The Three Taverns: A Book of Poems

"Whether all towns and all who live in them —
So long as they be somewhere in this world
That we in our complacency call ours —
Are more or less the same, I leave to you.
I should say less. Whether or not, meanwhile,
We've all two legs — and as for that, we haven't —
There were three kinds of men where I was born:
The good, the not so good, and Tasker Norcross.
Now there are two kinds."

             "Meaning, as I divine,
Your friend is dead," I ventured.

             Ferguson,
Who talked himself at last out of the world
He censured, and is therefore silent now,
Agreed indifferently: "My friends are dead —
Or most of them."

             "Remember one that isn't,"
I said, protesting. "Honor him for his ears;
Treasure him also for his understanding."
Ferguson sighed, and then talked on again:
"You have an overgrown alacrity
For saying nothing much and hearing less;
And I've a thankless wonder, at the start,
How much it is to you that I shall tell
What I have now to say of Tasker Norcross,
And how much to the air that is around you.
But given a patience that is not averse
To the slow tragedies of haunted men —
Horrors, in fact, if you've a skilful eye
To know them at their firesides, or out walking, —"

"Horrors," I said, "are my necessity;
And I would have them, for their best effect,
Always out walking."

             Ferguson frowned at me:
"The wisest of us are not those who laugh
Before they know. Most of us never know —
Or the long toil of our mortality
Would not be done. Most of us never know —
And there you have a reason to believe
In God, if you may have no other. Norcross,
Or so I gather of his infirmity,
Was given to know more than he should have known,
And only God knows why. See for yourself
An old house full of ghosts of ancestors,
Who did their best, or worst, and having done it,
Died honorably; and each with a distinction
That hardly would have been for him that had it,
Had honor failed him wholly as a friend.
Honor that is a friend begets a friend.
Whether or not we love him, still we have him;
And we must live somehow by what we have,
Or then we die. If you say chemistry,
Then you must have your molecules in motion,
And in their right abundance. Failing either,
You have not long to dance. Failing a friend,
A genius, or a madness, or a faith
Larger than desperation, you are here
For as much longer than you like as may be.
Imagining now, by way of an example,
Myself a more or less remembered phantom —
Again, I should say less — how many times
A day should I come back to you? No answer.
Forgive me when I seem a little careless,
But we must have examples, or be lucid
Without them; and I question your adherence
To such an undramatic narrative
As this of mine, without the personal hook."

"A time is given in Ecclesiastes
For divers works," I told him. "Is there one
For saying nothing in return for nothing?
If not, there should be." I could feel his eyes,
And they were like two cold inquiring points
Of a sharp metal. When I looked again,
To see them shine, the cold that I had felt
Was gone to make way for a smouldering
Of lonely fire that I, as I knew then,
Could never quench with kindness or with lies.
I should have done whatever there was to do
For Ferguson, yet I could not have mourned
In honesty for once around the clock
The loss of him, for my sake or for his,
Try as I might; nor would his ghost approve,
Had I the power and the unthinking will
To make him tread again without an aim
The road that was behind him — and without
The faith, or friend, or genius, or the madness
That he contended was imperative.

After a silence that had been too long,
"It may be quite as well we don't," he said;
"As well, I mean, that we don't always say it.
You know best what I mean, and I suppose
You might have said it better. What was that?
Incorrigible? Am I incorrigible?
Well, it's a word; and a word has its use,
Or, like a man, it will soon have a grave.
It's a good word enough. Incorrigible,
May be, for all I know, the word for Norcross.
See for yourself that house of his again
That he called home: An old house, painted white,
Square as a box, and chillier than a tomb
To look at or to live in. There were trees —
Too many of them, if such a thing may be —
Before it and around it. Down in front
There was a road, a railroad, and a river;
Then there were hills behind it, and more trees.
The thing would fairly stare at you through trees,
Like a pale inmate out of a barred window
With a green shade half down; and I dare say
People who passed have said: `There's where he lives.
We know him, but we do not seem to know
That we remember any good of him,
Or any evil that is interesting.
There you have all we know and all we care.'
They might have said it in all sorts of ways;
And then, if they perceived a cat, they might
Or might not have remembered what they said.
The cat might have a personality —
And maybe the same one the Lord left out
Of Tasker Norcross, who, for lack of it,
Saw the same sun go down year after year;
All which at last was my discovery.
And only mine, so far as evidence
Enlightens one more darkness. You have known
All round you, all your days, men who are nothing —
Nothing, I mean, so far as time tells yet
Of any other need it has of them
Than to make sextons hardy — but no less
Are to themselves incalculably something,
And therefore to be cherished. God, you see,
Being sorry for them in their fashioning,
Indemnified them with a quaint esteem
Of self, and with illusions long as life.
You know them well, and you have smiled at them;
And they, in their serenity, may have had
Their time to smile at you. Blessed are they
That see themselves for what they never were
Or were to be, and are, for their defect,
At ease with mirrors and the dim remarks
That pass their tranquil ears."

             "Come, come," said I;
"There may be names in your compendium
That we are not yet all on fire for shouting.
Skin most of us of our mediocrity,
We should have nothing then that we could scratch.
The picture smarts. Cover it, if you please,
And do so rather gently. Now for Norcross."

Ferguson closed his eyes in resignation,
While a dead sigh came out of him. "Good God!"
He said, and said it only half aloud,
As if he knew no longer now, nor cared,
If one were there to listen: "Have I said nothing —
Nothing at all — of Norcross? Do you mean
To patronize him till his name becomes
A toy made out of letters? If a name
Is all you need, arrange an honest column
Of all the people you have ever known
That you have never liked. You'll have enough;
And you'll have mine, moreover. No, not yet.
If I assume too many privileges,
I pay, and I alone, for their assumption;
By which, if I assume a darker knowledge
Of Norcross than another, let the weight
Of my injustice aggravate the load
That is not on your shoulders. When I came
To know this fellow Norcross in his house,
I found him as I found him in the street —
No more, no less; indifferent, but no better.
`Worse' were not quite the word: he was not bad;
He was not . . . well, he was not anything.
Has your invention ever entertained
The picture of a dusty worm so dry
That even the early bird would shake his head
And fly on farther for another breakfast?"

"But why forget the fortune of the worm,"
I said, "if in the dryness you deplore
Salvation centred and endured? Your Norcross
May have been one for many to have envied."

"Salvation? Fortune? Would the worm say that?
He might; and therefore I dismiss the worm
With all dry things but one. Figures away,
Do you begin to see this man a little?
Do you begin to see him in the air,
With all the vacant horrors of his outline
For you to fill with more than it will hold?
If so, you needn't crown yourself at once
With epic laurel if you seem to fill it.
Horrors, I say, for in the fires and forks
Of a new hell — if one were not enough —
I doubt if a new horror would have held him
With a malignant ingenuity
More to be feared than his before he died.
You smile, as if in doubt. Well, smile again.
Now come into his house, along with me:
The four square sombre things that you see first
Around you are four walls that go as high
As to the ceiling. Norcross knew them well,
And he knew others like them. Fasten to that
With all the claws of your intelligence;
And hold the man before you in his house
As if he were a white rat in a box,
And one that knew himself to be no other.
I tell you twice that he knew all about it,
That you may not forget the worst of all
Our tragedies begin with what we know.
Could Norcross only not have known, I wonder
How many would have blessed and envied him!
Could he have had the usual eye for spots
On others, and for none upon himself,
I smile to ponder on the carriages
That might as well as not have clogged the town
In honor of his end. For there was gold,
You see, though all he needed was a little,
And what he gave said nothing of who gave it.
He would have given it all if in return
There might have been a more sufficient face
To greet him when he shaved. Though you insist
It is the dower, and always, of our degree
Not to be cursed with such invidious insight,
Remember that you stand, you and your fancy,
Now in his house; and since we are together,
See for yourself and tell me what you see.
Tell me the best you see. Make a slight noise
Of recognition when you find a book
That you would not as lief read upside down
As otherwise, for example. If there you fail,
Observe the walls and lead me to the place,
Where you are led. If there you meet a picture
That holds you near it for a longer time
Than you are sorry, you may call it yours,
And hang it in the dark of your remembrance,
Where Norcross never sees. How can he see
That has no eyes to see? And as for music,
He paid with empty wonder for the pangs
Of his infrequent forced endurance of it;
And having had no pleasure, paid no more
For needless immolation, or for the sight
Of those who heard what he was never to hear.
To see them listening was itself enough
To make him suffer; and to watch worn eyes,
On other days, of strangers who forgot
Their sorrows and their failures and themselves
Before a few mysterious odds and ends
Of marble carted from the Parthenon —
And all for seeing what he was never to see,
Because it was alive and he was dead —
Here was a wonder that was more profound
Than any that was in fiddles and brass horns.

"He knew, and in his knowledge there was death.
He knew there was a region all around him
That lay outside man's havoc and affairs,
And yet was not all hostile to their tumult,
Where poets would have served and honored him,
And saved him, had there been anything to save.
But there was nothing, and his tethered range
Was only a small desert. Kings of song
Are not for thrones in deserts. Towers of sound
And flowers of sense are but a waste of heaven
Where there is none to know them from the rocks
And sand-grass of his own monotony
That makes earth less than earth. He could see that,
And he could see no more. The captured light
That may have been or not, for all he cared,
The song that is in sculpture was not his,
But only, to his God-forgotten eyes,
One more immortal nonsense in a world
Where all was mortal, or had best be so,
And so be done with. `Art,' he would have said,
`Is not life, and must therefore be a lie;'
And with a few profundities like that
He would have controverted and dismissed
The benefit of the Greeks. He had heard of them,
As he had heard of his aspiring soul —
Never to the perceptible advantage,
In his esteem, of either. `Faith,' he said,
Or would have said if he had thought of it,
`Lives in the same house with Philosophy,
Where the two feed on scraps and are forlorn
As orphans after war. He could see stars,
On a clear night, but he had not an eye
To see beyond them. He could hear spoken words,
But had no ear for silence when alone.
He could eat food of which he knew the savor,
But had no palate for the Bread of Life,
That human desperation, to his thinking,
Made famous long ago, having no other.
Now do you see? Do you begin to see?"

I told him that I did begin to see;
And I was nearer than I should have been
To laughing at his malign inclusiveness,
When I considered that, with all our speed,
We are not laughing yet at funerals.
I see him now as I could see him then,
And I see now that it was good for me,
As it was good for him, that I was quiet;
For Time's eye was on Ferguson, and the shaft
Of its inquiring hesitancy had touched him,
Or so I chose to fancy more than once
Before he told of Norcross. When the word
Of his release (he would have called it so)
Made half an inch of news, there were no tears
That are recorded. Women there may have been
To wish him back, though I should say, not knowing,
The few there were to mourn were not for love,
And were not lovely. Nothing of them, at least,
Was in the meagre legend that I gathered
Years after, when a chance of travel took me
So near the region of his nativity
That a few miles of leisure brought me there;
For there I found a friendly citizen
Who led me to his house among the trees
That were above a railroad and a river.
Square as a box and chillier than a tomb
It was indeed, to look at or to live in —
All which had I been told. "Ferguson died,"
The stranger said, "and then there was an auction.
I live here, but I've never yet been warm.
Remember him? Yes, I remember him.
I knew him — as a man may know a tree —
For twenty years. He may have held himself
A little high when he was here, but now . . .
Yes, I remember Ferguson. Oh, yes."
Others, I found, remembered Ferguson,
But none of them had heard of Tasker Norcross.

Two men came out of Shannon's having known
The faces of each other for as long
As they had listened there to an old song,
Sung thinly in a wastrel monotone
By some unhappy night-bird, who had flown
Too many times and with a wing too strong
To save himself, and so done heavy wrong
To more frail elements than his alone.

Slowly away they went, leaving behind
More light than was before them. Neither met
The other's eyes again or said a word.
Each to his loneliness or to his kind,
Went his own way, and with his own regret,
Not knowing what the other may have heard.

A vanished house that for an hour I knew
By some forgotten chance when I was young
Had once a glimmering window overhung
With honeysuckle wet with evening dew.
Along the path tall dusky dahlias grew,
And shadowy hydrangeas reached and swung
Ferociously; and over me, among
The moths and mysteries, a blurred bat flew.

Somewhere within there were dim presences
Of days that hovered and of years gone by.
I waited, and between their silences
There was an evanescent faded noise;
And though a child, I knew it was the voice
Of one whose occupation was to die.

We told of him as one who should have soared
And seen for us the devastating light
Whereof there is not either day or night,
And shared with us the glamour of the Word
That fell once upon Amos to record
For men at ease in Zion, when the sight
Of ills obscured aggrieved him and the might
Of Hamath was a warning of the Lord.

Assured somehow that he would make us wise,
Our pleasure was to wait; and our surprise
Was hard when we confessed the dry return
Of his regret. For we were still to learn
That earth has not a school where we may go
For wisdom, or for more than we may know.

Ten years together without yet a cloud,
They seek each other's eyes at intervals
Of gratefulness to firelight and four walls
For love's obliteration of the crowd.
Serenely and perennially endowed
And bowered as few may be, their joy recalls
No snake, no sword; and over them there falls
The blessing of what neither says aloud.

Wiser for silence, they were not so glad
Were she to read the graven tale of lines
On the wan face of one somewhere alone;
Nor were they more content could he have had
Her thoughts a moment since of one who shines
Apart, and would be hers if he had known.

The day was here when it was his to know
How fared the barriers he had built between
His triumph and his enemies unseen,
For them to undermine and overthrow;
And it was his no longer to forego
The sight of them, insidious and serene,
Where they were delving always and had been
Left always to be vicious and to grow.

And there were the new tenants who had come,
By doors that were left open unawares,
Into his house, and were so much at home
There now that he would hardly have to guess,
By the slow guile of their vindictiveness,
What ultimate insolence would soon be theirs.

Although I saw before me there the face
Of one whom I had honored among men
The least, and on regarding him again
Would not have had him in another place,
He fitted with an unfamiliar grace
The coffin where I could not see him then
As I had seen him and appraised him when
I deemed him unessential to the race.

For there was more of him than what I saw.
And there was on me more than the old awe
That is the common genius of the dead.
I might as well have heard him: "Never mind;
If some of us were not so far behind,
The rest of us were not so far ahead."

As often as he let himself be seen
We pitied him, or scorned him, or deplored
The inscrutable profusion of the Lord
Who shaped as one of us a thing so mean —
Who made him human when he might have been
A rat, and so been wholly in accord
With any other creature we abhorred
As always useless and not always clean.

Now he is hiding all alone somewhere,
And in a final hole not ready then;
For now he is among those over there
Who are not coming back to us again.
And we who do the fiction of our share
Say less of rats and rather more of men.

Note. — Rahel Robert and Varnhagen von Ense were married, after many protestations on her part, in 1814. The marriage — so far as he was concerned, at any rate — appears to have been satisfactory.

Now you have read them all; or if not all,
As many as in all conscience I should fancy
To be enough. There are no more of them —
Or none to burn your sleep, or to bring dreams
Of devils. If these are not sufficient, surely
You are a strange young man. I might live on
Alone, and for another forty years,
Or not quite forty, — are you happier now? —
Always to ask if there prevailed elsewhere
Another like yourself that would have held
These aged hands as long as you have held them,
Not once observing, for all I can see,
How they are like your mother's. Well, you have read
His letters now, and you have heard me say
That in them are the cinders of a passion
That was my life; and you have not yet broken
Your way out of my house, out of my sight, —
Into the street. You are a strange young man.
I know as much as that of you, for certain;
And I'm already praying, for your sake,
That you be not too strange. Too much of that
May lead you bye and bye through gloomy lanes
To a sad wilderness, where one may grope
Alone, and always, or until he feels
Ferocious and invisible animals
That wait for men and eat them in the dark.
Why do you sit there on the floor so long,
Smiling at me while I try to be solemn?
Do you not hear it said for your salvation,
When I say truth? Are you, at four and twenty,
So little deceived in us that you interpret
The humor of a woman to be noticed
As her choice between you and Acheron?
Are you so unscathed yet as to infer
That if a woman worries when a man,
Or a man-child, has wet shoes on his feet
She may as well commemorate with ashes
The last eclipse of her tranquillity?
If you look up at me and blink again,
I shall not have to make you tell me lies
To know the letters you have not been reading.
I see now that I may have had for nothing
A most unpleasant shivering in my conscience
When I laid open for your contemplation
The wealth of my worn casket. If I did,
The fault was not yours wholly. Search again
This wreckage we may call for sport a face,
And you may chance upon the price of havoc
That I have paid for a few sorry stones
That shine and have no light — yet once were stars,
And sparkled on a crown. Little and weak
They seem; and they are cold, I fear, for you.
But they that once were fire for me may not
Be cold again for me until I die;
And only God knows if they may be then.
There is a love that ceases to be love
In being ourselves. How, then, are we to lose it?
You that are sure that you know everything
There is to know of love, answer me that.
Well? . . . You are not even interested.

Once on a far off time when I was young,
I felt with your assurance, and all through me,
That I had undergone the last and worst
Of love's inventions. There was a boy who brought
The sun with him and woke me up with it,
And that was every morning; every night
I tried to dream of him, but never could,
More than I might have seen in Adam's eyes
Their fond uncertainty when Eve began
The play that all her tireless progeny
Are not yet weary of. One scene of it
Was brief, but was eternal while it lasted;
And that was while I was the happiest
Of an imaginary six or seven,
Somewhere in history but not on earth,
For whom the sky had shaken and let stars
Rain down like diamonds. Then there were clouds,
And a sad end of diamonds; whereupon
Despair came, like a blast that would have brought
Tears to the eyes of all the bears in Finland,
And love was done. That was how much I knew.
Poor little wretch! I wonder where he is
This afternoon. Out of this rain, I hope.

At last, when I had seen so many days
Dressed all alike, and in their marching order,
Go by me that I would not always count them,
One stopped — shattering the whole file of Time,
Or so it seemed; and when I looked again,
There was a man. He struck once with his eyes,
And then there was a woman. I, who had come
To wisdom, or to vision, or what you like,
By the old hidden road that has no name, —
I, who was used to seeing without flying
So much that others fly from without seeing,
Still looked, and was afraid, and looked again.
And after that, when I had read the story
Told in his eyes, and felt within my heart
The bleeding wound of their necessity,
I knew the fear was his. If I had failed him
And flown away from him, I should have lost
Ingloriously my wings in scrambling back,
And found them arms again. If he had struck me
Not only with his eyes but with his hands,
I might have pitied him and hated love,
And then gone mad. I, who have been so strong —
Why don't you laugh? — might even have done all that.
I, who have learned so much, and said so much,
And had the commendations of the great
For one who rules herself — why don't you cry? —
And own a certain small authority
Among the blind, who see no more than ever,
But like my voice, — I would have tossed it all
To Tophet for one man; and he was jealous.
I would have wound a snake around my neck
And then have let it bite me till I died,
If my so doing would have made me sure
That one man might have lived; and he was jealous.
I would have driven these hands into a cage
That held a thousand scorpions, and crushed them,
If only by so poisonous a trial
I could have crushed his doubt. I would have wrung
My living blood with mediaeval engines
Out of my screaming flesh, if only that
Would have made one man sure. I would have paid
For him the tiresome price of body and soul,
And let the lash of a tongue-weary town
Fall as it might upon my blistered name;
And while it fell I could have laughed at it,
Knowing that he had found out finally
Where the wrong was. But there was evil in him
That would have made no more of his possession
Than confirmation of another fault;
And there was honor — if you call it honor
That hoods itself with doubt and wears a crown
Of lead that might as well be gold and fire.
Give it as heavy or as light a name
As any there is that fits. I see myself
Without the power to swear to this or that
That I might be if he had been without it.
Whatever I might have been that I was not,
It only happened that it wasn't so.
Meanwhile, you might seem to be listening:
If you forget yourself and go to sleep,
My treasure, I shall not say this again.
Look up once more into my poor old face,
Where you see beauty, or the Lord knows what,
And say to me aloud what else there is
Than ruins in it that you most admire.

No, there was never anything like that;
Nature has never fastened such a mask
Of radiant and impenetrable merit
On any woman as you say there is
On this one. Not a mask? I thank you, sir,
But you see more with your determination,
I fear, than with your prudence or your conscience;
And you have never met me with my eyes
In all the mirrors I've made faces at.
No, I shall never call you strange again:
You are the young and inconvincible
Epitome of all blind men since Adam.
May the blind lead the blind, if that be so?
And we shall need no mirrors? You are saying
What most I feared you might. But if the blind,
Or one of them, be not so fortunate
As to put out the eyes of recollection,
She might at last, without her meaning it,
Lead on the other, without his knowing it,
Until the two of them should lose themselves
Among dead craters in a lava-field
As empty as a desert on the moon.
I am not speaking in a theatre,
But in a room so real and so familiar
That sometimes I would wreck it. Then I pause,
Remembering there is a King in Weimar —
A monarch, and a poet, and a shepherd
Of all who are astray and are outside
The realm where they should rule. I think of him,
And save the furniture; I think of you,
And am forlorn, finding in you the one
To lavish aspirations and illusions
Upon a faded and forsaken house
Where love, being locked alone, was nigh to burning
House and himself together. Yes, you are strange,
To see in such an injured architecture
Room for new love to live in. Are you laughing?
No? Well, you are not crying, as you should be.
Tears, even if they told only gratitude
For your escape, and had no other story,
Were surely more becoming than a smile
For my unwomanly straightforwardness
In seeing for you, through my close gate of years
Your forty ways to freedom. Why do you smile?
And while I'm trembling at my faith in you
In giving you to read this book of danger
That only one man living might have written —
These letters, which have been a part of me
So long that you may read them all again
As often as you look into my face,
And hear them when I speak to you, and feel them
Whenever you have to touch me with your hand, —
Why are you so unwilling to be spared?
Why do you still believe in me? But no,
I'll find another way to ask you that.
I wonder if there is another way
That says it better, and means anything.
There is no other way that could be worse?
I was not asking you; it was myself
Alone that I was asking. Why do I dip
For lies, when there is nothing in my well
But shining truth, you say? How do you know?
Truth has a lonely life down where she lives;
And many a time, when she comes up to breathe,
She sinks before we seize her, and makes ripples.
Possibly you may know no more of me
Than a few ripples; and they may soon be gone,
Leaving you then with all my shining truth
Drowned in a shining water; and when you look
You may not see me there, but something else
That never was a woman — being yourself.
You say to me my truth is past all drowning,
And safe with you for ever? You know all that?
How do you know all that, and who has told you?
You know so much that I'm an atom frightened
Because you know so little. And what is this?
You know the luxury there is in haunting
The blasted thoroughfares of disillusion —
If that's your name for them — with only ghosts
For company? You know that when a woman
Is blessed, or cursed, with a divine impatience
(Another name of yours for a bad temper)
She must have one at hand on whom to wreak it
(That's what you mean, whatever the turn you give it),
Sure of a kindred sympathy, and thereby
Effect a mutual calm? You know that wisdom,
Given in vain to make a food for those
Who are without it, will be seen at last,
And even at last only by those who gave it,
As one or more of the forgotten crumbs
That others leave? You know that men's applause
And women's envy savor so much of dust
That I go hungry, having at home no fare
But the same changeless bread that I may swallow
Only with tears and prayers? Who told you that?
You know that if I read, and read alone,
Too many books that no men yet have written,
I may go blind, or worse? You know yourself,
Of all insistent and insidious creatures,
To be the one to save me, and to guard
For me their flaming language? And you know
That if I give much headway to the whim
That's in me never to be quite sure that even
Through all those years of storm and fire I waited
For this one rainy day, I may go on,
And on, and on alone, through smoke and ashes,
To a cold end? You know so dismal much
As that about me? . . . Well, I believe you do.

Since you remember Nimmo, and arrive
At such a false and florid and far drawn
Confusion of odd nonsense, I connive
No longer, though I may have led you on.

So much is told and heard and told again,
So many with his legend are engrossed,
That I, more sorry now than I was then,
May live on to be sorry for his ghost.

You knew him, and you must have known his eyes, —
How deep they were, and what a velvet light
Came out of them when anger or surprise,
Or laughter, or Francesca, made them bright.

No, you will not forget such eyes, I think, —
And you say nothing of them. Very well.
I wonder if all history's worth a wink,
Sometimes, or if my tale be one to tell.

For they began to lose their velvet light;
Their fire grew dead without and small within;
And many of you deplored the needless fight
That somewhere in the dark there must have been.

All fights are needless, when they're not our own,
But Nimmo and Francesca never fought.
Remember that; and when you are alone,
Remember me — and think what I have thought.

Now, mind you, I say nothing of what was,
Or never was, or could or could not be:
Bring not suspicion's candle to the glass
That mirrors a friend's face to memory.

Of what you see, see all, — but see no more;
For what I show you here will not be there.
The devil has had his way with paint before,
And he's an artist, — and you needn't stare.

There was a painter and he painted well:
He'd paint you Daniel in the lions' den,
Beelzebub, Elaine, or William Tell.
I'm coming back to Nimmo's eyes again.

The painter put the devil in those eyes,
Unless the devil did, and there he stayed;
And then the lady fled from paradise,
And there's your fact. The lady was afraid.

She must have been afraid, or may have been,
Of evil in their velvet all the while;
But sure as I'm a sinner with a skin,
I'll trust the man as long as he can smile.

I trust him who can smile and then may live
In my heart's house, where Nimmo is today.
God knows if I have more than men forgive
To tell him; but I played, and I shall pay.

I knew him then, and if I know him yet,
I know in him, defeated and estranged,
The calm of men forbidden to forget
The calm of women who have loved and changed.

But there are ways that are beyond our ways,
Or he would not be calm and she be mute,
As one by one their lost and empty days
Pass without even the warmth of a dispute.

God help us all when women think they see;
God save us when they do. I'm fair; but though
I know him only as he looks to me,
I know him, — and I tell Francesca so.

And what of Nimmo? Little would you ask
Of him, could you but see him as I can,
At his bewildered and unfruitful task
Of being what he was born to be — a man.

Better forget that I said anything
Of what your tortured memory may disclose;
I know him, and your worst remembering
Would count as much as nothing, I suppose.

Meanwhile, I trust him; and I know his way
Of trusting me, as always in his youth.
I'm painting here a better man, you say,
Than I, the painter; and you say the truth.

He took a frayed hat from his head,
And "Peace on Earth" was what he said.
"A morsel out of what you're worth,
And there we have it: Peace on Earth.
Not much, although a little more
Than what there was on earth before.
I'm as you see, I'm Ichabod, —
But never mind the ways I've trod;
I'm sober now, so help me God."

I could not pass the fellow by.
"Do you believe in God?" said I;
"And is there to be Peace on Earth?"

"Tonight we celebrate the birth,"
He said, "of One who died for men;
The Son of God, we say. What then?
Your God, or mine? I'd make you laugh
Were I to tell you even half
That I have learned of mine today
Where yours would hardly seem to stay.
Could He but follow in and out
Some anthropoids I know about,
The God to whom you may have prayed
Might see a world He never made."

"Your words are flowing full," said I;
"But yet they give me no reply;
Your fountain might as well be dry."

"A wiser One than you, my friend,
Would wait and hear me to the end;
And for His eyes a light would shine
Through this unpleasant shell of mine
That in your fancy makes of me
A Christmas curiosity.
All right, I might be worse than that;
And you might now be lying flat;
I might have done it from behind,
And taken what there was to find.
Don't worry, for I'm not that kind.
`Do I believe in God?' Is that
The price tonight of a new hat?
Has He commanded that His name
Be written everywhere the same?
Have all who live in every place
Identified His hidden face?
Who knows but He may like as well
My story as one you may tell?
And if He show me there be Peace
On Earth, as there be fields and trees
Outside a jail-yard, am I wrong
If now I sing Him a new song?
Your world is in yourself, my friend,
For your endurance to the end;
And all the Peace there is on Earth
Is faith in what your world is worth,
And saying, without any lies,
Your world could not be otherwise."

"One might say that and then be shot,"
I told him; and he said: "Why not?"
I ceased, and gave him rather more
Than he was counting of my store.
"And since I have it, thanks to you,
Don't ask me what I mean to do,"
Said he. "Believe that even I
Would rather tell the truth than lie —
On Christmas Eve. No matter why."

His unshaved, educated face,
His inextinguishable grace,
And his hard smile, are with me still,
Deplore the vision as I will;
For whatsoever he be at,
So droll a derelict as that
Should have at least another hat.

(Alcaics)

Confused, he found her lavishing feminine
Gold upon clay, and found her inscrutable;
  And yet she smiled. Why, then, should horrors
Be as they were, without end, her playthings?

And why were dead years hungrily telling her
Lies of the dead, who told them again to her?
  If now she knew, there might be kindness
Clamoring yet where a faith lay stifled.

A little faith in him, and the ruinous
Past would be for time to annihilate,
  And wash out, like a tide that washes
Out of the sand what a child has drawn there.

God, what a shining handful of happiness,
Made out of days and out of eternities,
  Were now the pulsing end of patience —
Could he but have what a ghost had stolen!

What was a man before him, or ten of them,
While he was here alive who could answer them,
  And in their teeth fling confirmations
Harder than agates against an egg-shell?

But now the man was dead, and would come again
Never, though she might honor ineffably
  The flimsy wraith of him she conjured
Out of a dream with his wand of absence.

And if the truth were now but a mummery,
Meriting pride's implacable irony,
  So much the worse for pride. Moreover,
Save her or fail, there was conscience always.

Meanwhile, a few misgivings of innocence,
Imploring to be sheltered and credited,
  Were not amiss when she revealed them.
Whether she struggled or not, he saw them.

Also, he saw that while she was hearing him
Her eyes had more and more of the past in them;
  And while he told what cautious honor
Told him was all he had best be sure of,

He wondered once or twice, inadvertently,
Where shifting winds were driving his argosies,
  Long anchored and as long unladen,
Over the foam for the golden chances.

"If men were not for killing so carelessly,
And women were for wiser endurances,"
  He said, "we might have yet a world here
Fitter for Truth to be seen abroad in;

"If Truth were not so strange in her nakedness,
And we were less forbidden to look at it,
  We might not have to look." He stared then
Down at the sand where the tide threw forward

Its cold, unconquered lines, that unceasingly
Foamed against hope, and fell. He was calm enough,
  Although he knew he might be silenced
Out of all calm; and the night was coming.

"I climb for you the peak of his infamy
That you may choose your fall if you cling to it.
  No more for me unless you say more.
All you have left of a dream defends you:

"The truth may be as evil an augury
As it was needful now for the two of us.
  We cannot have the dead between us.
Tell me to go, and I go." — She pondered:

"What you believe is right for the two of us
Makes it as right that you are not one of us.
  If this be needful truth you tell me,
Spare me, and let me have lies hereafter."

She gazed away where shadows were covering
The whole cold ocean's healing indifference.
  No ship was coming. When the darkness
Fell, she was there, and alone, still gazing.

"Why am I not myself these many days,
You ask? And have you nothing more to ask?
I do you wrong? I do not hear your praise
To God for giving you me to share your task?

"Jealous — of Her? Because her cheeks are pink,
And she has eyes? No, not if she had seven.
If you should only steal an hour to think,
Sometime, there might be less to be forgiven.

"No, you are never cruel. If once or twice
I found you so, I could applaud and sing.
Jealous of — What? You are not very wise.
Does not the good Book tell you anything?

"In David's time poor Michal had to go.
Jealous of God? Well, if you like it so."

You that in vain would front the coming order
With eyes that meet forlornly what they must,
And only with a furtive recognition
See dust where there is dust, —
Be sure you like it always in your faces,
Obscuring your best graces,
Blinding your speech and sight,
Before you seek again your dusty places
Where the old wrong seems right.

Longer ago than cave-men had their changes
Our fathers may have slain a son or two,
Discouraging a further dialectic
Regarding what was new;
And after their unstudied admonition
Occasional contrition
For their old-fashioned ways
May have reduced their doubts, and in addition
Softened their final days.

Farther away than feet shall ever travel
Are the vague towers of our unbuilded State;
But there are mightier things than we to lead us,
That will not let us wait.
And we go on with none to tell us whether
Or not we've each a tether
Determining how fast or far we go;
And it is well, since we must go together,
That we are not to know.

If the old wrong and all its injured glamour
Haunts you by day and gives your night no peace,
You may as well, agreeably and serenely,
Give the new wrong its lease;
For should you nourish a too fervid yearning
For what is not returning,
The vicious and unfused ingredient
May give you qualms — and one or two concerning
The last of your content.

"No, Mary, there was nothing — not a word.
Nothing, and always nothing. Go again
Yourself, and he may listen — or at least
Look up at you, and let you see his eyes.
I might as well have been the sound of rain,
A wind among the cedars, or a bird;
Or nothing. Mary, make him look at you;
And even if he should say that we are nothing,
To know that you have heard him will be something.
And yet he loved us, and it was for love
The Master gave him back. Why did He wait
So long before He came? Why did He weep?
I thought He would be glad — and Lazarus —
To see us all again as He had left us —
All as it was, all as it was before."

Mary, who felt her sister's frightened arms
Like those of someone drowning who had seized her,
Fearing at last they were to fail and sink
Together in this fog-stricken sea of strangeness,
Fought sadly, with bereaved indignant eyes,
To find again the fading shores of home
That she had seen but now could see no longer.
Now she could only gaze into the twilight,
And in the dimness know that he was there,
Like someone that was not. He who had been
Their brother, and was dead, now seemed alive
Only in death again — or worse than death;
For tombs at least, always until today,
Though sad were certain. There was nothing certain
For man or God in such a day as this;
For there they were alone, and there was he —
Alone; and somewhere out of Bethany,
The Master — who had come to them so late,
Only for love of them and then so slowly,
And was for their sake hunted now by men
Who feared Him as they feared no other prey —
For the world's sake was hidden. "Better the tomb
For Lazarus than life, if this be life,"
She thought; and then to Martha, "No, my dear,"
She said aloud; "not as it was before.
Nothing is ever as it was before,
Where Time has been. Here there is more than Time;
And we that are so lonely and so far
From home, since he is with us here again,
Are farther now from him and from ourselves
Than we are from the stars. He will not speak
Until the spirit that is in him speaks;
And we must wait for all we are to know,
Or even to learn that we are not to know.
Martha, we are too near to this for knowledge,
And that is why it is that we must wait.
Our friends are coming if we call for them,
And there are covers we'll put over him
To make him warmer. We are too young, perhaps,
To say that we know better what is best
Than he. We do not know how old he is.
If you remember what the Master said,
Try to believe that we need have no fear.
Let me, the selfish and the careless one,
Be housewife and a mother for tonight;
For I am not so fearful as you are,
And I was not so eager."

             Martha sank
Down at her sister's feet and there sat watching
A flower that had a small familiar name
That was as old as memory, but was not
The name of what she saw now in its brief
And infinite mystery that so frightened her
That life became a terror. Tears again
Flooded her eyes and overflowed. "No, Mary,"
She murmured slowly, hating her own words
Before she heard them, "you are not so eager
To see our brother as we see him now;
Neither is He who gave him back to us.
I was to be the simple one, as always,
And this was all for me." She stared again
Over among the trees where Lazarus,
Who seemed to be a man who was not there,
Might have been one more shadow among shadows,
If she had not remembered. Then she felt
The cool calm hands of Mary on her face,
And shivered, wondering if such hands were real.

"The Master loved you as He loved us all,
Martha; and you are saying only things
That children say when they have had no sleep.
Try somehow now to rest a little while;
You know that I am here, and that our friends
Are coming if I call."

             Martha at last
Arose, and went with Mary to the door,
Where they stood looking off at the same place,
And at the same shape that was always there
As if it would not ever move or speak,
And always would be there. "Mary, go now,
Before the dark that will be coming hides him.
I am afraid of him out there alone,
Unless I see him; and I have forgotten
What sleep is. Go now — make him look at you —
And I shall hear him if he stirs or whispers.
Go! — or I'll scream and bring all Bethany
To come and make him speak. Make him say once
That he is glad, and God may say the rest.
Though He say I shall sleep, and sleep for ever,
I shall not care for that . . . Go!"

             Mary, moving
Almost as if an angry child had pushed her,
Went forward a few steps; and having waited
As long as Martha's eyes would look at hers,
Went forward a few more, and a few more;
And so, until she came to Lazarus,
Who crouched with his face hidden in his hands,
Like one that had no face. Before she spoke,
Feeling her sister's eyes that were behind her
As if the door where Martha stood were now
As far from her as Egypt, Mary turned
Once more to see that she was there. Then, softly,
Fearing him not so much as wondering
What his first word might be, said, "Lazarus,
Forgive us if we seemed afraid of you;"
And having spoken, pitied her poor speech
That had so little seeming gladness in it,
So little comfort, and so little love.

There was no sign from him that he had heard,
Or that he knew that she was there, or cared
Whether she spoke to him again or died
There at his feet. "We love you, Lazarus,
And we are not afraid. The Master said
We need not be afraid. Will you not say
To me that you are glad? Look, Lazarus!
Look at my face, and see me. This is Mary."

She found his hands and held them. They were cool,
Like hers, but they were not so calm as hers.
Through the white robes in which his friends had wrapped him
When he had groped out of that awful sleep,
She felt him trembling and she was afraid.
At last he sighed; and she prayed hungrily
To God that she might have again the voice
Of Lazarus, whose hands were giving her now
The recognition of a living pressure
That was almost a language. When he spoke,
Only one word that she had waited for
Came from his lips, and that word was her name.

"I heard them saying, Mary, that He wept
Before I woke." The words were low and shaken,
Yet Mary knew that he who uttered them
Was Lazarus; and that would be enough
Until there should be more . . . "Who made Him come,
That He should weep for me? . . . Was it you, Mary?"
The questions held in his incredulous eyes
Were more than she would see. She looked away;
But she had felt them and should feel for ever,
She thought, their cold and lonely desperation
That had the bitterness of all cold things
That were not cruel. "I should have wept," he said,
"If I had been the Master. . . ."

             Now she could feel
His hands above her hair — the same black hair
That once he made a jest of, praising it,
While Martha's busy eyes had left their work
To flash with laughing envy. Nothing of that
Was to be theirs again; and such a thought
Was like the flying by of a quick bird
Seen through a shadowy doorway in the twilight.
For now she felt his hands upon her head,
Like weights of kindness: "I forgive you, Mary. . . .
You did not know — Martha could not have known —
Only the Master knew. . . . Where is He now?
Yes, I remember. They came after Him.
May the good God forgive Him. . . . I forgive Him.
I must; and I may know only from Him
The burden of all this. . . . Martha was here —
But I was not yet here. She was afraid. . . .
Why did He do it, Mary? Was it — you?
Was it for you? . . . Where are the friends I saw?
Yes, I remember. They all went away.
I made them go away. . . . Where is He now? . . .
What do I see down there? Do I see Martha —
Down by the door? . . . I must have time for this."

Lazarus looked about him fearfully,
And then again at Mary, who discovered
Awakening apprehension in his eyes,
And shivered at his feet. All she had feared
Was here; and only in the slow reproach
Of his forgiveness lived his gratitude.
Why had he asked if it was all for her
That he was here? And what had Martha meant?
Why had the Master waited? What was coming
To Lazarus, and to them, that had not come?
What had the Master seen before He came,
That He had come so late?

             "Where is He, Mary?"
Lazarus asked again. "Where did He go?"
Once more he gazed about him, and once more
At Mary for an answer. "Have they found Him?
Or did He go away because He wished
Never to look into my eyes again? . . .
That, I could understand. . . . Where is He, Mary?"

"I do not know," she said. "Yet in my heart
I know that He is living, as you are living —
Living, and here. He is not far from us.
He will come back to us and find us all —
Lazarus, Martha, Mary — everything —
All as it was before. Martha said that.
And He said we were not to be afraid."
Lazarus closed his eyes while on his face
A tortured adumbration of a smile
Flickered an instant. "All as it was before,"
He murmured wearily. "Martha said that;
And He said you were not to be afraid . . .
Not you . . . Not you . . . Why should you be afraid?
Give all your little fears, and Martha's with them,
To me; and I will add them unto mine,
Like a few rain-drops to Gennesaret."

"If you had frightened me in other ways,
Not willing it," Mary said, "I should have known
You still for Lazarus. But who is this?
Tell me again that you are Lazarus;
And tell me if the Master gave to you
No sign of a new joy that shall be coming
To this house that He loved. Are you afraid?
Are you afraid, who have felt everything —
And seen . . . ?"

             But Lazarus only shook his head,
Staring with his bewildered shining eyes
Hard into Mary's face. "I do not know,
Mary," he said, after a long time.
"When I came back, I knew the Master's eyes
Were looking into mine. I looked at His,
And there was more in them than I could see.
At first I could see nothing but His eyes;
Nothing else anywhere was to be seen —
Only His eyes. And they looked into mine —
Long into mine, Mary, as if He knew."

Mary began to be afraid of words
As she had never been afraid before
Of loneliness or darkness, or of death,
But now she must have more of them or die:
"He cannot know that there is worse than death,"
She said. "And you . . ."

             "Yes, there is worse than death."
Said Lazarus; "and that was what He knew;
And that is what it was that I could see
This morning in his eyes. I was afraid,
But not as you are. There is worse than death,
Mary; and there is nothing that is good
For you in dying while you are still here.
Mary, never go back to that again.
You would not hear me if I told you more,
For I should say it only in a language
That you are not to learn by going back.
To be a child again is to go forward —
And that is much to know. Many grow old,
And fade, and go away, not knowing how much
That is to know. Mary, the night is coming,
And there will soon be darkness all around you.
Let us go down where Martha waits for us,
And let there be light shining in this house."

He rose, but Mary would not let him go:
"Martha, when she came back from here, said only
That she heard nothing. And have you no more
For Mary now than you had then for Martha?
Is Nothing, Lazarus, all you have for me?
Was Nothing all you found where you have been?
If that be so, what is there worse than that —
Or better — if that be so? And why should you,
With even our love, go the same dark road over?"

"I could not answer that, if that were so,"
Said Lazarus, — "not even if I were God.
Why should He care whether I came or stayed,
If that were so? Why should the Master weep —
For me, or for the world, — or save Himself
Longer for nothing? And if that were so,
Why should a few years' more mortality
Make Him a fugitive where flight were needless,
Had He but held his peace and given his nod
To an old Law that would be new as any?
I cannot say the answer to all that;
Though I may say that He is not afraid,
And that it is not for the joy there is
In serving an eternal Ignorance
Of our futility that He is here.
Is that what you and Martha mean by Nothing?
Is that what you are fearing? If that be so,
There are more weeds than lentils in your garden.
And one whose weeds are laughing at his harvest
May as well have no garden; for not there
Shall he be gleaning the few bits and orts
Of life that are to save him. For my part,
I am again with you, here among shadows
That will not always be so dark as this;
Though now I see there's yet an evil in me
That made me let you be afraid of me.
No, I was not afraid — not even of life.
I thought I was . . . I must have time for this;
And all the time there is will not be long.
I cannot tell you what the Master saw
This morning in my eyes. I do not know.
I cannot yet say how far I have gone,
Or why it is that I am here again,
Or where the old road leads. I do not know.
I know that when I did come back, I saw
His eyes again among the trees and faces —
Only His eyes; and they looked into mine —
Long into mine — long, long, as if He knew."