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The Three Impostors; or, The Transmutations

Chapter 13: THE DECORATIVE IMAGINATION.
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About This Book

A frame narrative portrays a small circle of urbane, secretive characters whose intrigues and vanishings link a sequence of interwoven tales. Each tale adopts a different mode—detective episode, gothic novella, anecdote of uncanny transmutation—while keeping London streets and domestic interiors as recurring backdrops. Stories juxtapose scientific skepticism with occult suggestion, repeatedly unsettling apparent rational explanations by hinting at physical or psychological metamorphosis. Recurring motifs include deception, imposture, hidden identities, and the porous boundary between ordinary life and macabre wonder. The collection moves between suspenseful mystery and lyrical horror, leaving many events ambiguously explained.

I heard this, and knew by my experience of Professor Gregg's manner that it was no ordinary business or pleasure that impelled him. I knew not, nor even remotely guessed, where he was bound, nor had I the vaguest notion of his errand, but all the fear of the night before returned; and as he stood, smiling, on the terrace, ready to set out, I implored him to stay, and to forget all his dreams of the undiscovered continent.

"No, no, Miss Lally," he replied, still smiling, "it's too late now. Vestigia nulla retrorsum, you know, is the device of all true explorers, though I hope it won't be literally true in my ease. But, indeed, you are wrong to alarm yourself so; I look upon my little expedition as quite commonplace; no more exciting than a day with the geological hammers. There is a risk, of course, but so there is on the commonest excursion. I can afford to be jaunty; I am doing nothing so hazardous as 'Arry does a hundred times over in the course of every Bank Holiday. Well, then, you must look more cheerfully; and so good-by till to-morrow at latest."

He walked briskly up the road, and I saw him open the gate that marks the entrance of the wood, and then he vanished in the gloom of the trees.

All the day passed heavily with a strange darkness in the air, and again I felt as if imprisoned amidst the ancient woods, shut in an olden land of mystery and dread, and as if all was long ago and forgotten by the living outside. I hoped and dreaded, and when the dinner-hour came, I waited expecting to hear the professor's step in the hall, and his voice exulting at I knew not what triumph. I composed my face to welcome him gladly, but the night descended dark, and he did not come.

In the morning when the maid knocked at my door, I called out to her, and asked if her master had returned; and when she replied that his bedroom stood open and empty, I felt the cold clasp of despair. Still, I fancied he might have discovered genial company, and would return for luncheon, or perhaps in the afternoon, and I took the children for a walk in the forest, and tried my best to play and laugh with them, and to shut out the thoughts of mystery and veiled terror. Hour after hour I waited, and my thoughts grew darker; again the night came and found me watching, and at last, as I was making much ado to finish my dinner, I heard steps outside and the sound of a man's voice.

The maid came in and looked oddly at me.

"Please, miss," she began, "Mr. Morgan the gardener wants to speak to you for a minute, if you didn't mind."

"Show him in, please," I answered, and I set my lips tight.

The old man came slowly into the room, and the servant shut the door behind him.

"Sit down, Mr. Morgan," I said; "what is it that you want to say to me?"

"Well, miss, Mr. Gregg he gave me something for you yesterday morning, just before he went off; and he told me particular not to hand it up before eight o'clock this evening exactly, if so be as he wasn't back again home before, and if he should come home before I was just to return it to him in his own hands. So, you see, as Mr. Gregg isn't here yet, I suppose I'd better give you the parcel directly."

He pulled out something from his pocket, and gave it to me, half rising. I took it silently, and seeing that Morgan seemed doubtful as to what he was to do next, I thanked him and bade him good-night, and he went out. I was left alone in the room with the parcel in my hand,—a paper parcel neatly sealed and directed to me, with the instructions Morgan had quoted all written in the professor's large loose hand. I broke the seals with a choking at my heart, and found an envelope inside, addressed also, but open, and I took the letter out.


"MY DEAR MISS LALLY," it began, "To quote the old logic manual, the case of your reading this note is a case of my having made a blunder of some sort, and, I am afraid, a blunder that turns these lines into a farewell. It is practically certain that neither you nor anyone else will ever see me again. I have made my will with provision for this eventuality, and I hope you will consent to accept the small remembrance addressed to you, and my sincere thanks for the way in which you joined your fortunes to mine. The fate which has come upon me is desperate and terrible beyond the remotest dreams of man; but this fate you have a right to know—if you please. If you look in the left-hand drawer of my dressing-table, you will find the key of the escritoire, properly labelled. In the well of the escritoire is a large envelope sealed and addressed to your name. I advise you to throw it forthwith into the fire; you will sleep better of nights if you do so. But if you must know the history of what has happened, it is all written down for you to read."


The signature was firmly written below, and again I turned the page and read out the words one by one, aghast and white to the lips, my hands cold as ice, and sickness choking me. The dead silence of the room, and the thought of the dark woods and hills closing me in on every side, oppressed me, helpless and without capacity, and not knowing where to turn for counsel. At last I resolved that though knowledge should haunt my whole life and all the days to come, I must know the meaning of the strange terrors that had so long tormented me, rising gray, dim, and awful, like the shadows in the wood at dusk. I carefully carried out Professor Gregg's directions, and not without reluctance broke the seal of the envelope, and spread out his manuscript before me. That manuscript I always carry with me, and I see that I cannot deny your unspoken request to read it. This, then, was what I read that night, sitting at the desk, with a shaded lamp beside me.

The young lady who called herself Miss Lally then proceeded to recite:—


The Statement of William Gregg, F.R.S., etc.

It is many years since the first glimmer of the theory which is now almost, if not quite, reduced to fact dawned first on my mind. A somewhat extensive course of miscellaneous and obsolete reading had done a good deal to prepare the way, and, later, when I became somewhat of a specialist and immersed myself in the studies known as ethnological, I was now and then startled by facts that would not square with orthodox scientific opinion, and by discoveries that seemed to hint at something still hidden for all our research. More particularly I became convinced that much of the folk-lore of the world is but an exaggerated account of events that really happened, and I was especially drawn to consider the stories of the fairies, the good folk of the Celtic races. Here I thought I could detect the fringe of embroidery and exaggeration, the fantastic guise, the little people dressed in green and gold sporting in the flowers, and I thought I saw a distinct analogy between the name given to this race (supposed to be imaginary) and the description of their appearance and manners. Just as our remote ancestors called the dreaded beings "fair" and "good" precisely because they dreaded them, so they had dressed them up in charming forms, knowing the truth to be the very reverse. Literature, too, had gone early to work, and had lent a powerful hand in the transformation, so that the playful elves of Shakespeare are already far removed from the true original, and the real horror is disguised in a form of prankish mischief. But in the older tales, the stories that used to make men cross themselves as they sat round the burning logs, we tread a different stage; I saw a widely opposed spirit in certain histories of children and of men and women who vanished strangely from the earth. They would be seen by a peasant in the fields walking towards some green and rounded hillock, and seen no more on earth; and there are stories of mothers who have left a child quietly sleeping with the cottage door rudely barred with a piece of wood, and have returned, not to find the plump and rosy little Saxon, but a thin and wizened creature, with sallow skin and black piercing eyes, the child of another race. Then, again, there were myths darker still; the dread of witch and wizard, the lurid evil of the Sabbath, and the hint of demons who mingled with the daughters of men. And just as we have turned the terrible "fair folk" into a company of benignant, if freakish, elves, so we have hidden from us the black foulness of the witch and her companions under a popular diablerie of old women and broomsticks and a comic cat with tail on end. So the Greeks called the hideous furies benevolent ladies, and thus the northern nations have followed their example. I pursued my investigations, stealing odd hours from other and more imperative labors, and I asked myself the question: Supposing these traditions to be true, who were the demons who are reported to have attended the Sabbaths? I need not say that I laid aside what I may call the supernatural hypothesis of the middle ages, and came to the conclusion that fairies and devils were of one and the same race and origin; invention, no doubt, and the Gothic fancy of old days had done much in the way of exaggeration and distortion; yet I firmly believed that beneath all this imagery there was a black background of truth. As for some of the alleged wonders, I hesitated. While I should be very loth to receive any one specific instance of modern spiritualism as containing even a grain of the genuine, yet I was not wholly prepared to deny that human flesh may now and then, once perhaps in ten million cases, be the veil of powers which seem magical to us; powers which, so far from proceeding from the heights and leading men thither, are in reality survivals from the depths of being. The amœba and the snail have powers which we do not possess; and I thought it possible that the theory of reversion might explain many things which seem wholly inexplicable. Thus stood my position; I saw good reason to believe that much of the tradition, a vast deal of the earliest and uncorrupted tradition of the so-called fairies, represented solid fact, and I thought that the purely supernatural element in these traditions, was to be accounted for on the hypothesis that a race which had fallen out of the grand march of evolution might have retained, as a survival, certain powers which would be to us wholly miraculous. Such was my theory as it stood conceived in my mind; and working with, this in view, I seemed to gather confirmation from every side, from the spoils of a tumulus or a barrow, from a local paper reporting an antiquarian meeting in the country, and from general literature of all kinds. Amongst other instances, I remember being struck by the phrase "articulate-speaking men" in Homer, as if the writer knew or had heard of men whose speech was so rude that it could hardly be termed articulate; and on my hypothesis of a race who had lagged far behind the rest, I could easily conceive that such a folk would speak a jargon but little removed from the inarticulate noises of brute-beasts.

Thus I stood, satisfied that my conjecture was at all events not far removed from fact, when a chance paragraph in a small country print one day arrested my attention. It was a short account of what was to all appearance the usual sordid tragedy of the village; a young girl unaccountably missing, and evil rumor blatant and busy with her reputation. Yet I could read between the lines that all this scandal was purely hypothetical, and in all probability invented to account for what was in any other manner unaccountable. A flight to London or Liverpool, or an undiscovered body lying with a weight about its neck in the foul depths of a woodland pool, of perhaps murder,—such were the theories of the wretched girl's neighbors. But as I idly scanned the paragraph, a flash of thought passed through me with the violence of an electric shock: What if the obscure and horrible race of the hills still survived, still remained haunting wild places, and barren hills, and now and then repeating the evil of Gothic legend, unchanged and unchangeable as the Turanian Shelta, or the Basques of Spain. I have said that the thought came with violence; and indeed I drew in my breath sharply, and clung with both hands to my elbow-chair, in a strange confusion of horror and elation. It was as if one of my confrères of physical science, roaming in a quiet English wood, had been suddenly stricken aghast by the presence of the slimy and loathsome terror of the ichthyosaurus, the original of the stories of the awful worms killed by valorous knights, or had seen the sun darkened by the pterodactyl, the dragon of tradition. Yet as a resolute explorer of knowledge, the thought of such a discovery threw me into a passion of joy, and I cut out the slip from the paper, and put it in a drawer in my old bureau, resolved that it should be but the first piece in a collection of the strangest significance. I sat long that evening dreaming of the conclusions I should establish, nor did cooler reflection at first dash my confidence. Yet as I began to put the case fairly, I saw that I might be building on an unstable foundation; the facts might possibly be in accordance with local opinion; and I regarded the affair with a mood of some reserve. Yet I resolved to remain perched on the look-out, and I hugged to myself the thought that I alone was watching and wakeful, while the great crowd of thinkers and searchers stood heedless and indifferent, perhaps letting the most prerogative facts pass by unnoticed.

Several years elapsed before I was enabled to add to the contents of the drawer; and the second find was in reality not a valuable one, for it was a mere repetition of the first, with only the variation of another and distant locality. Yet I gained something; for in the second case, as in the first, the tragedy took place in a desolate and lonely country, and so far my theory seemed justified. But the third piece was to me far more decisive. Again, amongst outland hills, far even from a main road of traffic, an old man was found done to death, and the instrument of execution was left beside him. Here, indeed, there was rumor and conjecture, for the deadly tool was a primitive stone axe, bound by gut to the wooden handle, and surmises the most extravagant and improbable were indulged in. Yet, as I thought with a kind of glee, the wildest conjectures went far astray; and I took the pains to enter into correspondence with the local doctor, who was called at the inquest. He, a man of some acuteness, was dumfoundered. "It will not do to speak of these things in country places, he wrote to me; but, frankly, Professor Gregg, there is some hideous mystery here. I have obtained possession of the stone axe, and have been so curious as to test its powers. I took it into the back-garden of my house one Sunday afternoon when my family and the servants were all out, and there, sheltered by the poplar hedges, I made my experiments. I found the thing utterly unmanageable. Whether there is some peculiar balance, some nice adjustment of weights, which require incessant practice, or whether an effectual blow can be struck only by a certain trick of the muscles, I do not know; but I assure you that I went into the house with but a sorry opinion of my athletic capacities. It was like an inexperienced man trying 'putting the hammer;' the force exerted seemed to return on oneself, and I found myself hurled backwards with violence, while the axe fell harmless to the ground. On another occasion I tried the experiment with a clever woodman of the place; but this man, who had handled his axe for forty years, could do nothing with the stone implement, and missed every stroke most ludicrously. In short, if it were not so supremely absurd, I should say that for four thousand years no one on earth could have struck an effective blow with the tool that undoubtedly was used to murder the old man." This, as may be imagined, was to me rare news; and afterwards, when I heard the whole story, and learned that the unfortunate old man had babbled tales of what might be seen at night on a certain wild hillside, hinting at unheard-of wonders, and that he had been found cold one morning on the very hill in question, my exultation was extreme, for I felt I was leaving conjecture far behind me. But the next step was of still greater importance. I had possessed for many years an extraordinary stone seal,—a piece of dull black stone, two inches long from the handle to the stamp, and the stamping end a rough hexagon an inch and a quarter in diameter. Altogether, it presented the appearance of an enlarged tobacco-stopper of an old-fashioned make. It had been sent to me by an agent in the East, who informed me that it had been found near the site of the ancient Babylon. But the characters engraved on the seal were to me an intolerable puzzle. Somewhat of the cuneiform pattern, there were yet striking differences, which I detected at the first glance, and all efforts to read the inscription on the hypothesis that the rules for deciphering the arrow-headed writing would apply proved futile. A riddle such as this stung my pride, and at odd moments I would take the Black Seal out of the cabinet, and scrutinize it with so much idle perseverance that every letter was familiar to my mind, and I could have drawn the inscription from memory without the slightest error. Judge then of my surprise, when I one day received from a correspondent in the west of England a letter and an enclosure that positively left me thunderstruck. I saw carefully traced on a large piece of paper the very characters of the Black Seal, without alteration of any kind, and above the inscription my friend had written: Inscription found on a limestone rock on the Gray Hills, Monmouthshire. Done in some red earth and quite recent. I turned to the letter. My friend wrote: "I send you the enclosed inscription with all due reserve. A shepherd who passed by the stone a week ago swears that there was then no mark of any kind. The characters, as I have noted, are formed by drawing some red earth over the stone, and are of an average height of one inch. They look to me like a kind of cuneiform character, a good deal altered, but this of course is impossible. It may be either a hoax or more probably some scribble of the gypsies, who are plentiful enough in this wild country. They have, as you are aware, many hieroglyphics which they use in communicating with one another. I happened to visit the stone in question two days ago in connection with a rather painful incident which has occurred here."

As may be supposed, I wrote immediately to my friend, thanking him for the copy of the inscription, and asking him in a casual manner, the history of the incident he mentioned. To be brief, I heard that a woman named Cradock, who had lost her husband a day before, had set out to communicate the sad news to a cousin who lived some five miles away. She took a short cut which led by the Gray Hills. Mrs. Cradock, who was then quite a young woman, never arrived at her relative's house. Late that night a farmer who had lost a couple of sheep, supposed to have wandered from the flock, was walking over the Gray Hills, with a lantern and his dog. His attention was attracted by a noise, which he described as a kind of wailing, mournful and pitiable to hear; and, guided by the sound, he found the unfortunate Mrs. Cradock crouched on the ground by the limestone rock, swaying her body to and fro, and lamenting and crying in so heart-rending a manner that the farmer was, as he says, at first obliged to stop his ears, or he would have run away. The woman allowed herself to be taken home, and a neighbor came to see to her necessities. All the night she never ceased her crying, mixing her lament with words of some unintelligible jargon, and when the doctor arrived he pronounced her insane. She lay on her bed for a week, now wailing, as people said, like one lost and damned for eternity, and now sunk in a heavy coma; it was thought that grief at the loss of her husband had unsettled her mind, and the medical man did not at one time expect her to live. I need not say that I was deeply interested in this story, and I made my friend write to me at intervals with all the particulars of the case. I heard then that in the course of six weeks the woman gradually recovered the use of her faculties and some months later she gave birth to a son, christened Jervase, who unhappily proved to be of weak intellect. Such were the facts known to the village; but to me while I whitened at the suggested thought of the hideous enormities that had doubtless been committed, all this was nothing short of conviction, and I incautiously hazarded a hint of something like the truth to some scientific friends. The moment the words had left my lips I bitterly regretted having spoken, and thus given away the great secret of my life, but with a good deal of relief mixed with indignation, I found my fears altogether misplaced, for my friends ridiculed me to my face, and I was regarded as a madman; and beneath a natural anger I chuckled to myself, feeling as secure amidst these blockheads, as if I had confided what I knew to the desert sands.

But now, knowing so much, I resolved I would know all, and I concentrated my efforts on the task of deciphering the inscription on the Black Seal. For many years I made this puzzle the sole object of my leisure moments; for the greater portion of my time was, of course, devoted to other duties, and it was only now and then that I could snatch a week of clear research. If I were to tell the full history of this curious investigation, this statement would be wearisome in the extreme, for it would contain simply the account of long and tedious failure. By what I knew already of ancient scripts I was well-equipped for the chase, as I always termed it to myself. I had correspondents amongst all the scientific men in Europe, and, indeed, in the world, and I could not believe that in these days any character, however ancient and however perplexed, could long resist the search-light I should bring to bear upon it. Yet, in point of fact, it was fully fourteen years before I succeeded. With every year my professional duties increased, and my leisure became smaller. This no doubt retarded me a good deal; and yet, when I look back on those years I am astonished at the vast scope of my investigation of the Black Seal. I made my bureau a centre, and from all the world and from all the ages I gathered transcripts of ancient writing. Nothing, I resolved, should pass me unawares, and the faintest hint should be welcomed and followed up. But as one covert after another was tried and proved empty of result, I began in the course of years to despair, and to wonder whether the Black Seal were the sole relic of some race that had vanished from the world and left no other trace of its existence,—had perished, in fine, as Atlantis is said to have done, in some great cataclysm, its secrets perhaps drowned beneath the ocean or moulded into the heart of the hills. The thought chilled my warmth a little, and though I still persevered, it was no longer with the same certainty of faith. A chance came to the rescue. I was staying in a considerable town in the north of England, and took the opportunity of going over the very creditable museum that had for some time been established in the place. The curator was one of my correspondents; and, as we were looking through one of the mineral cases, my attention was struck by a specimen, a piece of black stone some four inches square, the appearance of which reminded me in a measure of the Black Seal. I took it up carelessly, and was turning it over in my hand, when I saw, to my astonishment, that the under side was inscribed. I said, quietly enough, to my friend the curator that the specimen interested me, and that I should be much obliged if he would allow me to take it with me to my hotel for a couple of days. He, of course, made no objection, and I hurried to my rooms, and found that my first glance had not deceived me. There were two inscriptions; one in the regular cuneiform character, another in the character of the Black Seal, and I realized that my task was accomplished. I made an exact copy of the two inscriptions; and when I got to my London study, and had the Seal before me, I was able seriously to grapple with the great problem. The interpreting inscription on the museum specimen, though in itself curious enough, did not bear on my quest, but the transliteration made me master of the secret of the Black Seal. Conjecture, of course, had to enter into my calculations; there was here and there uncertainty about a particular ideograph, and one sign recurring again and again on the Seal baffled me for many successive nights. But at last the secret stood open before me in plain English, and I read the key of the awful transmutation of the hills. The last word was hardly written, when with fingers all trembling and unsteady I tore the scrap of paper into the minutest fragments, and saw them flame and blacken in the red hollow of the fire, and then I crushed the gray films that remained into finest powder. Never since then have I written those words; never will I write the phrases which tell me how man can be reduced to the slime from which he came, and be forced to put on the flesh of the reptile and the snake. There was now but one thing remaining. I knew; but I desired to see, and I was after some time able to take a house in the neighborhood of the Gray Hills, and not far from the cottage where Mrs. Cradock and her son Jervase resided. I need not go into a full and detailed account of the apparently inexplicable events which have occurred here, where I am writing this. I knew that I should find in Jervase Cradock something of the blood of the "Little People," and I found later that he had more than once encountered his kinsmen in lonely places in that lonely land. When I was summoned one day to the garden, and found him in a seizure speaking or hissing the ghastly jargon of the Black Seal, I am afraid that exultation prevailed over pity. I heard bursting from his lips the secrets of the underworld, and the word of dread, "Ishakshar," the signification of which I must be excused from giving.

But there is one incident I cannot pass over unnoticed. In the waste hollow of the night I awoke at the sound of those hissing syllables I knew so well; and on going to the wretched boy's room, I found him convulsed and foaming at the mouth, struggling on the bed as if he strove to escape the grasp of writhing demons. I took him down to my room and lit the lamp, while he lay twisting on the floor, calling on the power within his flesh to leave him. I saw his body swell and become distended as a bladder, while the face blackened before my eyes; and then at the crisis I did what was necessary according to the directions on the Seal, and putting all scruple on one side, I became a man of science, observant of what was passing. Yet the sight I had to witness was horrible, almost beyond the power of human conception and the most fearful fantasy; something pushed out from the body there on the floor, and stretched forth, a slimy wavering tentacle, across the room, and grasped the bust upon the cupboard, and laid it down on my desk.

When it was over, and I was left to walk up and down all the rest of the night, white and shuddering, with sweat pouring from my flesh, I vainly tried to reason with myself; I said, truly enough, that I had seen nothing really supernatural, that a snail pushing out his horns and drawing them in was but an instance on a smaller scale of what I had witnessed; and yet horror broke through all such reasonings and left me shattered and loathing myself for the share I had taken in the night's work.

There is little more to be said. I am going now to the final trial and encounter; for I have determined that there shall be nothing wanting, and I shall meet the "Little People" face to face. I shall have the Black Seal and the knowledge of its secrets to help me, and if I unhappily do not return from my journey, there is no need to conjure up here a picture of the awfulness of my fate.

Pausing a little at the end of Professor Gregg's statement, Miss Lally continued her tale in the following words:—

Such was the almost incredible story that the professor had left behind him. When I had finished reading it, it was late at night, but the next morning I took Morgan with me, and we proceeded to search the Gray Hills for some trace of the lost professor. I will not weary you with a description of the savage desolation of that tract of country, a tract of utterest loneliness, of bare green hills dotted over with gray limestone boulders, worn by the ravage of time into fantastic semblances of men and beasts. Finally, after many hours of weary searching, we found what I told you—the watch and chain, the purse, and the ring—wrapped in a piece of coarse parchment. When Morgan cut the gut that bound the parcel together, and I saw the professor's property, I burst into tears, but the sight of the dreaded characters of the Black Seal repeated on the parchment froze me to silent horror, and I think I understood for the first time the awful fate that had come upon my late employer.

I have only to add that Professor Gregg's lawyer treated my account of what had happened as a fairy tale, and refused even to glance at the documents I laid before him. It was he who was responsible for the statement that appeared in the public press, to the effect that Professor Gregg had been drowned, and that his body must have been swept into the open sea.

Miss Lally stopped speaking and looked at Mr. Phillipps, with a glance of some enquiry. He, for his part, was sunken in a deep revery of thought; and when he looked up and saw the bustle of the evening gathering in the square, men and women hurrying to partake of dinner, and crowds already besetting the music-halls, all the hum and press of actual life seemed unreal and visionary, a dream in the morning after an awakening.

"I thank you," he said at last, "for your most interesting story, interesting to me, because I feel fully convinced of its exact truth."

"Sir," said the lady, with some energy of indignation, "you grieve and offend me. Do you think I should waste my time and yours by concocting fictions on a bench in Leicester Square?"

"Pardon me, Miss Lally, you have a little misunderstood me. Before you began I knew that whatever you told would be told in good faith, but your experiences have a far higher value than that of bona fides. The most extraordinary circumstances in your account are in perfect harmony with the very latest scientific theories. Professor Lodge would, I am sure, value a communication from you extremely; I was charmed from the first by his daring hypothesis in explanation of the wonders of Spiritualism (so called), but your narrative puts the whole matter out of the range of mere hypothesis."

"Alas, sir, all this will not help me. You forget, I have lost my brother under the most startling and dreadful circumstances. Again, I ask you, did you not see him as you came here? His black whiskers, his spectacles, his timid glance to right and left; think, do not these particulars recall his face to your memory?"

"I am sorry to say I have never seen any one of the kind," said Phillipps, who had forgotten all about the missing brother. "But let me ask you a few questions. Did you notice whether Professor Gregg—"

"Pardon me, sir, I have stayed too long. My employers will be expecting me. I thank you for your sympathy. Good bye."

Before Mr. Phillipps had recovered from his amazement at this abrupt departure, Miss Lally had disappeared from his gaze, passing into the crowd that now thronged the approaches to the Empire. He walked home in a pensive frame of mind, and drank too much tea. At ten o'clock he had made his third brew, and had sketched out the outlines of a little work to be called Protoplasmic Reversion.


INCIDENT OF THE PRIVATE BAR.

Mr. Dyson often meditated at odd moments over the singular tale he had listened to at the Café de la Touraine. In the first place he cherished a profound conviction that the words of truth were scattered with a too niggardly and sparing hand over the agreeable history of Mr. Smith and the Black Gulf Cañon; and, secondly, there was the undeniable fact of the profound agitation of the narrator, and his gestures on the pavement, too violent to be simulated. The idea of a man going about London haunted by the fear of meeting a young man with spectacles struck Dyson as supremely ridiculous; he searched his memory for some precedent in romance, but without success; he paid visits at odd times to the little café, hoping to find Mr. Wilkins there; and he kept a sharp watch on the great generation of the spectacled men without much doubt that he would remember the face of the individual whom he had seen dart out of the Aerated Bread Shop. All his peregrinations and researches, however, seemed to lead to nothing of value, and Dyson needed all his warm conviction of his innate detective powers and his strong scent for mystery to sustain him in his endeavors. In fact, he had two affairs on hand; and every day, as he passed through streets crowded or deserted, and lurked in the obscure districts, and watched at corners, he was more than surprised to find that the affair of the gold coin persistently avoided him; while the ingenious Wilkins, and the young man with spectacles whom he dreaded, seemed to have vanished from the pavements.

He was pondering these problems one evening in a house of call in the Strand, and the obstinacy with which the persons he so ardently desired to meet hung back gave the modest tankard before him an additional touch of bitter. As it happened, he was alone in his compartment, and, without thinking, he uttered aloud the burden of his meditations. "How bizarre it all is!" he said, "a man walking the pavement with the dread of a timid-looking young man with spectacles continually hovering before his eyes. And there was some tremendous feeling at work, I could swear to that." Quick as thought, before he had finished the sentence, a head popped round the barrier, and was withdrawn again; and while Dyson was wondering what this could mean, the door of the compartment was swung open, and a smooth, clean-shaven, and smiling gentleman entered.

"You will excuse me, sir," he said politely, "for intruding on your thoughts, but you made a remark a minute ago."

"I did," said Dyson; "I have been puzzling over a foolish matter, and I thought aloud. As you heard what I said, and seem interested, perhaps you may be able to relieve my perplexity?"

"Indeed. I scarcely know; it is an odd coincidence. One has to be cautions. I suppose, sir, that you would have no repulsion in assisting the ends of justice."

"Justice," replied Dyson, "is a term of such wide meaning, that I too feel doubtful about giving an answer. But this place is not altogether fit for such a discussion; perhaps you would come to my rooms?"

"You are very kind; my name is Burton, but I am sorry to say I have not a card with me. Do you live near here?"

"Within ten minutes' walk."

Mr. Burton took out his watch and seemed to be making a rapid calculation.

"I have a train to catch," he said; "but after all, it is a late one. So, if you don't mind, I think I will come with you. I am sure we should have a little talk together. We turn up here?"

The theatres were filling as they crossed the Strand, the street seemed alive with voices, and Dyson looked fondly about him. The glittering lines of gas-lamps, with here and there the blinding radiance of an electric light, the hansoms that flashed to and fro with ringing bells, the laden buses, and the eager hurrying east and west of the foot passengers, made his most enchanting picture; and the graceful spire of St. Mary le Strand, on the one hand, and the last flush of sunset on the other, were to him a cause of thanksgiving, as the gorse blossom to Linnæus. Mr. Burton caught his look of fondness as they crossed the street.

"I see you can find the picturesque in London," he said. "To me this great town is as I see it is to you, the study and the love of life. Yet how few there are that can pierce the veils of apparent monotony and meanness! I have read in a paper which is said to have the largest circulation in the world, a comparison between the aspects of London and Paris, a comparison which should be positively laureat, as the great masterpiece of fatuous stupidity. Conceive if you can a human being of ordinary intelligence preferring the Boulevards to our London streets; imagine a man calling for the wholesale destruction of our most charming city, in order that the dull uniformity of that whited sepulchre called Paris should be reproduced here in London. Is it not positively incredible?"

"My dear sir," said Dyson, regarding Burton with a good deal of interest. "I agree most heartily with your opinions, but I really cannot share your wonder. Have you heard how much George Eliot received for 'Romola'? Do you know what the circulation of 'Robert Elsmere' was? Do you read 'Tit Bits' regularly? To me, on the contrary, it is constant matter both for wonder and thanksgiving that London was not boulevardized twenty years ago. I praise that exquisite jagged sky line that stands up against the pale greens and fading blues and flushing clouds of sunset, but I wonder even more than I praise. As for St. Mary le Strand, its preservation is a miracle, nothing more or less. A thing of exquisite beauty versus four buses abreast! Really, the conclusion is too obvious. Didn't you read the letter of the man who proposed that the whole mysterious system, the immemorial plan of computing Easter, should, be abolished off-hand because he doesn't like his son having his holidays as early as March 20th? But shall we be going on?"

They had lingered at the corner of a street on the north side of the Strand, enjoying the contrasts and the glamour of the scene. Dyson pointed the way with a gesture, and they strolled up the comparatively deserted streets, slanting a little to the right, and thus arriving at Dyson's lodging on the verge of Bloomsbury. Mr. Burton took a comfortable armchair by the open window, while Dyson lit the candles and produced the whiskey and soda and cigarettes.

"They tell me these cigarettes are very good," he said, "but I know nothing about it myself. I hold at last that there is only one tobacco, and that is shag. I suppose I could not tempt you to try a pipeful?"

Mr. Burton smilingly refused the offer, and picked out a cigarette from the box. When he had smoked it half through, he said with some hesitation:—

"It is really kind of you to have me here, Mr. Dyson; the fact is that the interests at issue are far too serious to be discussed in a bar, where, as you found for yourself, there may be listeners, voluntary or involuntary, on each side. I think the remark I heard you make was something about the oddity of an individual going about London in deadly fear of a young man with spectacles."

"Yes, that was it."

"Well, would you mind confiding to me the circumstances that gave rise to the reflection?"

"Not in the least; it was like this." And he ran over in brief outline the adventure in Oxford Street, dwelling on the violence of Mr. Wilkins's gestures, but wholly suppressing the tale told in the café. "He told me he lived in constant terror of meeting this man; and I left him when I thought he was cool enough to look after himself," said Dyson, ending his narrative.

"Really," said Mr. Burton. "And you actually saw this mysterious person."

"Yes."

"And could you describe him?"

"Well, he looked to me a youngish man, pale and nervous. He had small black side whiskers, and wore rather large spectacles."

"But this is simply marvellous! You astonish me. For I must tell you that my interest in the matter is this. I am not in the least in terror of meeting a dark young man with spectacles, but I shrewdly suspect a person of that description would much rather not meet me. And yet the account you give of the man tallies exactly. A nervous glance to right and left—is it not so? And, as you observed, he wears prominent spectacles, and has small black whiskers. There cannot be surely two people exactly identical—one a cause of terror, and the other, I should imagine, extremely anxious to get out of the way. But have you seen this man since?"

"No, I have not; and I have been looking out for him pretty keenly. But, of course, he may have left London, and England too for the matter of that."

Hardly, I think. Well, Mr. Dyson, it is only fair that I should explain my story, now that I have listened, to yours. I must tell you, then, that I am an agent for curiosities and precious things of all kinds. An odd employment, isn't it? Of course I wasn't brought up to the business; I gradually fell into it. I have always been fond of things queer and rare, and by the time I was twenty I had made half a dozen collections. It is not generally known how often farm laborers come upon rarities; you would be astonished if I told you what I have seen turned up by the plough. I lived in the country in those days, and I used to buy anything the men on the farms brought me; and I had the queerest set of rubbish, as my friends called my collection. But that's how I got the scent of the business, which means everything; and, later on, it struck me that I might very well turn my knowledge to account and add to my income. Since those early days I have been in most quarters of the world, and some very valuable things have passed through my hands, and I have had to engage in difficult and delicate negotiations. You have possibly heard of the Khan opal—called in the East 'The Stone of a Thousand and One Colors'? Well, perhaps the conquest of that stone was my greatest achievement. I call it myself the stone of the thousand and one lies, for I assure you that I had to invent a cycle of folk-lore before the Rajah who owned it would consent to sell the thing. I subsidized wandering story-tellers, who told tales in which the opal played a frightful part; I hired a holy man, a great ascetic, to prophesy against the thing in the language of Eastern symbolism; in short, I frightened the Rajah out of his wits. So you see there is room for diplomacy in the traffic I am engaged in. I have to be ever on my guard, and I have often been sensible that unless I watched every step and weighed every word my life would not last me much longer. Last April I became aware of the existence of a highly valuable antique gem. It was in Southern Italy, and in the possession of persons who were ignorant of its real value. It has always been my experience that it is precisely the ignorant who are most difficult to deal with. I have met farmers who were under the impression that a shilling of George I. was a find of almost incalculable value; and all the defeats I have sustained have been at the hands of people of this description. Reflecting on these facts, I saw that the acquisition of the gem I have mentioned would be an affair demanding the nicest diplomacy; I might possibly have got it by offering a sum approaching its real value, but I need not point out to you that such a proceeding would be most unbusinesslike. Indeed, I doubt whether it would have been successful, for the cupidity of such persons is aroused by a sum which seems enormous, and the low cunning which serves them in place of intelligence immediately suggests that the object for which such an amount is offered must be worth at least double. Of course, when it is a matter of an ordinary curiosity—an old jug, a carved chest, or a queer brass lantern—one does not much care; the cupidity of the owner defeats its object, the collector laughs, and goes away, for he is aware that such things are by no means unique. But this gem I fervently desired to possess; and as I did not see my way to giving more than a hundredth part of its value, I was conscious that all my, let us say, imaginative and diplomatic powers would have to be exerted. I am sorry to say that I came to the conclusion that I could not undertake to carry the matter through single-handed, and I determined to confide in my assistant, a young man named William Robbins, whom I judged to be by no means devoid of capacity. My idea was that Robbins should get himself up as a low-class dealer in precious stones; he could patter a little Italian, and would go to the town in question and manage to see the gem we were after, possibly by offering some trifling articles of jewelry for sale, but that I left to be decided, then my work was to begin, but I will not trouble you with a tale told twice over. In due course, then, Robbins went off to Italy with an assortment of uncut stones and a few rings, and some jewelry I bought in Birmingham, on purpose for his expedition. A week later I followed him, travelling leisurely, so that I was a fortnight later in arriving at our common destination. There was a decent hotel in the town, and on my inquiring of the landlord whether there were many strangers in the place, he told me very few; he had heard there was an Englishman staying in a small tavern, a pedlar he said, who sold beautiful trinkets very cheaply, and wanted to buy old rubbish. For five or six days I took life leisurely, and I must say I enjoyed myself. It was part of my plan to make the people think I was an enormously rich man; and I knew that such items as the extravagance of my meals, and the price of every bottle of wine I drank, would not be suffered, as Sancho Panza puts it, to rot in the landlord's breast. At the end of the week I was fortunate enough to make the acquaintance of Signor Melini, the owner of the gem I coveted, at the café, and with his ready hospitality and my geniality I was soon established as a friend of the house. On my third or fourth visit I managed to make the Italians talk about the English pedlar, who, they said, spoke a most detestable Italian. 'But that does not matter,' said the Signora Melini, 'for he has beautiful things, which he sells very very cheap.' 'I hope you may not find he has cheated you,' I said, 'for I must tell you that English people give these fellows a very wide berth. They usually make a great parade of the cheapness of their goods, which often turn out to be double the price of better articles in the shops.' They would not hear of this, and Signora Melini insisted on showing me the three rings and the bracelet she had bought of the pedlar. She told me the price she had paid; and after scrutinizing the articles carefully, I had to confess that she had made a bargain, and indeed Robbins had sold her the things at about fifty per cent below market value. I admired the trinkets as I gave them back to the lady, and I hinted that the pedlar must be a somewhat foolish specimen of his class. Two days later, as I was taking my vermouth at the café with Signor Melini, he led the conversation back to the pedlar, and mentioned casually that he had shown the man a little curiosity, for which he had made rather a handsome offer. 'My dear sir,' I said, 'I hope you will be careful. I told you that the travelling tradesman does not bear a very high reputation in England; and notwithstanding his apparent simplicity, this fellow may turn out to be an arrant cheat. May I ask you what is the nature of the curiosity you have shown him?' He told me it was a little thing, a pretty little stone with some figures cut on it: people said it was old. 'I should like to examine it,' I replied; 'as it happens I have seen a good deal of these gems. We have a fine collection of them in our museum at London.' In due course I was shown the article, and I held the gem I so coveted between my fingers. I looked at it coolly, and put it down carelessly on the table. 'Would you mind telling me, signor,' I said, 'how much my fellow-countryman offered you for this?' 'Well,' he said, 'my wife says the man must be mad; he said he would give me twenty lire for it.'

"I looked at him quietly, and took up the gem and pretended to examine it in the light more carefully; I turned it over and over, and finally pulled out a magnifying glass from my pocket, and seemed to search every line in the cutting with minutest scrutiny. 'My dear sir,' I said at last, 'I am inclined to agree with Signora Melini. If this gem were genuine, it would be worth some money; but as it happens to be a rather bad forgery, it is not worth twenty centesimi. It was sophisticated, I should imagine, some time in the last century, and by a very unskilful hand.' 'Then we had better get rid of it,' said Melini. 'I never thought it was worth anything myself. Of course I am sorry for the pedlar, but one must let a man know his own trade. I shall tell him we will take the twenty lire.' 'Excuse me,' I said, 'the man wants a lesson. It would be a charity to give him one. Tell him that you will not take anything under eighty lire, and I shall be much surprised if he does not close with you at once.

"A day or two later I heard that the English pedlar had gone away, after debasing the minds of the country people with Birmingham art jewelry; for I admit that the gold sleeve links like kidney beans, the silver chains made apparently after the pattern of a dog-chain, and the initial brooches, have always been heavy on my conscience. I cannot acquit myself of having indirectly contributed to debauch the taste of a simple folk; but I hope that the end I had in view may finally outbalance this heavy charge. Soon afterwards, I paid a farewell visit at the Melinis, and the signor informed me with an oily chuckle that the plan I had suggested had been completely successful. I congratulated him on his bargain, and went away after expressing a wish that heaven might send many such pedlars in his path.

"Nothing of interest occurred on my return journey. I had arranged that Robbins was to meet me at a certain place on a certain day, and I went to the appointment full of the coolest confidence; the gem had been conquered, and I had only to reap the fruits of victory. I am sorry to shake that trust in our common human nature which I am sure you possess, but I am compelled to tell you that up to the present date I have never set eyes on my man Robbins, or on the antique gem in his custody. I have found out that he actually arrived in London, for he was seen three days before my arrival in England by a pawnbroker of my acquaintance consuming his favorite beverage, four ale, in the tavern where we met to-night. Since then he has not been heard of. I hope you will now pardon my curiosity as to the history and adventures of dark young men with spectacles. You will, I am sure, feel for me in my position; the savor of life has disappeared for me; it is a bitter thought that I have rescued one of the most perfect and exquisite specimens of antique art from the hands of ignorant, and indeed unscrupulous persons, only to deliver it into the keeping of a man who is evidently utterly devoid of the very elements of commercial morality."

"My dear sir," said Dyson, "you will allow me to compliment you on your style; your adventures have interested me exceedingly. But, forgive me, you just now used the word morality; would not some persons take exception to your own methods of business? I can conceive, myself, flaws of a moral kind being found in the very original conception you have described to me. I can imagine the Puritan shrinking in dismay from your scheme, pronouncing it unscrupulous, nay, dishonest."

Mr. Burton helped himself, very frankly, to some more whiskey.

"Your scruples entertain me," he said. "Perhaps you have not gone very deeply into these questions of ethics. I have been compelled to do so myself, just as I was forced to master a simple system of book-keeping. Without book-keeping, and still more without a system of ethics, it is impossible to conduct a business such as mine. But I assure you that I am often profoundly saddened as I pass through the crowded streets and watch the world at work by the thought of how few amongst all these hurrying individuals, black hatted, well dressed, educated we may presume sufficiently,—how few amongst them have any reasoned system of morality. Even you have not weighed the question; although you study life and affairs, and to a certain extent penetrate the veils and masks of the comedy of man, even you judge by empty conventions, and the false money which is allowed to pass current as sterling coin. Allow me to play the part of Socrates; I shall teach you nothing that you do not know. I shall merely lay aside the wrappings of prejudice and bad logic, and show you the real image which you possess in your soul. Come then. Do you allow that happiness is anything?"

"Certainly," said Dyson.

"And happiness is desirable or undesirable?"

"Desirable of course."

"And what shall we call the man who gives happiness? Is he not a philanthropist?"

"I think so."

"And such a person is praiseworthy, and the more praiseworthy in the proportion of the persons whom he makes happy?"

"By all means."

"So that he who makes a whole nation happy, is praiseworthy in the extreme, and the action by which he gives happiness is the highest virtue?"

"It appears so, O Burton," said Dyson, who found something very exquisite in the character of his visitor.

"Quite so; you find the several conclusions inevitable. Well, apply them to the story I have told you. I conferred happiness on myself by obtaining (as I thought) possession of the gem; I conferred happiness on the Melinis by getting them eighty lire instead of an object for which they had not the slightest value, and I intended to confer happiness on the whole British nation by selling the thing to the British Museum, to say nothing of the happiness a profit of about nine thousand per cent would have conferred on me. I assure you I regard Robbins as an interferer with the cosmos and fair order of things. But that is nothing; you perceive that I am an apostle of the very highest morality; you have been forced to yield to argument."

"There certainly seems a great deal in what you advance," said Dyson. "I admit that I am a mere amateur of ethics, while you, as you say, have brought the most acute scrutiny to bear on these perplexed and doubtful questions. I can well understand your anxiety to meet the fallacious Robbins, and I congratulate myself on the chance which has made us acquainted. But you will pardon my seeming inhospitality, I see it is half past eleven, and I think you mentioned a train."

"A thousand thanks, Mr. Dyson, I have just time, I see. I will look you up some evening if I may. Good-night."


THE DECORATIVE IMAGINATION.

In the course of a few weeks Dyson became accustomed, to the constant incursions of the ingenious Mr. Burton, who showed himself ready to drop in at all hours, not averse to refreshment, and a profound guide in the complicated questions of life. His visits at once terrified and delighted Dyson, who could no longer seat himself at his bureau secure from interruption while he embarked on literary undertakings, each one of which was to be a masterpiece. On the other hand, it was a vivid pleasure to be confronted with views so highly original; and if here and there Mr. Burton's reasonings seemed tinged with fallacy, yet Dyson freely yielded to the joy of strangeness, and never failed to give his visitor a frank and hearty welcome. Mr. Burton's first inquiry was always after the unprincipled Robbins, and he seemed to feel the stings of disappointment when Dyson told him that he had failed to meet this outrage on all morality, as Burton styled him, vowing that sooner or later he would take vengeance on such a shameless betrayal of trust.

One evening they had sat together for some time discussing the possibility of laying down for this present generation and our modern and intensely complicated order of society, some rules of social diplomacy, such as Lord Bacon gave to the courtiers of King James I. "It is a book to make," said Mr. Burton, "but who is there capable of making it? I tell you people are longing for such a book; it would bring fortune to its publisher. Bacon's Essays are exquisite, but they have now no practical application; the modern strategist can find but little use in a treatise 'De Re Militari,' written by a Florentine in the fifteenth century. Scarcely more dissimilar are the social conditions of Bacon's time and our own; the rules that he lays down so exquisitely for the courtier and diplomatist of James the First's age will avail us little in the rough-and-tumble struggle of to-day. Life, I am afraid, has deteriorated; it gives little play for fine strokes such as formerly advanced men in the state. Except in such businesses as mine, where a chance does occur now and then, it has all become, as I said, an affair of rough and tumble; men still desire to attain, it is true, but what is their moyen de parvenir? A mere imitation, and not a gracious one, of the arts of the soap-vender and the proprietor of baking powder. When I think of these things, my dear Dyson, I confess that I am tempted to despair of my century."

"You are too pessimistic, my dear fellow; you set up too high a standard. Certainly, I agree with you that the times are decadent in many ways. I admit a general appearance of squalor; it needs much philosophy to extract the wonderful and the beautiful from the Cromwell Road or the Nonconformist conscience. Australian wines of fine Burgundy character, the novels alike of the old women and the new women, popular journalism,—these things indeed make for depression. Yet we have our advantages. Before us is unfolded the greatest spectacle the world has ever seen,—the mystery of the innumerable unending streets, the strange adventures that must infallibly arise from so complicated a press of interests. Nay, I will say that he who has stood in the ways of a suburb and has seen them stretch before him all shining, void, and desolate at noonday, has not lived in vain. Such a sight is in reality more wonderful than any perspective of Bagdad or Grand Cairo. And, to set on one side the entertaining history of the gem which you told me, surely you must have had many singular adventures in your own career?"

"Perhaps not so many as you would think; a good deal—the larger part—of my business has been as commonplace as linen-drapery. But of course things happen now and then. It is ten years since I have established my agency, and I suppose that a house and estate agent who had been in trade for an equal time could tell you some queer stories. But I must give you a sample of my experiences some night.

"Why not to-night?" said Dyson. "This evening seems to me admirably adapted for an odd chapter. Look out into the street; you can catch a view of it, if you crane your neck from that chair of yours. Is it not charming? The double row of lamps growing closer in the distance, the hazy outline of the plane-tree in the square, and the lights of the hansoms swimming to and fro, gliding and vanishing; and above, the sky all clear and blue and shining. Come, let us have one of your cent nouvelles nouvelles."

"My dear Dyson, I am delighted to amuse you." With these words Mr. Burton prefaced the


NOVEL OF THE IRON MAID.

I think the most extraordinary event which I can recall took place about five years ago. I was then still feeling my way; I had declared for business, and attended regularly at my office, but I had not succeeded in establishing a really profitable connection, and consequently I had a good deal of leisure time on my hands. I have never thought fit to trouble you with the details of my private life; they would be entirely devoid of interest. I must briefly say, however, that I had a numerous circle of acquaintance, and was never at a loss as to how to spend my evenings. I was so fortunate as to have friends in most of the ranks of the social order; there is nothing so unfortunate, to my mind, as a specialized circle, wherein a certain round of ideas is continually traversed and retraversed. I have always tried to find out new types and persons whose brains contained something fresh to me; one may chance to gain information even from the conversation of city men on an omnibus. Amongst my acquaintance I knew a young doctor who lived in a far outlying suburb, and I used often to brave the intolerably slow railway journey, to have the pleasure of listening to his talk. One night we conversed so eagerly together over our pipes and whiskey that the clock passed unnoticed, and when I glanced up I realized with a shock that I had just five minutes in which to catch the last tram. I made a dash for my hat and stick, and jumped out of the house and down the steps, and tore at full speed up the street. It was no good, however; there was a shriek of the engine whistle, and I stood there at the station door and saw far on the long dark line of the embankment a red light shine and vanish, and a porter came down and shut the door with a bang.

"How far to London?" I asked him.

"A good nine miles to Waterloo Bridge;" and with that he went off.

Before me was the long suburban street, its dreary distance marked by rows of twinkling lamps, and the air was poisoned by the faint sickly smell of burning bricks; it was not a cheerful prospect by any means, and I had to walk through nine miles of such streets, deserted as those of Pompeii. I knew pretty well what direction to take; so I set out wearily, looking at the stretch of lamps vanishing in perspective; and as I walked, street after street branched off to right and left,—some far reaching to distances that seemed endless, communicating with, other systems of thoroughfare; and some mere protoplasmic streets, beginning in orderly fashion with serried two-storied houses, and ending suddenly in waste, and pits, and rubbish heaps, and fields whence the magic had departed. I have spoken of systems of thoroughfare, and I assure you that, walking alone through these silent places, I felt phantasy growing on me, and some glamour of the infinite. There was here. I felt, an immensity as in the outer void of the universe. I passed from unknown to unknown, my way marked by lamps like stars, and on either band was an unknown world where myriads of men dwelt and slept, street leading into street, as it seemed to world's end. At first the road by which I was travelling was lined with houses of unutterable monotony,—a wall of gray brick pierced by two stories of windows, drawn close to the very pavement. But by degrees I noticed an improvement: there were gardens, and these grew larger. The suburban builder began to allow himself a wider scope; and for a certain distance each flight of steps was guarded by twin lions of plaster, and scents of flowers prevailed over the fume of heated bricks. The road began to climb a hill, and, looking up a side street, I saw the half moon rise over plane-trees, and there on the other side was as if a white cloud had fallen, and the air around it was sweetened as with incense; it was a may-tree in full bloom. I pressed on stubbornly, listening for the wheels and the clatter of some belated hansom; but into that land of men who go to the city in the morning and return in the evening, the hansom rarely enters, and I had resigned myself once more to the walk, when I suddenly became aware that some one was advancing to meet me along the sidewalk. The man was strolling rather aimlessly; and though the time and the place would have allowed an unconventional style of dress, he was vested in the ordinary frock coat, black tie, and silk hat of civilization. We met each other under the lamp, and, as often happens in this great town, two casual passengers brought face to face found each in the other an acquaintance.

"Mr. Mathias, I think?" I said.

"Quite so. And you are Frank Burton. You know you are a man with a Christian name, so I won't apologize for my familiarity. But may I ask where you are going?"

I explained the situation to him, saying I had traversed a region as unknown to me as the darkest recesses of Africa. "I think I have only about five miles farther," I concluded.

"Nonsense; you must come home with me. My house is close by; in fact, I was just taking my evening walk when we met. Come along; I dare say you will find a makeshift bed easier than a five-mile walk."

I let him take my arm and lead me along, though I was a good deal surprised at so much geniality from a man who was, after all, a mere casual club acquaintance. I suppose I had not spoken to Mr. Mathias half-a-dozen times; he was a man who would sit silent in an armchair for hours, neither reading nor smoking, but now and again moistening his lips with his tongue and smiling queerly to himself. I confess he had never attracted me, and on the whole I should have preferred to continue my walk. But he took my arm and led me up a side street, and stopped at a door in a high wall. We passed through the still moonlit garden, beneath the black shadow of an old cedar, and into an old red brick house with many gables. I was tired enough, and I sighed with relief as I let myself fall into a great leather armchair. You know the infernal grit with which they strew the sidewalk in those suburban districts; it makes walking a penance, and I felt my four-mile tramp had made me more weary than ten miles on an honest country road. I looked about the room with some curiosity. There was a shaded lamp which threw a circle of brilliant light on a heap of papers lying on an old brass-bound secretaire of the last century; but the room was all vague and shadowy, and I could only see that it was long and low, and that it was filled with indistinct objects which might be furniture. Mr. Mathias sat down in a second armchair, and looked about him with that odd smile of his. He was a queer-looking man, clean-shaven, and white to the lips. I should think his age was something between fifty and sixty.

"Now I have got you here," he began, "I must inflict my hobby on you. You knew I was a collector? Oh, yes, I have devoted many years to collecting curiosities, which I think are really curious. But we must have a better light."

He advanced into the middle of the room, and lit a lamp which hung from the ceiling; and as the bright light flashed round the wick, from every corner and space there seemed to start a horror. Great wooden frames with complicated apparatus of ropes and pulleys stood against the wall; a wheel of strange shape had a place beside a thing that looked like a gigantic gridiron. Little tables glittered with bright steel instruments carelessly put down as if ready for use; a screw and vice loomed out, casting ugly shadows; and in another nook was a saw with cruel jagged teeth.

"Yes," said Mr. Mathias; "they are, as you suggest, instruments of torture,—of torture and death. Some—many, I may say—have been used; a few are reproductions after ancient examples. Those knives were used for flaying; that frame is a rack, and a very fine specimen. Look at this; it comes from Venice. You see that sort of collar, something like a big horse-shoe? Well, the patient, let us call him, sat down quite comfortably, and the horse-shoe was neatly fitted round his neck. Then the two ends were joined with a silken band, and the executioner began to turn a handle connected with the band. The horse-shoe contracted very gradually as the band tightened, and the turning continued till the man was strangled. It all took place quietly, in one of those queer garrets under the leads. But these things are all European; the Orientals are, of course, much more ingenious. These are the Chinese contrivances. You have heard of the 'heavy death'? It is my hobby, this sort of thing. Do you know, I often sit here, hour after hour, and meditate over the collection. I fancy I see the faces of the men who have suffered—faces lean with agony and wet with sweats of death—growing distinct out of the gloom, and I hear the echoes of their cries for mercy. But I must show you my latest acquisition. Come into the next room."

I followed Mr. Mathias out. The weariness of the walk, the late hour, and the strangeness of it all, made me feel like a man in a dream; nothing would have surprised me very much. The second room was as the first, crowded with ghastly instruments; but beneath the lamp was a wooden platform, and a figure stood on it. It was a large statue of a naked woman, fashioned in green bronze; the arms were stretched out, and there was a smile on the lips; it might well have been intended for a Venus, and yet there was about the thing an evil and a deadly look.

Mr. Mathias looked at it complacently. "Quite a work of art, isn't it?" he said. "It's made of bronze, as you see, but it has long had the name of the Iron Maid. I got it from Germany, and it was only unpacked this afternoon; indeed, I have not yet had time to open the letter of advice. You see that very small knob between the breasts? Well, the victim was bound to the Maid, the knob was pressed, and the arms slowly tightened round the neck. You can imagine the result."

As Mr. Mathias talked, he patted the figure affectionately. I had turned away, for I sickened at the sight of the man and his loathsome treasure. There was a slight click, of which I took no notice,—it was not much louder than the tick of a clock; and then I heard a sudden whir, the noise of machinery in motion, and I faced round. I have never forgotten the hideous agony on Mathias's face as those relentless arms tightened about his neck; there was a wild struggle as of a beast in the toils, and then a shriek that ended in a choking groan. The whirring noise had suddenly changed into a heavy droning. I tore with all my might at the bronze arms, and strove to wrench them apart, but I could do nothing. The head had slowly bent down, and the green lips were on the lips of Mathias.

Of course I had to attend at the inquest. The letter which had accompanied the figure was found unopened on the study table. The German firm of dealers cautioned their client to be most careful in touching the Iron Maid, as the machinery had been put in thorough working order.

For many revolving weeks Mr. Burton delighted Dyson by his agreeable conversation, diversified by anecdote, and interspersed with the narration of singular adventures. Finally, however, he vanished as suddenly as he had appeared, and on the occasion of his last visit he contrived to loot a copy of his namesake's Anatomy. Dyson, considering this violent attack on the rights of property, and certain glaring inconsistencies in the talk of his late friend, arrived at the conclusion that his stories were fabulous, and that the Iron Maid only existed in the sphere of a decorative imagination.


THE RECLUSE OF BAYSWATER.

Amongst the many friends who were favored with the occasional pleasure of Mr. Dyson's society was Mr. Edgar Russell, realist and obscure struggler, who occupied a small back room on the second floor of a house in Abingdon Grove, Notting Hill. Turning off from the main street and walking a few paces onward, one was conscious of a certain calm, a drowsy peace, which made the feet inclined to loiter; and this was ever the atmosphere of Abingdon Grove. The houses stood a little back, with gardens where the lilac and laburnum and blood-red may blossomed gayly in their seasons, and there was a corner where an older house in another street had managed to keep a back garden of real extent; a walled-in garden whence there came a pleasant scent of greenness after the rains of early summer, where old elms held memories of the open fields, where there was yet sweet grass to walk on. The houses in Abingdon Grove belonged chiefly to the nondescript stucco period of thirty-five years ago, tolerably built with passable accommodation for moderate incomes; they had largely passed into the state of lodgings, and cards bearing the inscription "Furnished Apartments" were not infrequent over the doors. Here, then, in a house of sufficiently good appearance, Mr. Russell had established himself; for he looked upon the traditional dirt and squalor of Grub Street as a false and obsolete convention, and preferred, as he said, to live within sight of green leaves. Indeed, from his room one had a magnificent view of a long line of gardens, and a screen of poplars shut out the melancholy back premises of Wilton Street during the summer months. Mr. Russell lived chiefly on bread and tea, for his means were of the smallest; but when Dyson came to see him, he would send out the slavey for six-ale, and Dyson was always at liberty to smoke as much of his own tobacco as he pleased. The landlady had been so unfortunate as to have her drawing-room floor vacant for many months; a card had long proclaimed the void within; and Dyson, when he walked up the steps one evening in early autumn, had a sense that something was missing, and, looking at the fanlight, saw the appealing card had disappeared.

"You have let your first floor, have you?" he said, as he greeted Mr. Russell.

"Yes; it was taken about a fortnight ago by a lady."

"Indeed," said Dyson, always curious; "a young lady?"

"Yes, I believe so. She is a widow, and wears a thick crape veil. I have met her once or twice on the stairs and in the street, but I should not know her face."

"Well," said Dyson, when the beer had arrived, and the pipes were in full blast, "and what have you been doing? Do you find the work getting any easier?"

"Alas!" said the young man, with an expression of great gloom, "the life is a purgatory, and all but a hell. I write, picking out my words, weighing and balancing the force of every syllable, calculating the minutest effects that language can produce, erasing and rewriting, and spending a whole evening over a page of manuscript. And then in the morning when I read what I have written—Well, there is nothing to be done but to throw it in the waste-paper basket if the verso has been already written on, or to put it in the drawer if the other side happens to be clean. When I have written a phrase which undoubtedly embodies a happy turn of thought, I find it dressed up in feeble commonplace; and when the style is good, it serves only to conceal the baldness of superannuated fancies. I sweat over my work, Dyson,—every finished line means so much agony. I envy the lot of the carpenter in the side street who has a craft which he understands. When he gets an order for a table, he does not writhe with anguish; but if I were so unlucky as to get an order for a book, I think I should go mad."

"My dear fellow, you take it all too seriously. You should let the ink flow more readily. Above all, firmly believe, when you sit down to write, that you are an artist, and that whatever you are about is a masterpiece. Suppose ideas fail you, say; as I heard one of our most exquisite artists say, "It's of no consequence; the ideas are all there, at the bottom of that box of cigarettes." You, indeed, smoke tobacco, but the application is the same. Besides, you must have some happy moments, and these should be ample consolation."

"Perhaps you are right. But such moments are so few; and then there is the torture of a glorious conception matched, with execution beneath the standard of the Family Story Paper. For instance, I was happy for two hours a night or two ago; I lay awake and saw visions. But then the morning!"

"What was your idea?"

"It seemed to me a splendid one; I thought of Balzac and the 'Comédie Humaine,' of Zola and the Rougon-Macquart family. It dawned upon me that I would write the history of a street. Every house should form a volume. I fixed upon the street, I saw each house, and read, as clearly as in letters, the physiology and psychology of each. The little by-way stretched before me in its actual shape,—a street that I know and have passed down a hundred times; with some twenty houses, prosperous and mean, and lilac bushes in purple blossom; and yet it was at the same time a symbol, a via dolorosa of hopes cherished and disappointed, of years of monotonous existence without content or discontent, of tragedies and obscure sorrows; and on the door of one of those houses I saw the red stain of blood, and behind a window two shadows, blackened and faded, on the blind, as they swayed on tightened cords,—the shadows of a man and a woman hanging in a vulgar, gas-lit parlor. These were my fancies; but when pen touched paper, they shrivelled and vanished away,"