In her large clear eyes, which did not know how to lie, Pierre then read the surprise and emotion of a child's soul when confronted by disquieting and undreamt-of problems. So it was not she who had become impassioned and had desired to have him near her that she might sustain him and assist his victory. Once again, and this time very keenly, he suspected a secret influence, a hidden hand which was directing everything towards some unknown goal. However, he was charmed by so much simplicity and frankness in so beautiful, young, and noble a creature; and he gave himself to her after the exchange of those few words, and was about to tell her that she might absolutely dispose of him, when he was interrupted by the advent of another woman, whose tall, slight figure, also clad in black, stood out strongly against the luminous background of the further reception-room as seen through the open doorway.
"Well, Benedetta, have you sent Giaccomo up to see?" asked the newcomer.
"Don Vigilio has just come down and he is quite alone. It is improper."
"No, no, aunt. Monsieur l'Abbe is here," was the reply of Benedetta, hastening to introduce the young priest. "Monsieur l'Abbe Pierre Froment—The Princess Boccanera."
Ceremonious salutations were exchanged. The Princess must have been nearly sixty, but she laced herself so tightly that from behind one might have taken her for a young woman. This tight lacing, however, was her last coquetry. Her hair, though still plentiful, was quite white, her eyebrows alone remaining black in her long, wrinkled face, from which projected the large obstinate nose of the family. She had never been beautiful, and had remained a spinster, wounded to the heart by the selection of Count Brandini, who had preferred her younger sister, Ernesta. From that moment she had resolved to seek consolation and satisfaction in family pride alone, the hereditary pride of the great name which she bore. The Boccaneras had already supplied two Popes to the Church, and she hoped that before she died her brother would become the third. She had transformed herself into his housekeeper, as it were, remaining with him, watching over him, and advising him, managing all the household affairs herself, and accomplishing miracles in order to conceal the slow ruin which was bringing the ceilings about their heads. If every Monday for thirty years past she had continued receiving a few intimates, all of them folks of the Vatican, it was from high political considerations, so that her drawing-room might remain a meeting-place of the black world, a power and a threat.
And Pierre divined by her greeting that she deemed him of little account, petty foreign priest that he was, not even a prelate. This too again surprised him, again brought the puzzling question to the fore: Why had he been invited, what was expected of him in this society from which the humble were usually excluded? Knowing the Princess to be austerely devout, he at last fancied that she received him solely out of regard for her kinsman, the Viscount, for in her turn she only found these words of welcome: "We are so pleased to receive good news of Monsieur de la Choue! He brought us such a beautiful pilgrimage two years ago."
Passing the first through the doorway, she at last ushered the young priest into the adjoining reception-room. It was a spacious square apartment, hung with old yellow /brocatelle/ of a flowery Louis XIV pattern. The lofty ceiling was adorned with a very fine panelling, carved and coloured, with gilded roses in each compartment. The furniture, however, was of all sorts. There were some high mirrors, a couple of superb gilded pier tables, and a few handsome seventeenth-century arm-chairs; but all the rest was wretched. A heavy round table of first-empire style, which had come nobody knew whence, caught the eye with a medley of anomalous articles picked up at some bazaar, and a quantity of cheap photographs littered the costly marble tops of the pier tables. No interesting article of /virtu/ was to be seen. The old paintings on the walls were with two exceptions feebly executed. There was a delightful example of an unknown primitive master, a fourteenth-century Visitation, in which the Virgin had the stature and pure delicacy of a child of ten, whilst the Archangel, huge and superb, inundated her with a stream of dazzling, superhuman love; and in front of this hung an antique family portrait, depicting a very beautiful young girl in a turban, who was thought to be Cassia Boccanera, the /amorosa/ and avengeress who had flung herself into the Tiber with her brother Ercole and the corpse of her lover, Flavio Corradini. Four lamps threw a broad, peaceful glow over the faded room, and, like a melancholy sunset, tinged it with yellow. It looked grave and bare, with not even a flower in a vase to brighten it.
In a few words Donna Serafina at once introduced Pierre to the company; and in the silence, the pause which ensued in the conversation, he felt that every eye was fixed upon him as upon a promised and expected curiosity. There were altogether some ten persons present, among them being Dario, who stood talking with little Princess Celia Buongiovanni, whilst the elderly relative who had brought the latter sat whispering to a prelate, Monsignor Nani, in a dim corner. Pierre, however, had been particularly struck by the name of Consistorial-Advocate Morano, of whose position in the house Viscount de la Choue had thought proper to inform him in order to avert any unpleasant blunder. For thirty years past Morano had been Donna Serafina's /amico/. Their connection, formerly a guilty one, for the advocate had wife and children of his own, had in course of time, since he had been left a widower, become one of those /liaisons/ which tolerant people excuse and except. Both parties were extremely devout and had certainly assured themselves of all needful "indulgences." And thus Morano was there in the seat which he had always taken for a quarter of a century past, a seat beside the chimney-piece, though as yet the winter fire had not been lighted, and when Donna Serafina had discharged her duties as mistress of the house, she returned to her own place in front of him, on the other side of the chimney.
When Pierre in his turn had seated himself near Don Vigilio, who, silent and discreet, had already taken a chair, Dario resumed in a louder voice the story which he had been relating to Celia. Dario was a handsome man, of average height, slim and elegant. He wore a full beard, dark and carefully tended, and had the long face and pronounced nose of the Boccaneras, but the impoverishment of the family blood over a course of centuries had attenuated, softened as it were, any sharpness or undue prominence of feature.
"Oh! a beauty, an astounding beauty!" he repeated emphatically.
"Whose beauty?" asked Benedetta, approaching him.
Celia, who resembled the little Virgin of the primitive master hanging above her head, began to laugh. "Oh! Dario's speaking of a poor girl, a work-girl whom he met to-day," she explained.
Thereupon Dario had to begin his narrative again. It appeared that while passing along a narrow street near the Piazza Navona, he had perceived a tall, shapely girl of twenty, who was weeping and sobbing violently, prone upon a flight of steps. Touched particularly by her beauty, he had approached her and learnt that she had been working in the house outside which she was, a manufactory of wax beads, but that, slack times having come, the workshops had closed and she did not dare to return home, so fearful was the misery there. Amidst the downpour of her tears she raised such beautiful eyes to his that he ended by drawing some money from his pocket. But at this, crimson with confusion, she sprang to her feet, hiding her hands in the folds of her skirt, and refusing to take anything. She added, however, that he might follow her if it so pleased him, and give the money to her mother. And then she hurried off towards the Ponte St'. Angelo.*
* Bridge of St. Angelo.
"Yes, she was a beauty, a perfect beauty," repeated Dario with an air of ecstasy. "Taller than I, and slim though sturdy, with the bosom of a goddess. In fact, a real antique, a Venus of twenty, her chin rather bold, her mouth and nose of perfect form, and her eyes wonderfully pure and large! And she was bare-headed too, with nothing but a crown of heavy black hair, and a dazzling face, gilded, so to say, by the sun."
They had all begun to listen to him, enraptured, full of that passionate admiration for beauty which, in spite of every change, Rome still retains in her heart.
"Those beautiful girls of the people are becoming very rare," remarked Morano. "You might scour the Trastevere without finding any. However, this proves that there is at least one of them left."
"And what was your goddess's name?" asked Benedetta, smiling, amused and enraptured like the others.
"Pierina," replied Dario, also with a laugh.
"And what did you do with her?"
At this question the young man's excited face assumed an expression of discomfort and fear, like the face of a child on suddenly encountering some ugly creature amidst its play.
"Oh! don't talk of it," said he. "I felt very sorry afterwards. I saw such misery—enough to make one ill."
Yielding to his curiosity, it seemed, he had followed the girl across the Ponte St'. Angelo into the new district which was being built over the former castle meadows*; and there, on the first floor of an abandoned house which was already falling into ruins, though the plaster was scarcely dry, he had come upon a frightful spectacle which still stirred his heart: a whole family, father and mother, children, and an infirm old uncle, dying of hunger and rotting in filth! He selected the most dignified words he could think of to describe the scene, waving his hand the while with a gesture of fright, as if to ward off some horrible vision.
* The meadows around the Castle of St. Angelo. The district, now covered with buildings, is quite flat and was formerly greatly subject to floods. It is known as the Quartiere dei Prati.—Trans.
"At last," he concluded, "I ran away, and you may be sure that I shan't go back again."
A general wagging of heads ensued in the cold, irksome silence which fell upon the room. Then Morano summed up the matter in a few bitter words, in which he accused the despoilers, the men of the Quirinal, of being the sole cause of all the frightful misery of Rome. Were not people even talking of the approaching nomination of Deputy Sacco as Minister of Finances—Sacco, that intriguer who had engaged in all sorts of underhand practices? His appointment would be the climax of impudence; bankruptcy would speedily and infallibly ensue.
Meantime Benedetta, who had fixed her eyes on Pierre, with his book in her mind, alone murmured: "Poor people, how very sad! But why not go back to see them?"
Pierre, out of his element and absent-minded during the earlier moments, had been deeply stirred by the latter part of Dario's narrative. His thoughts reverted to his apostolate amidst the misery of Paris, and his heart was touched with compassion at being confronted by the story of such fearful sufferings on the very day of his arrival in Rome. Unwittingly, impulsively, he raised his voice, and said aloud: "Oh! we will go to see them together, madame; you will take me. These questions impassion me so much."
The attention of everybody was then again turned upon the young priest. The others questioned him, and he realised that they were all anxious about his first impressions, his opinion of their city and of themselves. He must not judge Rome by mere outward appearances, they said. What effect had the city produced on him? How had he found it, and what did he think of it? Thereupon he politely apologised for his inability to answer them. He had not yet gone out, said he, and had seen nothing. But this answer was of no avail; they pressed him all the more keenly, and he fully understood that their object was to gain him over to admiration and love. They advised him, adjured him not to yield to any fatal disillusion, but to persist and wait until Rome should have revealed to him her soul.
"How long do you expect to remain among us, Monsieur l'Abbe?" suddenly inquired a courteous voice, with a clear but gentle ring.
It was Monsignor Nani, who, seated in the gloom, thus raised his voice for the first time. On several occasions it had seemed to Pierre that the prelate's keen blue eyes were steadily fixed upon him, though all the while he pretended to be attentively listening to the drawling chatter of Celia's aunt. And before replying Pierre glanced at him. In his crimson-edged cassock, with a violet silk sash drawn tightly around his waist, Nani still looked young, although he was over fifty. His hair had remained blond, he had a straight refined nose, a mouth very firm yet very delicate of contour, and beautifully white teeth.
"Why, a fortnight or perhaps three weeks, Monsignor," replied Pierre.
The whole /salon/ protested. What, three weeks! It was his pretension to know Rome in three weeks! Why, six weeks, twelve months, ten years were required! The first impression was always a disastrous one, and a long sojourn was needed for a visitor to recover from it.
"Three weeks!" repeated Donna Serafina with her disdainful air. "Is it possible for people to study one another and get fond of one another in three weeks? Those who come back to us are those who have learned to know us."
Instead of launching into exclamations like the others, Nani had at first contented himself with smiling, and gently waving his shapely hand, which bespoke his aristocratic origin. Then, as Pierre modestly explained himself, saying that he had come to Rome to attend to certain matters and would leave again as soon as those matters should have been concluded, the prelate, still smiling, summed up the argument with the remark: "Oh! Monsieur l'Abbe will stay with us for more than three weeks; we shall have the happiness of his presence here for a long time, I hope."
These words, though spoken with quiet cordiality, strangely disturbed the young priest. What was known, what was meant? He leant towards Don Vigilio, who had remained near him, still and ever silent, and in a whisper inquired: "Who is Monsignor Nani?"
The secretary, however, did not at once reply. His feverish face became yet more livid. Then his ardent eyes glanced round to make sure that nobody was watching him, and in a breath he responded: "He is the Assessor of the Holy Office."*
* Otherwise the Inquisition.
This information sufficed, for Pierre was not ignorant of the fact that the assessor, who was present in silence at the meetings of the Holy Office, waited upon his Holiness every Wednesday evening after the sitting, to render him an account of the matters dealt with in the afternoon. This weekly audience, this hour spent with the Pope in a privacy which allowed of every subject being broached, gave the assessor an exceptional position, one of considerable power. Moreover the office led to the cardinalate; the only "rise" that could be given to the assessor was his promotion to the Sacred College.
Monsignor Nani, who seemed so perfectly frank and amiable, continued to look at the young priest with such an encouraging air that the latter felt obliged to go and occupy the seat beside him, which Celia's old aunt at last vacated. After all, was there not an omen of victory in meeting, on the very day of his arrival, a powerful prelate whose influence would perhaps open every door to him? He therefore felt very touched when Monsignor Nani, immediately after the first words, inquired in a tone of deep interest, "And so, my dear child, you have published a book?"
After this, gradually mastered by his enthusiasm and forgetting where he was, Pierre unbosomed himself, and recounted the birth and progress of his burning love amidst the sick and the humble, gave voice to his dream of a return to the olden Christian community, and triumphed with the rejuvenescence of Catholicism, developing into the one religion of the universal democracy. Little by little he again raised his voice, and silence fell around him in the stern, antique reception-room, every one lending ear to his words with increasing surprise, with a growing coldness of which he remained unconscious.
At last Nani gently interrupted him, still wearing his perpetual smile, the faint irony of which, however, had departed. "No doubt, no doubt, my dear child," he said, "it is very beautiful, oh! very beautiful, well worthy of the pure and noble imagination of a Christian. But what do you count on doing now?"
"I shall go straight to the Holy Father to defend myself," answered
Pierre.
A light, restrained laugh went round, and Donna Serafina expressed the general opinion by exclaiming: "The Holy Father isn't seen as easily as that."
Pierre, however, was quite impassioned. "Well, for my part," he rejoined,
"I hope I shall see him. Have I not expressed his views? Have I not
defended his policy? Can he let my book be condemned when I believe that
I have taken inspiration from all that is best in him?"
"No doubt, no doubt," Nani again hastily replied, as if he feared that the others might be too brusque with the young enthusiast. "The Holy Father has such a lofty mind. And of course it would be necessary to see him. Only, my dear child, you must not excite yourself so much; reflect a little; take your time." And, turning to Benedetta, he added, "Of course his Eminence has not seen Abbe Froment yet. It would be well, however, that he should receive him to-morrow morning to guide him with his wise counsel."
Cardinal Boccanera never attended his sister's Monday-evening receptions. Still, he was always there in the spirit, like some absent sovereign master.
"To tell the truth," replied the Contessina, hesitating, "I fear that my uncle does not share Monsieur l'Abbe's views."
Nani again smiled. "Exactly; he will tell him things which it is good he should hear."
Thereupon it was at once settled with Don Vigilio that the latter would put down the young priest's name for an audience on the following morning at ten o'clock.
However, at that moment a cardinal came in, clad in town costume—his sash and his stockings red, but his simar black, with a red edging and red buttons. It was Cardinal Sarno, a very old intimate of the Boccaneras; and whilst he apologised for arriving so late, through press of work, the company became silent and deferentially clustered round him. This was the first cardinal Pierre had seen, and he felt greatly disappointed, for the newcomer had none of the majesty, none of the fine port and presence to which he had looked forward. On the contrary, he was short and somewhat deformed, with the left shoulder higher than the right, and a worn, ashen face with lifeless eyes. To Pierre he looked like some old clerk of seventy, half stupefied by fifty years of office work, dulled and bent by incessantly leaning over his writing desk ever since his youth. And indeed that was Sarno's story. The puny child of a petty middle-class family, he had been educated at the Seminario Romano. Then later he had for ten years professed Canon Law at that same seminary, afterwards becoming one of the secretaries of the Congregation for the Propagation of the Faith. Finally, five and twenty years ago, he had been created a cardinal, and the jubilee of his cardinalate had recently been celebrated. Born in Rome, he had always lived there; he was the perfect type of the prelate who, through growing up in the shade of the Vatican, has become one of the masters of the world. Although he had never occupied any diplomatic post, he had rendered such important services to the Propaganda, by his methodical habits of work, that he had become president of one of the two commissions which furthered the interests of the Church in those vast countries of the west which are not yet Catholic. And thus, in the depths of his dim eyes, behind his low, dull-looking brow, the huge map of Christendom was stored away.
Nani himself had risen, full of covert respect for the unobtrusive but terrible man whose hand was everywhere, even in the most distant corners of the earth, although he had never left his office. As Nani knew, despite his apparent nullity, Sarno, with his slow, methodical, ably organised work of conquest, possessed sufficient power to set empires in confusion.
"Has your Eminence recovered from that cold which distressed us so much?" asked Nani.
"No, no, I still cough. There is a most malignant passage at the offices.
I feel as cold as ice as soon as I leave my room."
From that moment Pierre felt quite little, virtually lost. He was not even introduced to the Cardinal. And yet he had to remain in the room for nearly another hour, looking around and observing. That antiquated world then seemed to him puerile, as though it had lapsed into a mournful second childhood. Under all the apparent haughtiness and proud reserve he could divine real timidity, unacknowledged distrust, born of great ignorance. If the conversation did not become general, it was because nobody dared to speak out frankly; and what he heard in the corners was simply so much childish chatter, the petty gossip of the week, the trivial echoes of sacristies and drawing-rooms. People saw but little of one another, and the slightest incidents assumed huge proportions. At last Pierre ended by feeling as though he were transported into some /salon/ of the time of Charles X, in one of the episcopal cities of the French provinces. No refreshments were served. Celia's old aunt secured possession of Cardinal Sarno; but, instead of replying to her, he simply wagged his head from time to time. Don Vigilio had not opened his mouth the whole evening. However, a conversation in a very low tone was started by Nani and Morano, to whom Donna Serafina listened, leaning forward and expressing her approval by slowly nodding her head. They were doubtless speaking of the dissolution of Benedetta's marriage, for they glanced at the young woman gravely from time to time. And in the centre of the spacious room, in the sleepy glow of the lamps, there was only the young people, Benedetta, Dario, and Celia who seemed to be at all alive, chattering in undertones and occasionally repressing a burst of laughter.
All at once Pierre was struck by the great resemblance between Benedetta and the portrait of Cassia hanging on the wall. Each displayed the same delicate youth, the same passionate mouth, the same large, unfathomable eyes, set in the same round, sensible, healthy-looking face. In each there was certainly the same upright soul, the same heart of flame. Then a recollection came to Pierre, that of a painting by Guido Reni, the adorable, candid head of Beatrice Cenci, which, at that moment and to his thinking, the portrait of Cassia closely resembled. This resemblance stirred him and he glanced at Benedetta with anxious sympathy, as if all the fierce fatality of race and country were about to fall on her. But no, it could not be; she looked so calm, so resolute, and so patient! Besides, ever since he had entered that room he had noticed none other than signs of gay fraternal tenderness between her and Dario, especially on her side, for her face ever retained the bright serenity of a love which may be openly confessed. At one moment, it is true, Dario in a joking way had caught hold of her hands and pressed them; but while he began to laugh rather nervously, with a brighter gleam darting from his eyes, she on her side, all composure, slowly freed her hands, as though theirs was but the play of old and affectionate friends. She loved him, though, it was visible, with her whole being and for her whole life.
At last when Dario, after stifling a slight yawn and glancing at his watch, had slipped off to join some friends who were playing cards at a lady's house, Benedetta and Celia sat down together on a sofa near Pierre; and the latter, without wishing to listen, overheard a few words of their confidential chat. The little Princess was the eldest daughter of Prince Matteo Buongiovanni, who was already the father of five children by an English wife, a Mortimer, to whom he was indebted for a dowry of two hundred thousand pounds. Indeed, the Buongiovannis were known as one of the few patrician families of Rome that were still rich, still erect among the ruins of the past, now crumbling on every side. They also numbered two popes among their forerunners, yet this had not prevented Prince Matteo from lending support to the Quirinal without quarrelling with the Vatican. Son of an American woman, no longer having the pure Roman blood in his veins, he was a more supple politician than other aristocrats, and was also, folks said, extremely grasping, struggling to be one of the last to retain the wealth and power of olden times, which he realised were condemned to death. Yet it was in his family, renowned for its superb pride and its continued magnificence, that a love romance had lately taken birth, a romance which was the subject of endless gossip: Celia had suddenly fallen in love with a young lieutenant to whom she had never spoken; her love was reciprocated, and the passionate attachment of the officer and the girl only found vent in the glances they exchanged on meeting each day during the usual drive through the Corso. Nevertheless Celia displayed a tenacious will, and after declaring to her father that she would never take any other husband, she was waiting, firm and resolute, in the certainty that she would ultimately secure the man of her choice. The worst of the affair was that the lieutenant, Attilio Sacco, happened to be the son of Deputy Sacco, a parvenu whom the black world looked down upon, as upon one sold to the Quirinal and ready to undertake the very dirtiest job.
"It was for me that Morano spoke just now," Celia murmured in Benedetta's ear. "Yes, yes, when he spoke so harshly of Attilio's father and that ministerial appointment which people are talking about. He wanted to give me a lesson."
The two girls had sworn eternal affection in their school-days, and Benedetta, the elder by five years, showed herself maternal. "And so," she said, "you've not become a whit more reasonable. You still think of that young man?"
"What! are you going to grieve me too, dear?" replied Celia. "I love
Attilio and mean to have him. Yes, him and not another! I want him and
I'll have him, because I love him and he loves me. It's simple enough."
Pierre glanced at her, thunderstruck. With her gentle virgin face she was like a candid, budding lily. A brow and a nose of blossom-like purity; a mouth all innocence with its lips closing over pearly teeth, and eyes like spring water, clear and fathomless. And not a quiver passed over her cheeks of satiny freshness, no sign, however faint, of anxiety or inquisitiveness appeared in her candid glance. Did she think? Did she know? Who could have answered? She was virginity personified with all its redoubtable mystery.
"Ah! my dear," resumed Benedetta, "don't begin my sad story over again.
One doesn't succeed in marrying the Pope and the King."
All tranquillity, Celia responded: "But you didn't love Prada, whereas I love Attilio. Life lies in that: one must love."
These words, spoken so naturally by that ignorant child, disturbed Pierre to such a point that he felt tears rising to his eyes. Love! yes, therein lay the solution of every quarrel, the alliance between the nations, the reign of peace and joy throughout the world! However, Donna Serafina had now risen, shrewdly suspecting the nature of the conversation which was impassioning the two girls. And she gave Don Vigilio a glance, which the latter understood, for he came to tell Pierre in an undertone that it was time to retire. Eleven o'clock was striking, and Celia went off with her aunt. Advocate Morano, however, doubtless desired to retain Cardinal Sarno and Nani for a few moments in order that they might privately discuss some difficulty which had arisen in the divorce proceedings. On reaching the outer reception-room, Benedetta, after kissing Celia on both cheeks, took leave of Pierre with much good grace.
"In answering the Viscount to-morrow morning," said she, "I shall tell him how happy we are to have you with us, and for longer than you think. Don't forget to come down at ten o'clock to see my uncle, the Cardinal."
Having climbed to the third floor again, Pierre and Don Vigilio, each carrying a candlestick which the servant had handed to them, were about to part for the night, when the former could not refrain from asking the secretary a question which had been worrying him for hours: "Is Monsignor Nani a very influential personage?"
Don Vigilio again became quite scared, and simply replied by a gesture, opening his arms as if to embrace the world. Then his eyes flashed, and in his turn he seemed to yield to inquisitiveness. "You already knew him, didn't you?" he inquired.
"I? not at all!"
"Really! Well, he knows you very well. Last Monday I heard him speak of you in such precise terms that he seemed to be acquainted with the slightest particulars of your career and your character."
"Why, I never even heard his name before."
"Then he must have procured information."
Thereupon Don Vigilio bowed and entered his room; whilst Pierre, surprised to find his door open, saw Victorine come out with her calm active air.
"Ah! Monsieur l'Abbe, I wanted to make sure that you had everything you were likely to want. There are candles, water, sugar, and matches. And what do you take in the morning, please? Coffee? No, a cup of milk with a roll. Very good; at eight o'clock, eh? And now rest and sleep well. I was awfully afraid of ghosts during the first nights I spent in this old palace! But I never saw a trace of one. The fact is, when people are dead, they are too well pleased, and don't want to break their rest!"
Then off she went, and Pierre at last found himself alone, glad to be able to shake off the strain imposed on him, to free himself from the discomfort which he had felt in that reception-room, among those people who in his mind still mingled and vanished like shadows in the sleepy glow of the lamps. Ghosts, thought he, are the old dead ones of long ago whose distressed spirits return to love and suffer in the breasts of the living of to-day. And, despite his long afternoon rest, he had never felt so weary, so desirous of slumber, confused and foggy as was his mind, full of the fear that he had hitherto not understood things aright. When he began to undress, his astonishment at being in that room returned to him with such intensity that he almost fancied himself another person. What did all those people think of his book? Why had he been brought to this cold dwelling whose hostility he could divine? Was it for the purpose of helping him or conquering him? And again in the yellow glimmer, the dismal sunset of the drawing-room, he perceived Donna Serafina and Advocate Morano on either side of the chimney-piece, whilst behind the calm yet passionate visage of Benedetta appeared the smiling face of Monsignor Nani, with cunning eyes and lips bespeaking indomitable energy.
He went to bed, but soon got up again, stifling, feeling such a need of fresh, free air that he opened the window wide in order to lean out. But the night was black as ink, the darkness had submerged the horizon. A mist must have hidden the stars in the firmament; the vault above seemed opaque and heavy like lead; and yonder in front the houses of the Trastevere had long since been asleep. Not one of all their windows glittered; there was but a single gaslight shining, all alone and far away, like a lost spark. In vain did Pierre seek the Janiculum. In the depths of that ocean of nihility all sunk and vanished, Rome's four and twenty centuries, the ancient Palatine and the modern Quirinal, even the giant dome of St. Peter's, blotted out from the sky by the flood of gloom. And below him he could not see, he could not even hear the Tiber, the dead river flowing past the dead city.
III
AT a quarter to ten o'clock on the following morning Pierre came down to the first floor of the mansion for his audience with Cardinal Boccanera. He had awoke free of all fatigue and again full of courage and candid enthusiasm; nothing remaining of his strange despondency of the previous night, the doubts and suspicions which had then come over him. The morning was so fine, the sky so pure and so bright, that his heart once more palpitated with hope.
On the landing he found the folding doors of the first ante-room wide open. While closing the gala saloons which overlooked the street, and which were rotting with old age and neglect, the Cardinal still used the reception-rooms of one of his grand-uncles, who in the eighteenth century had risen to the same ecclesiastical dignity as himself. There was a suite of four immense rooms, each sixteen feet high, with windows facing the lane which sloped down towards the Tiber; and the sun never entered them, shut off as it was by the black houses across the lane. Thus the installation, in point of space, was in keeping with the display and pomp of the old-time princely dignitaries of the Church. But no repairs were ever made, no care was taken of anything, the hangings were frayed and ragged, and dust preyed on the furniture, amidst an unconcern which seemed to betoken some proud resolve to stay the course of time.
Pierre experienced a slight shock as he entered the first room, the servants' ante-chamber. Formerly two pontifical /gente d'armi/ in full uniform had always stood there amidst a stream of lackeys; and the single servant now on duty seemed by his phantom-like appearance to increase the melancholiness of the vast and gloomy hall. One was particularly struck by an altar facing the windows, an altar with red drapery surmounted by a /baldacchino/ with red hangings, on which appeared the escutcheon of the Boccaneras, the winged dragon spitting flames with the device, /Bocca nera, Alma rossa/. And the grand-uncle's red hat, the old huge ceremonial hat, was also there, with the two cushions of red silk, and the two antique parasols which were taken in the coach each time his Eminence went out. And in the deep silence it seemed as if one could almost hear the faint noise of the moths preying for a century past upon all this dead splendour, which would have fallen into dust at the slightest touch of a feather broom.
The second ante-room, that was formerly occupied by the secretary, was also empty, and it was only in the third one, the /anticamera nobile/, that Pierre found Don Vigilio. With his retinue reduced to what was strictly necessary, the Cardinal had preferred to have his secretary near him—at the door, so to say, of the old throne-room, where he gave audience. And Don Vigilio, so thin and yellow, and quivering with fever, sat there like one lost, at a small, common, black table covered with papers. Raising his head from among a batch of documents, he recognised Pierre, and in a low voice, a faint murmur amidst the silence, he said, "His Eminence is engaged. Please wait."
Then he again turned to his reading, doubtless to escape all attempts at conversation.
Not daring to sit down, Pierre examined the apartment. It looked perhaps yet more dilapidated than the others, with its hangings of green damask worn by age and resembling the faded moss on ancient trees. The ceiling, however, had remained superb. Within a frieze of gilded and coloured ornaments was a fresco representing the Triumph of Amphitrite, the work of one of Raffaelle's pupils. And, according to antique usage, it was here that the /berretta/, the red cap, was placed, on a credence, below a large crucifix of ivory and ebony.
As Pierre grew used to the half-light, however, his attention was more particularly attracted by a recently painted full-length portrait of the Cardinal in ceremonial costume—cassock of red moire, rochet of lace, and /cappa/ thrown like a royal mantle over his shoulders. In these vestments of the Church the tall old man of seventy retained the proud bearing of a prince, clean shaven, but still boasting an abundance of white hair which streamed in curls over his shoulders. He had the commanding visage of the Boccaneras, a large nose and a large thin-lipped mouth in a long face intersected by broad lines; and the eyes which lighted his pale countenance were indeed the eyes of his race, very dark, yet sparkling with ardent life under bushy brows which had remained quite black. With laurels about his head he would have resembled a Roman emperor, very handsome and master of the world, as though indeed the blood of Augustus pulsated in his veins.
Pierre knew his story which this portrait recalled. Educated at the College of the Nobles, Pio Boccanera had but once absented himself from Rome, and that when very young, hardly a deacon, but nevertheless appointed oblegate to convey a /berretta/ to Paris. On his return his ecclesiastical career had continued in sovereign fashion. Honours had fallen on him naturally, as by right of birth. Ordained by Pius IX himself, afterwards becoming a Canon of the Vatican Basilica, and /Cameriere segreto/, he had risen to the post of Majordomo about the time of the Italian occupation, and in 1874 had been created a Cardinal. For the last four years, moreover, he had been Papal Chamberlain (/Camerlingo/), and folks whispered that Leo XIII had appointed him to that post, even as he himself had been appointed to it by Pius IX, in order to lessen his chance of succeeding to the pontifical throne; for although the conclave in choosing Leo had set aside the old tradition that the Camerlingo was ineligible for the papacy, it was not probable that it would again dare to infringe that rule. Moreover, people asserted that, even as had been the case in the reign of Pius, there was a secret warfare between the Pope and his Camerlingo, the latter remaining on one side, condemning the policy of the Holy See, holding radically different opinions on all things, and silently waiting for the death of Leo, which would place power in his hands with the duty of summoning the conclave, and provisionally watching over the affairs and interests of the Church until a new Pope should be elected. Behind Cardinal Pio's broad, stern brow, however, in the glow of his dark eyes, might there not also be the ambition of actually rising to the papacy, of repeating the career of Gioachino Pecci, Camerlingo and then Pope, all tradition notwithstanding? With the pride of a Roman prince Pio knew but Rome; he almost gloried in being totally ignorant of the modern world; and verily he showed himself very pious, austerely religious, with a full firm faith into which the faintest doubt could never enter.
But a whisper drew Pierre from his reflections. Don Vigilio, in his prudent way, invited him to sit down: "You may have to wait some time: take a stool."
Then he began to cover a large sheet of yellowish paper with fine writing, while Pierre seated himself on one of the stools ranged alongside the wall in front of the portrait. And again the young man fell into a reverie, picturing in his mind a renewal of all the princely pomp of the old-time cardinals in that antique room. To begin with, as soon as nominated, a cardinal gave public festivities, which were sometimes very splendid. During three days the reception-rooms remained wide open, all could enter, and from room to room ushers repeated the names of those who came—patricians, people of the middle class, poor folks, all Rome indeed, whom the new cardinal received with sovereign kindliness, as a king might receive his subjects. Then there was quite a princely retinue; some cardinals carried five hundred people about with them, had no fewer than sixteen distinct offices in their households, lived, in fact, amidst a perfect court. Even when life subsequently became simplified, a cardinal, if he were a prince, still had a right to a gala train of four coaches drawn by black horses. Four servants preceded him in liveries, emblazoned with his arms, and carried his hat, cushion, and parasols. He was also attended by a secretary in a mantle of violet silk, a train-bearer in a gown of violet woollen stuff, and a gentleman in waiting, wearing an Elizabethan style of costume, and bearing the /berretta/ with gloved hands. Although the household had then become smaller, it still comprised an /auditore/ specially charged with the congregational work, a secretary employed exclusively for correspondence, a chief usher who introduced visitors, a gentleman in attendance for the carrying of the /berretta/, a train-bearer, a chaplain, a majordomo and a /valet-de-chambre/, to say nothing of a flock of underlings, lackeys, cooks, coachmen, grooms, quite a population, which filled the vast mansions with bustle. And with these attendants Pierre mentally sought to fill the three spacious ante-rooms now so deserted; the stream of lackeys in blue liveries broidered with emblazonry, the world of abbes and prelates in silk mantles appeared before him, again setting magnificent and passionate life under the lofty ceilings, illumining all the semi-gloom with resuscitated splendour.
But nowadays—particularly since the Italian occupation of Rome—nearly all the great fortunes of the Roman princes have been exhausted, and the pomp of the great dignitaries of the Church has disappeared. The ruined patricians have kept aloof from badly remunerated ecclesiastical offices to which little renown attaches, and have left them to the ambition of the petty /bourgeoisie/. Cardinal Boccanera, the last prince of ancient nobility invested with the purple, received scarcely more than 30,000 /lire/* a year to enable him to sustain his rank, that is 22,000 /lire/,** the salary of his post as Camerlingo, and various small sums derived from other functions. And he would never have made both ends meet had not Donna Serafina helped him with the remnants of the former family fortune which he had long previously surrendered to his sisters and his brother. Donna Serafina and Benedetta lived apart, in their own rooms, having their own table, servants, and personal expenses. The Cardinal only had his nephew Dario with him, and he never gave a dinner or held a public reception. His greatest source of expense was his carriage, the heavy pair-horse coach, which ceremonial usage compelled him to retain, for a cardinal cannot go on foot through the streets of Rome. However, his coachman, an old family servant, spared him the necessity of keeping a groom by insisting on taking entire charge of the carriage and the two black horses, which, like himself, had grown old in the service of the Boccaneras. There were two footmen, father and son, the latter born in the house. And the cook's wife assisted in the kitchen. However, yet greater reductions had been made in the ante-rooms, where the staff, once so brilliant and numerous, was now simply composed of two petty priests, Don Vigilio, who was at once secretary, auditore, and majordomo, and Abbe Paparelli, who acted as train-bearer, chaplain, and chief usher. There, where a crowd of salaried people of all ranks had once moved to and fro, filling the vast halls with bustle and colour, one now only beheld two little black cassocks gliding noiselessly along, two unobtrusive shadows flitting about amidst the deep gloom of the lifeless rooms.
* 1,200 pounds.
** 880 pounds.
And Pierre now fully understood the haughty unconcern of the Cardinal, who suffered time to complete its work of destruction in that ancestral mansion, to which he was powerless to restore the glorious life of former times! Built for that shining life, for the sovereign display of a sixteenth-century prince, it was now deserted and empty, crumbling about the head of its last master, who had no servants left him to fill it, and would not have known how to pay for the materials which repairs would have necessitated. And so, since the modern world was hostile, since religion was no longer sovereign, since men had changed, and one was drifting into the unknown, amidst the hatred and indifference of new generations, why not allow the old world to collapse in the stubborn, motionless pride born of its ancient glory? Heroes alone died standing, without relinquishing aught of their past, preserving the same faith until their final gasp, beholding, with pain-fraught bravery and infinite sadness, the slow last agony of their divinity. And the Cardinal's tall figure, his pale, proud face, so full of sovereign despair and courage, expressed that stubborn determination to perish beneath the ruins of the old social edifice rather than change a single one of its stones.
Pierre was roused by a rustling of furtive steps, a little mouse-like trot, which made him raise his head. A door in the wall had just opened, and to his surprise there stood before him an abbe of some forty years, fat and short, looking like an old maid in a black skirt, a very old maid in fact, so numerous were the wrinkles on his flabby face. It was Abbe Paparelli, the train-bearer and usher, and on seeing Pierre he was about to question him, when Don Vigilio explained matters.
"Ah! very good, very good, Monsieur l'Abbe Froment. His Eminence will condescend to receive you, but you must wait, you must wait."
Then, with his silent rolling walk, he returned to the second ante-room, where he usually stationed himself.
Pierre did not like his face—the face of an old female devotee, whitened by celibacy, and ravaged by stern observance of the rites; and so, as Don Vigilio—his head weary and his hands burning with fever—had not resumed his work, the young man ventured to question him. Oh! Abbe Paparelli, he was a man of the liveliest faith, who from simple humility remained in a modest post in his Eminence's service. On the other hand, his Eminence was pleased to reward him for his devotion by occasionally condescending to listen to his advice.
As Don Vigilio spoke, a faint gleam of irony, a kind of veiled anger appeared in his ardent eyes. However, he continued to examine Pierre, and gradually seemed reassured, appreciating the evident frankness of this foreigner who could hardly belong to any clique. And so he ended by departing somewhat from his continual sickly distrust, and even engaged in a brief chat.
"Yes, yes," he said, "there is a deal of work sometimes, and rather hard work too. His Eminence belongs to several Congregations, the Consistorial, the Holy Office, the Index, the Rites. And all the documents concerning the business which falls to him come into my hands. I have to study each affair, prepare a report on it, clear the way, so to say. Besides which all the correspondence is carried on through me. Fortunately his Eminence is a holy man, and intrigues neither for himself nor for others, and this enables us to taste a little peace."
Pierre took a keen interest in these particulars of the life led by a prince of the Church. He learnt that the Cardinal rose at six o'clock, summer and winter alike. He said his mass in his chapel, a little room which simply contained an altar of painted wood, and which nobody but himself ever entered. His private apartments were limited to three rooms—a bed-room, dining-room, and study—all very modest and small, contrived indeed by partitioning off portions of one large hall. And he led a very retired life, exempt from all luxury, like one who is frugal and poor. At eight in the morning he drank a cup of cold milk for his breakfast. Then, when there were sittings of the Congregations to which he belonged, he attended them; otherwise he remained at home and gave audience. Dinner was served at one o'clock, and afterwards came the siesta, lasting until five in summer and until four at other seasons—a sacred moment when a servant would not have dared even to knock at the door. On awaking, if it were fine, his Eminence drove out towards the ancient Appian Way, returning at sunset when the /Ave Maria/ began to ring. And finally, after again giving audience between seven and nine, he supped and retired into his room, where he worked all alone or went to bed. The cardinals wait upon the Pope on fixed days, two or three times each month, for purposes connected with their functions. For nearly a year, however, the Camerlingo had not been received in private audience by his Holiness, and this was a sign of disgrace, a proof of secret warfare, of which the entire black world spoke in prudent whispers.
"His Eminence is sometimes a little rough," continued Don Vigilio in a soft voice. "But you should see him smile when his niece the Contessina, of whom he is very fond, comes down to kiss him. If you have a good reception, you know, you will owe it to the Contessina."
At this moment the secretary was interrupted. A sound of voices came from the second ante-room, and forthwith he rose to his feet, and bent very low at sight of a stout man in a black cassock, red sash, and black hat, with twisted cord of red and gold, whom Abbe Paparelli was ushering in with a great display of deferential genuflections. Pierre also had risen at a sign from Don Vigilio, who found time to whisper to him, "Cardinal Sanguinetti, Prefect of the Congregation of the Index."
Meantime Abbe Paparelli was lavishing attentions on the prelate, repeating with an expression of blissful satisfaction: "Your most reverend Eminence was expected. I have orders to admit your most reverend Eminence at once. His Eminence the Grand Penitentiary is already here."
Sanguinetti, loud of voice and sonorous of tread, spoke out with sudden familiarity, "Yes, yes, I know. A number of importunate people detained me! One can never do as one desires. But I am here at last."
He was a man of sixty, squat and fat, with a round and highly coloured face distinguished by a huge nose, thick lips, and bright eyes which were always on the move. But he more particularly struck one by his active, almost turbulent, youthful vivacity, scarcely a white hair as yet showing among his brown and carefully tended locks, which fell in curls about his temples. Born at Viterbo, he had studied at the seminary there before completing his education at the Universita Gregoriana in Rome. His ecclesiastical appointments showed how rapidly he had made his way, how supple was his mind: first of all secretary to the nunciature at Lisbon; then created titular Bishop of Thebes, and entrusted with a delicate mission in Brazil; on his return appointed nuncio first at Brussels and next at Vienna; and finally raised to the cardinalate, to say nothing of the fact that he had lately secured the suburban episcopal see of Frascati.* Trained to business, having dealt with every nation in Europe, he had nothing against him but his ambition, of which he made too open a display, and his spirit of intrigue, which was ever restless. It was said that he was now one of the irreconcilables who demanded that Italy should surrender Rome, though formerly he had made advances to the Quirinal. In his wild passion to become the next Pope he rushed from one opinion to the other, giving himself no end of trouble to gain people from whom he afterwards parted. He had twice already fallen out with Leo XIII, but had deemed it politic to make his submission. In point of fact, given that he was an almost openly declared candidate to the papacy, he was wearing himself out by his perpetual efforts, dabbling in too many things, and setting too many people agog.
* Cardinals York and Howard were Bishops of Frascati.—Trans.
Pierre, however, had only seen in him the Prefect of the Congregation of the Index; and the one idea which struck him was that this man would decide the fate of his book. And so, when the Cardinal had disappeared and Abbe Paparelli had returned to the second ante-room, he could not refrain from asking Don Vigilio, "Are their Eminences Cardinal Sanguinetti and Cardinal Boccanera very intimate, then?"
An irrepressible smile contracted the secretary's lips, while his eyes gleamed with an irony which he could no longer subdue: "Very intimate—oh! no, no—they see one another when they can't do otherwise."
Then he explained that considerable deference was shown to Cardinal Boccanera's high birth, and that his colleagues often met at his residence, when, as happened to be the case that morning, any grave affair presented itself, requiring an interview apart from the usual official meetings. Cardinal Sanguinetti, he added, was the son of a petty medical man of Viterbo. "No, no," he concluded, "their Eminences are not at all intimate. It is difficult for men to agree when they have neither the same ideas nor the same character, especially too when they are in each other's way."
Don Vigilio spoke these last words in a lower tone, as if talking to himself and still retaining his sharp smile. But Pierre scarcely listened, absorbed as he was in his own worries. "Perhaps they have met to discuss some affair connected with the Index?" said he.
Don Vigilio must have known the object of the meeting. However, he merely replied that, if the Index had been in question, the meeting would have taken place at the residence of the Prefect of that Congregation. Thereupon Pierre, yielding to his impatience, was obliged to put a straight question. "You know of my affair—the affair of my book," he said. "Well, as his Eminence is a member of the Congregation, and all the documents pass through your hands, you might be able to give me some useful information. I know nothing as yet and am so anxious to know!"
At this Don Vigilio relapsed into scared disquietude. He stammered, saying that he had not seen any documents, which was true. "Nothing has yet reached us," he added; "I assure you I know nothing."
Then, as the other persisted, he signed to him to keep quiet, and again turned to his writing, glancing furtively towards the second ante-room as if he believed that Abbe Paparelli was listening. He had certainly said too much, he thought, and he made himself very small, crouching over the table, and melting, fading away in his dim corner.
Pierre again fell into a reverie, a prey to all the mystery which enveloped him—the sleepy, antique sadness of his surroundings. Long minutes went by; it was nearly eleven when the sound of a door opening and a buzz of voices roused him. Then he bowed respectfully to Cardinal Sanguinetti, who went off accompanied by another cardinal, a very thin and tall man, with a grey, bony, ascetic face. Neither of them, however, seemed even to see the petty foreign priest who bent low as they went by. They were chatting aloud in familiar fashion.
"Yes! the wind is falling; it is warmer than yesterday."
"We shall certainly have the sirocco to-morrow."
Then solemn silence again fell on the large, dim room. Don Vigilio was still writing, but his pen made no noise as it travelled over the stiff yellow paper. However, the faint tinkle of a cracked bell was suddenly heard, and Abbe Paparelli, after hastening into the throne-room for a moment, returned to summon Pierre, whom he announced in a restrained voice: "Monsieur l'Abbe Pierre Froment."
The spacious throne-room was like the other apartments, a virtual ruin. Under the fine ceiling of carved and gilded wood-work, the red wall-hangings of /brocatelle/, with a large palm pattern, were falling into tatters. A few holes had been patched, but long wear had streaked the dark purple of the silk—once of dazzling magnificence—with pale hues. The curiosity of the room was its old throne, an arm-chair upholstered in red silk, on which the Holy Father had sat when visiting Cardinal Pio's grand-uncle. This chair was surmounted by a canopy, likewise of red silk, under which hung the portrait of the reigning Pope. And, according to custom, the chair was turned towards the wall, to show that none might sit on it. The other furniture of the apartment was made up of sofas, arm-chairs, and chairs, with a marvellous Louis Quatorze table of gilded wood, having a top of mosaic-work representing the rape of Europa.
But at first Pierre only saw Cardinal Boccanera standing by the table which he used for writing. In his simple black cassock, with red edging and red buttons, the Cardinal seemed to him yet taller and prouder than in the portrait which showed him in ceremonial costume. There was the same curly white hair, the same long, strongly marked face, with large nose and thin lips, and the same ardent eyes, illumining the pale countenance from under bushy brows which had remained black. But the portrait did not express the lofty tranquil faith which shone in this handsome face, a complete certainty of what truth was, and an absolute determination to abide by it for ever.
Boccanera had not stirred, but with black, fixed glance remained watching his visitor's approach; and the young priest, acquainted with the usual ceremonial, knelt and kissed the large ruby which the prelate wore on his hand. However, the Cardinal immediately raised him.
"You are welcome here, my dear son. My niece spoke to me about you with so much sympathy that I am happy to receive you." With these words Pio seated himself near the table, as yet not telling Pierre to take a chair, but still examining him whilst speaking slowly and with studied politeness: "You arrived yesterday morning, did you not, and were very tired?"
"Your Eminence is too kind—yes, I was worn out, as much through emotion as fatigue. This journey is one of such gravity for me."
The Cardinal seemed indisposed to speak of serious matters so soon. "No doubt; it is a long way from Paris to Rome," he replied. "Nowadays the journey may be accomplished with fair rapidity, but formerly how interminable it was!" Then speaking yet more slowly: "I went to Paris once—oh! a long time ago, nearly fifty years ago—and then for barely a week. A large and handsome city; yes, yes, a great many people in the streets, extremely well-bred people, a nation which has accomplished great and admirable things. Even in these sad times one cannot forget that France was the eldest daughter of the Church. But since that one journey I have not left Rome—"
Then he made a gesture of quiet disdain, expressive of all he left unsaid. What was the use of journeying to a land of doubt and rebellion? Did not Rome suffice—Rome, which governed the world—the Eternal City which, when the times should be accomplished, would become the capital of the world once more?
Silently glancing at the Cardinal's lofty stature, the stature of one of the violent war-like princes of long ago, now reduced to wearing that simple cassock, Pierre deemed him superb with his proud conviction that Rome sufficed unto herself. But that stubborn resolve to remain in ignorance, that determination to take no account of other nations excepting to treat them as vassals, disquieted him when he reflected on the motives that had brought him there. And as silence had again fallen he thought it politic to approach the subject he had at heart by words of homage.
"Before taking any other steps," said he, "I desired to express my profound respect for your Eminence; for in your Eminence I place my only hope; and I beg your Eminence to be good enough to advise and guide me."
With a wave of the hand Boccanera thereupon invited Pierre to take a chair in front of him. "I certainly do not refuse you my counsel, my dear son," he replied. "I owe my counsel to every Christian who desires to do well. But it would be wrong for you to rely on my influence. I have none. I live entirely apart from others; I cannot and will not ask for anything. However, this will not prevent us from chatting." Then, approaching the question in all frankness, without the slightest artifice, like one of brave and absolute mind who fears no responsibility however great, he continued: "You have written a book, have you not?—'New Rome,' I believe—and you have come to defend this book which has been denounced to the Congregation of the Index. For my own part I have not yet read it. You will understand that I cannot read everything. I only see the works that are sent to me by the Congregation which I have belonged to since last year; and, besides, I often content myself with the reports which my secretary draws up for me. However, my niece Benedetta has read your book, and has told me that it is not lacking in interest. It first astonished her somewhat, and then greatly moved her. So I promise you that I will go through it and study the incriminated passages with the greatest care."
Pierre profited by the opportunity to begin pleading his cause. And it occurred to him that it would be best to give his references at once. "Your Eminence will realise how stupefied I was when I learnt that proceedings were being taken against my book," he said. "Monsieur le Vicomte Philibert de la Choue, who is good enough to show me some friendship, does not cease repeating that such a book is worth the best of armies to the Holy See."
"Oh! De la Choue, De la Choue!" repeated the Cardinal with a pout of good-natured disdain. "I know that De la Choue considers himself a good Catholic. He is in a slight degree our relative, as you know. And when he comes to Rome and stays here, I willingly see him, on condition however that no mention is made of certain subjects on which it would be impossible for us to agree. To tell the truth, the Catholicism preached by De la Choue—worthy, clever man though he is—his Catholicism, I say, with his corporations, his working-class clubs, his cleansed democracy and his vague socialism, is after all merely so much literature!"
This pronouncement struck Pierre, for he realised all the disdainful irony contained in it—an irony which touched himself. And so he hastened to name his other reference, whose authority he imagined to be above discussion: "His Eminence Cardinal Bergerot has been kind enough to signify his full approval of my book."
At this Boccanera's face suddenly changed. It no longer wore an expression of derisive blame, tinged with the pity that is prompted by a child's ill-considered action fated to certain failure. A flash of anger now lighted up the Cardinal's dark eyes, and a pugnacious impulse hardened his entire countenance. "In France," he slowly resumed, "Cardinal Bergerot no doubt has a reputation for great piety. We know little of him in Rome. Personally, I have only seen him once, when he came to receive his hat. And I would not therefore allow myself to judge him if his writings and actions had not recently saddened my believing soul. Unhappily, I am not the only one; you will find nobody here, of the Sacred College, who approves of his doings." Boccanera paused, then in a firm voice concluded: "Cardinal Bergerot is a Revolutionary!"
This time Pierre's surprise for a moment forced him to silence. A Revolutionary—good heavens! a Revolutionary—that gentle pastor of souls, whose charity was inexhaustible, whose one dream was that Jesus might return to earth to ensure at last the reign of peace and justice! So words did not have the same signification in all places; into what religion had he now tumbled that the faith of the poor and the humble should be looked upon as a mere insurrectional, condemnable passion? As yet unable to understand things aright, Pierre nevertheless realised that discussion would be both discourteous and futile, and his only remaining desire was to give an account of his book, explain and vindicate it. But at his first words the Cardinal interposed.
"No, no, my dear son. It would take us too long and I wish to read the passages. Besides, there is an absolute rule. All books which meddle with the faith are condemnable and pernicious. Does your book show perfect respect for dogma?"
"I believe so, and I assure your Eminence that I have had no intention of writing a work of negation."
"Good: I may be on your side if that is true. Only, in the contrary case, I have but one course to advise you, which is to withdraw your work, condemn it, and destroy it without waiting until a decision of the Index compels you to do so. Whosoever has given birth to scandal must stifle it and expiate it, even if he have to cut into his own flesh. The only duties of a priest are humility and obedience, the complete annihilation of self before the sovereign will of the Church. And, besides, why write at all? For there is already rebellion in expressing an opinion of one's own. It is always the temptation of the devil which puts a pen in an author's hand. Why, then, incur the risk of being for ever damned by yielding to the pride of intelligence and domination? Your book again, my dear son—your book is literature, literature!"
This expression again repeated was instinct with so much contempt that Pierre realised all the wretchedness that would fall upon the poor pages of his apostolate on meeting the eyes of this prince who had become a saintly man. With increasing fear and admiration he listened to him, and beheld him growing greater and greater.
"Ah! faith, my dear son, everything is in faith—perfect, disinterested faith—which believes for the sole happiness of believing! How restful it is to bow down before the mysteries without seeking to penetrate them, full of the tranquil conviction that, in accepting them, one possesses both the certain and the final! Is not the highest intellectual satisfaction that which is derived from the victory of the divine over the mind, which it disciplines, and contents so completely that it knows desire no more? And apart from that perfect equilibrium, that explanation of the unknown by the divine, no durable peace is possible for man. If one desires that truth and justice should reign upon earth, it is in God that one must place them. He that does not believe is like a battlefield, the scene of every disaster. Faith alone can tranquillise and deliver."
For an instant Pierre remained silent before the great figure rising up in front of him. At Lourdes he had only seen suffering humanity rushing thither for health of the body and consolation of the soul; but here was the intellectual believer, the mind that needs certainty, finding satisfaction, tasting the supreme enjoyment of doubting no more. He had never previously heard such a cry of joy at living in obedience without anxiety as to the morrow of death. He knew that Boccanera's youth had been somewhat stormy, traversed by acute attacks of sensuality, a flaring of the red blood of his ancestors; and he marvelled at the calm majesty which faith had at last implanted in this descendant of so violent a race, who had no passion remaining in him but that of pride.
"And yet," Pierre at last ventured to say in a timid, gentle voice, "if faith remains essential and immutable, forms change. From hour to hour evolution goes on in all things—the world changes."
"That is not true!" exclaimed the Cardinal, "the world does not change. It continually tramps over the same ground, loses itself, strays into the most abominable courses, and it continually has to be brought back into the right path. That is the truth. In order that the promises of Christ may be fulfilled, is it not necessary that the world should return to its starting point, its original innocence? Is not the end of time fixed for the day when men shall be in possession of the full truth of the Gospel? Yes, truth is in the past, and it is always to the past that one must cling if one would avoid the pitfalls which evil imaginations create. All those fine novelties, those mirages of that famous so-called progress, are simply traps and snares of the eternal tempter, causes of perdition and death. Why seek any further, why constantly incur the risk of error, when for eighteen hundred years the truth has been known? Truth! why it is in Apostolic and Roman Catholicism as created by a long succession of generations! What madness to desire to change it when so many lofty minds, so many pious souls have made of it the most admirable of monuments, the one instrument of order in this world, and of salvation in the next!"
Pierre, whose heart had contracted, refrained from further protest, for he could no longer doubt that he had before him an implacable adversary of his most cherished ideas. Chilled by a covert fear, as though he felt a faint breath, as of a distant wind from a land of ruins, pass over his face, bringing with it the mortal cold of a sepulchre, he bowed respectfully whilst the Cardinal, rising to his full height, continued in his obstinate voice, resonant with proud courage: "And if Catholicism, as its enemies pretend, be really stricken unto death, it must die standing and in all its glorious integrality. You hear me, Monsieur l'Abbe—not one concession, not one surrender, not a single act of cowardice! Catholicism is such as it is, and cannot be otherwise. No modification of the divine certainty, the entire truth, is possible. The removal of the smallest stone from the edifice could only prove a cause of instability. Is this not evident? You cannot save old houses by attacking them with the pickaxe under pretence of decorating them. You only enlarge the fissures. Even if it were true that Rome were on the eve of falling into dust, the only result of all the repairing and patching would be to hasten the catastrophe. And instead of a noble death, met unflinchingly, we should then behold the basest of agonies, the death throes of a coward who struggles and begs for mercy! For my part I wait. I am convinced that all that people say is but so much horrible falsehood, that Catholicism has never been firmer, that it imbibes eternity from the one and only source of life. But should the heavens indeed fall, on that day I should be here, amidst these old and crumbling walls, under these old ceilings whose beams are being devoured by the worms, and it is here, erect, among the ruins, that I should meet my end, repeating my /credo/ for the last time."
His final words fell more slowly, full of haughty sadness, whilst with a sweeping gesture he waved his arms towards the old, silent, deserted palace around him, whence life was withdrawing day by day. Had an involuntary presentiment come to him, did the faint cold breath from the ruins also fan his own cheeks? All the neglect into which the vast rooms had fallen was explained by his words; and a superb, despondent grandeur enveloped this prince and cardinal, this uncompromising Catholic who, withdrawing into the dim half-light of the past, braved with a soldier's heart the inevitable downfall of the olden world.
Deeply impressed, Pierre was about to take his leave when, to his surprise, a little door opened in the hangings. "What is it? Can't I be left in peace for a moment?" exclaimed Boccanera with sudden impatience.
Nevertheless, Abbe Paparelli, fat and sleek, glided into the room without the faintest sign of emotion. And he whispered a few words in the ear of the Cardinal, who, on seeing him, had become calm again. "What curate?" asked Boccanera. "Oh! yes, Santobono, the curate of Frascati. I know—tell him I cannot see him just now."
Paparelli, however, again began whispering in his soft voice, though not in so low a key as previously, for some of his words could be overheard. The affair was urgent, the curate was compelled to return home, and had only a word or two to say. And then, without awaiting consent, the train-bearer ushered in the visitor, a /protege/ of his, whom he had left just outside the little door. And for his own part he withdrew with the tranquillity of a retainer who, whatever the modesty of his office, knows himself to be all powerful.
Pierre, who was momentarily forgotten, looked at the visitor—a big fellow of a priest, the son of a peasant evidently, and still near to the soil. He had an ungainly, bony figure, huge feet and knotted hands, with a seamy tanned face lighted by extremely keen black eyes. Five and forty and still robust, his chin and cheeks bristling, and his cassock, overlarge, hanging loosely about his big projecting bones, he suggested a bandit in disguise. Still there was nothing base about him; the expression of his face was proud. And in one hand he carried a small wicker basket carefully covered over with fig-leaves.
Santobono at once bent his knees and kissed the Cardinal's ring, but with hasty unconcern, as though only some ordinary piece of civility were in question. Then, with that commingling of respect and familiarity which the little ones of the world often evince towards the great, he said, "I beg your most reverend Eminence's forgiveness for having insisted. But there were people waiting, and I should not have been received if my old friend Paparelli had not brought me by way of that door. Oh! I have a very great service to ask of your Eminence, a real service of the heart. But first of all may I be allowed to offer your Eminence a little present?"
The Cardinal listened with a grave expression. He had been well acquainted with Santobono in the years when he had spent the summer at Frascati, at a princely residence which the Boccaneras had possessed there—a villa rebuilt in the seventeenth century, surrounded by a wonderful park, whose famous terrace overlooked the Campagna, stretching far and bare like the sea. This villa, however, had since been sold, and on some vineyards, which had fallen to Benedetta's share, Count Prada, prior to the divorce proceedings, had begun to erect quite a district of little pleasure houses. In former times, when walking out, the Cardinal had condescended to enter and rest in the dwelling of Santobono, who officiated at an antique chapel dedicated to St. Mary of the Fields, without the town. The priest had his home in a half-ruined building adjoining this chapel, and the charm of the place was a walled garden which he cultivated himself with the passion of a true peasant.