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The Voice in the Fog

Chapter 18: CHAPTER XI
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About This Book

A thick London fog sets an oppressive, dreamlike stage for a tense mystery in which a determined man tracks a treacherous companion through docks, saloons and shipboard corridors, using disguise and stealth to confront hidden wrongs. The plot alternates brisk episodes of pursuit and investigation with atmospheric description, revealing mistaken identities, secret motives and layered deceptions. Romantic entanglements complicate loyalties and raise the stakes for personal reckonings. The narrative moves toward resolution by unmasking betrayals and reconciling obligations, blending melodramatic action with mood-driven scenes that emphasize suspense and social peril.




CHAPTER IX

When the constellation, which was not included among the accepted theories of Copernicus, passed away, Haggerty sat up and rubbed the swelling over his ear, tenderly yet grimly. Next, he felt about the floor for his pocket-lamp. A strange spicy dust drifted into his nose and throat, making him sneeze and cough. A mummy had reposed in the overturned cartonnage and the brittle bindings had crumbled into powder. He soon found the lamp, and sent its point of vivid white light here and there about the large room.

Pursuit of his assailant was out of the question. Haggerty was not only hard of head but shrewd. So he set about the accomplishment of the second best course, that of minute and particular investigation. Some one had entered this deserted house: for what? This, Haggerty must find out. He was fairly confident that the intruder did not know who had challenged him; on the other hand, there might be lying around some clue to the stranger's identity.

Was there light in the house, fluid in the wires? If so he would be saved the annoyance of exploring the house by the rather futile aid of the pocket-lamp, which stood in need of a fresh battery. He searched for the light-button and pressed it, hopefully. The room, with all its brilliantly decorated antiquities, older than Rome, older than Greece, blinded Haggerty for a space. "Ain't that like these book chaps?" Haggerty murmured. "T' go away without turning off th' meter!"

The first thing Haggerty did was to scrutinize the desk which stood near the center of the room. A film of dust lay upon it. Not a mark anywhere. In fact, a quarter of an hour's examination proved to Haggerty's mind that nothing in this room had been disturbed except the poor old mummy. He concluded to leave that gruesome object where it lay. Nobody but Crawford would know how to put him back in his box, poor devil. Haggerty wondered if, after a thousand years, some one would dig him up!

Through all the rooms on this floor he prowled, but found nothing. He then turned his attention to the flight of stairs which led to the servants' quarters. Upon the newel-post lay the fresh imprint of a hand. Haggerty went up the stairs in bounds. There were nine rooms on this floor, two connecting with baths. In one of these latter rooms he saw a trunk, opened, its contents carelessly scattered about the floor. One by one he examined the garments, his heart beating quickly. Not a particle of dust on them; plenty of finger-prints on the trunk. It had been opened this very night—by one familiar, either at first-hand or by instruction. He had come for something in that trunk. What?

From garret to cellar, thirty rooms in all; nothing but the hand-print on the newel-post and the opened trunk. Haggerty returned to the museum, turned out all the lights except that on the desk, and sat down on a rug so as not to disturb the dust on the chairs. The man might return. It was certain that he, Haggerty, would come back on the morrow. He was anxious to compare the thumb-print with the one he had in his collection.

For what had the man come? Keep-sakes? Haggerty dearly wanted to believe that the intruder was the one man he desired in his net; but he refused to listen to the insidious whisperings; he must have proof, positive, absolute, incontestable. If it was Crawford's man Mason, it was almost too good to be true; and he did not care to court ultimate disappointment.

Proof, proof; but where? Why had the man not returned the clothes to the trunk and shut it? What had alarmed him? Everything else indicated the utmost caution…  A glint of light flashing and winking from steel. Haggerty rose and went over to the window. He picked up a bunch of keys, thirty or forty in all, on a ring, weighing a good pound. The detective touched the throbbing bump and sensed a moisture; blood. So this was the weapon? He weighed the keys on his palm. A long time since he had seen a finer collection of skeleton keys, thin and flat and thick and short, smooth and notched, each a gem of its kind. Three or four ordinary keys were sandwiched in between, and Haggerty inspected these curiously.

"H'm. Mebbe it's a hunch. Anyhow, I'll try it. Can't lose anything trying."

He turned out the desk light and went down to the lower hall, his pocket-lamp serving as guide. He unlatched the heavy door-chains, opened the doors and closed them behind him. He inserted one of the ordinary keys. It refused to work. He tried another. The door swung open, easily.

"Now, then, come down out o' that!" growled a voice at the foot of the steps. "Thought y'd be comin' out by-'n-by. No foolin' now, 'r I blow a hole through ye!"

Haggerty wheeled quickly. "'S that you, Dorgan? Come up."

"Haggerty?" said the astonished patrolman. "An' Mitchell an' I've been watchin' these lights fer an hour!"

"Some one's been here, though; so y' weren't wasting your time. I climbed up th' fire-escape in th' alley an' got a nice biff on th' coco for me pains. See any one running before y' saw th' lights?"

"Why, yes!"

"Ha! It's hard work t' get it int' your heads that when y' see a man running at this time o' night, in a quiet side-street it's up t' you t' ask him questions."

"Thought he was chasin' a cab."

"Well, listen here. Till th' owner comes back, keep your eyes peeled on this place. An' any one y' see prowling around, nab him an' send for me. On your way!"

Haggerty departed in a hurry. He had already made up his mind as to what he was going to do. He hunted up a taxicab and told the chauffeur where to go, advising him to "hit it up." His destination was the studio-apartment of J. Mortimer Forbes, the artist. It was late, but this fact did not trouble Haggerty. Forbes never went to bed until there was positively nothing else to do.

The elevator-boy informed Haggerty that Mr. Forbes had just returned from the theater. Alone? Yes. Haggerty pushed the bell-button. A dog bayed.

"Why, Haggerty, what's up? Come on in. Be still, Fritz!"

The dachel's growl ended in a friendly snuffle, and he began to dance upon Haggerty's broad-toed shoes.

"Bottle of beer? Cigar? Take that easy chair. What's on your mind tonight?" Forbes rattled away. "Why, man, there's a cut on the side of your head!"

"Uhuh. Got any witch-hazel?" The detective sat down, stretched out his legs, and pulled the dachel's ears.

Forbes ran into the bathroom to fetch the witch-hazel. Haggerty poured a little into his palm and dabbled the wound with it.

"Now, spin it out; tell me what's happened," said Forbes, filling his calabash and pushing the cigars across the table.

For a year and a half these two men, the antitheses of each other, had been intimate friends. This liking was genuine, based on secret admiration, as yet to be confessed openly. Forbes had always been drawn toward this man-hunting business; he yearned to rescue the innocent and punish the guilty. Whenever a great crime was committed he instantly overflowed with theories as to what the criminal was likely to do afterward. Haggerty enjoyed listening to his patter; and often there were illuminating flashes which obtained results for the detective, who never applied his energies in the direction of logical deduction. Besides, the chairs in the studio were comfortable, the imported beer not too cold, and the cigars beyond criticism.

Haggerty accepted a cigar, lighted it, and amusedly watched the eager handsome face of the artist.

"Any poker lately?"

"No; cut it out for six months. Come on, now; don't keep me waiting any longer."

"Mum's th' word?"—tantalizingly.

"You ought to know that by this time"—aggrieved.

Haggerty tossed the bunch of keys on the table.

"Ha! Good specimens, these," Forbes declared, handling them. "Here's a window-opener."

"Good boy!" said Haggerty, as a teacher would have commended a bright pupil.

"And a door-chain lifter. Nothing lacking. Did he hit you with these?"

"Ye-up."

"What are these regular keys for?"

"One o' them unlocks a door." Haggerty smoked luxuriously.

Forbes eyed the ordinary keys with more interest than the burglarious ones. Haggerty was presently astonished to see the artist produce his own key-ring.

"What now?"

"When Crawford went abroad he left a key with me. I am making some drawings for an Egyptian romance and wanted to get some atmosphere."

"Uhuh."

"Which key is it that unlocks a door?" asked Forbes, his eyes sparkling.

"Never'll get that out o' your head, will you?"

"Which key?"

"Th' round-headed one."

Forbes drew the key aside and laid it evenly against the one Crawford had left in his keeping.

"By George!"

"What's th' matter?"

"He's come back!"—in a whisper.

"You're a keen one! Ye-up; Crawford's valet Mason is visiting in town."




CHAPTER X

There are many threads and many knots in a net; these can not be thrown together haphazard, lest the big fish slip through. At the bottom of the net is a small steel ring, and here the many threads and the many knots finally meet. Forbes and Haggerty (who, by the way, thinks I'm a huge joke as a novelist) and the young man named Webb recounted this tale to me by threads and knots. The ring was of Kitty Killigrew, for Kitty Killigrew, by Kitty Killigrew, to paraphrase a famous line.

At one of the quieter hotels—much patronized by touring Englishmen—there was registered James Thornden and man. Every afternoon Mr. Thornden and his man rode about town in a rented touring car. The man would bundle his master's knees in a rug and take the seat at the chauffeur's side, and from there direct the journey. Generally they drove through the park, up and down Riverside, and back to the hotel in time for tea. Mr. Thornden drank tea for breakfast along with his bacon and eggs, and at luncheon with his lamb or mutton chops, and at five o'clock with especially baked muffins and apple-tarts.

Mr. Thornden never gave orders personally; his man always attended to that. The master would, early each morning, outline the day's work, and the man would see to it that these instructions were fulfilled to the letter. He was an excellent servant, by the way, light of foot, low of voice, serious of face, with a pair of eyes which I may liken to nothing so well as to a set of acetylene blow-pipes—bored right through you.

The master was middle-aged, about the same height and weight as his valet. He wore a full dark beard, something after the style of the early eighties of last century. His was also a serious countenance, tanned, dignified too; but his eyes were no match for his valet's; too dreamy, introspective. Screwed in his left eye was a monocle down from which flowed a broad ribbon. In public he always wore it; no one about the hotel had as yet seen him without it, and he had been a guest there for more than a fortnight.

He drank nothing in the way of liquor, though his man occasionally wandered into the bar and ordered a stout or an ale. After dinner the valet's time appeared to be his own; for he went out nearly every night. He seemed very much interested in shop-windows, especially those which were filled with curios. Mr. Thornden frequently went to the theater, but invariably alone.

Thus, they attracted little or no attention among the clerks and bell boys and waiters who had, in the course of the year, waited upon the wants of a royal duke and a grand duke, to say nothing of a maharajah, who was still at the hotel. An ordinary touring Englishman was, then, nothing more than that.

Until one day a newspaper reporter glanced carelessly through the hotel register. The only thing which escapes the newspaper man is the art of saving; otherwise he is omnipotent. He sees things, anticipates events, and often prearranges them; smells war if the secretary of the navy is seen to run for a street-car, is intimately acquainted with "the official in the position to know" and "the man higher up," "the gentleman on the inside," and other anonymous but famous individuals. He is tireless, impervious to rebuff, also relentless; as an investigator of crime he is the keenest hound of them all; often he does more than expose, he prevents. He is the Warwick of modern times; he makes and unmakes kings, sceptral and financial.

This particular reporter sent his card up to Mr. Thornden and was, after half an hour's delay, admitted to the suite. Mr. Thornden laid aside his tea-cup.

"I am a newspaper man, Mr. Thornden," said the young man, his eye roving about the room, visualizing everything, from the slices of lemon to the brilliant eyes of the valet.

"Ah! a pressman. What will you be wanting to see me about, sir?"—neither hostile nor friendly.

"Do you intend to remain long in America—incog?"

"Incog!" Mr. Thorndon leaned forward in his chair and drew down his eyebrow tightly against the rim of his monocle.

"Yes, sir. I take it that you are Lord Henry Monckton, ninth Baron of Dimbledon."

Master and man exchanged a rapid glance.

"Tibbets," said the master coldly, "you registered."

"Yes, sir."

"What did you register?"

"Oh," interposed the reporter, "it was the name Dimbledon caught my eye, sir. You see, there was a paragraph in one of our London exchanges that you had sailed for America. I'm what we call a hotel reporter; hunt up prominent and interesting people for interviews. I'm sure yours is a very interesting story, sir." The reporter was a pleasant, affable young man, and that was why he was so particularly efficient in his chosen line of work.

"I was not prepared to disclose my identity so soon," said Lord Monckton ruefully. "But since you have stumbled upon the truth, it is far better that I give you the facts as they are. Interviewing is a novel experience. What do you wish to know, sir?"

And thus it was that, next morning, New York—and the continent as well—learned that Lord Henry Monckton, ninth Baron of Dimbledon, had arrived in America on a pleasure trip. The story read more like the scenario of a romantic novel than a page from life. For years the eighth Baron of Dimbledon had lived in seclusion, practically forgotten. In India he had a bachelor brother, a son and a grandson. One day he was notified of the death (by bubonic plague) of these three male members of his family, the baron himself collapsed and died shortly after. The title and estate went to another branch of the family. A hundred years before, a daughter of the house had run away with the head-gardener and been disowned. The great-great-grand-son of this woman became the ninth baron. The present baron's life was recounted in full; and an adventurous life it had been, if the reporter was to be relied upon. The interview appeared in a London journal, with the single comment—"How those American reporters misrepresent things!"

It made capital reading, however; and in servants' halls the newspaper became very popular. It gave rise to a satirical leader on the editorial page: "What's the matter with us republicans? Liberty, fraternity and equality; we flaunt that flag as much as we ever did. Yet, what a howdy-do when a title comes along! What a craning of necks, what a kotowing! How many earldoms and dukedoms are not based upon some detestable action, some despicable service rendered some orgiastic sovereign! The most honorable thing about the so-called nobility is generally the box-hedge which surrounds the manse. Kotow; pour our millions into the bottomless purses of spendthrifts; give them our most beautiful women. There is no remedy for human nature."

It was this editorial which interested Killigrew far more than the story which had given birth to it.

"That's the way to shout."

"Does it do any good?" asked Kitty. "If we had a lord for breakfast—I mean, at breakfast—would you feel at ease? Wouldn't you be watching and wondering what it was that made him your social superior?"

"Social superior? Bah!"

"That's no argument. As this editor wisely says, there's no remedy for human nature. When I was a silly schoolgirl I often wondered if there wasn't a duke in the family, or even a knight. How do you account for that feeling?"

"You were probably reading Bertha M. Clay," retorted her father, only too glad of such an opening.

"What is your opinion of titles, Mr. Webb?" she asked calmly.

"Mr. Webb is an Englishman, Kitty," reminded her mother.

"All the more reason for wishing his point of view," was the reply.

"A title, if managed well, is a fine business asset." Thomas stared gravely at his egg-cup.

"A humorist!" cried Killigrew, as if he had discovered a dodo.

"Really, no. I am typically English, sir." But Thomas was smiling this time; and when he smiled Kitty found him very attractive. She was leaning on her elbows, her folded hands propping her chin; and in his soul Thomas knew that she was looking at him with those boring critical blue eyes of hers. Why was she always looking at him like that? "It is notorious that we English are dull and stupid," he said.

"Now you are making fun of us," said Kitty seriously.

"I beg your pardon!"

She dropped her hands from under her chin and laughed. "Do you really wish to know the real secret of our antagonism, Mr. Webb?"

"I should be very glad."

"Well, then, we each of us wear a chip on our shoulder, simply because we've never taken the trouble to know each other well. Most English we Americans meet are stupid and caddish and uninteresting; and most of the Americans you see are boastful, loud-talking and money-mad. Our mutual impressions are wholly wrong to begin with."

"I have no chip on my shoulder," Thomas refuted eagerly.

"Neither have I."

"But I have," laughed her father. "I eat Englishmen for breakfast; fe-fo-fum style."

How democratic indeed these kindly, unpretentious people were! thought Thomas. A multimillionaire as amiable as a clerk; a daughter who would have graced any court in Europe with her charm and elfin beauty. Up to a month ago he had held all Americans in tolerant contempt.

It was as Kitty said: the real Englishman and the real American seldom met.

He did not realize as yet that his position in this house was unique. In England all great merchants and statesmen and nobles had one or more private secretaries about. He believed it to be a matter of course that Americans followed the same custom. He would have been wonderfully astonished to learn that in all this mighty throbbing city of millions—people and money—there might be less than a baker's dozen who occupied simultaneously the positions of private secretary and friend of the family. Mr. Killigrew had his private secretary, but this gentleman rarely saw the inside of the Killigrew home; it wasn't at all necessary that he should. Killigrew was a sensible man; his business hours began when he left home and ended when he entered it.

"Do you know any earls or dukes?" asked Killigrew, folding his napkin.

"Really, no. I have moved in a very different orbit. I know many of them by sight, however." He did not think it vital to add that he had often sold them collars and suspenders.

The butler and the second man pulled back the ladies' chairs. Killigrew hurried away to his offices; Kitty and her mother went up-stairs; and Thomas returned to his desk in the library. He was being watched by Kitty; nothing overt, nothing tangible, yet he sensed it: from the first day he had entered this house. It oppressed him, like a presage of disaster. Back of his chair was a fireplace, above this, a mirror. Once—it was but yesterday—while with his back to his desk, day-dreaming, he had seen her in the mirror. She stood in the doorway, a hand resting lightly against the portiere. There was no smile on her face. The moment he stirred, she vanished.

Watched. Why?




CHAPTER XI

The home-bureau of charities was a success from the start; but beyond the fact that it served to establish Thomas Webb as private secretary in the Killigrew family, I was not deeply interested. I know that Thomas ran about a good deal, delving into tenements and pedigrees, judging candidates, passing or condemning, and that he earned his salary, munificent as it appeared to him. Forbes told me that he wouldn't have done the work for a thousand a week; and Forbes, like Panurge, had ten ways of making money and twelve ways of spending it.

The amazing characteristic about Thomas was his unaffected modesty, his naturalness, his eagerness to learn, his willingness to accept suggestions, no matter from what source. Haberdashers' clerks—at least, those I have known—are superior persons; they know it all, you can not tell them a single thing. I can call to witness dozens of neckties and shirts I shall never dare wear in public. But perhaps seven years among a clientele of earls and dukes, who were set in their ideas, had something to do with Thomas' attitude.

Killigrew was very well satisfied with the venture. He had had some doubts at the beginning: a man whose past ended at Pier 60 did not look like a wise speculation, especially in a household. But quite unconsciously Thomas himself had taken these doubts out of Killigrew's mind and—mislaid them. The subscriptions to all the suffragette weeklies and monthlies were dropped; and there were no more banners reading "Votes for Women" tacked over the doorways. Besides this, the merchant had a man to talk to, after dinner, he with his cigar and Thomas with his pipe, this privilege being insisted upon by the women folk, who had tact to leave the two men to themselves.

Thomas amused the millionaire. Here was a young man of a species with whom he had not come into contact in many years: a boy who did not know the first thing about poker, or bridge, or pinochle, who played outrageous billiards and who did not know who the latest reigning theatrical beauty was, and moreover, did not care a rap; who could understand a joke within reasonable time if he couldn't tell one; who was neither a nincompoop nor a mollycoddle. Thomas interested Killigrew more and more as the days went past. Happily, the voice of conscience is heard by no ears but one's own.

After luncheons Thomas had a good deal of time on his hands; and, to occupy this time he returned to his old love, composition. He began to rewrite his romance; and one day Kitty discovered him pegging away at it. He rose from his chair instantly.

"Will you be wanting me, Miss Killigrew?"

"Only to say that father will be detained down-town to-night and that you will be expected to take mother and me to the theater. It is one of your English musical comedies; and very good, they say."

Thomas had been dreading such a situation. As yet there had been no entertaining at the Killigrew home; nearly all their friends were out of town for the summer; thus far he had escaped.

"I am sorry, Miss Killigrew, but I have no suitable clothes." Which was plain unvarnished truth. "And I do not possess an opera-hat." And never did.

Kitty laughed pleasantly. "We are very democratic in this house, as by this time you will have observed. In the summer we do not dress; we take our amusements comfortably. Ordinarily we would be at our summer home on Long Island; but delayed repairs will not let us into it till August. Then we shall all take a vacation. You will join us as you are; that is, of course, if you are not too busy with your own affairs."

"Never too busy to be of service to you, Miss Killigrew. I'm only scribbling."

"A book?"—interestedly.

"Bally rot, possibly. Would you like to read it?"—one of the best inspirations he had ever had. He was not one of those silly individuals who hem and haw when some one discovers they have the itch for writing, whose sole aim is to have the secret dragged out of them, with hypocritical reluctance.

"May I?" Her friendly aloofness fell away from her as if touched by magic. "I am an inveterate reader. Besides, I know several famous editors, and perhaps I could help you."

"That would be jolly."

"And you are writing a story, and never told us about it!"

"It never occurred to me to tell you. I shall be very glad to go to the theater with you and Mrs. Killigrew."

Kitty tucked the romance under her arm and flew to her room with it. This Thomas was as full of surprises as a Christmas-box.

He eyed the empty doorway speculatively. He rather preferred the friendly aloofness; otherwise some fatal nonsense might enter his head. He resumed his chair and transferred his gaze to the blotter. He added a few pothooks by the way: numerals in addition and subtraction (for he was of Scotch descent), a name which he scratched out and scrawled again and again scratched out. He examined the contents of his wallet. How many pounds did a dress-suit cost in this hurly-burly country? This question could be answered only in one way. He hastened out into the hall, put on his hat, made for the subway, and got out directly opposite the offices of Killigrew and Company, sugar, coffee and spices. London-bred, it did not take him long to find his way about. The racket disturbed him; that was all.

The building in which Killigrew and Company had its offices belonged to Killigrew personally. It had cost him a round million to build, but the office-rentals were making it a fine investment. These ornate office-buildings caused Thomas to marvel unceasingly. In London cubby-holes were sufficient. If merchants like Killigrew, generally these were along the water-front; creaky, old, dim-windowed. In this bewildering country a man conducted his business as from a palace. The warehouses were distinct establishments.

Thomas entered the portals, stepped cautiously into one of the express-elevators (so they insisted upon calling them here), and was shot up to the fourteenth floor, all of which was occupied by Killigrew and Company. It was Thomas' first venture in this district. And he learned the amazing fact that it was ordinarily as easy to see Mr. Killigrew as it was to see King George. Office-boys, minor clerks, head clerks, managers; they quizzed and buffeted him hither and thither. He never thought to state at the outset that he was Mrs. Killigrew's private secretary; he merely said that it was very important that he should see Mr. Killigrew at once.

"Mr. Killigrew is busy," he was informed by the assistant manager, at whose desk Thomas finally arrived. "If you will give me your card I'll have it sent in to him."

Thomas confessed that he had no card. The assistant manager grew distinctly chilling.

"If you will be so kind as to inform Mr. Killigrew that Mr. Webb, Mrs. Killigrew's private secretary…"

"Why didn't you say that at once, Mr. Webb? Here, boy; tell Mr. Killigrew that Mr. Webb wishes to see him. You might just as well follow the boy."

Killigrew was smoking, and perusing the baseball edition of his favorite evening paper. All this red-tape to approach a man who wasn't doing anything more vital than that! Thomas smiled. It was a wonderful people.

"Why, hello, Webb! What's the matter? Anything wrong at the house?"—anxiously.

"No, Mr. Killigrew. I came to see you on a personal matter."

Killigrew dropped the newspaper on his desk, a little frown between his eyes. He made no inquiry.

"Miss Killigrew tells me that you will not be home this evening, and that I am to take her and Mrs. Killigrew to the theater."

"Anything in the way to prevent you?" Killigrew appeared vastly relieved for some reason.

"As a matter of fact, sir, I haven't the proper clothes; and I thought you might advise me where to go to obtain them."

Killigrew laughed until the tears started. The very heartiness of it robbed it of all rudeness. "Good lord! and I was worrying my head off. Webb, you're all right. Do you need any funds?"

"I believe I have enough." Thomas appeared to be disturbed not in the least by the older man's hilarity. It was not infectious, because he did not understand it.

"Glad you came to me. Always come to me when you're in doubt about anything. I'm no authority on clothes, but my secretary is. I'll have him take you to a tailor where you can rent a suit for to-night. He'll take your measure, and by the end of the week…" He did not finish the sentence, but pressed one of the many buttons on his desk. "Clark, this is Mr. Webb, Mrs. Killigrew's secretary. He wants some clothes. Take him along with you."

Alone again, Killigrew smiled broadly. The humor of the situation did not blind him to the salient fact that this Webb was a man of no small courage. He recognized in this courage a commendable shrewdness also: Webb wanted the right thing, honest clothes for honest dollars. A man like that would be well worth watching. And for a moment he had thought that Webb had fallen in love with Kitty and wanted to marry her! He chuckled. Clothes!

What a boy Kitty would have made! What an infallible eye she had for measuring a person! No servant-question ever dangled its hot interrogation point before his eyes. Kitty saw to that. She was the real manager of the household affairs, for all that he paid the bills. Some day she would marry a proper man; but heaven keep that day as far off as possible. What would he do without Kitty? Always ready to perch on his knee, to smooth the day-cares from his forehead, to fend off trouble, to make laughter in the house. He was not going to love the man who eventually carried her off. He was always dreading that day; young men about the house, the yacht and the summer home worried him. The whole lot of them were not worthy to tie the laces of her shoes, much as they might yearn to do so.

And all Webb wanted was a tailor! He would give a hundred for the right to tell this scare to the boys at the club, but Webb's ingenuous confidence did not merit betrayal. Still, nothing should prevent him from telling Kitty, who knew how to keep a secret. He picked up the newspaper and resumed his computation of averages (batting), chuckling audibly from time to time. Clothes!

At quarter to six Thomas returned to the house, laden with fat bundles which he hurried secretly to his room. He had never worn a dress-suit. He had often guilelessly dreamed of possessing one: between paragraphs, as another young man might have dreamed of vanquishing a rival. It was inborn that we should wish to appear well in public; to better one's condition, or, next best, to make the public believe one has. Thomas was deeply observant and quickly adaptive. Between the man who goes to school with books and the man who goes to school in books there is wide difference. What we are forced to learn seldom lifts us above the ordinary; what we learn by inclination plows our fields and reaps our harvests. It is as natural as breathing that we should like our tonics, mental as well as physical, sugar-coated.

Thomas had never worn a dress-suit; but in the matter of collars and cravats and shirts he knew the last word. But why should he wish to wear that mournfully conventional suit in which we are supposed to enjoy ourselves? She had told him not to bother about dress. Was it that very nonsense he dreaded, insidiously attacking the redoubts of his common sense?

That evening at dinner Kitty nor her mother appeared to notice the change. This gratified him; he knew that outwardly there was nothing left to desire or attain.

Kitty began to talk about the romance immediately. She had found the beginning very exciting; it was out of the usual run of stories; and if it was all as good as the first part, there would be some editors glad to get hold of it. So much for the confidence of youth. The Black Veil, as I have reason to know, lies at the bottom of Thomas' ancient trunk.

Long as he lived he would never forget the enjoyment of that night. The electric signs along Broadway interested him intensely; he babbled about them boyishly. Theater outside and theater within; a great drama of light and shadow, of comedy and tragedy; for he gazed upon the scene with all his poet's eyes. He enjoyed the opera, the color and music, the propinquity of Kitty. Sometimes their shoulders touched; the indefinable perfume of her hair thrilled him.

Kitty had seen all these things so many times that she no longer experienced enthusiasm; but his was so genuine, so un-English, that she found it impossible to escape the contagion. She did not bubble over, however; on the contrary, she sat through the performance strangely subdued, dimly alarmed over what she had done.

As they were leaving the lobby of the theater, a man bumped against Thomas, quite accidentally.

"I beg your pardon!" said the stranger, politely raising his hat and passing on.

[Illustration: "I beg your pardon!" said the stranger.]

Thomas' hand went clumsily to his own hat, which he fumbled and dropped and ran after frantically across the mosaic flooring.

A ghost; yes, sir, Thomas had seen a ghost.




CHAPTER XII

I left Thomas scrambling about the mosaic lobby of the theater for his opera-hat. When he recovered it, it resembled one of those accordions upon which vaudeville artists play Mendelssohn's Wedding March and the latest ragtime (by request). Some one had stepped on it. Among the unanswerable questions stands prominently: Why do we laugh when a man loses his hat? Thomas burned with a mixture of rage and shame; shame that Kitty should witness his discomfiture and rage that, by the time he had retrieved the hat, the ghost had disappeared.

However, Thomas acted as a polished man of the world, as if eight-dollar opera-hats were mere nothings. He held it out for Kitty to inspect, smiling. Then he crushed it under his arm (where the broken spring behaved like an unlatched jack-in-the-box) and led the way to the Killigrew limousine.

"I am sorry, Mr. Webb," said Kitty, biting her lips.

"Now, now! Honestly, don't you know, I hated the thing. I knew something would happen. I never realized till this moment that it is an art all by itself to wear a high hat without feeling and looking like a silly ass."

He laughed, honestly and heartily; and Kitty laughed, and so did her mother. Subtle barriers were swept away, and all three of them became what they had not yet been, friends. It was worth many opera-hats.

"Kitty, I'm beginning to like Thomas," said her mother, later. "He was very nice about the hat. Most men would have been in a frightful temper over it."

"I'm beginning to like him, too, mother. It was cruel, but I wanted to shout with laughter as he dodged in and out of the throng. Did you notice how he smiled when he showed it to me? A woman stepped on it. When she screamed I thought there was going to be a riot."

"He's the most guileless young man I ever saw."

"He really and truly is," assented Kitty.

"I like him because he isn't afraid to climb up five flights of tenement stairs, or to shake hands with the tenants themselves. I was afraid at first."

"Afraid of what?"

"That you might have made a mistake in selecting him so casually for our secretary."

"Perhaps I have," murmured Kitty, under her breath.

Alone in her bedroom the smile left Kitty's face. A brooding frown wrinkled the smooth forehead. It was there when Celeste came in; it remained there after Celeste departed; and it vanished only under the soft, dispelling fingers of sleep.

There was a frown on Thomas' forehead, too; bitten deep. He tried to read, he tried to smoke, he tried to sleep; futilely. In the middle of the banquet, as it were, like a certain Assyrian king in Babylon, Thomas saw the Chaldaic characters on the wall: wherever he looked, written in fire—Thou fool!




CHAPTER XIII

Two mornings later the newspapers announced the important facts that Miss Kitty Killigrew had gone to Bar Harbor for the week, and that the famous uncut emeralds of the Maharajah of Something-or-other-apur had been stolen; nothing co-relative in the departure of Kitty and the green stones, coincidence only.

The Indian prince was known the world over as gem-mad. He had thousands in unset gems which he neither sold, wore, nor gave away. His various hosts and hostesses lived in mortal terror during a sojourn of his; for he carried his jewels with him always; and often, whenever the fancy seized him, he would go abruptly to his room, spread a square of cobalt-blue velvet on the floor, squat in his native fashion beside it, and empty his bags of diamonds and rubies and pearls and sapphires and emeralds and turquoises. To him they were beautiful toys. Whenever he was angry, they soothed him; whenever he was happy, they rounded out this happiness; they were his variant moods.

He played a magnificent game. Round the diamonds he would make a circle of the palest turquoises. Upon this pyramid of brilliants he would place some great ruby, sapphire, or emerald. Then his servants were commanded to raise and lower the window-curtains alternately. These shifting contra-lights put a strange life into the gems; they not only scintillated, they breathed. Or, perhaps the pyramid would be of emeralds; and he would peer into their cool green depths as he might have peered into the sea.

He kept these treasures in an ornamented iron-chest, old, battered, of simple mechanism. It had been his father's and his father's father's; it had been in the family since the days of the Peacock Throne, and most of the jewels besides. Night and day the chest was guarded. It lay upon an ancient Ispahan rug, in the center of the bedroom, which no hotel servant was permitted to enter. His five servants saw to it that all his wants were properly attended to, that no indignity to his high caste might be offered: as having his food prepared by pariah hands in the hotel kitchens, foul hands to make his bed. He was thoroughly religious; the gods of his fathers were his in all their ramifications; he wore the Brahmin thread about his neck.

He was unique among Indian princes. An Oxford graduate, he persistently and consistently clung to the elaborate costumes of his native state. And when he condescended to visit any one, it was invariably stipulated that he should be permitted to bring along his habits, his costumes and his retinue. In his suite or apartments he was the barbarian; in the drawing-room, in the ballroom, in the dining-room (where he ate nothing), he was the suave, the courteous, the educated Oriental. He drank no wines, made his own cigarettes, and never offered his hand to any one, not even to the handsome women who admired his beautiful skin and his magnificent ropes of pearls.

Some one had entered the bedroom, overpowered the guard, and looted the bag containing the emeralds. The prince, the lightest of sleepers, had slept through it all. He had awakened with a violent headache, as had four of his servants. The big Rajput who had stood watch was in the hospital, still unconscious.

All the way from San Francisco the police had been waiting for such a catastrophe. The newspapers had taken up and published broadcast the story of the prince's pastime. Naturally enough, there was not a crook in all America who was not waiting for a possible chance. Ten emeralds, weighing from six to ten carats each; a fortune, even if broken up.

Haggerty laid aside the newspaper and gravely finished his ham and eggs. "I'll take a peek int' this, Milly," he said to his wife. "We've been waiting for this t' happen. A million dollars in jools in a chest y' could open with a can-opener. Queer ginks, these Hindus. We see lots o' fakers, but this one is the real article. Mebbe a reward. All right; little ol' Haggerty can use th' money. I may not be home t' supper."

"Anything more about Mr. Crawford's valet?"

Haggerty scowled. "Not a line. I've been living in gambling joints, but no sign of him. He gambled in th' ol' days; some time 'r other he'll wander in somewhere an' try t' copper th' king. No sign of him round Crawford's ol' place. But I'll get him; it's a hunch. By-by!"

Later, the detective was conducted into the Maharajah's reception-room. The prince, in his soft drawling English (far more erudite and polished than Haggerty's, if not so direct), explained the situation, omitting no detail. He would give two thousand five hundred for the recovery of the stones.

"At what are they valued?"

"By your customs appraisers, forty thousand. To me they are priceless."

"Six t' ten carats? Why, they're worth more than that."

The prince smiled. "That was for the public."

"I'll take a look int' your bedroom," said Haggerty, rising. "Oh, no; that is not at all necessary," protested the prince.

"How d' you suppose I'm going t' find out who done it, or how it was done, then?" demanded Haggerty, bewildered.

A swift oriental gesture.

The hotel manager soothed Haggerty by explaining that the prince's caste would not permit an alien to touch anything in the bedroom while it contained the prince's belongings.

"Well, wouldn't that get your goat!" exploded Haggerty. "That lets me out. You'll have to get a clairyvoint."

The prince suggested that he be given another suite. His servants would remove his belongings. He promised that nothing else should be touched.

"How long'll it take you?"

"An hour."

"All right," assented Haggerty. "Who's got th' suite across th' hall?" he asked of the manager, as they left the prince.

"Lord Monckton. He and his valet left this morning for Bar Harbor. Back Tuesday. A house-party of Fifth Avenue people."

"Uhuh." Haggerty tugged at his mustache. "I might look around in there while I'm waiting for his Majesty t' change. Did y'ever hear th' likes? Bug-house."

"But he pays a hundred the day, Haggerty. I'll let you privately into Lord Monckton's suite. But you'll waste your time."

"Sure he left this morning?"

"I'll phone the office and make sure…  Lord Monckton left shortly after midnight. His man followed early this morning. Lord Monckton went by his host's yacht. But the man followed by rail."

"What's his man look like?"

"Slim and very dark, and very quiet."

"Well, I'll take a look."

The manager was right. Haggerty had his trouble for nothing. There was no clue whatever in Lord Monckton's suite. There was no paper in the waste-baskets, in the fireplace; the blotters on the writing-desk were spotless. Some clothes were hanging in the closets, but these revealed only their fashionable maker's name. In the reception-room, on a table, a pack of cards lay spread out in an unfinished game of solitaire. All the small baggage had been taken for the journey. Truth to tell, Haggerty had not expected to find anything; he had not cared to sit idly twiddling his thumbs while the Maharajah vacated his rooms.

In the bathroom (Lord Monckton's) he found two objects which aroused his silent derision: a bottle of brilliantine and an ointment made of walnut-juice. Probably this Lord Monckton was a la-de-dah chap. Bah!

Once in the prince's vacated bedroom Haggerty went to work with classic thoroughness. Not a square foot of the room escaped his vigilant eye. The thief had not entered by the windows; he had come into the room by the door which gave to the corridor. He stood on a chair and examined the transom sill. The dust was undisturbed. He inspected the keyhole; sniffed; stood up, bent and sniffed again. It was an odor totally unknown to him. He stuffed the corner of his fresh handkerchief into the keyhole, drew it out and sniffed that. Barely perceptible. He wrapped the corner into the heart of the handkerchief, and put it back into his pocket. Some powerful narcotic had been forced into the room through the keyhole. This would account for the prince's headache. These Orientals were as bad as the Dutch; they never opened their windows for fresh air.

Beyond this faint, mysterious odor there was nothing else. The first step would be to ascertain whether this narcotic was occidental or oriental.

"Nothing doing yet," he confessed to the anxious manager. "But there ain't any cause for you t' worry. You're not responsible for jools not left in th' office."

"That isn't the idea. It's having the thing happen in this hotel. We'll add another five hundred if you succeed. Not in ten years has there been so much as a spoon missing. What do you think about it?"

"Big case. I'll be back in a little while. Don't tell th' reporters anything."

Haggerty was on his way to a near-by chemist whom he knew, when he espied Crawford in his electric, stalled in a jam at Forty-second and Broadway. He had not seen the archeologist since his return from Europe.

"Hey, Mr. Crawford!" Haggerty bawled, putting his head into the window.

"Why, Haggerty, how are you? Can I give you a lift?"

"If it won't trouble you."

"Not at all. Pretty hot weather."

"For my business. Wish I could run off t' th' seashore like you folks. Heard o' th' Maharajah's emeralds?"

"Yes. You're on that case?"

"Trying t' get on it. Looks blank jus' now. Clever bit o' work; something new. But I've got news for you, though. Your man Mason is back here again. I thought I wouldn't say nothing t' you till I put my hand on his shoulder."

"I'm sorry. I had hoped that the unfortunate devil would have had sense to remain abroad."

"Then you knew he was over there?"—quickly. "See him?"

"No. I shall never feel anything but sorry for him. You can not live with a man as I did, for ten years, and not regret his misstep."

"Oh, I understand your side. But that man was a born crook, an' th' cleverest I ever run up against. For all you know, he may have been back of a lot o' tricks Central never got hold of. I'll bet that each time that you went over with him, he took loot an' disposed of it. I may be pig-headed sometimes, but I'm dead sure o' this. Wait some day an' see. Say, take a whiff o' this an' tell me what y' think it is." Haggerty produced the handkerchief.

"I don't smell anything," said Crawford.

Haggerty seized the handkerchief and sniffed, gently, then violently. All he could smell was reminiscent of washtubs. The mysterious odor was gone.