there no sign of life in his windows, but, so far as he was himself conscious, there was no sign left in life to represent what he had done with that distracted, incoherent day. The chances are that he did most of the ordinary things he was in the habit of doing,—was seen at his club, and talked to his friends somewhat in his usual strain. Indeed, I have heard a mot attributed to Laurie, which could have been spoken but on that special evening, if it was spoken at all. I do not suppose he made any exhibition of himself to the outer world; but I can only take up the tale at the moment when, worn out and weary, he got back to his room in Charlotte Street, and came to the surface, as it were, and looked himself in the face once more. The agitation of the past three days had told upon him. He had been shaken by the strange sweet shock of his discovery that he loved her; and now upon that came the other discovery, involved in the first, that he had spent his strength for naught, and wasted all his wealth of emotion on a dream. Of course he had known all along it must be a dream; so he said to himself. He had poured out his heart as a libation in her honour. What more had he ever hoped it could be? And now he was empty and drained of both strength and joy. His pain was even mingled with shame,—that shame of the sensitive mind when it discovers that its hopes have been beyond what ought to be hoped for. His cheeks burned when he remembered that he had dreamed it was possible for this woman, so much higher placed than himself in the dignity of life, so far before him in the road, to turn and stoop from her natural position, and love him in her turn. He would have dragged her down, taken her from her secure eminence, placed her in a false position, exposed her to the jeers and laughter of the world,—all for the satisfaction of his selfish craving! He would have gone in the face of nature, ignored all the sobering and maturing processes which had made her what she was, and drawn her back to that rudimentary place in the world which her own daughter was ready to fill. Was not this what he would have done had he had his will? A hot flush of shame came over Laurie’s face in his solitude. He felt humiliated at the thought of his own vanity, his own folly. When she had held out her hands to him, when she had given him that kiss of everlasting dismissal, nature had asserted itself. Youth is sweet; it has the best of everything; it is the cream of existence; but yet when the grave soul of maturity drops back to youth, and gives up its own place, and ignores all its painful advantages, is there not a certain shame in it? Had the padrona been able to make that sudden descent,—could she have done what on his knees he would have prayed her to do,—then she would no longer have been herself. This consciousness, unexpressed, flashed across his mind in heat and shame, aggravating all his sufferings. That it could not be was bad enough; but to be compelled to allow that it was best that it should not be,—to feel that success for him would have been humiliation and downfall for her,—was not that the hardest of all?

It would be vain to follow Laurie through that long, distracted monologue, confused ‘In memoriam’ of the past, with jars and broken tones of the future stealing into it, through which every soul struggles, after one of those shocks and convulsions which are the landmarks of life. To be stopped every moment while forming forlorn plans of practicable life by mocking gleams of what might have been, by bitter-sweet recollections of what has been,—does not everybody know how it feels? Laurie’s life was snapped in two, or so, at least, it seemed to him. What was he to do with it? Where was he to fasten the torn end of the thread? Could he stay here and turn his back upon the past, and work, and see her at intervals with eyes calmed out of all his old passion? But when he came to think of it, it had been for her he had come here. At the first, perhaps, when he had dreamed of that gigantic Edith and of fame, had he been permitted to go on, he might have found for himself a certain existence belonging to this place which could have been carried on in it after the other ties were broken. But he had not been allowed to go on; and Charlotte Street had become to him only a kind of lodge to the Square, a place where he could retire to sleep and muse in the intervals of the real life which was passed in her service or presence. He exaggerated, poor fellow! as was natural. It seemed to him at this moment as if in all his exertions, even for Suffolk, who was his friend, it had been her work he was doing. One thing at least was certain,—it would never have been done without her. She was mixed up with every action, every thought, even fancy, that had ever come into his mind. He had done nothing but at her bidding, or by her means, or with her co-operation. His work had languished for months past. If he had pretended to study, it was to please her. And how could life go on here, when it had but one motive, and that motive was taken away from it? There are moments in a man’s life when everything that is painful surges up around him at once, rising, one billow after another, over his devoted head. That very morning, moved by some premonition of fate, he had been collecting his papers together, and putting his affairs in order; and though so vulgar a fact had made little impression on him in his state of excitement, still Laurie had been aware that his accounts were not in his favour, and that it might be necessary one day to look them full in the face, and put order in his life. He had gone on all the same, without pausing to think, in his mad love. That was perfectly true, though he was the same Laurie Renton who, six months ago, had put away the girl’s little notes whom he had begun to think might have been his wife. He had given up that hope then without a moment’s doubt or thought of resistance; and yet now, in a still worse position, he had rushed on blindly to make confession of his love and throw himself at another woman’s feet. I cannot account for the inconsistency.

But now,—whatever shock he may sustain, howsoever his hopes may perish, a man must go on living all the same. His life may be torn up by the roots; he may be thrown, like a transplanted seedling, into any corner; but yet the quivering tendrils must catch at the earth again, and existence go on, however broken. Laurie was a man easily turned from his ambitions, as has been seen; a man not too much given to thought, easily satisfied, of a facile temper,—and with more power to work for others than for himself; but still he had to live. Something had to be done to reconcile natural difficulties, something decided upon for the future tenor of existence. Nor was he even the sort of man who could come to an abrupt stop, and stand upon it. His thoughts were discursive, and rushed forward. Even in the bitterest chords of that knell of the past there was the impatient whisper of the future. I think there can be no doubt, on the whole, that what would have been best for him would have been that government office, to which he would have been tied by the blind hand of routine, and which would still have left him leisure for his amateur tendencies. Had he been so fortunate as to possess such a prop of actual occupation, Laurie would probably have removed from Charlotte Street,—to which, indeed, he never need have come,—and gone on steadily with his work, composing his quivering nerves and healing his wounds. He would have gone on doing kindnesses to his neighbours, pleasing himself with little pensive sketches, reading more than usual perhaps; subdued, like a man who had gone through a bad illness; and by degrees he would have come back, calmed and healed, and able to take up his old friendship. But that was impossible now. A change of some kind or other he must have been compelled to make, even had there been no personal cause for change. He must work; he must spare; he must recall himself to a sense of the probation on which he had entered six months before with a light heart. And the natural thing to do was at the same time the wisest thing. Rightly or wrongly, the artist, whoever he may be, trusts in Italy as the country of renovation, the fountain of strength. Laurie scarcely hesitated as to his alternative. He could stay no longer where he was; his experiment had failed, his position had become untenable. The readiest suggestion of all was that one in which there still lay a certain consolation,—he would go to Rome.

He resolved upon this step before he went to bed, and on the next morning he began to pack up. Miss Hadley, from the other side, watched his open windows with a curiosity much quickened by her sister’s surmises and doubts, and saw, to her amazement, the great canvas moved from its position in the corner,—a step which she found it difficult to understand. ‘I suppose he is going to take to his painting again,’ she said to Jane, when she came home. Jane shook her head, with dubious looks. The truth was she did not understand it. The most strange of all possible orders had proceeded that morning from Mrs. Severn’s studio. It was that she was extremely busy, and that no one was to be admitted. No one! Miss Jane Hadley had her doubts that, though this was the audible command, an exception had been made in Laurie’s favour, and that so unusual a step was taken by the padrona in order to secure to herself, without interruption, the society of her lover. Though Miss Hadley loved her friend truly in her way, and had a respect for her, and even believed in her, this was the evil thought which had crossed her mind; and consequently she was disposed to scoff at her sister’s suggestions. But there were soon other facts to report of a still more bewildering character. A van came to Laurie’s door, and carried off the big canvas; and a workman in a paper cap became visible to the elder sister’s curious eyes in the centre of Laurie’s room, packing in a vast packing-case the young man’s belongings. ‘He is going away!’ Miss Hadley said, with dismay, when her sister came home. She could have cried as she said it. He was as good as a play to the invalid who never stirred out of her parlour. Laurie, with his kindly ways, had made himself a place in her heart. He had taken off his hat as he came out every day to the shadow of her cap between the curtains; he had waved his hand to her from his balcony; he had never found fault with her investigations; and when he bought the flowers for his window he had sent her some pots of the earliest spring blossoms to cheer her. She, too, had grown fond of Laurie. ‘He is going away!’ she said, with the corners of her mouth drooping. ‘And the very best thing he could do,’ said Miss Jane decidedly; upon which, though she was a very model of decorum, old Miss Hadley felt for the minute as if she would have liked to fling her tea-cup at her sister’s head.

It did not take long to make Laurie’s preparations for this sudden change. He pushed them on with a certain feverish haste, glad to occupy himself, and eager to put himself at a distance from the house he could no longer go to as a privileged and perpetual guest. Somehow Charlotte Street, though it had two ends like other streets, seemed to converge from both upon the Square. It suggested the Square every time he looked out upon it; indeed, all roads led to that door which was shut upon him, which he knew must be shut. But he had not gone back to hear of the extraordinary barricade raised by the padrona against the world in general. Laurie had nobody to consult,—nothing to detain him now. He did not even see one of the ‘set’ for more than a week, during which all his preparations were made. The day on which by chance he met Suffolk in the street was ten days later, when everything was settled. Suffolk stopped eagerly, and turned with him, and took his arm.

‘What has become of you?’ he said; ‘and what did you mean by sending me that canvas? After all, I wish you had gone on with it. We waited, thinking you were coming to explain; and I have called twice, but you were always out; and you look like a ghost,—what does it mean?

‘It don’t mean anything,’ said Laurie, with as gay a look as he could muster, ‘but that I’m off to Rome to-morrow; where, you’ll allow, a man cannot carry canvases with him measuring ten feet by six. I meant to have come to bid you good-bye to-night.’

‘Off to Rome!’ cried Suffolk, amazed, ‘without a word of warning? Why, nobody knows of it, eh? not the padrona, nor any of us? What do you mean, stealing a march upon your friends like this?’

‘My friends won’t mind it much,’ said Laurie. ‘No; I didn’t mean that. I should like you to miss me. I rather grudge going, indeed, till I know how they’ve hung the Saxon Maiden——’

‘Oh, confound the Saxon Maiden!’ said Suffolk; ‘it is you I want to know about, running off like this without a word. It is not anything that has happened, Laurie?’

‘What could happen?’ said Laurie, with a forced smile. ‘The fact is I am doing nothing here. You all set upon me, you know, about that picture; and I must do something. It is no use ignoring the fact. I am going in for our old work in the Via Felice. And I shall be in time for the Holy Week,—it is so late this year;’ he said, with a half laugh, at his own vain attempt at deception,—quite vain, as he could see, in Suffolk’s eyes.

‘But you don’t care for the Holy Week,’ said the painter. ‘I don’t understand you, Laurie. What does the padrona say?’

‘The padrona approves,’ said Laurie. He got out the words without faltering, but he could not bear any more allusion to her. ‘Paint something on my poor canvas. I have got fond of it,’ he said. ‘I’d like to see something on it worth looking at.’

‘I won’t touch it!’ cried Suffolk. ‘By George, I won’t! I’ll beat Helen if she rubs out a line, whisking out and in. Laurie, think better of it. I don’t know the set at the Felice now; they are not equal to our old set. Stay, there’s a good fellow, and paint at home.’

‘I can’t,’ said Laurie; ‘I must not. I will not. And the worst is, you must take me at my word, and not ask why.’

‘I will never say another syllable on the subject,’ said Suffolk, humbly, and they walked half a mile, arm in arm, without uttering a word. This was the first notice Laurie’s friends had of his new resolution. When he had parted from Suffolk, he went straight, without pause or hesitation, to Mrs. Severn’s door. It was Forrester who opened it to him; and Forrester, being a privileged person, paused to look at Laurie as soon as he had closed the door.

‘You’ve been ill, sir,’ said Forrester; ‘the whites is all green, and the flesh tints yellow in your face, Mr. Renton. Master was asking about you just yesterday. Don’t you say a word, sir. I can see as you’ve been ill.’

‘I can’t answer for my complexion,’ said Laurie; ‘but I’m not ill now, Forrester. I am going away, and I’ve been awfully busy. I want to see Mrs. Severn. I won’t disturb your master to-day.’

‘Master’s out, sir,’ said the man, ‘unfortunately; he’s at that blessed gallery, a hanging or a deciding on the poor gentlemen’s pictures. And a nice temper he do come home in, to be sure! And Mrs. Severn’s—— engaged, sir,’ said Forrester, making a stand in front of the stair.

‘Engaged!’ said Laurie, aghast.

‘Them’s the words, Mr. Renton,’ said the old man. ‘She’s a designing them twelve pictures, as far as I can hear. She’s busy, and can’t see nobody. It’s more than a week since them orders was give. And folks is astonished. It ain’t her way. But I can’t say but what I approve, Mr. Renton,’ said Forrester, stoutly; ‘designing of a series is hard work. They’ve all to hang together, and there’s harmony to be studied as well as composition. And she ain’t going to repeat herself if she can help it and, on the whole, I approve——’

‘That will do,’ said Laurie, putting him aside; ‘I will make my own way; and I will tell Mrs. Severn you did your duty, and stopped me. This could not include me.

‘But, Mr. Renton!’ cried Forrester, making a step after him.

‘That is enough,—quite enough,’—said Laurie. ‘It could not include me.’

But his heart beat heavily as he went up the familiar stair. She had shut out all the world that she might make sure of shutting him out,—‘Though she might have known I would not molest her!’ poor Laurie said to himself, with a swelling heart. It was unkind of the padrona. Had he not been going away it would have wounded him deeply. He went up heavily, not with the half-stealthy eagerness of his last visit. It would not have troubled him had he encountered a dozen Miss Hadleys. ‘I must see Mrs. Severn alone;’ was what he would have said without flinching had he met her; but, as it happened, there was no one at all apprehensive or curious now. The order had been given, and the stream of callers had stopped, and there was an end of it. He went up without any haste, his foot sounding dully,—he thought,—through all the silent house. She would hear him coming, and she would know.

‘Come in,’ said the padrona.

She was standing at her easel, drawing, with a little sketch before her, putting in the outlines of her future picture. Somehow she looked lonely, deserted, melancholy; as if the stream of life that had flowed so warmly about her had met with some interruption. In fact, she had felt the withdrawal of that daily current more than she could have told; and she had missed Laurie; and her mind had been full of wondering. Where was the poor boy? What was he doing? How was he bearing it? This was the thought that was uppermost in her mind as she put in the Sleeping Beauty. Somehow the picture was appropriate. Life seemed to have ebbed from her too, though it was her own doing. She did not feel quite sure sometimes that it was not a dream; and lo, all in a moment, without any warning, he appeared standing at the door!

The chalk dropped out of the padrona’s fingers. She trembled in spite of herself. It took her such an effort to master herself, and receive him with the tranquillity which was indispensable, that for some moments she did not say a word. Then she recovered herself, and let the chalk lie where she had dropped it, and made a step or two forward to meet him. ‘I am glad you have come,’ she said, holding out her hand. And it was quite true, notwithstanding that she had given orders to exclude the world for the sole purpose of excluding him, if he should come.

And thus they met, shaking hands with each other in the same room, under circumstances quite unchanged, except——

‘I am going away,’ said Laurie. ‘I would not have come,—you know I would not have annoyed you. You need not have told the servants to keep everybody out. You might have trusted me.’

‘You know I do trust you, with all my heart,’ she said, ‘and that is why I tell you I am glad you are come; I am very glad;’ and then she sat down feeling somewhat breathless and giddy, and pointed him to a chair. He sat down, too, not knowing very well what he was about; and again there was a pause.

‘I am going away,’ he said, abruptly. ‘Looking over everything, I found it would be better on the whole to go away——’

The padrona bowed her head, feeling her guilt;—it was her fault;—how could she say she was sorry, or appeal against his decision as any other friend would have done? It was she who was the cause.

CHAPTER VIII.

YOUNG FRANK.

I have already mentioned that Frank Renton, being up in town on the business of negotiating the change he desired into a regiment of the line, was taken one evening by his brother Laurie to No. 375, Fitzroy Square.

It was a thing very lightly done, as so many things are that affect our lives. ‘Come with me and see the padrona,’ Laurie had said, as the evening darkened, before they went out to dinner. ‘You’ve heard me talk of her. She has such charming children.’ This was the first thing it came into his head to say; for being foolish he could not launch into praise of herself. And Frank had gone very carelessly, looking with open eyes of amused wonder at all the artists’ houses, and at the dinginess of the Square. Alice was playing when they went in, and Frank, sitting down in the shade before the lamp was lighted, and observing, still with a half-amused surprise, how familiar his brother was in the house, was softly penetrated by those unknown strains coming from he could not tell where, and made by he knew not whom. The door of the great drawing-room was open, and there came from it the usual gleam of red firelight, the usual ghostly appearance behind of the curtained windows. When he had listened for a long time in silence, not feeling himself quite able to join in the conversation which was going on, Frank at last took heart to ask who was the musician. The lamp was brought into the room at this moment, and the padrona turned to him, with a smile as soft and tender as the music, just dawning about her lips. ‘It is my child,’ she answered, in that full tone of love and pride which comes only out of the heart of a woman who has a daughter. There was such softness in the tone, such love and profound complacency and content, that it touched the young soldier. Somehow it occurred to him for the moment that there must be some painful defect about the creature whose name came thus from her mother’s lips—blind, perhaps, or sick, or somehow not just an ordinary child. Then with a curious impulse, which she could not have explained, the padrona lifted her voice and called ‘Alice!’ Frank turned to the open door as the music stopped, with unusual curiosity, expecting some pale vision, with signs of decay in its countenance, or sightless eyes at the least; when all at once there looked out upon him, ‘Alice with her curls,’ like a rose between the falling folds of the vague, dim-coloured curtains, with eyes like stars, half dazzled, confused with the sudden light, and those sweet tints for which, as I have said, the beholder was grateful to her. He looked and looked, and the young man’s eyes were touched as by Ithuriel’s spear. No man had yet seen in her what, all at once, Frank Renton saw. She was to him no child, but a woman. He got up off his chair stumbling, confused. And Laurie was sitting calmly there talking to the mother with this fairy princess coming to them! It seemed incredible. And, in fact, Laurie scarcely looked at Alice even as he shook hands with her. He gave her a kind, half-paternal smile, and went on talking, which was to Frank such a mystery as no explanation could clear away. Then she sat down and took her work with the quiet of a child, totally unaware of young Frank’s reverential admiration. Fortunately he knew a little about music. ‘Was that so-and-so that you were playing?’ he said, when he had sat for some minutes looking at her work and listening to Laurie’s interminable talk with the padrona. The young soldier had a certain contempt for them as they sat and chattered—talking nonsense about any stupid subject that came into their heads, when they might have been talking to Alice, or listening to her music. ‘You must practise a great deal,’ then said the young man, in the safe obscurity into which his silence had thrown him—for, though the padrona had received him very graciously as Laurie’s brother, what was she to find that could be said to a speechless young Guardsman who probably had not an idea in his head? Frank, however, had several ideas; but he was discomposed, as most people are when brought suddenly into the company of familiar friends who know all each other’s ways of thinking and habits of mind. He could not strike into the full stream of their conversation, and it was natural that he should draw towards Alice, who was also left out of it. ‘You must practise a great deal or you could not play so well,’ he repeated, taking a little courage. And nobody paid any great heed to the two sitting apart, as it were, in the shade.

‘I am very fond of music,’ said Alice; ‘I like it better than anything;’ and then there was a long pause, and the conversation on the other side of the table thrust itself into prominence again, and became offensively audible. There was talk chiefly about pictures of which Frank did not know very much, and about people of whom he knew nothing—not the kind of people talked of in society whom he would have known. Laurie had always had strange friends; but how odd it was to find him in the midst of a new world like this, and a world so entirely apart and separate from the known hemisphere! But yet Frank did not find it disagreeable to sit silent against the wall now that Alice was at the table with her work. After ten minutes more he made another attempt at conversation. ‘Have you heard Madame Schumann play that?’ he said; and Alice glanced up at him and softly shook her curls.

‘I have not heard much music,’ she said. ‘We never go out. It bores mamma going out in the evening. I shall when I am older, perhaps; but not now.’

‘But if you never go out in the evening, what do you do with yourself?’ said Frank, with some consternation. Upon which Alice startled him completely by answering, in the softest matter-of-course voice, ‘We have mostly people with us at home.’

Here Frank came to a dead standstill. He glanced round upon the room, which, though pleasant, and cheerful, and homelike, bore no appearance of being adapted for such perpetual hospitality. ‘We have mostly people with us at home.’ Did they give dinners or dances, or what did they give in this curious, grey-green, picture-hung, half-lighted place? As if in answer to this question Mary at that moment came in with the tea, carrying a vast tray before her, with heaps of cups and saucers, substantial bread and butter, steaming urn, and all the paraphernalia of that modern meal. The young Guardsman looked on bewildered to see Alice rise, in the same calm, matter-of-course way, and rinse the teapot and make the tea. Was it the tea-party of humble life which he was in for? Would the guests come in presently and take their seats round the table and munch their bread and butter? And what if there might be muffins, perhaps, or buttered toast? Frank would have been amused had not Alice been there in the midst of it. He would have concluded that his brother had brought him to make acquaintance with the habits of the aborigines in these dingy regions out of the world. But then how came this creature there? He was relieved when he saw little Edith clamber up to her high chair, and became aware that it was only to be a family party after all. Frank was not sufficiently philanthropical, being a Guardsman, to interest himself much in the children and the bread and butter; but by degrees Alice surmounted all the obstacles of her surroundings, and began to cast a lovely haze upon the whole scene. He did not say much; he sat, if the truth must be told, in rather an embarrassed, sheepish way in his chair against the wall, with very little of the assurance natural to his profession. But then it must be taken into account that this was an undiscovered country,—such an America, as Columbus discovered, full of strange new beings, new customs,—a foreign world to Frank. He was out of his depth. When the padrona now and then turned to address him, with a vain attempt to make him comfortable, he felt himself drawl and yaw-haw as does the ordinary young swell of romance. And it was evident to him that his brother’s friend gave him up as quite impracticable. Little Edith, however, was less fastidious. She got down out of her high chair and placed it close to the stranger, and took him under her little wing.

‘Sit next to me,’ said Edith, ‘and you shall have some cake. Are you Laurie’s little brother? You are bigger than he is. Didn’t he say it was his little brother, Alice? But I always say Harry is my little brother, and he is a great deal,—such a great deal,—about six feet taller than me.’

‘And older too,’ said Harry. ‘I am eight and you are six. You’re not six till your birthday, and Alice is sixteen, and me and Frank——’

‘Nurse says girls are quite different,’ said little Edie. ‘You are only boys, you two. Are you Mr. Renton, as well as Laurie, Mr. Laurie’s brother?—how funny it would be to call you that!—or have you another name all to yourself?’

‘I am Frank,’ said the Guardsman, laughing; and then the boys drew near him, and Alice looked up smiling from her tea-making, and a certain acquaintance sprang up. To know that Alice was sixteen on the one side,—and to know that this young fellow, who gazed and addressed her in a tone so different from Laurie’s tone, for instance, was Frank, seemed somehow to give each of them a certain hold on the other. Frank put down his hat, and drew his chair to the table; and by-and-by they were all sitting round it, drinking tea and talking.

‘Laurie’s brother is not so stupid as I thought he was,’ the padrona said afterwards, as she made her resumé of the whole proceedings; and with that slight remark Mrs. Severn dismissed the matter from her thoughts. Laurie himself was trouble enough, the foolish fellow; but that any further complication should arise through Laurie’s brother was a thing which never entered into her mind.

When the two brothers left the house there was silence between them for some time. Indeed, little was said till they had got as far as Harley Street. Then, all at once, Laurie spoke.

‘You were out of your element in the Square,’ he said, with a little forced laugh. ‘You don’t understand the kind of thing; but I can tell you it is no small matter to me to have such a house to go to.’ This was uttered abruptly, and was not at all what he meant to say. To seem to apologise for the padrona and her house was as far as possible from his intention, and yet it sounded like an apology in his brother’s ears.

‘I daresay,’ said Frank; and then he too added hastily, with a shade of embarrassment,—‘She is quite lovely, I think.’

‘No;—do you though?’ cried Laurie, with a mixture of amaze, and delight, and indignation. ‘I never saw you look at her even, all the time we were there.’

‘And she plays wonderfully,’ said Frank. ‘Music goes to one’s heart, you know, coming like that, out of the dark, one can’t tell how. I thought she must be blind, or consumptive, or something; and then to see a face like a little rose!

‘Oh, you mean Alice,’ said Laurie, drawing a long breath of relief, and amusement, and kindly contempt. Alice was a very nice little thing; but how it should occur to any one to put her in the first place! To be sure, the boy was only twenty. Laurie, who was twenty-four, felt the difference strongly.

‘Who else could I mean?’ said Frank, calmly;—‘there was no other girl there. But, Laurie, really you ought to mind what you are about. We may have come down in the world, you know, and seen better days, and all that; but we need not fall quite out of the habits of gentlemen all the same.’

‘Am I falling out of the habits, &c.?’ said Laurie, laughing. ‘I am only a poor painter, my dear fellow. I am not a swell and a Guardsman like you.’

‘I shan’t be a Guardsman a minute longer than I can help it, and you know that,’ said Frank, with a little indignation; ‘but I hope I shall never see a girl like that come into a room without treating her with proper respect.’

‘Proper respect!’ cried Laurie, much mystified; and then he laughed. ‘Alice is only a child,’ he said. ‘I have known her since she was that height. She thinks me a kind of old uncle, or godfather, or something. Yes, of course, she plays charmingly,—but she is only a child all the same.’

‘A child! she is sixteen,’ said Frank; ‘and lovely, I think. I don’t know the family, of course; they are your friends; but a young lady like Miss Severn is generally considered entitled to a little ceremony. I don’t want to be didactic,’ said the Guardsman, ‘but——’

This remonstrance furnished Laurie with laughter for the rest of the evening; but Frank did not see the joke. Of course the young lady was nothing to him. This he explained fully. But it vexed him to think that his brother was falling into the free and easy habits which, he supposed, were current among the people who lived in those dingy streets, where every house boasted a long, central window, and the very atmosphere was redolent of paint;—beings who lived all their lives in shooting-coats and wide-awakes,—wild, untrimmed, hairy men, not fit to come into a lady’s society at any time. People on that level might be utterly indifferent and irreverent, and treat a woman as they treated their comrades; but that Laurie should fall into such ways vexed Frank. This was the chief subject of his thoughts as he bowled down through the darkness in the twelve o’clock train to Royalborough, where his battalion was quartered. It was another of the results of his father’s unfortunate will. Frank had been, as Mr. Renton foresaw, the one who felt it least. His nominal allowance had always been just what it now was, and his mother was as ready now as ever to supply him with those odd five-pound notes which drop in so pleasantly to a youthful pocket. It made no more difference than his father’s death must have made under any circumstances. There was no longer a bright and pleasant house to take his friends to, but that had nothing to do with the will, and was at the present moment a necessity of nature. And then he had his profession, and liked it, and might hope for advancement in it. And in the meantime he had made up his mind to go to India, a proceeding which had its pleasant as well as unpleasant aspects. He had sold his pet horse, to be sure, which cost him a pang; but still a man may get over that. And he was noway banished from the society he had been used to, or from the kind of life. Nothing was changed with him to speak of, but everything was changed with Laurie; and as for Ben, he had disappeared under the waters altogether,—disgusted, or indignant, or furious with fate. Frank’s heart was heavy as he went back in the dreary ‘last train,’ dropping people at all the stations,—coming every now and then to a jarring, tedious stoppage in the blackness of the night. It is not a cheerful mode of locomotion when a man is alone, and has thoughts which are the reverse of agreeable. Laurie’s intimacy in the painter’s house, the accustomed, familiar way in which he sat down amongst all those children and took his tea, the homely table, the talk in which his brother was so absorbed as to forget everything,—even common politeness,—how fatal was all this! Had he gone there, indeed, kindly as a chance visitor,—as any potentate from Belgravia might look in now and then, it might have been well; but to become an habitué of such a house, to give up for it,—as he seemed to be doing,—all the charms of society, could that be well? ‘Why should it be so?’ Frank asked himself. No doubt Lady Grandmaison would have invited Laurie all the same,—as, indeed, she had invited himself, Frank,—notwithstanding the temporary cloud under which they all were living. No doubt the Barnards and the Courtenays would have been just as kind as ever. He might have kept up all his friends, Frank concluded to himself, with the premature prudence of a young man of society; why shouldn’t he? Nothing but the absence of a coat or a pair of gloves could have absolutely shut out Laurie Renton from society; and his coat, Frank felt, was quite presentable, and had even a flower in it, the extravagant wretch; and yet his world had become Fitzroy Square!

Frank Renton dwelt so much on this thought that the apparition of Alice Severn went out of his head,—and yet not, perhaps, quite out of his head. He had not been such a fool, he would have said, as to fall in love with a girl whom he had only seen once,—a girl belonging to the objectionable locality in which Laurie had lost himself; yet the little picture she made as she stood for a moment answering her mother’s call in the doorway, with the dim curtains falling round her like a frame, and herself so bright in colouring, so sweet in all her rose-tints, lasted in his mind as such impressions seldom did. Perhaps it was the quite unexpected character of the appearance that made him dwell upon it. In a ball-room, or at a picnic, or, in short, at any party, or in a country-house where there are a number of people assembled, a man knows he is likely to meet some pretty girl or other, and is prepared for the vision; but when you are making a humdrum call, in a house quite out of the world, on people quite unacquainted with anybody you know,—in short, very respectable people, but moving in a different sphere,—and are, all at once, confronted by a creature like a rose, playing Beethoven in the dark, standing looking at you from the doorway with dazzling, lovely, half-seeing eyes,—of course you had not been looking for anything of the kind, and it makes a certain impression on you. Frank was not in any way addicted to art. He did not understand it much, nor care for it. Now and then something struck him as being ‘a pretty picture;’ but it might be one of Laurie’s drawings, or it might be a Raffael, and the difference was not very evident to the Guardsman. Perhaps it was the first time that he had of his own accord, or rather involuntarily, in spite of himself, by impulsion of nature, hung up as it were a picture of his own making on the walls of his mind. ‘By Jove, if Laurie were to paint something like that,’ he said to himself, altogether unaware in his simplicity that neither Laurie nor any of his fellows could have done justice to the evening darkness, and the soft lamplight, and the dark, undefined curtains draping themselves about the bright young face. Frank made it for himself, which was much more satisfactory, and left it there, hanging in his private closet of recollections, though, so far as he was aware, he thought but little of Alice Severn, and was much too sensible a fellow to fall in love at first sight.

Besides, he was busy, and had no time just then for nonsense of any kind. It was not quite so easy to manage the exchange he wanted as he had believed it would be; and Mrs. Renton, though she interfered so little in her son’s proceedings, did what she could to put a stop to this movement on his part. ‘I never even hear from Ben,’ she said, pathetically. ‘I do not know where he has gone or what has become of him; and Laurie, though he writes punctually, has not been to see me for ever so long; what shall I do if you go too?’

‘But, mother, I must go,’ Frank would say; ‘I can’t get on where I am now. No, mamma,—thanks; I ought not to take it. What my father meant was that we should go and seek our fortune. And beside, if Ben and Laurie don’t have money from you, I ought not to have it. That is as clear as daylight.’

‘If Ben and Laurie were here they would have everything I could give them,’ said Mrs. Renton; ‘they ought to know that; but you are the only one of my boys that stands by me, Frank. Put it in your pocket, dear, and never mind. Ah! if your poor dear papa could but have seen the harm it has done!’ and she cried, poor soul, longing for her other children, though she had not energy enough to seek them out; ‘but we must not blame your dear papa,’ she added, hastily, drying her eyes.

‘No,’ said Frank. ‘But it has done harm. Laurie was not like himself last time I saw him. He has got among a queer sort of people,—artists and that sort of thing. I don’t feel quite easy about him, to tell the truth.’

‘Among low people, do you mean?’ cried his mother, with the tears ready to flow from her eyes.

‘N—no; not exactly low people,’ said Frank; and somehow a hot flush of colour covered his own face. All at once that picture rose up before him, and Alice out of the doorway looked at him with reproachful eyes. ‘I heard that favourite thing of yours so beautifully played the other day,’ he added, hastily; and then he hummed a few bars to identify the melody; ‘charmingly played. I don’t think any one could have done it better.’

‘Mary plays it very nicely,’ said his mother, who was easily led away from one subject to another.