The Vehement Flame

The cloud of their first difference had blown over almost before they felt its shadow, and the sky of love was as clear as the lucid beryl of the summer night. Yet even the passing shadow of the cloud kept both the woman and the boy repentant and a little frightened; he, because he thought he had offended her by some lack of delicacy; she, because she thought she had shocked him by what he might think was harshness to a child. Even a week afterward, as they journeyed up to Green Hill in a dusty accommodation train, there was an uneasy memory of that cloud—black with Maurice's dullness, and livid with the zigzag flash of Eleanor's irritation—and then the little shower of tears! ... What had brought the cloud? Would it ever return? ... As for those twenty dividing years, they never thought of them!

In the train they held each other's hands under the cover of a newspaper; and sometimes Maurice's foot touched hers, and then they looked at each other, and smiled—but each was wondering: his wonder was, "What made her offended at Edith?" And hers was, "How can he like to be with an eleven-year-old child!" Their talk, however, confessed no wonderings! It was the happy commonplace of companionship: Mrs. Newbolt and her departure for Europe; would Mrs. O'Brien be good to Bingo? what Maurice's business should be. Then Maurice yawned, and said he was glad that the commencement exercises at Fern Hill were over; and she said she was glad, too; she had danced, she said, until she had a pain in her side! After which he read his paper, and she looked out of the window at the flying landscape. Suddenly she said:

"That girl you danced with last night—you danced with her three times!" she said, with sweet reproach—"didn't know we were married!—she wasn't a Fern Hill girl. She told me she had been dancing with my 'nephew.'"

"Did she?... Eleanor, look at that elm tree, standing all alone in the field, like—like a wineglass full of summer!"

For a moment she didn't understand his readiness to change the subject—then she had a flash of instinct: "I believe she said the same thing to you!"

"Oh, she got off some fool thing." The annoyance in his voice was like a rapier thrust of certainty.

"I knew it! But I don't care. Why should I care?"

"You shouldn't. Besides, it was only funny. I was tremendously amused."

She turned and looked out of the window.

Maurice lifted the paper which had been such a convenient shelter for clasping hands, and seemed to read for a while. Then he said, abruptly, "I only thought it was funny for her to make such a mistake."

She was silent.

"Eleanor, don't be—that way!"

"What 'way'? You mean"—her voice trembled—"feel hurt to have you dance three times, with a girl who said an uncomplimentary thing about me?"

"But it wasn't uncomplimentary! It was just a silly mistake anyone might make—" He stopped abruptly, for there were tears in her eyes—and instantly his tenderness infolded her like sunshine. But even while he was making her talk of other things—the heat, or the landscape—he was a little preoccupied; he was trying to explain this tiny, ridiculous, lovely unreasonableness, by tracking it back to some failure of sensitiveness on his own part. It occurred to him that he could do this better if he were by himself—not sitting beside her, faintly conscious of her tenseness. So he said, abruptly, "Star, if you don't mind, I'll go and have a smoke."

"All right," she said; "give me the paper; I haven't looked at the news for days!" She was trembling a little. The mistake of a silly girl had had, at first, no significance, it was just, as it always is to the newly married woman, amusing to be supposed not to be married! But that Maurice, knowing of the mistake, had not mentioned its absurdity, woke an uneasy consciousness that he had thought it might annoy her! Why should it annoy her?—unless the reason of the mistake was as obvious to him as to the girl?—whom he had found attractive enough to dance with three times! It was as if a careless hand had pushed open a closed door, and given Maurice's wife a glimpse of a dark landscape, the very existence of which her love had so vehemently denied.

An hour later, however, when Maurice returned, she was serene again. Love had closed the door—bolted it! barred it! and the gray landscape of dividing years was forgotten. And as her face had cleared, so had his. He had explained her annoyance by calling himself a clod! "She hated not to be thought married—of course!" What a brute he was not to have recognized the subtle loveliness of a sensitiveness like that! He wanted to tell her so, but he could only push the newspaper toward her and slip his hand under it to feel for hers—which he clutched and gripped so hard that her rings cut into the flesh. She laughed, and opened her pocketbook and showed him the little circle of grass which he had slipped over her wedding ring after fifty-four minutes of married life. At which his whole face radiated. It was as if, through those gay blue eyes of his, he poured pure joy from his heart into hers.

"Be careful," he threatened: "one minute more, and I'll kiss you right here, before people!"

She snapped her purse shut in pretended terror, but after that they held hands under the newspaper, and were perfectly happy—until the moment came of meeting the Houghtons on the platform at the junction; then happiness gave way to embarrassment.

Henry Houghton, obliged to throw away a half-smoked cigar, and, saying under his breath that he wished he was asleep, was cross; but his wife was pleasantly commonplace. She kissed the bride, and the groom, too, and said that Edith was in a great state of excitement about them! Then she condoled with Eleanor about the heat, and told Maurice there were cinders on his hat. But not even her careful matter-of-courseness could make the moment anything but awkward. In the four-mile drive to Green Hill—during which Eleanor said she hoped old Lion wouldn't run away;—the young husband seemed to grow younger and younger; and his wife, in her effort to talk to Mr. Houghton, seemed to grow older and older....

"If I didn't happen to know she was a fool," Henry Houghton said to his Mary, washing his hands before going down to supper, "I should think she was quite a nice woman—she's so good looking."

"Henry! At your time of life, are you deciding a woman's 'niceness' by her looks?"

"But tell her she mustn't bore him," he said, ignoring the rebuke. "Tell her that when it comes to wives, every husband on earth is Mr. F.'s aunt—he 'hates a fool'!"

"Why not tell her yourself?" she said: then she sighed; "why did she do it?"

"She did it," he instructed her, "because the flattery of a boy's lovemaking went to her head. I have an idea that she was hungry for happiness—so it was champagne on an empty stomach. Think of the starvation dullness of living with that Newbolt female, who drops her g's all over the floor! Edith likes her," he added.

"Oh, Edith!" said Edith's mother, with a shrug; "well; if you can explain Eleanor, perhaps you can explain Maurice?"

"That's easy; anything in petticoats will answer as a peg for a man (we are the idealizing sex) to hang his heart on. Then, there's her music—and her pathos. For she is pathetic, Kit?"

But Mary Houghton shook her head: "It is Maurice who is pathetic—my poor Maurice!..."

When they went down to the east porch, with its great white columns, and its broad steps leading into Mrs. Houghton's gay and fragrant garden, they found Edith there before them—sitting on the top step, her arms around her knees, her worshiping eyes fixed on the Bride. Edith had nothing to say; it was enough to look at the "bridal couple," as the kitchen had named them. When her father and mother appeared, she did manage, in the momentary bustle of rising and offering chairs, to say to Maurice:

"Oh, isn't she lovely! Oh, Maurice, let's go out behind the barn after supper and talk! Maurice, did she bring her harp? I want to see her play on it! I saw her wedding ring," she ended, in an ecstatic whisper.

"She doesn't play on the harp; she plays on the piano. Did you twig her hair?" Maurice whispered back; "it's like black down!"

Edith was speechless with adoration; she wished, passionately, that Maurice would put his coat down for the Bride to step on, like Sir Walter Raleigh! "for she is a Queen!" Edith thought: then Maurice pulled one of her pigtails and she kicked him—and after that she was forgotten, for the grown people began to talk, and say it had been a hot day, and that the strawberries needed rain—but Eleanor hoped there wouldn't be a thunderstorm.

"They have to say things, I suppose," Edith reflected, patiently: "but after supper, Maurice and I will talk." So she bore with her father and mother, who certainly tried to be conversational. The Bride, Edith noticed, was rather silent, and Maurice, though grown up to the extent of being married, hadn't much to say—but once he winked at Edith and again tried to pull her hair,—so she knew that he, also, was patient. She was too absorbed to return the wink. She just stared at Eleanor. She only dared to speak to her once; then, breathlessly: "I—I'm going to go to your school, when I'm sixteen." It was as if she looked forward to a pilgrimage to a shrine! It was impossible not to see the worship in her face; Eleanor saw her smile made Edith almost choke with bliss. But, like herself, the Bride had nothing to say. Eleanor just sat in sweet, empty silence, and watched Maurice, twisting old Rover's ears, and answering Mrs. Houghton's maternal questions about his winter underclothing and moths; she caught that wink at Edith, and the occasional broad grin when Mrs. Houghton scolded him for some carelessness, and the ridiculous gesture of tearing his hair when she said he was a scamp to have forgotten this or that. Looking at the careless youth of him, she laughed to herself for sheer joy in the beauty of it!

But Edith's plan for barn conversation with Maurice fell through, because after supper, with an air of complete self-justification, he said to his hosts, "Now you must hear Eleanor sing!"

At which she protested, "Oh, Maurice, no!"

The Houghtons, however, were polite; so they all went into the studio, and, standing in the twilight, with Maurice playing her accompaniment, she sang, very simply, and with quite poignant beauty, the song of "Golden Numbers," with its serene refrain:

"Lovely, my dear," Mrs. Houghton said, and Maurice was radiant.

"Is Mr. F. your father?" Edith said, timidly; and while Eleanor was giving her maiden name, Edith's terrified father said, in a ferocious aside, "Mary! Kill that child!" Late that night he told his wife she really must do something about Edith: "Fortunately, Eleanor is as ignorant of Dickens as of 'most everything else. I bet she never read Little Dorrit. But, for God's sake, muzzle that daughter of yours! ... Mary, you see how he was caught?—the woman's voice."

"Don't call her 'the woman'!"

"Well, vampire. Kit, what do you make of her?"

"I wish I knew what to make of her! I feel sure she is really and truly good. But, oh, Henry, she's so mortal dull! She hasn't a spark of humor in her."

"'Course not. If she had, she wouldn't have married him. But he has humor! Better warn her that a short cut to matrimonial unhappiness is not to have the same taste in jokes! Mary, maybe, her music will hold him?"

"Maybe," said Mary Houghton, sighing.

"'Consider the stars,'" he quoted, sarcastically; but she took the sting out of his gibe by saying, very simply:

"Yes, I try to."

"He is good stuff," her husband said; "straight as a string! When he came into the studio to talk things over he was as sober as if he were fifty, and hadn't made an ass of himself. He took up the income question in a surprisingly businesslike way; then he said that of course he knew I didn't like it—his giving up college and flying off the handle, and getting married without saying anything to me. 'But,' he said, 'Eleanor's aunt is an old hell-cat;—she was going to drag Eleanor abroad, and I had to get her out of her clutches!' ... I think," Henry Houghton interrupted himself, "that's one explanation of Maurice: rescuing a forlorn damsel. Well, I was perfectly direct with him; I said, 'My dear fellow, Mrs. Newbolt is not a hell-cat; and the elopement was in bad taste. Elopements are always in bad taste. But the elopement is the least important part of it. The difference in age is the serious thing.' I got it out of him just what it is—almost twenty years. She might be his mother!—he admitted that he had had to lie about himself to get the license. I said, 'Your age is the dangerous thing, Maurice, not hers; and it's up to you to keep steady!' Of course he didn't believe me," said Mr. Houghton, sighing. "He's in love all right, poor infant! The next thing is for me to find a job for him.... She is good looking, Mary?" She nodded, and he said again, "A pre-Raphaelite woman; those full red lips, and that lovely black hair growing so low on her forehead. And a really good voice. And a charming figure. But I tell you one thing: she's got to stop twitting on facts. Did you hear her say, 'Maurice is so ridiculously young, he doesn't remember'—? I don't know what it was he didn't remember. Something unimportant. But she must not put ideas about his youth into his head. He'll know it soon enough! You tell her that."

"Thank you so much!" said Mary Houghton. "Henry, you mustn't say things before Edith! Suppose Eleanor had known her Little Dorrit?"

"She doesn't know anything; and she has nothing to say."

"Well, it might be worse," she encouraged him. "Suppose she were talkative?"

He nodded: "Yes; a dull woman is bad, and a talkative woman is bad; but a dull talkative woman is hell."

"My dear! I'm glad Edith's in bed. Well, I think I like her."

But the time arrived when Mrs. Houghton was certain that she "liked" Maurice's wife. It would have come sooner if Eleanor's real sweetness had not been hidden by her tiresome timidity ... a thunderstorm sent her, blanched and panting, to sit huddled on her bed, shutters closed, shades drawn; she schemed not to go upstairs by herself in the dark; she was preoccupied when old Lion took them off on a slow, jogging drive, for fear of a runaway.

Everybody was aware of her nervousness. Until it bored him, Henry Houghton was touched by it;—probably there is no man who is so intelligent that the Clinging Vine makes no appeal to him. Mrs. Houghton was impatient with it. Edith, who could not understand fear in any form, tried, in her friendly little way, to reason Eleanor out of one panic or another. The servants joked among themselves at the foolishness of "Mrs. Maurice"; and the monosyllabic Johnny Bennett, when told of some of Eleanor's scares, was bored. "Let's play Indian," said Johnny.

It was only Maurice who found all the scares—just as he found the silences and small jealousies—adorable! The silences meant unspeakable depths of thought; the jealousies were a sign of love. The terrors called for his protecting strength! One of the unfair irrationalities of love is that it may, at first, be attracted by the defects of the beloved, and later repelled by them. Maurice loved Eleanor for her defects. Once, when he and Edith were helping Mrs. Houghton weed her garden, he stopped grubbing, and sat down in the gold and bronze glitter of coreopsis, to expatiate upon the exquisiteness of the defects. Her wonderful mind: "She doesn't talk, because she is always thinking; her ideas are way over my head!" Her funny timidity: "She wants me to take care of her!" Her love: "She's—it sounds absurd!—but she's jealous, because she's so—well, fond of me, don't you know, that she sort of objects to having people round. Did you ever hear of anything so absurd?"

"I certainly never did," his old friend said, dryly.

"Well, but"—Maurice defended his wife—"it's because she cares about me, don't you know? She—well, this is in confidence—she said once that she'd like to live on a desert island, just with me!"

"So would I," said Edith. Her mother laughed:

"Tell her desert islands have to have a 'man Friday'—to say nothing of a few 'women Thursdays'!"

Eleanor was, Maurice said, like music heard far off, through mists and moonlight in a dark garden, "full of—of—what are those sweet-smelling things, that bloom only at night?" (Mary Houghton looked fatigued.) "Well, anyway, what I mean is that she isn't like ordinary people, like me—"

"Or Johnny," Edith broke in, earnestly.

"Johnny? Gosh! Why, Mrs. Houghton, things that don't touch most human beings, affect her terribly. The dark, or thunderstorms, or—or anything, makes her nervous. You understand?"

Mrs. Houghton said yes, she understood, but she would leave the rest of the weeding to her assistants ... In the studio, dropping her dusty garden gloves on a fresh canvas lying on the table, she almost wept:

"Henry, it is too tragic! She is such a goose, and he is so silly about her! What shall we do?"

"I'll tell you what not to do—spoil my new canvas! If you really want my advice:—tell Eleanor that the greatest compliment any husband can pay his wife is contained in four words: 'You never bore me'; and that if she isn't careful Maurice will never compliment her."

Down in the garden, no one was aware of any tragedy. "When I go to Fern Hill," Edith said, "I'm going to tell all the girls I know Eleanor! I'm 'ordinary,' too, beside her. And so is mother."

Maurice agreed. "We are all crude, compared to her."

Edith sighed with joy; if she had had any inclination to be contemptuous of Eleanor's timidity, it vanished when it was pointed out to her that it was really a sign of the Bride's infinite superiority.... So the three Houghtons accepted—one with amused pity, and the other with concern, and the third with admiration of such super-refinement,—the fact that Eleanor was a coward. Yet if she had not been a coward, something she did would not have been particularly brave, nor would it have wrung from Mary Houghton the admission: "I like her!"

The conquering incident happened in August. The hut up in the woods meant to Maurice and Edith and Johnny that eager grasping at hardship with which Age has no sympathy, but which is the very essence of Youth. Within a week of her arrival at Green Hill, Eleanor (who did not like hardship;) had been carried off for a day of eating smoky food, cooked on a camp fire, and watching cloud shadows drift across the valley and up and over the hills; she had wondered, silently, why Maurice liked this very tiring sort of thing?—and especially why he liked to have Edith go along! "A child of her age is such a nuisance," Eleanor thought. But he did like it, all of it!—the fatigue, and the smoke, and the grubby food—and Edith!—he liked it so much that, just before the time set for their departure for Mercer—and the position in a real-estate office, which had been secured for Maurice—he said:

"Nelly, let's camp out up in the cabin for our last week, all by ourselves!"

Edith's face fell, and so, for that matter, did the Bride's. Edith said, "By yourselves? Not Johnny and me, too?" And Eleanor said, "At night? Oh, Maurice!"

"It will be beautiful," he said; "there'll be a moon next week, and we'll sit up there and look down into the valley, and see the treetops lift up out of the mist—like islands from the foam of 'faerylands forlorn'! You'll love it."

"I'm crazy about camping," said Edith, eagerly;—and waited for an invitation, which was not forthcoming. Instead, Maurice, talking his plans over with her, made it quite clear that her room was better than her company. It was Edith's first experience in being left out, and it sobered her a little; but she swallowed the affront with her usual good sense:

"I guess he likes Eleanor more 'an me, so, 'course, it's nice to be by himself with her."

The prospect of being "by themselves" for a week was deeply moving to Maurice. And even Eleanor, though she quaked at the idea of spiders or thunderstorms, thought of the passion of it with a thrill. "We'll be all alone!" she said to herself.

The morning that they started gypsying, everything was very impatient and delightful. The packing, the rolling up of blankets, the stowing of cooking utensils, the consulting of food lists to make sure nothing was being forgotten—all meant much tearing about and bossing; then came the loading the stuff into the light wagon, which, with old Lion, Mr. Houghton had offered to convey the campers (and a temporary Edith) up to the top of the mountain. Edith was, of course, frankly envious, but accepted the privilege of even a day in camp with humble gratitude.

"Rover and Johnny and I will come up pretty often, even if it's only for an hour, because Eleanor must not hurt her hands by washing dishes," she said, earnestly (still fishing for an invitation).

But Maurice only agreed, as earnestly: "No! Imagine Eleanor washing dishes! But I don't want you to stay all night, Buster," he told her, candidly; then he paused in his work, flung up his arms with a great breath of joyousness. "Great Scott!" he said. "I don't see why gypsies ever die!"

Edith felt an answering throb of ecstasy. "Oh, Maurice, I wish you and I were gypsies!" she said. She did not in the least resent his candor as to her presence during the week of camping; though just before they started her feelings really were a little hurt: it happened that in trying to help Eleanor pack, she was close enough to her to notice a thread on her hair; instantly, she put out a friendly and officious thumb and finger to remove it—at which Eleanor winced, and said, "Ouch!"

"I thought it was a white thread," Edith explained, abashed.

Eleanor said, sharply, "Please don't touch my hair!" which conveyed nothing to Edith except that the Bride—who instantly ran up to her room—"was mad." When she came back (the "thread" having disappeared) Edith was full of apologies.

"Awfully sorry I mussed your hair," she said.

She went up the mountain with them, walking on the hard grades, and trying to placate Eleanor by keeping a hand on Lion's bridle, so that she might feel sure he wouldn't run away. When at last, rather blown and perspiring, they reached the camp, Eleanor got out of the wagon and said she wanted to "help"; but Edith, still contrite about the "thread," said: "Not I'm not going to have you hurt your lovely hands!" In the late afternoon, having saved Eleanor's hands in every possible way, she left them, and thinking, without the slightest rancor, of the rough bliss she was not asked to share, went running down the mountain with Rover at her heels.

Eleanor, wondering at her willingness to take that long road home with only the lumbering old dog for company, was intensely glad to have her go.

"Girls of that age are so uninteresting," she told Maurice; "and now we'll be all by ourselves!"

"Yes; Adam and Eve," he said; "and twilight; and the world spread out like a garden! Do you see that glimmer over there to the left? That's the beginning of the river—our river!"

He had made her comfortable with some cushions piled against the trunk of a tree, and lighted a fire in a ring of blackened stones; then he brought her her supper, and ate his own on his knees beside her, watching eagerly for ways to serve her, laughing because she cringed when, from an overhanging bough, a spider let himself down upon her skirt, and hurrying to bring her a fresh cup of coffee, because an unhappy ant had scalded himself to death in her first cup. Afterward he would not let her "hurt her hands" by washing the dishes. When this was over, and the dusk was deepening, he went into the woods to the "lean-to" in which Lion was quartered, to see that the old horse was comfortable, but a minute later came crashing back through the underbrush, laughing, but provoked.

"That imp, Edith, didn't hitch him securely, and the old fellow has walked home, if you please—!"

"Lion—gone? Oh, what shall we do?"

"Ill pull the wagon down when I want to go back for food."

"Pull it?"

"Won't need much pulling! It will go down by itself. If I put you in it, I'll have to rope a log on behind as a brake, or it would run over me! I bet I give Edith a piece of my mind, when I get hold of her. But it doesn't really matter. I think I like it better to have not even Lion. Just you—and the stars. They are beginning to prick out," he said. He stretched himself on the ground beside her, his hands clasped under his head, and his happy eyes looking up into the abyss. "Sing, Star, sing!" he said. So she sang, softly:

"It looks," she broke off, "a little black in the west? And—was that lightning?"

"Only heat lightning. And if it should storm,—I have you here, in my arms, alone!" He turned and caught her to him, and his mouth crushed hers. Her eyes closed, and her passion answered his, and all that he whispered. Yet while he kissed her, her eyes opened and she looked furtively beyond him, toward that gathering blackness.

They lay there together in the starlit dark, for a long time, his head on her breast. Sometimes she thrilled at his touch or low word, and sometimes she held his hand against her lips and kissed it—which made him protest—but suddenly he said, "By George! Nelly, I believe we are going to have a shower!"

Instantly she was alert with fright, and sat up, and looked down into the valley, where the heat lightning, which had been winking along the line of the hills, suddenly sharpened into a flash. "Oh!" she said, and held her breath until, from very far off, came a faint grumble of thunder. "Oh, Maurice!" she said, "it is horrible to be out here—if it thunders!"

"We won't be. Well go into the cabin, and we'll hear the rain on the roof, and the clash of the branches; and we'll see the lightning through the chinks—and I'll have you! Oh, Nelly, we shall be part of the storm!—and nothing in God's world can separate us."

But this time she could not answer with any elemental impulse; she had no understanding of "being part of the storm"; instead, she watched the horizon. "Oh!" she said, flinching. "I don't like it. What shall we do? Maurice, it is going to thunder!"

"I think I did feel a drop of rain," he said,—and held out his hand: "Yes, Star, rain! It's begun!" He helped her to her feet, gathered up some of the cushions, and hurried her toward the little shelter. She ran ahead of him, her very feet reluctant, lest the possible "snake" should curl in the darkness against her ankles; but once in the cabin, with a candle lighted, she could not see the lightning, so she was able to laugh at herself; when Maurice went out for the rest of the cushions, she charged him to hurry! "The storm will be here in a minute!" she called to him. And he called back:

"I'll only be a second!"

She stood in the doorway looking after him, and saw his figure outlined against the glimmer of their fire, which had already felt the spatter of the coming storm and was dying down; then, even as she looked, he seemed to plunge forward, and fall—the thud of that fall was like a blow on her throat! She gasped, "Maurice—" And again, "Maurice! Have you hurt yourself?"

He did not rise. A splash of rain struck her face; the mountain darkness was slit by a rapier of lightning, and there was a sudden violent illumination; she saw the tree and the cushions, and Maurice on the ground—then blackness, and a tremendous crash of thunder.

"Maurice!" she called. "Maurice!" The branches over the roof began to move and rustle, and there was a sudden downpour of rain; the camp fire went out, as if an extinguisher had covered it. She stood in the doorway for a breathless instant, then ran back into the cabin, and, catching the candle from the table, stepped out into the blackness; instantly the wind bore the little flame away!—then seemed to grip her, and twist her about, and beat her back into the house. In her terror she screamed his name; and as she did so, another flash of lightning showed her his figure, motionless on the ground.

"He is dead" she said to herself, in a whisper. "What shall I do?" Then, suddenly, she knew what to do: she remembered that she had noticed a lantern hanging on the wall near the door; and now something impelled her to get it. In the stifling darkness of the shack she felt her way to it, held its oily ring in her hand, thought, frantically, of matches, groped along toward the mantelpiece, stumbled over a chair—and clutched at the match box! Something made her open the isinglass slide, strike a match, and touch the blackened wick with the sulphurous sputter of flame,—the next moment, with the lighted lantern in her hand, she was out in the sheeting blackness of the rain!—running!—running!—toward that still figure by the deadened fire. Just before she reached it a twig rolled under her foot, and she said, "A snake,"—but she did not flinch. As she gained the circle of stones, a flash of lightning, with its instant and terrific crack and bellow of thunder, showed her a streak of blood on Maurice's face.... He had tripped and fallen, and his head had struck one of the blackened stones.

"He is dead," she said again, aloud. She put the lantern on the ground and knelt beside him; she had an idea that she should place her hand on his heart to see if he were alive. "He isn't," she told herself; but she laid her fingers, which were shaking so that she could not unfasten his coat, somewhere on his left side; she did not know whether there was any pulse; she knew nothing, except that he was "dead." She said this in a whisper, over and over. "He is dead. He is dead." The rain came down in torrents; the trees creaked and groaned in the wind; twice there were flashes of lightning and appalling roars of thunder. Maurice was perfectly still. The smoky glimmer of the lantern played on the thin streak of blood and made it look as though it was moving—trickling—

Then Eleanor began to think: "There ought to be a doctor...." If she left him, to bring help, he might bleed to death before she could get back to him. Instantly, as she said that, she knew that she did not believe that he was dead! She knew that she had hope. With hope, a single thought possessed her. She must take him down the mountain.... But how? She could not carry him;—she had managed to prop him up against her knee, his blond head lolling forward, awfully, on his breast—but she knew that to carry him would be impossible. And Lion was not there! "I couldn't have harnessed him if he were," she thought.

She was entirely calm, but her mind was working rapidly: The wagon was in the lean-to! Could she get him into it? The road was downhill.... Almost to Doctor Bennett's door....

Instantly she sprang to her feet and, with the pale gleam of the lantern zigzagging across the path, she ran back to the shed; just as she reached it, a glimmer of light fell on the soaked earth, and she looked up with a start and saw the moon peering out between two ragged, swiftly moving clouds; then all was black again—but the rain was lessening, and there had been no lightning for several minutes. "He will die; I must save him," she said, her lips stiff with horror. She lifted the shafts of the wagon, and gave a little pull; it moved easily enough, and, guiding it along the slight decline, she brought it to Maurice's side. There, looking at him, she said again, rigidly:

"He will die; I must save him."

As Henry Houghton said afterward, "It was impossible!—so she did it."

It took her more than an hour to do it, to pull and lift and shove the inert figure! Afterward she used to wonder how she had done it; wonder how she had given the final push, which got his sagging body up on to the floor of the wagon! It had strained every part of her;—her shoulder against his hips, her head in the small of his back, her hands gripping his heavy, dangling legs. She was soaking wet; her hair had loosened, and stray locks were plastered across her forehead. She grunted like a toiling animal.

It seemed as if her heart would crack with her effort, her muscles tear; she forgot the retreating rumble of the storm, the brooding, dripping forest stillness; she forgot even her certainty that he would die. She entirely forgot herself. She only knew—straining, gasping, sweating—that she must get the body—the dead body perhaps!—into the wagon. And she did it! Just as she did it, she heard a faint groan. Her heart stood still with terror, then beat frantically with joy.

He was alive!

She ran back to the cabin for the cushions he had saved from the rain, and pushed them under his head; then tied the lantern to the whip socket; then recalled what he had said about "roping a log on behind as a brake." "Of course!" she thought; and managed,—the splinters tearing her hands—to fasten a fairly heavy piece of wood under the rear axle, so that it might bump along behind the wagon as a drag. She pondered as she did these things why she should know so certainly how they must be done? But when they were done, she said, "Now!"... and went and stood between the shafts.

It was after midnight when the descent began. The moon rode high among fleecy clouds, but on either side of the road gulfs of darkness lay under motionless foliage. Sometimes the smoky light from the swaying lantern shone on a wet black branch, snapped by the gale and lying in the path, and Eleanor, seeing it, wedging her heels into the mud and sliding stones of the road, and straining backward between the shafts, would say, "A snake.... I must save Maurice." Sometimes she would hear, above the crunching of the wheels behind her, a faint noise in the undergrowth: a breaking twig, a brushing sound, as of a furtive footstep—and she would say, "A man.... I must save Maurice."

The yellow flame of the lantern was burning white in the dawn, as, holding back against the weight of the wagon—the palms of her bleeding hands clenched on the shafts, her feet slipping, her ankles twisted and wrenched—by and by, with the tears of physical suffering streaming down her face, she reached the foot of the mountain. The, thin, cool air of morning flowed about her in crystalline stillness; suddenly the sun tipped the green bowl of the world, and all at once shadows fell across the road like bars. They seemed to her, in her daze of terror and exhaustion, insurmountable: the road was level now, but she pulled and pulled, agonizingly, over those bars of nothingness; then one wheel sank into a rut, and the wagon came to a dead standstill; but at the same moment she saw ahead of her, among the trees, Doctor Bennett's dark, sleeping house. So, dropping the shafts, she went stumbling and running, to pound on the door, and gasp out:

"Come—help—Maurice—come—"

"I think," she said afterward, lying like a broken thing upon her bed, "I was able to do it, because I kept saying, 'I must save Maurice.' Of course, to save Maurice, I wouldn't mind dying."

"My dear, you are magnificent!" Mary Houghton said, huskily. Then she told her husband: "Henry, I like her! I never thought I would, but I do."

"I'll never say 'Mr. F.'s aunt' again!" he promised, with real contrition.

It was Eleanor's conquering moment, for everybody liked her, and everybody said she was 'magnificent'—except Maurice, who, as he got well, said almost nothing.

"I can't talk about it," was all he had to say, choking. "She's given her life for mine," he told the doctor.

"I hope not," Doctor Bennett said, "I hope not. But it will take months, Maurice, for her to get over this. As for saving your life, my boy, she didn't. She made things a lot more dangerous for you. She did the wrong thing—with greatness! You'd have come to, after a while. But don't tell her so."

"Well, I should say not!" Maurice said, hotly. "She'll never know that! And anyway, sir, I don't believe it. I believe she saved my life."

"Well, suit yourself," the doctor said, good-naturedly; "but I tell you one thing: whether she saved your life or not, she did a really wonderful thing—considering her temperament."

Maurice frowned: "I don't think her temperament makes any difference. It would have been wonderful for anybody."

"Well, suit yourself," Doctor Bennett said again; "only, if Edith had done it, say, for Johnny, who weighs nearly as much as you, I wouldn't have called it particularly wonderful."

"Oh, Edith," Maurice said, grinning; "no; I suppose not. I see what you mean." And to himself he added: "Edith is like an ox, compared to Star. Just flesh and blood. No nerves. No soul. Doctor Bennett was right. Eleanor's temperament does make it more wonderful."

It was after this act of revealing and unnecessary courage, that the Houghton family entirely accepted Eleanor. There were a few days of anxiety about her, and about Maurice, too; for, though his slight concussion was not exactly alarming—yet, "Keep your shirt on," Doctor Bennett cautioned him; "don't get gay. And don't talk to Mrs. Curtis." So Maurice lay in his bed in another room, and entered, silently, into a new understanding of love, which, as soon as he was permitted to see Eleanor, he tried stumblingly to share with her.

Physically, she was terribly prostrated; but spiritually, feeding on those stumbling words, she rejoiced like a strong man to run a race! She saw no confession in the fact that everybody was astonished at what she had done; she was astonished herself. "I wasn't afraid!" she said, wonderingly.

"It was because you liked Maurice more than you were scared," Edith said; she offered this explanation the day that Maurice had been allowed to come across the hall, rather shakily, to adore his wife.

His first sight of her was a great shock.... The strain of that terrible night had blanched and withered her face; there were lines on her forehead that never left it.

Edith, sneaking in behind him, said under her breath: "Goodness! Don't she look old!"

She did. But as Maurice fell on his knees beside her, it seemed as if she drank youth from his lips. Under his kisses her worn face bloomed with joy.

"It was nothing—nothing," she insisted, stroking his thick hair with her trembling hand, and trying to silence his words of wondering worship.

"I was not worthy of it.... To think that you—" He hid his face on her shoulder.

Afterward, when he went back to his own room, she lay, smiling tranquilly to herself; her look was the look one sees on the face of a woman who, in that pallid hour after the supreme achievement of birth, has looked upon her child. She was entirely happy. From the open door of Maurice's room came, now and then, the murmur of Edith's honest little voice, or Maurice's chuckle. They were talking about her, she knew, and the happy color burned in her cheeks. When he came in for his second visit, late that afternoon, she asked him, archly, what he and Edith had been talking about so long in his room?

"I believe you were telling her what a goose I am about thunderstorms," she said.

"I was not!" he declared—and her eyes shone. But when she urged—

"Well, what were you talking about?" he couldn't remember anything but a silly story of Edith's hens. He repeated it, and Eleanor sighed; how could he be interested in anything so childish!

As it happened, he was not; he had scarcely listened to Edith. The only thing that interested Maurice now, was what Eleanor had done for him! Thinking of it, he brooded over her, silently, his cheek against hers, then Mrs. Houghton came in and banished him, saying that Eleanor must go to sleep; "and you and Edith must keep quiet!" she said.

He was so contrite that, tiptoeing to his own room, he told poor faithful Edith her voice was too loud: "You disturb Eleanor. So dry up, Skeezics!"

As he grew stronger, and was able to go downstairs, Edith felt freer to talk to him—for down on the porch, or out in the garden, her eager young voice would not reach those languid ears. Then, suddenly, all her chances to talk stopped: "What's the matter with Maurice?" she pondered, crossly; "he's backed out of helping me. Why can't he go on shingling the chicken coop?" For it was while this delightful work was under way that it, and "talk," came to an abrupt end.

The shingling, begun joyously by the big boy and the little girl on Monday, promised several delightfully busy mornings.... Of course the setting out for Mercer had been postponed; there was no possibility of moving Eleanor for the present; so Maurice's "business career," as he called it, with grinning pomposity, had to be delayed—Eleanor turned white at the mere suggestion of convalascing at Green Hill without him! Consequently Maurice, when not worshiping his wife, had nothing to do, and Edith had seized the opportunity to make him useful.... "We'll shingle my henhouse," she had announced. Maurice liked the scheme as much as she did. The September air, the smell of the fresh shingles, the sitting with one leg doubled under you, and the other outstretched on the hot slope of the roof, the tap-tapping of the hammers, the bossing of Edith, the trying to talk of Eleanor, and thunderstorms, while you hold eight nails between your lips; then the pause while Edith climbs down the ladder and runs to the kitchen for hot cookies; all these things would be a delightful occupation for any intelligent person!

"It'll take three mornings to do it," Edith said, importantly; and Maurice said:

"It will, because you keep putting the wrong end up! I wish Eleanor was well enough to do it," he said—and then burst into self-derisive chuckles: "Imagine Eleanor straddling that ridgepole! It would scare her stiff!"

It was after this talk that Maurice "backed out" on the job—but Edith never knew why. She saw no connection between the unfinished roof, and the fact that that same afternoon, sitting on the floor in the Bride's room, she had, in her anxiety to be entertaining, repeated Maurice's remark about the ridgepole. Eleanor, who had had an empty morning, listening to the distant tapping of hammers, had drooped a weary lip.

"I should hate it. Horrid, dirty work!"

"Oh no! It's nice, clean work," Edith corrected her.

"But you wouldn't like it, of course," she said, with satisfaction; "you'd be scared! You're scared of everything, Maurice says. You were scared to death, up on the mountain."

Eleanor was silent.

"He thinks it's lovely for you to be scared; it's funny about Maurice," said Edith, thoughtfully; "he doesn't like it when I'm scared—not that I ever am, now, but I used to be when I was a child."

The color flickered on Eleanor's cheeks: "Edith, I'll rest now," she said; her voice broke.

Edith looked at her, open-mouthed. "Why, Eleanor!" she said; "what's the matter? Are you mad at anything? Have you a stomachache? I'll run for mother!"

"There's nothing the matter. But—but I wish you'd tell Maurice to come and speak to me."

Edith tore downstairs, and out of the front door: "Maurice! Where are you?"—then, catching sight of him, reading and smoking in a hammock slung between two of the big columns on the east porch, she rushed at him, and pulled him to his astonished feet. "Eleanor wants you! Something's the matter, and—"

Before she could finish, Maurice was tearing upstairs, two steps at a time....

And so it was that Edith, sulkily, worked on the roof by herself.

Yet Maurice had not entirely "backed out." ... The very next morning, before Edith was awake, he had gone out to the henhouse, and, alone, done more than his share of the shingling.

"But, Maurice, why didn't you wake me?" Edith protested, when she discovered what he had done. "I'd have gone out, too!"

"I liked doing it by myself," Maurice evaded.

And for five minutes Edith was sulky again. "He puts on airs, 'cause he's married! Well, I don't care. He can shingle the whole roof by himself if he wants to! I don't like married men, anyhow."

The married man had, indeed, wanted to be by himself—to put the nails in his mouth, and to sit on the cold, slippery shingles in the gray September morning, and to tap-tap-tap—and think, and think.

But he didn't like his thoughts very well....

He thought how he had rushed upstairs, terrified lest Eleanor was fainting or had a "stomachache," or something—and found her sitting up in bed, her cheeks red and glazed with tears, her round, full chin quivering. He thought how he had tried to make out what she was driving at about Edith, and the chicken coop, and the ridgepole!

"You told Edith I was scared!"

Maurice's bewilderment was full of stumbling questions: "Told Edith? When? What?"

And as she said "when" and "what," ending with, "You said I am scared!" Maurice could only say, blankly. "But my darling, you are!"

"You may think I am a fool, but to tell Edith so—"

"But Great Scott! I didn't!"

"I won't have you talking me over with Edith; she's a child! It was just what you did when you danced three times with that girl who said—Edith is as rude as she was!—and she's a child. How can you like to be with a child?" Of course, it was all her fear of Youth,—but Eleanor did not know that; she thought she was hurt at the boy's neglect. Her face, wet with tears, was twitching, her voice—that lovely voice!—was shrill in his astonished ears....

Maurice, on the sloping roof, in the chill September dawn, his fingers numb on the frosty nails, stopped hammering, and leaned his chin on his fist, and thought: "She's sick. She almost killed herself to save me; so her nerve has all gone. That's why she talked—that way." He put a shingle in its place, and planted a nail; "it was because she was scared that what she did was so brave! I couldn't make her see that the more scared she was, the braver she was. It wouldn't have been brave in that gump, Edith, without a nerve in her body. But why is she down on Edith? I suppose she's a nuisance to a person with a wonderful mind like Eleanor's. Talks too much. I'll tell her to dry up when she's with Eleanor." And again he heard that strange voice: "You like to talk to a child."

Maurice, pounding away on Edith's roof, grew hot with misery, not because it was so terrible to have Eleanor angry with him; not even because he had finally got mad, and answered back, and said, "Don't be silly!" The real misery was something far deeper than this half-amused remorse. It was that those harmless, scolding words of his held a perfectly new idea: he had said, "Don't be silly." Was Eleanor silly?

Now, to a man whose feeling about his wife has been a sort of awe, this question is terrifying. Maurice, in his boy's heart, had worshiped in Eleanor, not just the god of Love, but the love of God. And was she—silly? No! Of course not! He pounded violently, hit his thumb, put it into his mouth, then proceeded, mumblingly, to bring his god back from the lower shrine of a pitying heart, to the high alter of a justifying mind: Eleanor was ill.... She was nervous.... She was an exquisite being of mist and music and courage and love! So of course she was sensitive to things ordinary people did not feel. Saying this, and fitting the shingles into place, suddenly the warm and happy wave of confident idealism began to flood in upon him, and immediately his mind as well as his heart was satisfied. He reproached himself for having been scared lest his star was just a common candle, like himself. He had been cruel to judge her, as he might have judged her had she been well—or a gump like Edith! For had she been well, she would not have been "silly"! Had she been well—instead of lying there in her bed, white and strained and trembling, all because she had saved his life, harnessing herself to that wagon, and bringing him, in the darkness, through a thousand terrors—nonexistent, to be sure, but none the less real—to safety and life! Oh, how could he have even thought the word "silly"? He was ashamed and humble; never again would he be cross to her! "Silly? I'm the silly one! I'm an ass. I'll tell her so! I don't suppose she'll ever forgive me. She said I 'didn't understand her'; well, I didn't! But she'll never have cause to say it again! I understand her now," Then, once more, he thought, frowning, "But why is she so down on Edith?"

That Eleanor's irritation was jealousy—not of Edith, but of Edith's years—never occurred to him. So all he said was, "She oughtn't to be down on Edith; she has always appreciated her!" Edith had never said that Eleanor was "silly"! But so long as it bothered Eleanor (being nervous) to have the imp round, he'd tell her not to be a nuisance. "You can say anything to Skeezics; she has sense. She understands."

But all the same, Maurice shingled his part of the henhouse before breakfast.

Maurice did not call Eleanor "silly" again for a long time. There was always—when she was unreasonable—the curbing memory that her reasonableness had been shaken by that assault of darkness and fear, and the terrible fatigue of saving his robust young life. Furthermore, Doctor Bennett—telling Henry Houghton that Eleanor had done the worst possible thing, "magnificently"—told Maurice she had "nervous prostration,"—a cloaking phrase which kindly doctors often give to perplexed husbands, so that the egotism of sickly wives may be covered up! So Maurice, repeating to himself these useful words, saw only ill health, not silliness, in Eleanor's occasional tears. It was a week after the shingling of the henhouse, that, leaving her to recuperate still further at Green Hill, he started in on his job of "office boy"—his jocose title for his position in the real-estate office in Mercer. Eleanor did not want to be left, and said so, wistfully.

"I'll come up for Sundays," Maurice comforted her, tenderly.

On these weekly visits the Houghtons were impressed by his tenderness; he played solitaire with his wife by the hour; he read poetry to her until she fell asleep; and he told her everything he had done and every person he had seen, while he was away from her! But the rest of the household didn't get much enjoyment out of Eleanor. Even the adoring Edith had moments when admiration had to be propped up by Doctor Bennett's phrase. As, for instance, on one of Maurice's precious Sundays, he and she and Johnny Bennett and Rover and old Lion climbed up to the cabin to make things shipshape before closing the place for the winter.

"You'll be away from me all day," Eleanor said, and her eyes filled.

Maurice said he hated to leave her, but he had always helped Edith on this closing-up job.

"Oh, well; go, if you want to," Eleanor said; "but I don't see how you can enjoy being with a perfect child, like Edith!"

Maurice went—not very happily. But it was such a fine, tingling day of hard work, in a joyous wind, with resulting appetites, and much yelling at each other—"Here, drop that!" ... "Hurry up, slow poke!"—that he was happy again before he knew it. After the work was over they had a lazy hour before the fire, their eyes stinging with smoke which seemed to envelop them, no matter on which side they sat; an hour in which Rover drowsed at Maurice's feet, and Johnny, in spectacles, read A Boy's Adventures in the Forests of Brazil, and Edith gabbled about Eleanor....

"Oh, I wish I was married," Edith said; "I'd just love to save my husband's life!"

Maurice said little, except to ask Johnny if he had got to such and such a place in the Adventures, or to assent to Edith's ecstasies; but once he sighed, and said Eleanor was awfully pulled down by that—that night.

"I should think," Edith said, "you'd feel she'd just about died for you, like people in history who died for each other."

"I do," Maurice said, soberly.

When they drove home in the dusk, Maurice singing, loudly; Edith, on the front seat of the wagon, snuggling against him; Johnny standing up, balancing himself by holding on to their shoulders, and old Rover jogging along on the footpath,—they were all in great spirits, until a turn in the road showed them Eleanor, sitting on a log, looking rather white.

"Suffering snakes!" said Maurice, breaking off in the middle of a word. Before Lion could quite stop, he was at his wife's side. "Eleanor! How did you get here? ... You walked? Oh, Star, you oughtn't to have done such a thing!"

"I was frightened about you. It was so late. I was afraid something had happened. I came to look for you."

Edith and Johnny looked on aghast; then Edith called out: "Why, Eleanor! I wouldn't let anything happen to Maurice!"

Maurice, kneeling beside his wife, had put his arms around her and was soothing her with all sorts of gentlenesses: "Dear, you mustn't worry so! Nelly, don't cry; why, darling, we were having such a good time, we never noticed that it was getting late ..."

"You forgot me," Eleanor said; "as long as you had Edith, you never thought how I might worry!" She hid her face in her hands.

Maurice came back to the wagon; "Edith," he said, in a low voice, "would you and Johnny mind getting out and walking? I'll bring Eleanor along later. I'm sorry, but she's—she's tired."

Edith said in a whisper, "'Course not!" Then, without a look behind her at the crying woman on the log, and the patient, mortified boy bending over her, she, and the disgusted and more deliberate Johnny, ran down the road into the twilight. Edith was utterly bewildered. With her inarticulate consciousness of the impropriety of emotion, naked, in public! was the shyness of a child in meeting a stranger—for that crying woman was practically a stranger. She wasn't the Bride—silent and lovely! At Johnny's gate she said, briefly, "'Night!" and went on, running—running in the dusk. When she reached the house, and found her father and mother on the east porch, she was breathless, which accounted for her brevity in saying that Maurice and Eleanor were coming—and she was just starved! In the dining room, eating a very large supper, she listened for the wheels of the wagon and reflected: "Why was Eleanor mad at me? She was mad at Maurice, too. But most at me. Why?" She took an enormous spoonful of sliced peaches, and stared blankly ahead of her.

Ten minutes later, hearing wheels grating on the gravel at the front door, and Maurice's voice, subdued and apologetic, she pushed her chair away from the table, rushed through the pantry and up the back stairs. She didn't know why she fled. She only knew that she couldn't face Eleanor, who would sit with Maurice while he bolted a supper for which—though Edith didn't know it!—all appetite had gone. In her room in the ell, Edith shut the door, and, standing with her back against it, tried to answer her own question:

"Why was Eleanor mad?" But she couldn't answer it. Jealousy, as an emotion, in herself or anybody else, was absolutely unknown to her. She had probably never even heard the word—except in the Second Commandment, or as a laughing reproach to old Rover—so she really did not know enough to use it now to describe Eleanor's behavior. She only said, "Maybe it's the nervous prostration? Well, I don't like her very much. I'm glad she won't be at Fern Hill when I go there." To be a Bride—and yet to cry before people! "Crying before people," Edith said, "is just like taking off all your clothes before people—I don't care how bad her nervous prostration is; it isn't nice! But why is she mad at me? That isn't sense."

You can't run other people's feelings to cover, and try to find their cause, without mental and moral development; all this analysis lessened very visibly Edith's childishness; also, it made her rather rudely cold to Eleanor, whose effort to reinstate herself in the glories of the little girl's imagination only resulted in still another and entirely new feeling in Edith's mind—contempt.

"If she had a right to be mad at me yesterday—why isn't she mad to-day?" Edith reasoned.

Eleanor was quick to feel the contempt. "I don't care for Edith," she told Maurice, who looked surprised.

"She's only a child," he said.

Edith seemed especially a child now to Maurice, since he had embarked on his job at Mercer. Not only was she unimportant to him, but, in spite of his mortification at that scene on the road, his Saturday-night returns to his wife were blowing the fires of his love into such a glory of devotion, that Edith was practically nonexistent! His one thought was to take Eleanor to Mercer. He wanted her all to himself! Also, he had a vague purpose of being on his dignity with a lot of those Mercer people: Eleanor's aunt, just back from Europe; Brown and Hastings—cubs! But below this was the inarticulate feeling that, away from the Houghtons, especially away from Edith, he might forget his impulse to use—for a second time—that dreadful word "silly."

So, as the 20th of October approached—the day when they were to go back to town—he felt a distinct relief in getting away from Green Hill. The relief was general. Edith felt it, which was very unlike Edith, who had always sniffled (in private) at Maurice's departure! And her father and mother felt it:

"Eleanor's mind," Henry Houghton said, "is exactly like a drum—sound comes out of emptiness!"

"But Maurice seems to like the sound," Mrs. Houghton reminded him; "and she loves him."

"She wants to monopolize him," her husband said; "I don't call that love; I call it jealousy. It must be uncomfortable to be jealous," he ruminated; "but the really serious thing about it is that it will bore any man to death. Point that out to her, Mary! Tell her that jealousy is self-love, plus the consciousness of your own inferiority to the person of whom you are jealous. And it has the same effect on love that water has on fire. My definition ought to be in a dictionary!" he added, complacently.

"What sweet jobs you do arrange for me!" she said; "and as for your definition, I can give you a better one—and briefer: 'Jealousy is Human Natur'! But I don't believe Eleanor's jealous, Henry; she's only conscious, poor girl! of Maurice's youth. But there is something I am going to tell her...."

She told her the day before the bridal couple (Edith still reveled in the phrase!) started for Mercer. "Come out into the orchard," Mary Houghton called upstairs to Eleanor, "and help me gather windfalls for jelly."

"I must pack Maurice's things," Eleanor called over the banisters, doubtfully; "he's a perfect boy about packing; he put his boots in with his collars."

"Oh, come along!" said Mrs. Houghton. And Eleanor yielded, scolding happily while she pinned her hat on before the mirror in the hall.

In the orchard they picked up some apples, then sat down on the bleached stubble of the mowed hillside and looked over at the dark mass of the mountain, behind which a red sun was trampling waist deep through leaden clouds. "How can I bring it in?" Mrs. Houghton thought; "it won't do to just throw a warning at her!"

But she didn't have to throw it; Eleanor invited it. "I'm glad we're going to the hotel, just at first," she said; "Auntie says I don't know anything about keeping house, and I get worried for fear I won't make Maurice comfortable. I tell him so all the time!"

"I wouldn't put things into his head, Eleanor," Mrs. Houghton said (beginning her "warning"); "I mean things that you don't want him to feel. I remember when my first baby was coming—the little boy we lost—" she stopped and bit her lip; the "baby" had been gone for nearly twenty years, but he was still her little boy—"I was very forlorn, and I couldn't do anything, or go anywhere; and Henry stayed at home with me like a saint. Well, I told my father that I had told Henry it was hard on him to 'sit at home with an invalid wife.' And father said, 'If you tell him so often enough, he'll agree with you,' There's a good deal in that, Eleanor?"

"I suppose there is," Maurice's wife said, vaguely.

"So, if I were you," Mrs. Houghton said, still feeling her way, "I wouldn't give him the idea that you are any—well, older than he is. A wife might be fifty years older than her husband, and if her spirit was young, years wouldn't make a bit of difference!"

Eleanor took this somewhat roundabout advice very well. "The only thing in the world I want," she said, simply, "is to make him happy."

They went back to the house in silence. But that night Eleanor paused in putting some last things into her trunk, and, going over to Maurice, kissed his thick hair. "Maurice," she said, "are you happy?"