"Ford, I'm no coquette," she said straightforwardly.
If she had waited, Ford would have told her. If she had given him a chance, he would have told her afterward; but she did not. She was extremely careful not to let their talk become intimate, after that. She laughed, she raced Hooligan almost to the point of abuse, she chattered about everything under the sun that came into her mind, except their own personal affairs or anything that could possibly lead up to the subject.
Ford, for a time, watched for an opening honestly; saw at last the impossibility of telling her—unless indeed he shouted, "Say, I'm a married man!" to her without preface or extenuating explanation—and yielded finally to the reprieve the fates sent him.
CHAPTER XVI
To Find and Free a Wife
Ford spent the rest of that day and all of the night that followed, in thinking what would be the best and the easiest method of gaining the point he wished to reach. All along he had been uncomfortably aware of his matrimonial entanglement and had meant, as soon as he conveniently could, to try and discover who was his wife, and how best to free himself and her. He had half expected that she herself would do something to clear the mystery. She had precipitated the marriage, he constantly reminded himself, and it was reasonable to expect that she would do something; though what, Ford could only conjecture.
When he faced Josephine across the breakfast table the next morning, and caught the shy glance she gave him when Mrs. Kate was not looking, a plan he had half formed crystallized into a determination. He would not tell her anything about it until he knew just what he was up against, and how long it was going to take him to free himself. And since he could not do anything about it while he rode and planned and gave orders at the Double Cross, he swallowed his breakfast rather hurriedly and went out to find Jim Felton.
"Say, Jim," he began, when he ran that individual to earth in the stable, where, with a pair of sheep shears, he was roaching the mane of a shaggy old cow pony to please Buddy, who wanted to make him look like a circus horse, even if there was no hope of his ever acting like one. "I'm going to hand you the lines and let you drive, for a few days. I've got to scout around on business of my own, and I don't know just how long it's going to take me. I'm going right away—to-day."
"Yeah?" Jim poised the shears in air and regarded him quizzically over the pony's neck. "Going to pass me foreman's privilege—to hire and fire?" he grinned. "Because I may as well tell you that if you do, Dick won't be far behind you on the trail."
"Oh, darn Dick. I'll fire him myself, maybe, before I leave. Yes," he added, thinking swiftly of Josephine as the object of Dick's desires, "that's what I'll do. Maybe it'll save a lot of trouble while I'm gone. He's a tricky son-of-a-gun."
"You're dead right; he is," Jim agreed. And then, dryly: "Grandmother just died?"
"Oh, shut up. This ain't an excuse—it's business. I've just got to go, and that's all there is to it. I'll fix things with the missus, and tell her you're in charge. Anyway, I won't be gone any longer than I can help."
"I believe that, too," said Jim softly, and busied himself with the shears.
Ford looked at him sharply, in doubt as to just how much or how little Jim meant by that. He finally shrugged his shoulders and went away to tell Mrs. Kate, and found that a matter which required more diplomacy than he ever suspected he possessed. But he did tell her, and he hoped that she believed the reason he gave for going, and also had some faith in his assurance that he would be back, probably, in a couple of days—or as soon afterwards as might be.
"There's nothing but chores to do now around the ranch, and Jack will ride fence," he explained unnecessarily, to cover his discomfort at her coldness. "Jim can look after things just as well as I can. There won't be any need to start feeding the calves, unless it storms; and if it does, Jim and Jack will go ahead, all right. I'm going to let Dick and Curly go. We don't need more than two men besides Walt, from now on."
"I wish Chester was here," said Mrs. Kate ambiguously.
Ford did not ask her why she wished that. He told her good-by as hastily as if he had to run to catch a train, and left her. He hoped he would be lucky enough to see Josephine—and then he hoped quite as sincerely that he would not see her, after all. It would be easier to go without her clear eyes asking him why.
What he meant to do first was to find Rock, and see if he had been sober enough that night in Sunset to remember what happened at the marriage ceremony, and could give him some clue as to the woman's identity and whereabouts. If he failed there, he intended to hunt up the preacher. That, also, presented certain difficulties, but Ford was in the mood to overcome obstacles. Once he discovered who the woman was, it seemed to him that there should be no great amount of trouble in getting free. As he understood it, he was not the man she had intended to marry; and not being the man she wanted, she certainly could not be over-anxious to cling to him.
While he galloped down the trail to town, he went over the whole thing again in his mind, to see if there might be some simpler plan than the one he had formed in the night.
"No, sir—it's Rock I've got to see first," he concluded. "But Lord only knows where I'll find him; Rock never does camp twice in the same place. Never knew him to stay more than a month with one outfit. But I'll find him, all right!"
And by one of those odd twists of circumstances which sets men to wondering if there is such a thing as telepathy and a specifically guiding hand and the like, it was Rock and none other whom he met fairly in the trail before he had gone another mile.
"Well, I'll be gol darned!" Ford whispered incredulously to himself, and pulled up short in the trail to wait for him.
Rock came loping up with elbows flapping loosely, as was his ungainly habit. His grin was wide and golden as of yore, his hat at the same angle over his right eyebrow.
"Gawd bless you, brother! May peace ride behind your cantle!" he declaimed unctuously, for Rock was a character, in his way, and in his speech was not in the least like other men. "Whither wendest thou?"
"My wending is all over for the present," said Ford, wheeling his horse short around, that he might ride alongside the other. "I started out to hunt you up, you old devil. How are you, anyway?"
"It is well with me, and well with my soul—what little I've got—but it ain't so well with my winter grub-stake. I'm just as tickled to see you as you ever dare be to meet up with me, and that's no lie. I heard you've got a stand-in with the Double Cross, and seeing they ain't on to my little peculiarities, I thought I'd ride out and see if I couldn't work you for a soft snap. Got any ducks out there you want led to water?"
"Maybe—I dunno. I just canned two men this morning, before I left." Ford was debating with himself how best to approach the subject to him most important.
"Good ee-nough! I can take the place of those two men; eat their share of grub, do their share of snoring, and shirk their share of work, and drink their share of booze—oh, lovely! But, in the words of the dead, immortal Shakespeare, 'What's eating you?' You look to me as if you hadn't enjoyed the delights of a good, stiff jag since—" He waved a hand vaguely. "Ain't a scar on you, so help me!" He regarded Ford with frank curiosity.
"Oh, yes there is. I've got the hide peeled off two knuckles, and one of my thumbs is just getting so it will move without being greased," Ford assured him, and then went straight at what was on his mind.
"Say, Rock, I was told that you had a hand in my getting married, back in Sunset that night."
Rock made his horse back until it nearly fell over a rock; his face showed exaggerated symptoms of terror.
"I couldn't help it," he wailed. "Spare muh—for muh poor mother's sake, oh spare muh life!" Whereat Ford laughed, just as Rock meant that he should do. "You licked Bill twice for that, they tell me," Rock went on, quitting his foolery and coming up close again. "And you licked the preacher that night, and—so the tale runneth—like to have put the whole town on the jinks. Is there anything in particular you'd like to do to me?"
"I just want you to tell me who I married—if you can." Ford reddened as the other stared, but he did not stop. "I was so darned full that night I let the whole business ooze out of my memory, and I haven't been able to—"
Rock was leaning over the saddle horn, howling and watery-eyed. Ford looked at him with a dawning suspicion.
"It did strike me, once or twice," he said grimly, "that the whole thing was a put-up job. If you fellows rigged up a josh like that, and let it go as far as this, may the Lord have mercy on your souls, for I won't!"
But Rock could only wave him off weakly; so Ford waited until he had recovered. Even then, it took some talking to convince Rock that the affair was truly serious and not to be treated any longer as a joke.
"Why, damn it, man, I'm in love with a girl and I want to marry her if I can get rid of this other darned, mysterious, Tom-fool of a woman," Ford gritted at last, in sheer desperation. "Or if it's just a josh, by this and by that I mean to find it out."
Rock sobered then. "It ain't any josh," he said, with convincing earnestness. "You got married, all right enough. And if it's as you say, Ford, I sure am sorry for it. I don't know the girl's name. I'd know her quick enough if I should see her, but I can't tell you who she was."
Ford swore, of course. And Rock listened sympathetically until he was done.
"That's the stuff; get it out of your system, Ford, and then you'll feel better. Then we can put our heads together and see if there isn't some way to beat this combination."
"Could you spot the preacher, do you reckon?" asked Ford more calmly.
"I could—if he didn't see us coming," Rock admitted guardedly. "Name of Sanderson, I believe. I've seen him around Garbin. He could tell—he must have some record of it; but would he?"
"Don't you know, even, why she came and glommed onto me like that?" Ford's face was as anxious as his tone.
"Only what you told me, confidentially, in a corner afterwards," said Rock regretfully. "Maybe you told it straight, and maybe you didn't; there's no banking on a man's imagination when he's soused. But the way you told it to me was this:
"You said the girl told you that she was working for some queer old party—an old lady with lots of dough; and she made her will and give her money all to some institution—hospital or some darned thing, I forget just what, or else you didn't say. Only, if this girl would marry her son within a certain time, he could have the wad. Seems the son was something of a high-roller, and the old lady knew he'd blow it in, if it was turned over to him without any ballast, like; and the girl was supposed to be the ballast, to hold him steady. So the old lady, or else it was the girl, writes to this fellow, and he agrees to hook up with the lady and take the money and behave himself. Near as I could make it out, the time was just about up before the girl took matters into her own hand, and come out on a hunt for this Frank Cameron. How she happened to sink her rope on you instead, and take her turns before she found out her mistake, you'll have to ask her—if you ever see her again.
"But this much you told me—and I think you got it straight. The girl was willing to marry you—or Frank Cameron—so he could get what belonged to him. She wasn't going to do any more, though, and you told me"—Rock's manner became very impressive here—"that you promised her, as a man and a gentleman, that you wouldn't ever bother her, and that she was to travel her own trail, and she didn't want the money. She just wanted to dodge that fool will, seems like. Strikes me I'd a let the fellow go plumb to Guinea, if I was in her place, but women get queer notions of duty, and the like of that, sometimes. Looks to me like a fool thing for a woman to do, anyway."
Though they talked a good while about it, that was all the real information which Ford could gain. He would have to find the minister and persuade him to show the record of the marriage, and after that he would have to find the girl.
Before they reached that definite conclusion, the storm which had been brewing for several days swooped down upon them, and drove Ford to the alternative of riding in the teeth of it to town, which was not only unpleasant but dangerous, if it grew any worse, or retracing his steps to the Double Cross and waiting there until it was over. So that is what he did, with Rock to bear him willing company.
They met Dick and Curly on the way, and though Ford stopped them and suggested that they turn back also, neither would do so. Curly intimated plainly that the joys of town were calling to him from afar, and that facing a storm was merely calculated to make his destination more alluring by contrast. "Turn back with two months' wages burning up my inside pocket? Oh, no!" he laughed, and rode on. Dick did not say why, but he rode on also. Ford turned in the saddle and looked after them, as they disappeared in a swirl of fine snow.
"That's what I ought to do," he said, "but I'm not going to do it, all the same."
"Which only goes to prove," bantered Rock, "that the Double Cross pulls harder than all the preacher could tell you. I wonder if there isn't a girl at the Double Cross, now!"
"There is," Ford confessed, with a grin of embarrassment. "And you shut up."
"I just had a hunch there was," Rock permitted himself to say meekly, before he dropped the subject.
It was ten minutes before Ford spoke again.
"I'll take you up to the house and introduce you to her, Rock, if you'll behave yourself," he offered then, with a shyness in his manner that nearly set Rock off in one of his convulsions of mirth. "But the missus isn't wise—so watch out. And if you don't behave yourself," he added darkly, "I'll knock your block off."
"Sure. But my block is going to remain right where it's at," Rock assured him, which was a tacit promise of as perfect behavior as he could attain.
They looked like snow men when they unsaddled, with the powdery snow beaten into the very fabric of their clothing, and Ford suggested that they go first to the bunk-house to thaw out. "I'd sure hate to pack all this snow into Mrs. Kate's parlor," he added whimsically. "She's the kind of housekeeper that grabs the broom the minute you're gone, to sweep your tracks off the carpet. Awful nice little woman, but—"
"But not The One," chuckled Rock, treading close upon Ford's heels. "And I'll bet fifteen cents," he offered rashly, looking up, "that the person hitting the high places for the bunk-house is The One."
"How do you know?" Ford demanded, while his eyes gladdened at sight of Josephine, with a Navajo blanket flung over her head, running down the path through the blizzard to the bunk-house kitchen.
"'Cause she shied when she saw you coming. Came pretty near breaking back on you, too," Rock explained shrewdly.
They reached the kitchen together, and Ford threw open the door, and held it for her to pass.
"I came after some of Mose's mince-meat," she explained hastily. "It's a terrible storm, isn't it? I'm glad it didn't strike yesterday. I thought you were going to be gone for several days."
Ford, with embarrassed haste to match her own, presented Rock in the same breath with wishing that Rock was elsewhere; for Mose was not in the kitchen, and he had not had more than a few words with her for twenty-four hours. He was perilously close to forgetting his legal halter when he looked at her.
She was, he thought, about as sweet a picture of a woman as a man need ever look upon, as she stood there with the red Navajo blanket falling back from her dark hair, and with her wide, honest eyes fixed upon Rock. She was blushing, as if she, too, wished Rock elsewhere. She turned impulsively, set down the basin she had been holding in her arm, and pulled the blanket up so that it framed her face bewitchingly.
"Mose can bring up the mince-meat when he comes—since he isn't here," she said hurriedly. "We weren't looking for you back, but dinner will be ready in half an hour or so, I think." She pulled open the door and went out into the storm.
Rock stared at the door, still quivering with the slam she had given it. Then he looked at Ford, and afterward sat down weakly upon a stool, and began dazedly pulling the icicles from his mustache.
"Well—I'll—be—cremated!" he said in a whisper.
"And what's eating you, Rock?" Ford quizzed gayly. He had seen something in the eyes of Josephine, when he met her, that had set his blood jumping again. "Did Miss Melby—"
"Miss Melby my granny!" grunted Rock, in deep disgust. "That there is your wife!"
Ford backed up against the wall and stared at him blankly. Afterward he took a deep breath and went out as though the place was on fire.
CHAPTER XVII
What Ford Found at the Top
Ford Campbell was essentially a man of action; he did not waste ten seconds in trying to deduce the whys and hows of the amazing fact; he would have a whole lifetime in which to study them. He started for the house, and the tracks he made in the loose, shifting snow were considerably more than a yard apart. He even forgot to stamp off the clinging snow and scour his boot-soles upon the porch rug, and when he went striding in, he pushed the door only half shut behind him, so that it swung in the wind and let a small drift collect upon the parlor carpet, until Mrs. Kate, feeling a draught, discovered it, and was shocked beyond words at the sacrilege.
Ford went into the dining-room, crossed it in just three strides, and ran his quarry to earth in the kitchen, where she was distraitly setting out biscuit materials. He started toward her, realized suddenly that the all-observing Buddy was at his very heels, and delayed the reckoning while he led that terrible man-child to his mother.
"I wish you'd close-herd this kid for about four hours," he told Mrs. Kate bluntly, and left her looking scared and unconsciously posing as protective motherhood, her arm around the outraged Robert Chester Mason. Mrs. Kate was absolutely convinced that Ford was at last really drunk and "on the rampage," and she had a terrible vision of slain girlhood in the kitchen, so that she was torn between mother-love and her desire to protect Phenie. But Ford had looked so threateningly at her and Buddy that she could not bring herself to attract his attention to the child or herself. Phenie had plenty of spirit; she could run down to the bunk-house—Mrs. Kate heard a door slam then, and shuddered. Phenie, she judged swiftly, had locked herself into the pantry.
Phenie had. Or, to be exact, she had run in and slammed the door shut in Ford's very face, and she was leaning her weight against it. Mrs. Kate, pressing the struggling Buddy closer to her, heard voices, a slight commotion, and then silence. She could bear no more. She threw a shawl over her head, grasped Buddy firmly by the arm, and fled in terror to the bunk-house.
The voices were a brief altercation between Ford and Josephine, on the subject of opening the door, before it was removed violently from its hinges. The commotion was when Josephine, between tears and laughter, failed to hold the door against the pressure of a strong man upon the other side, and, suddenly giving over the attempt, was launched against a shelf and dislodged three tin pans, which she barely saved from falling with a great clatter to the floor. The silence—the silence should explain itself; but since humanity is afflicted with curiosity, and demands details, this is what occurred immediately after Josephine had been kissed four times for her stubbornness, and the pans had been restored to their proper place.
"Say! Are you my wife?" was the abrupt question which Ford asked, and kissed her again while he waited for an answer.
"Why, yes—what makes you ask that? Of course I am; that is—" Josephine twisted in his arms, so that she could look into his face. She did not laugh at him, however. She was staring at him with that keen, measuring look which had so incensed him, when he had first met her. "I don't understand you at all, Ford," she said at last, with a frown of puzzlement. "I never have, for that matter. I'd think I was beginning to, and then you would say or do something that would put me all at sea. What do you mean, anyway?"
Ford told her what he meant; told her humbly, truthfully, with never an excuse for himself. And it speaks well for the good sense of Josephine that she heard him through with neither tears, laughter, nor anger to mar his trust in her.
"Of course, I knew you had been drinking, that night," she said, when his story was done, and his face was pressed lightly against the white parting in her soft, brown hair. "I saw it, after—after the ceremony. You—you were going to kiss me, and I caught the odor of liquor, and I felt that you wouldn't have done that if you had been yourself; it frightened me, a little. But you talked perfectly straight, and I never knew you weren't the man—Frank Cameron—until you came here. Then I saw you couldn't be he. Chester had known you when Frank was at home with his mother—I compared dates and was sure of that—and he called you Ford Campbell. So then I saw what a horrible blunder I'd made, and I was worried nearly to death! But I couldn't see what I could do about it, and you didn't—"
"Say, what about this Frank Cameron, anyway?" Ford demanded, with true male jealousy. "What did you want to marry him for? You couldn't have known him, or—"
"Oh, you wouldn't understand—" Josephine gave a little, impatient turn of the head, "unless you knew his mother. I did know Frank, a long time ago, when I was twelve or thirteen, and when I saw you, I thought he'd changed a lot. But it was his mother; she was the dearest thing, but—queer. Sort of childish, you know. And she just worshiped Frank, and used to watch for the postman—oh, it was too pitiful! Sometimes I'd write a letter myself, and pretend it was from him, and read it to her; her eyes were bad, so it was easy—"
"Where was this Frank?" Ford interrupted.
"Oh, I don't know! I never did know. Somewhere out West, we thought. I used to make believe the letters came from Helena, or Butte, because that was where she heard from him last. He was always promising to come home—in the letters. That used to make her so much better," she explained naïvely. "And sometimes she'd be able to go out in the yard and fuss with her flowers, after one like that. But he never came, and so she got the notion that he was wild and a spendthrift. I suppose he was, or he'd have written, or something. She had lots and lots of money and property, you know.
"Well," Josephine took one of Ford's hand and patted it reassuringly, "she got the notion that I must marry Frank, when he came home. I tried to reason her out of that, and it only made her worse. It grew on her, and I got so I couldn't bear to write any more letters, and that made it worse still. She made a will that I must marry Frank within a year after she died, or he wouldn't get anything but a hundred dollars—and she was worth thousands and thousands." Josephine snuggled closer. "She was shrewd, too. I was not to get anything except a few trinkets. And if we didn't marry, the money would all go to an old ladies' home.
"So, when she died, I felt as if I ought to do something, you see. It didn't seem right to let him lose the property, even if he wouldn't write to his mother. So I had the lawyers try to find him. I thought I could marry him, and let him get the property, and then—well, I counted on getting a divorce." She looked up quickly into Ford's face.
"And you know you did promise not to bother me—just to desert me, you see, so I could get a divorce in a year. I thought I'd come and live with Kate till the year was up, and then get a divorce, and go back home to work. My father left me enough to squeak along on, you see, if I lived in the country. Aunt Ida—that's Frank's mother—paid me a salary for staying with her and looking after her house and her rents and things. And then, when you followed me out here, I was furious! Just simply furious!" She bent her head and set her teeth gently into the fleshy part of Ford's thumb, and Ford flinched. It happened to be the sore one.
"Well, but that doesn't explain how you got your loop on me, girlie—though I sure am glad that you did!"
"Why, don't you see, the time was almost up, just for all the world like a play. 'Only one day more—and I must save the pa-apers!' So the lawyer Aunt Ida had for years, heard that Frank was—or had been—at Garbin. I rushed out here, and heard that there was a Cameron (only they must have meant Campbell) at Sunset. So I got a license, and the Reverend Sanderson, and took the evening train down there. At the hotel I asked for Mr. Cameron, and they sent you in. And you know the rest, you—you old fraud! How you palmed yourself off on me—"
"I never did! I must have just been in one of my obliging moods; and a man would have to be mighty rude and unkind not to say yes to a pretty girl when—"
That is as far as the discussion went, with anything like continuity or coherence even. Later, however, Josephine did protest somewhat muffledly: "But, Ford, I married you under the name of Frank Cameron, so I don't believe—and anyway—I'd like a real wedding—and a ring!"
Mrs. Kate, having been solemnly assured by Rock that Ford was sober and as nearly in his right mind as a man violently in love can be (Rock made it plain, by implication at least, that he did not consider that very near), ventured into the kitchen just then. She still looked scared and uncertain, until, through the half-open door of the pantry, she heard soft, whispery sounds like kissing—when the kissing is a rapture rather than a ceremony. Mrs. Kate had only been married eight years or so, and she had a good memory. She backed from the kitchen on her toes, and pulled the door shut with the caution of a thief. She did more; she permitted dinner to be an hour late, rather than disturb those two in the pantry.
The uphill climb was no climb at all, after that. For when a man has found the one woman in the world, and with her that elusive thing we call happiness, even the demon must perforce sheathe his claws and retire, discomfited, to the pit whence he came.
There was a period of impatient waiting, because Josephine and Mrs. Kate both stoutly maintained that the "real wedding" could not take place until Chester came back. After that, there was a Mrs. foreman at the Double Cross until spring. And after that, there was a new ranch and a new house and a new home where happiness came and dwelt unhindered.
THE END
STORIES OF RARE CHARM BY
GENE STRATTON-PORTER
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THE HARVESTER Illustrated by W. L. Jacobs
"The Harvester," David Langston, is a man of the woods and fields, who draws his living from the prodigal hand of Mother Nature herself. If the book had nothing in it but the splendid figure of this man, with his sure grip on life, his superb optimism, and his almost miraculous knowledge of nature secrets, it would be notable. But when the Girl comes to his "Medicine Woods," and the Harvester's whole sound, healthy, large outdoor being realizes that this is the highest point of life which has come to him—there begins a romance, troubled and interrupted, yet of the rarest idyllic quality.
FRECKLES. Decorations by E. Stetson Crawford
Freckles is a nameless waif when the tale opens, but the way in which he takes hold of life; the nature friendships he forms in the great Limberlost Swamp; the manner in which everyone who meets him succumbs to the charm of his engaging personality; and his love-story with "The Angel" are full of real sentiment.
A GIRL OF THE LIMBERLOST. Illustrated by Wladyslaw T. Brenda.
The story of a girl of the Michigan woods; a buoyant, lovable type of the self-reliant American. Her philosophy is one of love and kindness towards all things; her hope is never dimmed. And by the sheer beauty of her soul, and the purity of her vision, she wins from barren and unpromising surroundings those rewards of high courage.
It is an inspiring story of a life worth while and the rich beauties of the out-of-doors are strewn through all its pages.
AT THE FOOT OF THE RAINBOW. Illustrations in colors by Oliver Kemp. Design and decorations by Ralph Fletcher Seymour.
The scene of this charming, idyllic love story is laid in Central Indiana. The story is one of devoted friendship, and tender self-sacrificing love; the friendship that gives freely without return, and the love that seeks first the happiness of the object. The novel is brimful of the most beautiful word painting of nature, and its pathos and tender sentiment will endear it to all.
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JOHN FOX, JR'S.
STORIES OF THE KENTUCKY MOUNTAINS
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THE TRAIL OF THE LONESOME PINE. Illustrated by F. C. Yohn.
The "lonesome pine" from which the story takes its name was a tall tree that stood in solitary splendor on a mountain top. The fame of the pine lured a young engineer through Kentucky to catch the trail, and when he finally climbed to its shelter he found not only the pine but the foot-prints of a girl. And the girl proved to be lovely, piquant, and the trail of these girlish foot-prints led the young engineer a madder chase than "the trail of the lonesome pine."
THE LITTLE SHEPHERD OF KINGDOM COME Illustrated by F. C. Yohn.
This is a story of Kentucky, in a settlement known as "Kingdom Come." It is a life rude, semi-barbarous; but natural and honest, from which often springs the flower of civilization.
"Chad." the "little shepherd" did not know who he was nor whence he came—he had just wandered from door to door since early childhood, seeking shelter with kindly mountaineers who gladly fathered and mothered this waif about whom there was such a mystery—a charming waif, by the way, who could play the banjo better that anyone else in the mountains.
A KNIGHT OF THE CUMBERLAND. Illustrated by F. C. Yohn.
The scenes are laid along the waters of the Cumberland, the lair of moonshiner and feudsman. The knight is a moonshiner's son, and the heroine a beautiful girl perversely christened "The Blight." Two impetuous young Southerners' fall under the spell of "The Blight's" charms and she learns what a large part jealousy and pistols have in the love making of the mountaineers.
Included in this volume is "Hell fer-Sartain" and other stories, some of Mr. Fox's most entertaining Cumberland valley narratives.
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MYRTLE REED'S NOVELS
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LAVENDER AND OLD LACE.
A charming story of a quaint corner of New England where bygone romance finds a modern parallel. The story centers round the coming of love to the young people on the staff of a newspaper—and it is one of the prettiest, sweetest and quaintest of old fashioned love stories, * * * a rare book, exquisite in spirit and conception, full of delicate fancy, of tenderness, of delightful humor and spontaniety.
A SPINNER IN THE SUN.
Miss Myrtle Reed may always be depended upon to write a story in which poetry, charm, tenderness and humor are combined into a clever and entertaining book. Her characters are delightful and she always displays a quaint humor of expression and a quiet feeling of pathos which give a touch of active realism to all her writings. In "A Spinner in the Sun" she tells an old-fashioned love story, of a veiled lady who lives in solitude and whose features her neighbors have never seen. There is a mystery at the heart of the book that throws over it the glamour of romance.
THE MASTER'S VIOLIN,
A love story in a musical atmosphere. A picturesque, old German virtuoso is the reverent possessor of a genuine "Cremona." He consents to take for his pupil a handsome youth who proves to have an aptitude for technique, but not the soul of an artist. The youth, has led the happy, careless life of a modern, well-to-do young American and he cannot, with his meagre past, express the love, the passion and the tragedies of life and all its happy phases as can the master who has lived life in all its fulness. But a girl comes into his life—a beautiful bit of human driftwood that his aunt had taken into her heart and home, and through his passionate love for her, he learns the lessons that life has to give—and his soul awakes.
Founded on a fact that all artists realize.
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GROSSET & DUNLAP'S
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WITHIN THE LAW. By Bayard Veiller & Martin Dana. Illustrated by Wm. Charles Cooke.
This is a novelization of the immensely successful play which ran for two years in New York and Chicago.
The plot of this powerful novel is of a young woman's revenge directed against her employer who allowed her to be sent to prison for three years on a charge of theft, of which she was innocent.
WHAT HAPPENED TO MARY. By Robert Carlton Brown. Illustrated with scenes from the play.
This is a narrative of a young and innocent country girl who is suddenly thrown into the very heart of New York, "the land of her dreams," where she is exposed to all sorts of temptations and dangers.
The story of Mary is being told in moving pictures and played in theatres all over the world.
THE RETURN OF PETER GRIMM. By David Belasco. Illustrated by John Rae.
This is a novelization of the popular play in which David War, field, as Old Peter Grimm, scored such a remarkable success.
The story is spectacular and extremely pathetic but withal, powerful, both as a book and as a play.
THE GARDEN OF ALLAH. By Robert Hichens.
This novel is an intense, glowing epic of the great desert, sunlit barbaric, with its marvelous atmosphere of vastness and loneliness.
It is a book of rapturous beauty, vivid in word painting. The play has been staged with magnificent cast and gorgeous properties.
BEN HUR. A Tale of the Christ. By General Lew Wallace.
The whole world has placed this famous Religious—Historical Romance on a height of pre-eminence which no other novel of its time has reached. The clashing of rivalry and the deepest human passions, the perfect reproduction of brilliant Roman life, and the tense, fierce atmosphere of the arena have kept their deep fascination. A tremendous dramatic success.
BOUGHT AND PAID FOR. By George Broadhurst and Arthur Hornblow. Illustrated with scenes from the play.
A stupendous arraignment of modern marriage which has created an interest on the stage that is almost unparalleled. The scenes are laid in New York, and deal with conditions among both the rich and poor.
The interest of the story turns on the day-by-day developments which show the young wife the price she has paid.