"Now that the sword is ready, the dwarf leads the young man away through the woods, a long journey, to a place where he has never been before, to find the dragon. You see that deep, dark hole under the sticks; that is the dragon's cave in the side of the mountain. Just a little light shines at the very bottom of it, where the dragon is resting and breathing out fire. 'There is his hole,' says the dwarf; 'just wait here till he comes out and then kill him, Look out for his teeth or he will catch you and eat you; be careful about his breath, for it is fiery and poisonous; beware of his tail, for he may wind it around you and crush you.'
"'I do not care for his teeth or his breath or his tail,' says the young man; 'I only want to find his heart. Leave me here, and never let me see you again.'
"The dwarf goes away and the young man sits down on the grass to wait for the dragon. You see, since he knows nothing at all about fear it does not seem to him such a great thing to kill a dragon. He does not care much whether he kills it or not, and he is in no hurry about it. So he sits on the grass and looks at the gray old rocks and the bright young flowers about him, sees the golden sunlight falling in little spots and flecks through the branches, feels the cool, fresh morning air, and hears the soft rustle of the trees and the singing of the birds. Most of all, he listens to the birds that flutter about in the branches above him, as the sparks hover over the fire there, before they fly away up the chimney, and in particular to one bird, right over his head in the tree. It sings so loudly and so clearly that it seems to be talking to him, only, of course, he cannot understand what it says. He has wished for a long time that he might have some better company than the ugly dwarf, and he thinks now that he should like to talk with the bird.
"If he cannot understand the bird, perhaps the next best thing would be to make the bird understand him, so he makes a pipe out of a reed and tries to play upon it something like the bird's song. I don't know what he thinks he is saying to the bird with his reed, and he seems not much pleased with it himself, for he throws it away and blows a ringing, echoing blast on his horn instead. And now he gets an answer, for this time he has awakened the dragon, and it comes out of its cave to see what is making so much noise so early in the morning.
"Oh, but it is an ugly-looking monster! It is something like a snake, but more like a giant lizard. It has scales all over its body and it has a long, shiny tail. It walks clumsily, because its legs are too small for it, and writhes and wriggles itself along, raising its head now and then to look about, and breathing out red fire and black smoke like a blast from a furnace. When its poisonous breath has blown this smoke away for an instant, it shows two rows of teeth like knives and a long forked tongue like a snake's, and its jaws are opened wide enough to take the young man into them and bite him into a dozen pieces at one snap. Surely if he is ever to learn what fear is now is his chance.
"He sees all this just as plainly as I see it here in the fire; but do you think he is afraid? Why, he simply laughs at the monster. 'A pleasant-looking fellow you are,' he says; 'can you teach me what fear is? If you cannot, I shall prick you with my sword to make you think about it.'
"Now, this dragon can talk just as well as it could when it was a giant, so it begins to get angry and tells the impudent young man to come on and see what he can do with his little tailor's needle of a sword. He does not have to be asked twice, and in a minute there is just as lively a fight as you ever saw. The dragon tries to breathe fire upon the hero and scorch him up to a black cinder, but he does not want to be a cinder and he runs around to the dragon's side. Then the dragon tries to catch him with its long slimy tail, so that it may crush him to a jelly, but he does not want to be a jelly either, so as soon as the tail comes near enough he gives it a terrible wound with his sword, and then runs back in front of the dragon. The monster gives a dreadful roar as it feels the wound, and raises its head and breast high up in the air, striking at the hero with its long, sharp claws and trying to throw the whole weight of its body upon him. This is just what he has been watching for, and as the dragon lifts itself before him he drives his sword clear through its heart.
"Then he springs lightly away again, as the dragon, with another horrible bellow, falls down and rolls over upon its side. 'It is the curse of the ring that has killed me,' says the dragon, as it dies; 'my treasure is there in the cave; you can take it now, bold boy, but the curse of the ring will bring death to you, as it has brought it to me.'
"So the dragon lies dead. The young hero seizes the hilt of the sword to draw it from the dragon's body, and as he pulls it out the blood from the wound spurts upon his hand. It burns as if it were the fuel of the creature's fiery breath. As he feels its heat he puts his fingers into his mouth, and the instant that he tastes the blood the most wonderful thing of all happens to him. He understands the songs of the birds. The one that he tried to talk with before sings to him again, and now he knows every word. It tells him that in the cave are gold and jewels untold, that with the magic helmet he can do wonderful things, and that with the magic ring he can rule the world. He thanks the bird for telling him such good things, and goes to find the helmet and the ring. In a minute he comes back with them; he does not want the rest of the treasure, for he knows nothing about gold and cares nothing about it.
"Now the bird sings to him again. 'Beware of the dwarf,' it says, 'he means to do you harm. But when he speaks to you the blood of the dragon which you have tasted will help you to understand the meaning that is in his heart instead of the words that he says.'
"So the dwarf comes back, with a drinking-horn in which he has poured the poison, and he offers it to the hero to drink. But with all the friendly words that he tries to speak, he can hide nothing from the young man, who reads his heart and knows that he has kept him and fed him all these years only that he might kill the dragon, and that now he means to poison him and get the gold for himself. There is only one thing to be done with such wickedness as this. He raises his sword and with one blow strikes the dwarf dead.
"You can guess how the bird is delighted at this. It sings to him again: 'I know where you could find the loveliest woman in the world. There is fire burning all around her, and if you could only pass through that you could win her for your wife.'
"'But could I pass through the fire?' he asks.
"'Only the hero who knows no fear can do that,' sings the bird.
"'Very well, then, I know no fear,' he answers; 'the dragon could not teach it to me; lead me to this woman; perhaps I may learn it from her.'
"The bird flutters down a little from the tree and then flies away. Did you see the big, bright spark that flew up the chimney?
"Away runs the hero too, following the bird. It is a long journey, through the forest and over the rocks and the mountains, but he is young and eager, and his light heart makes the way almost as easy for him as it is for the bird. Yet the bird is the faster, and by and by it flies so far ahead that he cannot see it at all, and then his way is barred by a mighty form that stands before him. It is the Father of the Gods. The young man does not know what a terrible person he has met, though it is fair to say that if he did know he would not care, and he asks him if he knows where he may find the beautiful woman with the fire all about her.
"The Father of the Gods asks him in turn how he heard of this woman, what taught him to understand the song of the bird, who forged the sword with which he killed the dragon. All these things he answers, and the Father of the Gods is sure that the hero who knows no fear has come at last. Yet one test remains for him. 'There is the place you seek,' he says, as he points to the mountain-top, where the bright flames are whirling and dancing and leaping up into the very sky, 'there is your way, yet not another step upon it shall you go.' and he stretches his spear across the path to keep the young man back.
"Ah, once before that spear was raised against this magic sword. It was a mighty arm that swung the sword then, the arm of the best of heroes living, but the hero had done a wrong, he had helped to break a promise, and he who breaks promises can never break the spears of the gods. His arm had not the young strength of that which masters the sword to-day. Fierce and brave and noble was he, yet he had seen many sorrows, and he knew what fear was; the glad, free hope of the new hero was not his. The sword then was true of temper, bright and sharp, but the heat and the light of the fire of a new manhood had not been forged into it then, and it was not aflame with the glory of youth and the promise of love. And so, with a sweep and a flash as of lightning, the magic sword cuts through the spear that no other sword ever dared even strike, and as the fragments fall upon the ground, the mountain shakes and shudders, and the thunder rolls and rumbles about its top. The young man is again upon his way. Half sadly and half gladly, the Father of the Gods looks after him. He has come and has passed, the hero who knows no fear; he has not even feared the spear that ruled the world, and now that spear is broken. The time of the gods is near.
"Again I see the whole fire streaming up fiercely and joyously, as it did when the Father of the Gods kissed his daughter to sleep. The winds are still hushed around the mountain top, the flowers in the grass and on the rock still droop with folded petals, and the horse still sleeps upon the ground, for there, in the midst of the fire, on the bank of moss still lies the Daughter of the God, her form covered with her shield, and her face hidden by her closed helmet. Through all these years nothing has changed or stirred in this magic circle except the changing, stirring, restless, watchful fire that rings it around. Now, the time for life has come again. Up from the mountain side comes a ringing horn note, and in a moment the hero strides through the flames that dart and flicker and lick at him, but cannot harm him, and stands in the magic circle gazing in wonder upon its strange sleep.
"'Who is that,' he thinks, 'covered with the shield? It must be a knight, but is it not hard for him to lie there all dressed in armor?' He gently takes off the helmet and starts back in surprise as he sees the lovely face and the soft spun gold that falls out upon the moss as he lifts the helmet away. Now he raises the shield and tries to open the armor in front, that the knight may breathe more freely. He cannot unfasten it, and at last he cuts it with his sword, and then he starts again as he sees the light, snowy folds of the garment underneath. This can be no knight, this is a woman. What has he done? What shall he do? He stands and looks at her; he has never seen anything half so beautiful, and as he looks he trembles; he fears to wake her and he fears to leave her asleep. Yes, the hero who knew no fear trembles. He has learned to fear from this woman. Not by anything that she has done has she taught him, for she still sleeps. It is only because she is a woman that he fears. He is no less a hero for that. A man who lived long and never feared at all would be no hero. The time has come to him, as it must come to every man, when it is braver to fear.
"Yet, though he fears, he does not hesitate. He does just the only thing that he possibly could do. He kneels beside her and kisses her lips. Then she awakes. She opens those eyes that are blue with the depth of the sea and the light of the sky. She gazes around her at the rocks, at the trees, at the sunlight, at her hero, and her face is filled with joy. And what a face it is! No longer as it was before. At her father's kiss the goddess slept; her hero's kiss awoke the woman. Her face is as clear, as pure, and as radiant as before, but soft and gracious and gentle; her eyes are as full of light as they were, but there is tenderness in them too; her lips are as calm and beautiful, but they are all sweetness; what was still and stern and placid is full of sympathy, kind, and loving.
"The flowers lift up their heads and open to look at her; the horse neighs to say that he is awake again and knows her; the little winds come back and murmur softly at first among the leaves; then they get bolder and kiss her cheek and lift her hair and shake it out to the light, and whisper to her hero and ask him if he saw any gold like that in the dragon's cave. He has never seen any woman before, yet he knows that in all the world there cannot be another such as this. She has seen many heroes, yet this is he for whom she has waited so long. Each knows all the depth of the other's thoughts, and so they stand and gaze each into the other's eyes and into the other's heart."
"And is that all?" said the child. "It ends just like 'The Sleeping
Beauty,' doesn't it?"
"No; just here it is like 'The Sleeping Beauty,' but we shall see more some other time. This is the end for the night."
THE END OF THE RING
The fire has always fascinated and charmed me. When I was a child myself I used to watch it till my eyes ached, and my habit of throwing sticks and paper into it to see them burn was a terror to all my aunts. A bonfire was a delicious joy, and fireworks, especially if I could set them off myself, were the summit of happiness. Even now, whenever I see a house on fire I am afraid my pleasure in watching it is much greater than my sorrow for the people who are losing their property or their home. I do not want houses to burn, but if they must burn I want to see them. As for the fire on the hearth, that is my counsellor and friend. When we are alone together I sit and gaze into it, and it tells me of old, happy times, of other friends who are far away now, and of the pleasant nights we had together. It speaks to me of old hopes, it is glad with me in their fulfilment or it cheers me in their loss. It talks of bright, new hopes, and tells me that even if all else fails, it will still be true to me and will try, if I will come back to it, to cheer and help me again as it cheers and helps me now.
As I sat in this way with the fire, the little girl came and took a low stool beside me. She looked into the fire too, laying her cheek upon my hand, which rested on the arm of the chair. She does not care for our talks about other hearth fires that long ago went out, so we had to do something else to entertain her. "Did you want to know more about the Daughter of the God and the Hero who knew no fear?" I said. "Well, I can see them both now, just where we saw them last on the mountain top, with the fire burning around them as it did before, but not so high and fierce as before, because it is not needed for a guard so much as it was.
"The Daughter of the God is telling her hero that he ought to go to seek more adventures. Perhaps he may find other things for his magic sword to kill besides dragons and wicked dwarfs, and the more such things he does the better she will love him when he comes back. Oh, she knows all about heroes and what they ought to do. He does not like to leave her at all, but if he knows that she really wants him to seek adventures, you may be sure he will seek them. Before he goes, he gives her the ring that he got from the dragon's cave, with the curse upon it, but they are not the sort of man and woman to trouble themselves about curses. In return she gives him her horse and her shield, not that he will need it much against his enemies, with that magic sword, and besides she knows how to cast a spell upon him so that he cannot be wounded in battle; but the shield may keep off the rain, if he has to sleep out of doors. So he goes away down the mountain and she waits for him to come back.
"Now all the fire changes to a shining river. It is the same river where the treasure was once kept by the nymphs, only now we are above it instead of under it. On the bank is the hall of a king and I see the king himself sitting on his throne, with his sister, a beautiful princess, beside him. With them too is their half-brother. He is a strange fellow and you ought to know him. His father is the dwarf who stole the treasure, and his father has told him all about it many times and has taught him to hope that some time he may get it again, so that they two may divide all the riches between them, and with the ring and the helmet may rule the world. He is just as wicked as his father, all he cares for in the world is to get that treasure, and you may be sure that he will try to get it in every way that he can find, good or bad.
"He is trying at this very moment, and in rather a strange way, you may think at first. He is telling the king that he ought to have a wife, and that his sister ought to have a husband. The king asks, just as everybody always asks when he is told that, 'Whom do you want me to have?'
"'The most beautiful and the most royal of all women,' says the half- brother, 'lives upon a rock with fire all around it for a guard, and whoever shall break through the fire and come to her shall win her for his wife.'
"This does not encourage the king at all. He never walked through a fire or did anything of the sort, and he does not even care to try. You see the difference between a king and a hero. But the half-brother says that he knows of a hero who would be glad to go through the fire and get this woman for the king, if only he might have the king's sister for himself. The princess is not displeased at all at the notion of a husband who is so brave and can do such wonderful things, but she fears that such a hero must long ago have seen and loved some woman more beautiful than she, and that he will not care for her at all. But the half-brother answers: 'There is a magic drink which you shall give him, and it will make him forget any other woman he has ever seen, no matter who she is.'
"The half-brother knows very well, I believe, that the hero already loves the Daughter of the God, and it is she that he means to make him forget before he sends him to get her for the king. Of course the king and his sister know nothing about this, or they would have nothing to do with such a wicked plan, for they are reasonably good people. The half-brother says that the hero is going about the world to find adventures and is sure to come here before long, and true enough, even while he is speaking they see him coming with his horse in a little boat on the river. They call to him to come on shore, and they welcome him as if they were never so glad to see anybody before in their lives.
"Perhaps, indeed, they never were so glad to see anybody, and I am sure the princess never was. A form so full of life and action and vigor, or a face so full of freedom and courage and cheer surely she has never seen. The fine frankness of his ways and the young grace of his motion are new to her too, and that she can hope to win him at once for herself is almost more than she can believe. She would not think of such a thing at all if she knew how little he thought or cared about her. He is charming and polite enough, of course, but as often as he thinks of her or of anything else once he thinks of the Daughter of the God twice, and when his thoughts are not especially drawn away he thinks of her all the time. But now the princess offers him a horn filled with the magic drink that is to make him forget. Oh, if only that clever little bird were here now to warn him, as it did when the dwarf mixed the drink for him, how much trouble might be saved! But, you know, he never thinks of danger, so he drinks, and then he thinks of nothing at all—nothing at all but the princess.
"Well, that is not surprising, for you know she is only the second woman he ever saw and he has forgotten the first. You would scarcely believe how much he has forgotten her. Why, if the king were to tell him at this moment that a woman slept under a shield, guarded by fire, that a young man came through the fire, cut open her armor, kissed her, awakened her, and vowed that he would love her forever, he would not remember that he had ever known of anything of the kind or had ever heard of such a young man. For him there is no woman in the world now but the princess.
"The king does tell him a little of this story, when the hero asks him, still thinking of the princess, whether he has a wife as well a sister. 'No,' the king answers, 'I have no wife. The woman I want for my wife I fear I never can win; she is far away upon a mountain and a fire burns all around her. He who could pass through the fire and come to her might win her, but I could never do it.'
"It is just as I told you. This absurd young man does not know that he ever heard of a woman in the middle of a fire before; he does not know that he ever learned to fear, so he says: 'I am not afraid of a little fire; I will go and get your bride for you if you will give me your sister for mine.'
"'I will give you my sister gladly,' says the king; 'but how is my bride to be made to think that it is I who come to her and win her, instead of you?'
"'That is easy,' says the half-brother; 'with that helmet which he wears he can take any form he will, and he can make himself look exactly like you. He shall bring the woman away through the fire and then he shall leave her to you, and she will never know that it was not you who came to her rock.'
"Now, the hero, you know, never knew what could be done with that helmet. He only took it with him from the dragon's cave because the little bird told him it was good for something. Now that he has learned its use everything that he and the king want to do seems simple enough, and they set off in the little boat for the rock with the fire around it. The half-brother stays on the shore and looks after them, with his pale face and his wicked eyes. The woman far away on that rock has the magic ring. When the king brings her here as his bride he will find some way to get the ring, and then what will he care for kings or brides, for princesses or heroes? He and the wicked dwarf, his father, will rule the world.
"The fire burns up high and clear again and within its circle sits the Daughter of the God. She does not sleep now; she sits and gazes at the ring her hero gave her, thinking nothing of the curse upon it, and wonders when he will come back to her. Ah, when will her hero come back to her? Do you remember how once on this very rock the daughters of the god met to ride together to his castle, and how they came each riding on her flying horse, racing with the driving wind and the hurrying clouds? With just such a leap and a flash of a sudden flame up into the smoke I can see one of them riding now. So quickly she gallops through the sky that I can scarcely see what she is till she reaches the rock, springs from her horse, and stands before her sister. Her sister runs to meet her and to ask if their father is still angry with her.
"The war goddess has sad things to tell of their father. He sits in his castle with the gods and his heroes around him. They do not go out to fight and kill each other, and to be made alive and well again at sunset any more. The Father of the Gods only sits there and looks at his broken spear, and the rest, full of dread, look only at him. He is weary of ruling the world, weary of all the trouble that has come from the wrong that he did in not giving that treasure back to the river nymphs. He is not sorry that his spear is broken and he would gladly hasten the end of all. He has made his heroes cut down the great ash tree from which his spear was made, the tree that spread its branches over all his castle, and they have piled the wood high around the walls. When the end comes it will help the castle to burn. And now the Father of the Gods says that, if the woman who has the magic ring whose curse has been so heavy would but give it back to the river nymphs, all his great sorrows would be over.
"This his daughter, the war goddess, heard, and hastened here to tell it to his daughter, the woman. Will she give up the ring? Will she help the gods to find the rest that they long for? Ah, but a war goddess knows as little of women as she does of men. No, no, the woman loves the man who gave her the ring and she would not lose it for a moment to gain ages of peace for the gods whose homes she shares no more. She cares nothing for weary gods; she has a hero. The war goddess cannot understand her sister. She leaves her and is away again, toward the castle of the gods, riding on her flying horse, galloping against the driving wind and the hurrying clouds.
"A horn sounds down in the valley. There is only one horn in the world like that, and the woman springs joyfully up to meet her hero. He comes and walks through the fire as he did before, but oh! how different he is from what he was before! Then his face was young and fresh and noble and his form was graceful and light; now his face and his form are those of the king. Is this the promise that the Father of the Gods made to his daughter? He said that none should ever come to her or win her but the bravest of heroes. Yes, this is indeed the promise and this the hero, but how sadly for her the promise is kept! When he saw her before he gently lifted off her helmet and kissed her and learned to fear before her; now he thinks only of the princess, away there by the river, and he tells the Daughter of the God that he is the king and that she must come with him and be his bride.
"She resists him, and he seizes her to force her. She holds out her hand to him with the ring and bids him beware its power, which will protect her from him; he seizes her hand and pulls the ring from her finger. She is helpless; she faints in his grasp; he carries her through the fire and down the mountain to where the real king is. He leaves them together and goes back alone to the hall by the river and to the princess.
"Very glad is the princess, you may be sure, to see him come back so quickly and so safely, and glad too is the half-brother, but for a different reason, for he sees the ring on his finger. Now they call all the people together to greet the king and his bride as they come in their boat on the river. There are shouts and cheers, and men with waving banners and women who scatter flowers; the king smiles upon his people and thanks them for their greeting, and there is only one who is not merry and glad. And whom do you think the king's new bride sees in all this happy crowd? Only her hero, in his own form again, and, if her heart was wounded and sad before, it dies within her now, when she sees him leading the princess out to meet them and knows that he thinks no longer of her. She turns pale and faint at first and then angry and fierce. She cries out that this man was her lover, that he has betrayed her for the princess and that he has betrayed the king too.
"Of course, nobody can understand that at all—nobody but the half- brother—but you can think how everybody must be shocked and astonished, and how everybody tries to make out what she means, and fails. To be sure, she understands it herself as little as the rest. She knows nothing about the magic drink that made her lover forget her; she knows only that he swore always to love her and that now he loves the princess. The king does not know that the hero ever saw his bride till he went to her mountain to bring her for him, so he supposes that, if he ever told her that he loved her, it must have been then; that would be betraying the king, his friend, in a most cruel way, of course. The princess knows only just what the king knows, and if the king has been deceived and betrayed, she must have been deceived and betrayed a great deal more. As for the poor hero himself, he does not remember that he ever saw this woman before, he does not know how he can have done any wrong, and he is more puzzled than any of the rest. Only the half-brother knows all about it, that nobody is to blame at all except himself, and it is he whom nobody thinks of suspecting. The hero lays his hand on the half-brother's spear and swears that he has never wronged anyone here; if he has, he says, may this very spear slay him.
"Now is the time for the half-brother to work the hero's ruin and to try to get the ring that he wears. When all have gone but him and the king and his bride, he whispers to her that he will help her, and will kill the hero to revenge the wrong that he has done her. 'You kill him!' she cries. 'If he once looked at you, you would not dare come near him.'
"'Yet,' he says, 'there must be some way that I could do it; tell me what it is and you will be revenged.'
"'I cast a spell upon him,' she says, 'so that he could not be wounded in battle, but I knew that he would never turn his back upon an enemy, so I set no spell there; you may strike him in the back.'
"Now, he tells the king that nothing but the hero's death can restore the honor that he has lost. 'To-morrow,' he says, 'we will go hunting; I will kill him with my spear, and we will tell the princess that it was a wild boar that did it.'
"'It shall be so,' they all cry; 'he must die.'
"And whom do you think I see now? The river nymphs again. Not before the king's house, where we have been so long, but in another part of the river, all shut in by wild woods and rocks. They are swimming and playing on the water, just as they did under it when we saw them first, and they seem just as careless and happy as they did then, but they are still mourning for their lost treasure and longing to get it back again. If they could only get the ring it would do as well as the whole treasure, for the ring is the magic part of it. And now to this very spot comes the hero, who wears the ring on his finger. He has wandered away from the king and his men, who were hunting with him, and as soon as the nymphs see him they beg him to give them back their ring.
"He says that he will not, at first; it was too much trouble for him to win it from the dragon. But he really does not care so very much about it, and I think he would let them have it in the end if it were not for a great mistake that they make in asking for it. They tell him about the curse of the ring, and that if he keeps it he will be killed this very day. Now, you can see easily enough that that is the very worst thing they could say if they hoped to get the ring from him, for he is not in the least afraid of being killed, and he will not have anybody believe that he is afraid. They shall not have it, he says, happen what will. They will have it, they call back to him, and this very day; and so they dive down under the water and leave him.
"Now come the rest of the huntsmen and sit about in a circle to rest here in the shade and to talk. The king is gloomy, thinking still of the wrongs that have been done him. His half-brother asks the hero if it is true that he knows what the birds say. 'I listen to them no more,' he answers; 'but to cheer the king I will tell you some stories of the things that I have seen and the things that I have done.'
"He tells them of the dwarf who kept him and brought him up that he might fight the dragon; he tells how he mended the magic sword, how he killed the dragon with it, and took the helmet and the ring from the cave. A bird then sang to him, he says, and told him that the dwarf would try to kill him, but he killed the dwarf instead. Here he stops, for he cannot remember anything about the mountain top with the fire around it, or the Daughter of the God, or even what the bird sang to him next. But the king's half-brother squeezes something into his wine and tells him to drink it and it will make him remember better.
"He drinks, and it does make him remember better. He tells of the lovely woman who slept with the fire all around her, and how he kissed her and awoke her. Then suddenly the king understands it all; he remembers the drink of forgetfulness that they gave the hero, and he knows that nobody has done any wrong but his wicked half-brother; he it was who told him of the woman in the fire who should be his wife, he who said that the hero should bring her to him, he who bade them give him the drink to make him forget, he who first said that the hero must die. The king would gladly save the hero now, but it is too late.
"It is too late, for of a sudden two ravens fly up from beside the river and away over the heads of them all. They are the ravens that fly all over the world and then to the Father of the Gods, to tell him all that they see and all that they hear. They are going now to tell him that the end of the gods, the end that he longs for, is near. The hero starts up to hear what they say. He turns his back to the others, and the half-brother, before the king can stop him, thrusts his spear into his back. The hero turns for an instant to rush against the murderer, but his strength is gone, and he falls helpless upon the ground. All the rest cry out in horror, and the half-brother turns from them and strides away.
"And what now of the hero? He speaks no word to those who stand about him as he lies here dying on the ground. Where are his thoughts now? He is thinking of the only time he ever feared. He is back again upon the rock, with the flames curling and whirling all around him. Before him once more lies the Daughter of the God. Again he kisses her lips. She awakes. He sees again those deep, blue, wonderful eyes. He does not see the rocks, or the trees, or the sunlight—only her. Again for one last moment he knows that in all the world there cannot be another woman such as this. They look each into the other's eyes and into the other's heart. He is dead.
"They lay him on his shield and lift it upon their shoulders, and so they bear him back to the king's house by the river. The half-brother is there before them and tells the princess that her lover has been killed by a wild boar. She does not believe him, and when the others come she calls the king and all the rest his murderers. The king indeed wished his death once, but he is sorry enough for it now, and says that it was his half-brother alone who did it. 'Well, then,' cries the murderer, 'it was I, and now I will have my reward; I will take the ring.'
"The king cries out that he shall not have it, and draws his sword. The half-brother draws his own and rushes upon him, and before the men can run between them the king too lies dead upon the ground. Then again the murderer turns toward the body of the hero to take the ring, but, as he comes near it, the hand that wears the ring rises of itself, as if it were not dead and would ward him off. He falls back in terror, and so do all the rest.
"But now comes the Daughter of the God. She bids them all stand back from her hero. 'He was mine, not yours,' she says to the princess; 'he loved me and I loved him before you ever saw him.'
"'Then it was all the fault of this wicked man who has murdered him,' the princess answers; 'he gave me the drink for him that made him forget you.'
"She turns away from the hero and bends over the king, her brother. The Daughter of the God understands now; he was never faithless to her of himself. She tells the men to build a funeral pyre. They pile up the wood and the women scatter flowers upon it. Then she takes the ring from her hero's hand. While they lay his body on the pyre she bids them bring his horse, the horse that once was hers, that flew with her through the clouds when she was a goddess, and slept on the mountain top with the fire around it where she slept. With a torch she lights the pyre. See how the flames leap up and catch at the wood and stream and grow. Once more the ravens fly up from the river bank and away into the sky. Now the end for the gods comes indeed.
"The Daughter of the God springs upon the horse and with one bound they leap into the middle of the flames. Yet, as soon as they are there, they are gone, nor can I see the hero there any more. The pyre all falls together; but in the middle of its hot, red embers I see something brighter than all the rest. It is the ring. The water of the river rises and rises till it flows over the fire and puts it out. Then on the surface, swimming and playing about as always, I see the river nymphs. They have found the ring, and their treasure is their own again. But the wicked half-brother of the king, the son of that dwarf who stole it at first long ago, tries one last time to gain it. He plunges into the river to seize it from the nymphs, but one of them holds it up high in her hand and swims away from him, and the others twine their arms around him and draw him down and down under the water and he is seen no more. The river sinks back to its old bed. The treasure that was stolen is restored. All the evil and the punishment that came from the curse of the ring is done."
[Illustration: "THEIR TREASURE IS THEIR OWN AGAIN."]
A big stick that had been burning brightly and steadily for a long time suddenly fell in two and the quick flames and the sparks sprang high up into the chimney. "See, it is the castle of the gods itself that is burning and lighting up all the sky. The wrong that they have done and the sorrow that they have suffered are past, and their end has come. But the fire burns fiercer still. It seizes upon everything, in the sky and on the earth. Perhaps it is better that it should. The world that we have seen in our fire here grew so selfish and cruel and bad after the gold was stolen from the river that it may be best for it to end in these flames. They will last for only a moment. Even now they are not so fierce. I can see the sky again. There is a beautiful brightness in it, like the coming of the morning; yet it is more than that, for it streams and flashes like the northern lights. I can see the earth again too, but it is not as it was before. It is a new world. It has all the beautiful things that the old one had, the green pastures and plains, the silver rivers, the blue mountains. Some of the gods have come back, but not those who did such wrong and made the old world so wicked. The God of Summer, who died long ago when the evil began, has come again; and if he and all who were good and beautiful before are to be here still, I am sure that the Daughter of the God and the hero who knew no fear must find their way here somehow. A new world that is to be all unselfish and brave and true needs such a woman and such a hero."
THE KNIGHT OF THE SWAN
The little girl was lying on the rug before the fire, one elbow buried in the long fur, and one cheek resting on her hand. She was gazing into the fire, studying the bright, flickering flames and the red embers. I had not noticed that she was there till her mother said, "You will ruin that child's eyes with your stories about the things in the fire. She would watch it half the day if I would let her; it is too bright and too hot to look at so long and so near. Come away, dear, and don't look at the fire again to-day."
"But why can't I see such things as you see?" the child said to me, with a little sigh, as she got up slowly from the rug and came toward me.
"Just because you have not quite learned how yet," I said; "now suppose you give up trying for a little while, because you might hurt your eyes, as your mother says, and let me look into the fire for you again. Sit here in the big chair with me; turn your face right away from the fire and lay it against my shoulder. Now shut your eyes. Some people can see a great deal better with their eyes shut, especially such things as we are trying to see, because when their eyes are open they see the every-day things all around them, and it confuses them and prevents their seeing what they want to see or what they ought to see. They are people who have not learned to look right through the every- day things and see others, in spite of them, that are much better and more beautiful, as you will learn to do some time. But just now keep your eyes shut.
"I see then, first, a splendid company of knights and people. The shining of the fire is like the light of the sun, that glances from the polished armor, the gleaming weapons, the standards, and the banners of bright-colored silk and gold. It is all so fine that it looks like a holiday time; but it is not that, for the crowds of people seem bent on something more important than dancing and playing games. They are all looking toward the King, who stands under a great tree and seems to have something to say to them. The heralds are blowing their trumpets and calling to the people to come and hear what the King has to say, though they are all there already and are only too anxious to hear, and so the King speaks. He says that far away at the other end of the country there is danger. Enemies are coming against him and his people, and he calls upon all the men here about him to help him to guard the land.
"Then they all shout and wave their banners and their arms, as I can see in the flickering of the bright little flames, and they all cry that they will fight for their King and their country. But this does not satisfy the King, for he says that since he has come here he finds everything going wrong and everybody quarrelling, and he asks what it all means. Now there comes forward a man who has all this while been standing silent beside his wife; and it may be as well to say just here that this man's wife is a wicked witch and that the man himself is none too good. So a part of what he tells the King is true and another good large part is not true at all. When he tells what the King knew before, he tells the truth; and when he tells anything that the King did not know before, it is generally a lie.
"So he tells the King that he was left the guardian of the two children of the Duke who ruled in this part of the country, and who died a few years ago. One of the children was a girl and the other was a boy, and he tells the King, too, how he took care of them as they grew up. All this is true and the King knew all about it before. But now he goes on to say that one day, when the brother and the sister had gone away from their castle together, the sister came back alone, trembling and crying and saying that she had lost her brother. Probably this is true enough too, but when he says that the poor sister was not really sorry at all, because she had killed her brother herself, he is telling a dreadful, cruel lie. Still perhaps it is not so much his fault, for his wife, the witch, who you must remember is a good deal more wicked than himself, knows much more about it all than it would do for her to tell, and she may have deceived him as well as other people.
"Of course the King is shocked at such a dreadful story as this, and he wants to know how the sister could ever have done anything so wicked. Well, of course the man who accuses her so boldly has a reason to give for what he says she did, or he never would have dared mention it at all. So he explains that the sister was to be married to him and that she refused him, and then he married the witch instead, only he does not call her a witch. He thinks that the sister must have had some other lover, and she must have thought that if her brother, who ought to be Duke as soon as he should be old enough, were only dead, she could be married to her lover, and then he would be the Duke. And now he says that he thinks he himself ought to be Duke, since there is nobody who deserves to be one better than he, and he asks the King to make him so. Now, of course anybody as bright as you are can see at once that the whole reason for all these wicked stories is just that he wants to be Duke; but kings and knights and crowds of people are not always very bright, though they may look so there in the fire, and they do not feel so sure about it as you or I would. So the quarrel lies between a rich and powerful man who is a soldier and once saved the King's life, with a wife who is a witch and knows all about magic, and one poor girl who knows nothing about magic and who has no friends who would dare to help her. For these people here about the King are a peculiar sort of people who shout very loud about justice and their own rights and others' rights, but seldom do anything unless they feel sure that they are on the side that is going to win. There are no such people nowadays, of course; but there were once.
"But the King himself is a good king, and he means to be quite fair and just, and he calls for the sister to come before him and tell her own story. So the heralds blow their trumpets again and call for her, and she comes. She is dressed all in white, and she looks so beautiful and pale and sad that nobody who was not wicked himself could ever suspect her of doing anything wicked, and all the men about mutter that the one who says that she killed her brother will have to prove it. They have just heard the King say something of the kind, so they feel very righteous and very bold about it. The King, then, asks her if she can say anything about this dreadful accusation, and she tells him how often she has prayed for help, how, after she has prayed, she has fallen into a sweet sleep and has seen a knight in bright armor, leaning on his sword, and how he has comforted her. This knight, she says, shall be the one to fight for her and to protect her.
"Now, of course, this is all very pretty, but it does not seem to have much to do with the question of whether she killed her poor little brother or not. Yet it does have something to do with it, and I will tell you how. A long time ago, hundreds of years, when people had quarrels, they did not hire lawyers to argue and plead and plot and contrive for them, but they just stood up together, if they were both strong men, and fought till one of them killed the other or showed that he could if he wanted to. And everybody who looked on felt perfectly sure that the one who was right could not possibly lose such a fight and the one who was wrong could not possibly win it. If one of the two who had the quarrel was a woman, some friend who trusted her enough to think that she was right would fight for her."
"But what made the man who was wrong ever fight at all," the little girl asked, "if everybody believed that he was sure to get beaten?"
"I have thought of that myself," I admitted, "and I think that it must have been for one of two reasons: either the bad people did not believe that the right was sure to win, or else the people who were wrong usually thought that they were really right. I believe that was the true reason, and it shows that bad people are not always quite so bad as we think, for they usually contrive in some way, I am sure, to make themselves believe they are right. And now, though all these things that I am telling you are things that I see right here in the fire, yet they are like things that must have happened long, long ago, and this very way of settling disagreements by a good hard fight is the way that the question of this poor girl's guilt or innocence must be settled. She probably knows this just as well as anybody, and that is what she means when she says that the knight she saw in her dream shall be the one to fight for her. But the accuser turns everything against her, as usual, and says: 'You see it is just as I said; she is talking about this lover of hers who she hopes will marry her and be Duke instead of her brother. Yet he says he is quite ready to fight anybody who wants to try it with him, and he invites any of the men standing about to come forward and fight for the poor, helpless girl, if he wants to. But they all say no, they should be very sorry to have to kill such a great man and so brave a soldier. The truth is, you see, they are all afraid that if they should fight they might get hurt, and why should they trouble themselves about this girl's rights or wrongs?
"Still she says that the knight whom she saw in her dream shall be her champion, and if he will come now and help her in this need she will be his bride if he will take her, and he shall have all her father's lands and his crown, since her brother is dead. But nobody comes, and the people all begin to think that she must be guilty after all, and that, instead of the accuser having to prove that she is, she will have to prove that she is not, if she wants any sympathy from them, though why she should want it I hardly know. But the King still means to give her every chance, and he orders the heralds to blow their trumpets toward the north and the east and the south and the west, and to call upon anybody who will defend her straightway to appear. And the heralds blow their loud trumpets and the people gaze anxiously in all directions, but nobody comes to help her. And then she tells the King that her knight dwells far off and does not hear, and she begs him to call upon him again, and the heralds blow once more, and she prays that her knight may be sent to her, and now suddenly all the eyes of the crowd are turned one way, and all the people shout and point and gaze at something which they see away in the distance.
"I can see it too, for there in the fire, back on the hearth, is a bed of bright embers that shines and glitters like a broad river under the sun of noon, and at the very farthest place is one little spot brighter than all the rest, and it seems to come nearer and nearer, and as it comes I begin to make out its wonderful shape. There is a little boat, and in it stands a knight, all in silver armor, and it is his armor that shines so. But the strangest thing of all is that a beautiful white swan, its wings almost as bright as the knight's armor, is drawing the boat along by a silver chain wound about its neck. It is this that makes the people gaze and point, and, while the swan and the boat are coming nearer, I will tell you more about the knight than he will be willing to tell about himself. Did you ever hear of the Holy Grail? It was the crystal cup, the old stories say, out of which the Saviour drank at the Last Supper, and afterward His blood was caught in it, as He hung upon the cross. Hundreds of years later it was kept in a beautiful temple which nobody ever knew how to find, except a few chosen knights, who guarded the Grail and did its bidding, for this cup seemed still to have the life of that blood in it, and it had ways of telling its knights what they must do. And so they were sometimes sent far away to fight for the right or to punish wrong, but wherever they went they never knew hunger or thirst or weariness, and they could never be killed or overcome in battle; but no one must ever ask one of these knights his name or his dwelling place, and, if anyone having the right should ask these questions, the knight must return to the temple of the Holy Grail. Now, seven days ago a bell in the temple rang, all of itself, meaning that help was needed somewhere. One of the knights put on his armor and called for his horse, and stood ready, but he knew not where he was to go or what he was to do, till a swan drawing a little boat came sailing along upon the river, and the knight said: 'Take back the horse; I will go with the swan,' and so here is he come to see what help is wanted of him.
"And now I see him step on shore, and the girl whom he has come to rescue knows him as the knight of her dream, and everybody is glad of his coming except the accuser and his wife, the witch, and she, strangely enough, seems a good deal more frightened at the sight of the swan than at that of the knight. Now the knight asks the young girl whether, if he will fight her battle and win it, she will promise never to ask him whence he comes or what he is, and she swears that she will always love him and trust him, and will do whatever he commands. So now the two knights, with all the people looking on and holding their breaths with anxiety, and the king watching that all may be done fairly and in order, draw their swords and stand against each other. But I see only one or two little flashes of the flames as the gleaming swords are whirled above their heads, and then the wicked accuser falls and the Knight of the Swan spares his life, while all the people shout and lift the knight above their heads on his shield, just as if they had known all along that the girl was innocent, and just as if they would not have shouted just as loud if the battle had gone the other way.
[Illustration: "THE KNIGHT OF HER DREAM."]
"The fire is going down a little and everything looks darker. It is night now. Here on one side is a church, all dark, and on the other side, where the light still shines, I can see the bright windows of the palace, where they are making preparations for a grand wedding tomorrow, and you can guess who are to be married. On the steps of the church, looking up at the palace windows and the lights that shine in them, are the witch and her husband. He is bemoaning his disgrace and accusing his wife of causing it all by telling him that the good sister had killed her brother. And this shows me, more than anything he has done before, how bad he is, and what a coward he is, because, when a man has tried to gain things that he knows are not his by ways that he knows are not right, he ought to take all the consequences, if he fails, like a man, and not snivel and say that a woman made him do it. But the witch says that there is a chance yet for them to be revenged, for, if only the Knight of the Swan can be made to tell who he is, he will have to go away as he came and be lost, and she believes she can find some way to tempt his bride to ask him the forbidden questions, and then he will have to answer.
"Now the bride that is to be to-morrow comes out upon a balcony of the palace, and the witch, sending her husband away, calls to her and tells her how sorry they both are for all that they have done. No doubt they are very sorry indeed, as they ought to be. But the bride is so happy and so kind that she cannot bear to see anybody unhappy, so she says that she forgives them, and if she has injured them in any way she asks that they forgive her. That is absurd, of course. Then she lets the witch talk to her till the wicked woman says that she hopes the knight who came to her in such a strange way, that nobody can account for, will never deceive her, and that she will always live happily with him; and by this she means, of course, that she thinks that he will deceive her and that she will not be happy. But the bride says that she trusts her knight wholly, and she asks the witch to come in with her and rest for the night. And that is just the one thing she ought not to do, for here is what I hope you will see and remember more than anything else in all this: be as kind and as helpful and as compassionate as you can, always, but never help, never listen to, never allow to be near you a man or a woman who says one word against anyone you love. Put no trust in anyone till you know that trust is safe, and, when you once know, never hear of one breath of doubt again.
"The fire burns higher and brighter, and the morning is coming. The square grows light and fills with people. Now come the heralds again, and they sound their trumpets and proclaim that the Knight of the Swan is to have the crown of his bride's father, and is to be called Guardian instead of Duke, that the accuser of his bride is an outcast and must be shunned by all men, and finally that everybody to-day is to come to the marriage, but that to-morrow all the men must go to the defence of the King and the country. And now, with all its sparkle and glitter, comes the procession, leading the bride to the church, when, just as she is at the door, right before her stands the witch, full of anger and pride, and cries aloud that it is her place to go before this woman, and no one shall keep her from the place that is hers, and she taunts the bride with not knowing who or what her knight is; and so a great clamor arises among the people, and in the midst of it come the King and the Knight of the Swan and their train. The witch's wicked husband comes, too, and calls out that the knight beat him yesterday by magic and not by honest fighting, and he demands that the King ask the knight who he is. But he and his wife are put aside, and the procession goes into the church, and as I look into the church itself now the whole of the fire is a blaze of candles on the altar. Now turn your face away from the fire as it was before and shut your eyes again. There is no more to be seen in this wedding than there was in the battle of the two knights, and all that there is I will tell you.
"The light of the candles on the altar changes to a blaze of wedding torches, and the King and the knights and the ladies are leading the bride and the bridegroom to their chamber. Slowly and solemnly, yet joyfully, they march along, and it is all so clear to me that I can even hear the music that they chant as they come. Soft and low it is at first, and then it swells out fuller and stronger and clearer but always so noble and pure and stately in its melody and its rhythm that nobody who had once heard it could ever forget how grand and beautiful it was. I have heard it many times, and you will hear it often, too, and once, I hope—I almost know—you will hear it at one of the sweetest moments of your life, and whenever you hear it I think it will be more full of meaning for you if you will think of the Knight of the Swan and his bride. But do not think of what comes to them afterward, for that need never come to you or to anyone who remembers what I told you a little while ago; and if ever you feel tempted to forget for one moment, then think of this true and lovely music—you will know it well and can think of it when you like by that time—and I am sure you will feel truer and better again at once.
"But the torches pass away and out of sight, and the knight and his bride are left alone; and now comes the sad part, for the poor bride has listened too much to those who spoke evil of her husband, or something evil has come into her own mind and made her forget her promise, for she tells him that she loves him so much that she wishes she might know what he is whom she loves. Now this may be very natural and might be very right if she had not promised never to ask; but though he begs her not to demand of him this one thing, yet she implores him more and more to tell her, till at last she speaks very cruelly to him, and as much as tells him that he does not love her at all. You would never think that she was the same poor girl who knelt by the river and prayed that her knight might be sent to help her in her danger. And suddenly, as he is about to tell her all she asks, her old accuser breaks into the room with his men, and rushes with his sword drawn to kill the knight, and now indeed his bride does seize his sword and hold it out to him, while he draws it from the sheath; then there is one little flash of a flame as he swings it high above his head, and his enemy lies at last dead before him. He tells the men to take him away and to lead his bride before the King, where he will come and tell her everything.
"It is morning again on the banks of the river, and the knights and the people are coming in crowds as I saw them in the beginning. The King comes, and the poor bride, sadder now even than she was at first. The Knight of the Swan comes too, and he asks the King if he did right to kill his wicked enemy, who was trying to kill him unprepared. The King answers that he did right. Then he says that he cannot go with the King to his wars, because his bride has forgotten her promise to him, and has asked him whence he came, and now, by the law which he obeys, as soon as he has answered her, he must leave her and all the rest forever. Then, while they all listen in sorrow, he tells them that he is a Knight of the Holy Grail, and must go back to the temple which he left to come here and help his bride. And while she weeps at the thought of losing him, suddenly I see the swan again on the river, drawing the little boat as before, ready to take the knight away, and then he tells his bride that if she could but have trusted him and never questioned him for a year, her brother would have come back to her.
"And now for one last time the witch stands up, more proud and revengeful then ever, and cries out that she has beaten them all, for the swan is really the brother, and that it was she who wound the chain about his neck that enchanted him and made him a swan. But while she exults in her triumph, there flies down over the heads of all of them a beautiful white dove. It is the dove that comes once a year to the temple and strengthens the power of the Holy Grail, and as the knight sees it he kneels and prays and then rises and unwinds the silver chain from the swan's neck, and at the very instant the swan is changed into a beautiful boy, the lost brother, and he runs to his sister and they clasp each other in their arms, while the witch falls down upon the ground, overcome at last and powerless, and the knight steps into the boat, the dove lifts the silver chain, and they glide away upon the river, farther and farther, and the little spot where they were, that was the brightest in the fire, grows dimmer and fainter and goes out and is dark."
"And won't the knight come back at all?" asked the little girl.
"No," I answered, "the brother and the sister are close in each other's arms and they are gazing away upon the river as far as they can see, but the Knight of the Swan will never come back."
THE PRIZE OF A SONG
The fire was almost out. It was so late in the spring that none at all was needed, but we liked it to look at. As for the little girl and me, we should hardly have known how to get on without it, and the little girl's mother chose to humor us, so we wasted a great deal of wood, as ignorant people would think, and were just as comfortable with the sky smiling and the trees budding all around us as if we had been in the midst of snow-drifts and howling storms. This afternoon the sun had been shining right in upon the fire, as if he would like to know what it was doing there at all, when he was making the weather quite warm enough, in the house as well as out. A fire never burns well when the sun shines on it, and besides, nobody had taken much care of ours, so that after the sun had gone it looked very low and discouraged.
"Do you think anybody could see anything in a fire like that?" the little girl asked, with a doubtful gaze into it and a meaning, clearly enough, that, if I thought it at all possible for anybody to see anything, she wished that I myself would try.
"We will put on another stick," I said, "and have a better fire. It will not be a very hot fire even then, and with all this soft spring air about us, I don't think we can see any more gods and giants and knights and dragons in it. But we may see some simpler people, with bright young hearts that begin to stir and move and to beat quicker and harder in the spring, as young hearts ought to do, not only in the spring of the year, but in their own spring, and we may perhaps see some people with older hearts, which stirred and beat too in their time, and we shall see by them that those which move freest and grow warmest in their spring are the fullest and the richest in their autumn and can never be hurt in the winter, just as the tree in which the sap flows best in the spring spreads out the broadest shade in the fierce heat of the summer, bears the finest fruit in the autumn, and lives the strongest till the next spring comes. If you ever tell any very learned people what we see here in this fire they may tell you, perhaps, that it all happened on Midsummer Day and not in the spring at all, and they will be quite right, in their own poor way of being right, but Midsummer Day is not in the middle of the summer, you know, but just at the beginning of it, when the spring has been gone only a few days. It is then that the lovely touch of the spring has done all that it can for the world, when the sun climbs his very highest in the heavens to look at all the sweetness and beauty that have been spread over the earth, when the summer is young and happy and kind and has not begun to burn and wither everything that would like to love its brightness and its power. So if you would see all the joy and the light that the spring can bring, you must look for them not far from Midsummer Day.
"We shall not begin to see all this till our new stick begins to burn better, but in the meantime we may see some things that are pleasant enough, if they are not quite so radiant, and while the fire is still rather dark, just burning quietly in a few little places, we seem to me to be in a dim, old church. The service is just ending. In one of the pews sits a pretty girl who is behaving herself in a most unbecoming way, for she is constantly sending shy glances toward a young man who leans against a pillar not far off and looks at her in his turn in a way that really ought to shock her, instead of pleasing her, as it seems to do."
"Is he a knight?" asked the little girl, instinctively knowing him for the hero of the story.
"Do you want him to be a knight?"
"Oh, yes; let's have just one knight, if we can't have any giants or dragons."
"I believe you are beginning to see the pictures in the fire yourself. Well, he shall be a knight, but he shall not wear any armor and he shall not fight, and all the rest of the people we see shall be quite common people, mere tradesmen, a goldsmith and a tailor and a toy-maker and a cobbler and the like. But whether the young man is a knight or not, he and the pretty girl ought to know better than to look at each other in that way in church, with looks that seem to mean so much and yet to have no connection with the service at all. The service is over now and the people all leave the church, except a few, but the young knight and the pretty girl stay behind, and he does not lose a minute in telling her that he loves her and that he is dreadfully anxious to know if she can love him. Now, of course, as she has done nothing all through the service but steal glances at him and probably could not even tell what hymns were sung, or whether there was a sermon or not, and has been thinking all the time how handsome he was, and knows very well that he was looking at her all the time, and knows very well, too, being a pretty girl, that he was thinking how pretty she was, of course, you see, she could not tell at all whether she could love him or not, and such a question naturally throws her into the greatest confusion.
"But while the young man is saying all the pretty things that the time allows, and the young woman is trying to think what she shall answer, her maid, who has been running about all this time, looking for things she has lost, bustles up, hears a part of what the young man says, and tells him that her mistress is already betrothed; and the mistress quickly says yes, but that nobody yet knows to whom. This is such a surprising state of things that it needs an explanation; so the maid tells the young knight that her mistress is to be given as bride for a prize to-morrow, which will be Midsummer Day, to the man who shall sing the best song. He asks if the bride herself is to judge whose song is best; and at that she makes up her mind at last, and says that she will choose nobody but him. But there is something else, for nobody can even try for the prize unless he belongs to a certain company or society of poets and singers here in the town, and the knight, though he has a pretty good opinion of the song he could make if he should try, is quite a stranger here. And now, as if for the very purpose of helping the knight, comes another young man, who turns out to be a prentice, and he begins arranging benches and chairs in some queer sort of way, while the looks that he casts at the maid and the looks she throws back at him show that they are not total strangers; and he tells them that these very poets and singers are to meet here in a few minutes, and that if anybody wants to join them he will have a chance to sing to them and to prove whether he is worthy.
"So the young man of course determines that he will try, and it is clear that he expects nothing in the world but that he will carry everything before him; and while the young women hurry away, the prentice tells him something about the singers, who are always called masters, and the queer rules that they have for making all their songs. Queer enough they are, too, and so many that if you were to hear them all you would think that they were quite enough to prevent anybody's ever making a song at all; but the most important thing that the knight learns is that, while he is singing, the judge will make a mark with chalk every time he breaks a rule, and, if more than seven chalk marks are scored against him, he cannot be a master, and so cannot try for the prize that he wants so much to win to-morrow.
"Now the masters begin to gather for their meeting, coming in one by one and two by two. First comes a goldsmith, the father of the pretty girl we have just seen. With him is a queer-looking, awkward, self- conceited man, who, anybody can see in a minute, must be a town clerk. From what he is saying to the goldsmith it is clear that he means to try for the prize of his daughter's hand to-morrow. He is in no doubt that he can sing better than anybody else, but is not sure that the goldsmith's daughter will think so. That is a very unlucky thing that happens to singers sometimes; they themselves know perfectly well that they can sing better than anybody else anywhere about, but all the other people are so stupid that they will not understand it.
"The young knight, who knows the goldsmith, tells him now that he wants to join this company of singers, and be a master too; and the goldsmith says that he shall be glad to help all he can. But the town clerk overhears them, and he sees at once that what the knight wants is to sing for the prize to-morrow. Now, the rule is, you remember, that nobody but a master may even try for the prize; so the jealous town clerk resolves that he will keep the young man from becoming a master. And it happens, by good luck for him and bad luck for the knight, that it is his turn to-day to take the chalk and mark the mistakes that are made in singing by anybody who tries to prove himself worthy to be a master.
"When the masters are all met, the goldsmith makes a little speech, and tells them how the prize is to be given to-morrow. They are to decide who wins, but his daughter is to judge too. She may choose none without their voice, but she may refuse any. That is no more than fair, of course. No girl would like to be married to a man just because the lines of his poetry came out right when somebody else counted them. Yet the masters all argue and dispute and suggest about the rules; but in the end they agree to do just what the goldsmith says, since they cannot do anything else.
"Now comes the trial of the young knight who wants to be a master. The town clerk goes behind a curtain, with his slate and his chalk, and you may be sure he does not forget his promise to himself that the knight shall fail. Then the young man stands up in the midst of them all and sings his song. A happy, free, beautiful song it is. It tells first how the spring came into the forest and awakened the trees and brought the flowers. Then it tells how the spring came into the young man's own heart, as you know I told you it ought to do, and how it made him sing of love; and that is quite right too, though perhaps I forgot to say so before.
"But happy and beautiful as the song is, it is scarcely begun before the most dreadful scratching of the chalk is heard behind the curtain. All the masters begin to shake their heads, too, for this knight is bold enough to make his own song in his own way, and he knows and cares no more about the rules and measures of these masters for making songs than you know or care about the game laws of Scotland. So by the time the song is half over, out rushes the town clerk with his slate, not with the eight marks on it that would end the singer's hopes of being a master, but with nearer eighty. He vows the case is hopeless, and as he shows the slate to the other masters they all seem to agree with him, though they are not all quite so jealous as he is.
"All but one; for there is one old shoemaker who says that he thinks the song was very good. It did not follow the rules, but it had rules of its own, and he liked it. Then there is trouble indeed. For any man to say in this old church and this old town that a song can be good when it has one line too many or one rhyme too few is almost as bad as for him to say that the King is bald-headed and that the oldest princess has freckles. All the masters say that to let such a song pass is out of the question, and that the shoemaker is quite absurd to think of such a thing. At this the shoemaker declares that the town clerk is not a fair judge, because he is jealous. At that again the town clerk says that the shoemaker had better not talk so much about poetry, but go home and finish the shoes he has ordered. Now, the shoemaker is really the only one of all the masters who knows anything at all about poetry; but now and then, years ago, a man who knew a great deal had to stand aside and let others, who knew very little but could talk louder, do what they liked in their own way. That is what the shoemaker has to do now, and for this time the knight has failed.
"What a bad fire we have, to be sure! It is getting lower and lower, and even our new stick will not burn. While everything is as dark as this we shall have to think that it is night. Never mind, we can see a little still, and the little that I can see is the street of the old town, with its queer old houses and peaked roofs and sharp steeples. Here, on one side, where there is a bit of light shining like a glow in a window, is the shop of our old cobbler; and over there, with no light at all, the fire is so bad, is the goldsmith's house. The cobbler is sitting outside his door, trying to work; but the light is as bad for him as it is for us, and, besides, he cannot think of his work, much less do it. He is thinking, I know, of the young knight and his song, and is wishing that he might win the prize to-morrow, master or no master. His heart had its spring-time once, you may be sure, and its glowing summer, and they have brought it a rich, peaceful autumn, such as they alone can bring. That was why he knew all the meaning of the song and liked it, though it broke every one of his own rules. And so, like the good old fellow that he is, he wishes the man who sang the song all joy and good luck—and the prize.