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The Triumph of Music, and Other Lyrics

Chapter 30: BEYOND.
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About This Book

The collection gathers lyrical poems that celebrate rural landscapes, seasonal change, and musical and classical allusions. Through compact descriptive pieces and longer lyrics the poet evokes spring and summer wildflowers, woodlands, fountains, and twilight, blending wistful longing and melancholy with vivid natural detail. Recurring motifs include music, mythic figures, and intimate meditations on love, memory, and the passage of time. Scene-rich vignettes alternate with formal lyrics to sustain a mood of pastoral reverie and elegiac tenderness.

The dew-drop from the rose that slips
Hath not the sparkle of her lips,
My lady's lips.
Than her long braids of yellow hold
The dandelion hath not more gold,
Her braids like gold.
The blue-bell hints not more of skies
Than do the flowers in her eyes,
My lady's eyes.
The sweet-pea blossom doth not wear
More dainty pinkness than her ear,
My lady's ear.
So, heigho! then, tho' skies be gray,
My heart's a garden that is gay
This sorry day.

LONGING.

When rathe wind-flowers many peer
All rain filled at blue April skies,
As on one smiles one's lady dear
With the big tear-drops in her eyes;
When budded May-apples, I wis,
Be hidden by lone greenwood creeks,
Be bashful as her cheeks we kiss,
Be waxen as her dimpled cheeks;
Then do I pine for happier skies,
Shy wild-flowers fair by hill and burn;
As one for one's sweet lady's eyes,
And her white cheeks might pine and yearn.

IN MIDDLE SPRING.

When the fields are rolled into naked gold,
And a ripple of fire and pearl is blent
With the emerald surges of wood and wold
Like a flower-foam bursting violent;
When the dingles and deeps of the woodlands old
Are glad with a sibilant life new sent,
Too rare to be told are the manifold
Sweet fancies that quicken redolent
In the heart that no longer is cold.
How it knows of the wings of the hawk that swings
From the drippled dew scintillant seen;
Why the red-bird hides where it sings and sings
In melodious quiverings of green;
How the wind to the red-bud and dogwood brings
Big pearls of worth and corals of sheen,
Whiles he lisps to the strings of a lute that rings
Of love in the South who is queen,
Where the fountain of poesy springs.
Go seek in the ray for a sworded fay
The chestnut's buds into blooms that rips;
And look in the brook that runs laughing gay
For the nymph with the laughing lips;
In the brake for the dryad whose eyes are gray,
From whose bosom the perfume drips;
The faun hid away where the grasses sway
Thick ivy low down on his hips,
Pursed lips on a syrinx at play.
So ho, for the rose, the Romeo rose,
And the lyric he hides in his heart;
And ho, for the epic the oak tree knows,
Sonorous and mighty in art.
The lily with woes that her white face shows
Hath a satire she yearns to impart,
But none of those, her hates and her foes,
For a heart that sings but for sport,
And shifts where the song-wind blows.

TYRANNY.

There is not aught more merciless
Than such fast lips that will not speak,
That stir not if I curse or bless
A God that made them weak.
More madd'ning to one there is naught,
Than such white eyelids sealed on eyes,
Eyes vacant of the thing named thought,
An exile in the skies.
Ah, silent tongue! ah, ear so dull!
How angel utterances low
Have wooed you! they more beautiful
Than mortal harsh with woe!

VISIONS.

When the snow was deep on the flower-beds,
And the sleet was caked on the brier;
When the frost was down in the brown bulbs' heads,
And the ways were clogged with mire;
When the wind to syringa and bare rose-tree
Brought the phantoms of vanished flowers,
And the days were sorry as sorry could be,
And Time limped cursing his fardle of hours:
Heigho! had I not a book and the logs?
And I swear that I wasn't mistaken,
But I heard the frogs croaking in far-off bogs,
And the brush-sparrow's song in the braken.
And I strolled by paths which the Springtide knew,
In her mossy dells, by her ferny passes,
Where the ground was holy with flowers and dew,
And the insect life in the grasses.
And I knew the Spring as a lover who knows
His sweetheart, to whom he has given
A kiss on the cheek that warmed its white rose,
In her eyes brought the laughter of heaven.
For a poem I'd read, a simple thing,
A little lyric that had the power
To make the brush-sparrow come and sing,
And the winter woodlands flower.

THE OLD BYWAY

Its rotting fence one scarcely sees
Through sumach and wild blackberries,
Thick elder and the white wild-rose,
Big ox-eyed daisies where the bees
Hang droning in repose.
The limber lizards glide away
Gray on its moss and lichens gray;
Warm butterflies float in the sun,
Gay Ariels of the lonesome day;
And there the ground squirrels run.
The red-bird stays one note to lift;
High overhead dark swallows drift;
'Neath sun-soaked clouds of beaten cream,
Through which hot bits of azure sift,
The gray hawks soar and scream.
Among the pungent weeds they fill
Dry grasshoppers pipe with a will;
And in the grass-grown ruts, where stirs
The basking snake, mole-crickets shrill;
O'er head the locust whirrs.
At evening, when the sad West turns
To dusky Night a cheek that burns,
The tree-toads in the wild-plum sing,
And ghosts of long-dead flowers and ferns
The wind wakes whispering.

DIURNAL.

I
A molten ruby clear as wine
Along the east the dawning swims;
The morning-glories swing and shine,
The night dews bead their satin rims;
The bees rob sweets from shrub and vine,
The gold hangs on their limbs.
Sweet morn, the South,
A royal lover,
From his fragrant mouth,
Sweet morn, the South
Breathes on and over
Keen scents of wild honey and rosy clover.
II
Beside the wall the roses blow
Long summer noons the winds forsake;
Beside the wall the poppies glow
So full of fire their hearts do ache;
The dipping butterflies come slow,
Half dreaming, half awake.
Sweet noontide, rest,
A slave-girl weary
With her babe at her breast;
Sweet noontide, rest,
The day grows dreary
As soft limbs that are tired and eyes that are teary.
III
Along lone paths the cricket cries
Sad summer nights that know the dew;
One mad star thwart the heavens flies
Curved glittering on the glassy blue;
Now grows the big moon on the skies.
The stars are faint and few.
Sweet night, breathe thou
With a passion taken
From a Romeo's vow;
Sweet night, breathe thou
Like a beauty shaken
Of amorous dreams that have made her waken.

THE WOOD-PATH.

Here doth white Spring white violets show,
Broadcast doth white, frail wind-flowers sow
Through starry mosses amber-fair,
As delicate as ferns that grow,
Hart's-tongue and maiden-hair.
Here fungus life is beautiful,
White mushroom and the thick toad-stool
As various colored as wild blooms;
Existences that love the cool,
Distinct in rank perfumes.
Here stray the wandering cows to rest,
The calling cat-bird builds her nest
In spice-wood bushes dark and deep;
Here raps the woodpecker his best,
And here young rabbits leap.
Tall butternuts and hickories,
The pawpaw and persimmon trees,
The beech, the chestnut, and the oak,
Wall shadows huge, like ghosts of bees
Through which gold sun-bits soak.
Here to pale melancholy moons.
In haunted nights of dreamy Junes,
Wails wildly the weird whippoorwill,
Whose mournful and demonic tunes
Wild woods with phantoms fill.

DEFICIENCY.

Ah, God! were I away, away,
By woodland-belted hills!
There might be more in Thy bright day
Than my poor spirit thrills.
The elder coppice, banks of blooms,
The spice-wood brush, the field
Of tumbled clover, and perfumes
Hot, weedy pastures yield.
The old rail-fence whose angles hold
Bright briar and sassafras,
Sweet priceless wild flowers blue and gold
Starred through the moss and grass.
The ragged path that winds unto
Lone cow-behaunted nooks,
Through brambles to the shade and dew
Of rocks and woody brooks.
To see the minnows turn and gleam
White sparkling bellies, all
Shoot in gray schools adown the stream
Let but a dead leaf fall.
The buoyant pleasure and delight
Of floating feathered seeds.
Capricious wanderers soft and white
Born of silk-bearing weeds.
Ah, God! were I away, away,
Among wild woods and birds!
There were more soul within Thy day
Than one might bless with words.

HE WHO LOVES.

For him God's birds each merry morn
Make of wild throats melodious flutes
To trill such love from brush and thorn
As might brim eyes of brutes:
Who would believe of such a thing,
That 'tis her heart which makes them sing?
For him the faultless skies of noon
Grow farther in eternal blue,
As heavens that buoy the balanced moon,
And sow the stars and dew:
Who would believe that such deep skies
Are miracles only through her eyes?
For him mad sylphs adown domed nights
Stud golden globules radiant,
Or glass-green transient trails of lights
Spin from their orbs and slant:
Who would believe a soul were hers
To make for him a universe?

THE MONASTERY CROFT.

1
Big-stomached, like friars
Who ogle a nun,
Quaff deep to their bellies' desires
From the old abbey's tun,
Grapes fatten with fires
Warm-filtered from moon and from sun.
2
As a novice who muses,—
Lips a rosary tell,
While her thoughts are—a love she refuses?
—Nay! mourns as not well:
The ripe apple looses
Its holding to rot where it fell.

THE DRYAD.

I have seen her limpid eyes
Large with gradual laughter rise
Through wild-roses' nettles,
Like twin blossoms grow and stare,
Then a hating, envious air
Whisked them into petals.
I have seen her hardy cheek
Like a molten coral leak
Through the leafage shaded
Of thick Chickasaws, and then,
When I made more sure, again
To a red plum faded.
I have found her racy lips,
And her graceful finger-tips,
But a haw and berry;
Glimmers of her there and here,
Just, forsooth, enough to cheer
And to make me merry.
Often on the ferny rocks
Dazzling rimples of loose locks
At me she hath shaken,
And I've followed—'twas in vain—
They had trickled into rain
Sun-lit on the braken.
Once her full limbs flashed on me,
Naked where some royal tree
Powdered all the spaces
With wan sunlight and quaint shade,
Such a haunt romance hath made
For haunched satyr-races.
There, I wot, hid amorous Pan,
For a sudden pleading ran
Through the maze of myrtle,
Whiles a rapid violence tossed
All its flowerage,—'twas the lost
Cooings of a turtle.

"THE SWEET O' THE YEAR."

I
How can I help from laughing while
The daffodilies at me smile;
The tickled dew winks tipsily
In clusters of the lilac-tree;
The crocuses and hyacinths
Storm through the grassy labyrinths
A mirth of gold and violet;
And roses, bud by bud,
Flash from each dainty-lacing net
Red lips of maidenhood?
II
How can I help from singing when
The swallow and the hawk again
Are noisy in the hyaline
Of happy heavens clear as wine;
The robin lustily and shrill
Pipes on the timber-bosomed hill;
And o'er the fallow skim the bold,
Mad orioles that glow
Like shining shafts of ingot gold
Shot from the morning's bow?
III
How can I help from loving, dear,
Since love is of the sweetened year?
The very vermin feel her power,
And chip and chirrup hour by hour:
It is the grasshopper at noon,
The cricket's at it in the moon,
Whiles lizzards glitter in the dew,
And bats be on the wing;
Such days of joy are short and few.
Grant me thy love this spring.

WITH THE SEASONS.

I
You will not love me, sweet.
When this fair year is past;
Or love now at my feet
At others' feet be cast.
You will not love me, sweet,
When this fair year is past.
II
Now 'tis the Springtide, dear,
The crocus cups hold flame
Brimmed to the pregnant year.
Who crimsons as with shame.
Now 'tis the Springtide, dear,
The crocus cups hold flame.
III
Ah, heart, the Summer's queen,
At her brown throat one rose;
The poppies now are seen
With seed-pods thrust in rows.
Dear heart, the Summer's queen,
At her brown throat one rose.
IV
Now Autumn reigns, a prince
Fierce, gipsy-dark; live gold
Weighs down the fruited quince,
The last chilled violet's told.
The Autumn reigns, a prince,
A despot crowned with gold.
V
Alas! rude Winter's king,
Snow-driven from chin to head;
No wild birds pipe and sing,
The wild winds sing instead.
Ah me! rude Winter's king,
Snow-driven from chin to head.
VI
Weep now, you once who smiled,
Sweet hope that had few fears!
And this the end, my child!—
Thyself, my shame and tears!
Weep now, you once who smiled,
Sweet hope, that had few fears!

UNATTAINABLE.

I
What though the soul be tired
For that to which 'twas fired,
The far, dear, still desired,
Beyond the heaven's scope;
Beyond us and above us,
The thing we would have love us,
That will know nothing of us,
But only bids us hope.
II
It still behooves us ever
From loving ne'er to sever,
To love it though it never
Reciprocate our care;
For love, when freely given,
Lets in soft hints of heaven
In memories that leaven
Black humors of despair.
III
For in this life diurnal
All earthly, gross, infernal,
Conflicts with that eternal
To make its love as lust;
To rot the fairest flower
Of thought which is a power,
All happiness to sour,
And burn our eyes with dust.
IV
Believe, some power higher
Breathes in us this desire
With purpose strange as fire,
And soft though seeming hard;
Who to such starved endeavor
And wasted love, that never
Seems recompensed, forever
Gives in His way reward.

BEYOND.

Hangs stormed with stars the night,
Deep over deep,
A majesty, a might,
To feel and keep.
2
Ah! what is such and such,
Love, canst thou tell?
That shrinks—though 'tis not much—
To weep farewell.
3
That hates the dawn and lark;
Would have the wail,—
Sobbed through the ceaseless dark,—
O' the nightingale.
4
Yes, earth, thy life were worth
Not much to me,
Were there not after earth
Eternity.
5>
God gave thee life to keep—
And what hath life?—
Love, faith, and care, and sleep
Where dreams are rife.
6
Death's sleep, whose shadows start
The tears in eyes
Of love, that fill the heart
That breaks and dies.
7
And faith is never given
Without some care,
That leadeth us to heaven
By ways of prayer.
8
The nightingale and dark
Are thine then here;
Beyond, the light and lark
Eternal there.

SHADOWS.

1
Ha! help!—'twas palpable!
A ghost that thronged
Up from the mind or hell
Of one I wronged!
2
'Tis past and—silence!—naught!—
A vision born
Of the scared mind o'erwrought
With dreams forlorn:
3
The bastard brood of Death
And Sleep that wakes
Grim fancies with its breath,
And reason shakes.
4
Would that the grave could rot
Like flesh the soul,
Gnaw through with worms and not
Leave it thus whole,
5
More than it was in earth
Beyond the grave,
Much more in death than birth
To conscience slave!

CHECK AND COUNTER-CHECK.

1
Vent all your coward's wrath
Upon me so!—
Yes, I have crossed your path
And will not go!
2
Storm at me hate, and name
Me all that's vile,
"Lust," "filth," "disease," and "shame,"
I only smile.
3
Me brute rage can not hurt,
It only flings
In your own eyes blind dirt
That bites and stings.
4
Rave at your like such whine,
Your fellow-men,
This wrath!—great God! and mine!—
What is it then?
5
No words! no oaths! such hate
As devils smile
When raw success cries "wait!"
And "afterwhile!"
6
A woman I and ill,
A courtesan
You wearied of, would kill,
And you—a man!
7
You, you—unnamable!
A thing there's not,
Too base to burn in Hell,
Too vile to rot.

SEMPER IDEM.

1
Hold up thy head and crush
Thy heart's despair;
From thy wan temples brush
The tear-wet hair.
2
Look on me thus as I
Gaze upon thee;
Nor question how nor why
Such things can be.
3
Thou thought'st it love!—poor fool!
That which was lust!
Which made thee, beautiful,
Vile as the dust!
4
Thy flesh I craved, thy face!—
Love shrinks at this—
Now on thy lips to place
One farewell kiss!—
5
Weep not, but die!—'tis given—
And so—farewell!—
Die!—that which makes death heaven,
Makes life a hell.

TWO LIVES.

1
"There is no God," one said,
And love is lust;
When I am dead I'm dead,
And all is dust.
"Be merry while you can
Before you're gray;
With some wild courtesan
Drink care away."
2
One said, "A God there is,
And God is love;
Death is not death, but bliss,
And life above.
"Above all flesh is mind;
And faith and truth
God's gifts to poor mankind
That make life youth."
3
One from a harlot's side
Arose at morn;
One cursing God had died
That night forlorn.

FOREVERMORE.

I
O heart that vainly follows
The flight of summer swallows,
Far over holts and hollows,
O'er frozen buds and flowers;
To violet seas and levels,
Where Love Time's locks dishevels
With merry mimes and revels
Of aphrodisiac Hours.
II
O Love who, dreaming, borrows
Dead love from sad to-morrows,
The broken heart that sorrows,
The blighted hopes that weep;
Pale faces pale with sleeping;
Red eyelids red with weeping;
Dead lips dead secrets keeping,
That shake the deeps of sleep!
III
O Memory that showers
About the withered hours
White, ruined, sodden flowers,
Dead dust and bitter rain;
Dead loves with faces teary;
Dead passions wan and dreary;
The weary, weary, weary,
Dead heart-ache and the pain!
IV
O give us back the blisses,
Lost madness of moist kisses,
The youth, the joy, the tresses,
The fragrant limbs of white;
The high heart like a jewel
Alive with subtle fuel,
Lips beautiful and cruel,
Eyes' incarnated light!
V
Instead of tears, wild laughter
The old hot passions after,
The houri sweets that dafter
Made flesh and soul a slave!
Enough of tearful sorrows;
Enough of rank to-morrows;
The life that whines and borrows
But memories of the grave!
VI
The grave that breaks no netting
Of care or spint's fretting,
No long, long sweet forgetting
For those who would forget;
And those who stammer by it
Hope of an endless quiet,
Within them voiceless riot
When they and it have met.
VII
And God we pray beseeching,—
But Life with finger reaching,
Stone-stern, remaineth teaching
Our hearts to turn to stone;
Then fain are we to follow
The last, lorn, soaring swallow
Past bourns of holt and hollow
Forevermore alone.

A BLOWN ROSE.

Lay but a finger on
That pallid petal sweet,
It trembles gray and wan
Beneath the passing feet.
But soft! blown rose, we know
A merriment of bloom,
A life of sturdy glow,—
But no such dear perfume.
As some good bard, whose page
Of life with beauty's fraught,
Grays on to ripe old age
Sweet-mellowed through with thought.
So when his hoary head
Is wept into the tomb,
The mind, which is not dead,
Sheds round it rare perfume.

TO-MORROW.

A Lorelei full fair she sits
Throned on the stream that dimly rolls;
Still, hope-thrilled, with her wild harp knits
To her from year to year men's souls.
They hear her harp, they hear her song,
Led by the wizard beauty high,
Like blind brutes maddened rush along,
Sink at her cold feet, gasp and die.

MNEMOSYNE.

In classic beauty, cold, immaculate,
A voiceful sculpture, stern and still she stands,
Upon her brow deep chiseled love and hate,
That sorrow o'er dead roses in her hands.

THE SIRENS.