"No pity for thee, rascal! You would begin again to smooth me over with your coaxing ways, but I have penetrated your secret designs. You are not what you appear to be, and there is perhaps an affair of state at the bottom of all this," added the magistrate, in a very diplomatic tone. "All means are alike to those who wish to set Europe in flames."
"I am only a poor devil, Mr. Burgomaster; you, that have a good heart, will show me some mercy."
"What! when you have pulled off my cap?"
"And you," added the soldier, turning towards Morok, "you, that have been the cause of all this—have same pity upon me—do not bear malice!—You, a holy man, speak a word in my favor to Mr. Burgomaster."
"I have spoken to him what I was bound to speak," answered the Prophet ironically.
"Oho! you can look foolish enough now, you old vagabond! Did you think to impose on me with lamentations?" resumed the burgomaster, advancing towards Dagobert. "Thanks be, I am no longer your dupe!—You shall see that we have good dungeons at Leipsic for French agitators and female vagrants, for your damsels are no better than you are. Come," added he, puffing out his cheeks with an important air, "go down before me—and as for you, Morok—"
The burgomaster was unable to finish. For some minutes Dagobert had only sought to gain time, and had cast many a side-glance at a half-open door on the landing-place, just opposite to the chamber occupied by the orphans: finding the moment favorable, he now rushed quick as lightning on the burgomaster, seized him by the throat, and dashed him with such violence against the door in question, that the magistrate, stupefied by this sudden attack, and unable to speak a word or utter a cry, rolled over to the further end of the room, which was completely dark. Then, turning towards Morok, who, with his arm encumbered by the sling, made a rush for the staircase, the soldier caught him by his long, streaming hair, pulled him back, clasped him with hands of iron, clapped his hand over his mouth to stifle his outcries, and notwithstanding his desperate resistance, dragged him into the chamber, on the floor of which the burgomaster lay bruised and stunned.
Having double-locked the door, and put the key in his pocket, Dagobert descended the stairs at two bounds, and found himself in a passage, that opened on the court-yard. The gate of the inn was shut, and there was no possibility of escape on that side. The rain fell in torrents. He could see through the window of a parlor, in which a fire was burning, the host and his people waiting for the decision of the burgomaster. To bolt the door of the passage, and thus intercept all communication with the yard, was for the soldier the affair of an instant, and he hastened upstairs again to rejoin the orphans.
Morok, recovering from his surprise, was calling for help with all his might; but, even if the distance had permitted him to be heard, the noise of the wind and rain would have drowned his outcries. Dagobert had about an hour before him, for it would require some time to elapse before the length of his interview with the magistrate would excite astonishment; and, suspicion or fear once awakened, it would be necessary to break open two doors—that which separated the passage from the court-yard, and that of the room in which the burgomaster and the Prophet were confined.
"My children, it is now time to prove that you have a soldier's blood in your veins," said Dagobert, as he entered abruptly the chamber of the young girls, who were terrified at the racket they had heard for some minutes.
"Good heaven, Dagobert! what has happened?" cried Blanche.
"What do you wish us to do?" added Rose.
Without answering, the soldier ran to the bed, tore off the sheets, tied them strongly together, made a knot at one end, passed it over the top of the left half of the casement, and so shut it in. Thus made fast by the size of the knot, which could not slip through, the sheets, floating on the outside, touched the ground. The second half of the window was left open, to afford a passage to the fugitives.
The veteran next took his knapsack, the children's portmanteau, and the reindeer pelisse, and threw them all out of the window, making a sign to Spoil-sport to follow, to watch over them. The dog did not hesitate, but disappeared at a single bound. Rose and Blanche looked at Dagobert in amazement, without uttering a word.
"Now, children," said he to them, "the doors of the inn are shut, and it is by this way," pointing to the window, "that we must pass—if we would not be arrested, put in prison—you in one place, and I in the other—and have our journey altogether knocked on the head."
"Arrested! put in prison!" cried Rose.
"Separated from you!" exclaimed Blanche.
"Yes, my poor children!—They have killed Jovial—we must make our escape on foot, and try to reach Leipsic—when you are tired, I will carry you, and, though I have to beg my way, we will go through with it. But a quarter of an hour later, and all will be lost. Come, children, have trust in me—show that the daughters of General Simon are no cowards—and there is yet hope."
By a sympathetic movement, the sisters joined hands, as though they would meet the danger united. Their sweet faces, pale from the effect of so many painful emotions, were now expressive of simple resolve, founded on the blind faith they reposed in the devotion of the soldier.
"Be satisfied, Dagobert! we'll not be frightened," said Rose, in a firm voice.
"We will do what must be done," added Blanche, in a no less resolute tone.
"I was sure of it," cried Dagobert; "good blood is ever thicker than water. Come! you are light as feathers, the sheet is strong, it is hardly eight feet to the ground, and the pup is waiting for you."
"It is for me to go first—I am the eldest for to-day," cried Rose, when she had tenderly embraced Blanche; and she ran to the window, in order, if there were any danger, to expose herself to it before her sister.
Dagobert easily guessed the cause of this eagerness. "Dear children!" said he, "I understand you. But fear nothing for one another—there is no danger. I have myself fastened the sheet. Quick, my little Rose!"
As light as a bird, the young girl mounted the ledge of the window, and assisted by Dagobert, took hold of the sheet, and slid gently down according to the recommendation of the soldier, who, leaning out his whole body, encouraged her with his voice.
"Don't be afraid, sister!" said she, as soon as she touched the ground, "it is very easy to come down this way. And Spoil-sport is here, licking my hands." Blanche did not long keep her waiting; as courageous as her sister, she descended with the same success.
"Dear little creatures! what have they done to be so unfortunate?—Thousand thunders! there must be a curse upon the family," cried Dagobert, as, with heavy heart, he saw the pale, sweet face of the young girl disappear amid the gloom of the dark night, which violent squalls of wind and torrents of rain rendered still more dismal.
"Dagobert, we are waiting for you; come quickly!" said the orphans in a low voice, from beneath the window. Thanks to his tall stature, the soldier rather leaped than glided to the ground.
Dagobert and the two young girls had not fled from the inn of the White Falcon more than a quarter of an hour, when a long crash resounded through the house. The door had yielded to the efforts of the burgomaster and Morok, who had made use of a heavy table as a battering ram. Guided by the light, they ran to the chamber of the orphans, now deserted. Morok saw the sheets floating from the casement, and cried: "Mr. Burgomaster, they have escaped by the window—they are on foot—in this dark and stormy night, they cannot be far."
"No doubt, we shall catch them, the miserable tramps! Oh, I will be revenged! Quick, Morok; your honor is concerned as well as mine."
"My honor?—Much more is concerned than that, Mr. Burgomaster," answered the Prophet, in a tone of great irritation. Then, rapidly descending the stairs, he opened the door of the court-yard, and shouted in a voice of thunder:
"Goliath! unchain the dogs!—and, landlord! bring us lanterns, torches—arm your people—open the doors!—We must pursue the fugitives; they cannot escape us; we must have them—alive or dead!"
CHAPTER XV.
THE DESPATCHES.
When we read, in the rules of the order of the Jesuits, under the title De formula scribendi (Institut. 2, 11, p. 125, 129), the development of the 8th part of the constitutions, we are appalled by the number of letters, narratives, registers, and writings of all kinds, preserved in the archives of the society.
It is a police infinitely more exact and better informed than has ever been that of any state. Even the government of Venice found itself surpassed by the Jesuits: when it drove them out in 1606, it seized all their papers, and reproached them for their great and laborious curiosity. This police, this secret inquisition, carried to such a degree of perfection, may give some idea of the strength of a government, so well-informed so persevering in its projects, so powerful by its unity, and, as the constitutions have it, by the union of its members. It is not hard to understand, what immense force must belong to the heads of this society, and how the general of the Jesuits could say to the Duke de Brissac: "From this room, your grace, I govern not only Paris, but China—not only China, but the whole world—and all without any one knowing how it is done:" (Constitution of the Jesuits, edited by Paulin, Paris, 1843.)
Morok, the lion-tamer, seeing Dagobert deprived of his horse, and stripped of his money and papers, and thinking it was thus out of his power to continue his journey, had, previous to the arrival of the burgomaster, despatched Karl to Leipsic, as the bearer of a letter which he was to put immediately into the post. The address of this letter was as follows: "A Monsieur Rodin, Rue du Milieu des Ursins, Paris."
About the middle of this obscure and solitary street, situate below the level of the Quai Napoleon, which it joins not far from the Rue Saint Landry, there stood a house of unpretentious appearance, at the bottom of a dark and narrow court-yard, separated from the street by a low building in front, with arched doorway, and two windows protected by thick iron bars. Nothing could be more simple than the interior of this quiet dwelling, as was sufficiently shown by the furniture of a pretty large room on the ground floor. The walls of this apartment were lined with old gray wainscot; the tiled floor was painted red, and carefully polished; curtains of white calico shaded the windows.
A sphere of about four feet in diameter, raised on a pedestal of massive oak, stood at one end of the room, opposite to the fireplace. Upon this globe, which was painted on a large scale, a host of little red crosses appeared scattered over all parts of the world—from the North to the South, from the rising to the setting sun, from the most barbarous countries, from the most distant isles, to the centres of civilization, to France itself. There was not a single country which did not present some spots marked with these red crosses, evidently indicative of stations, or serving as points of reference.
Before a table of black wood, loaded with papers, and resting against the wall near the chimney, a chair stood empty. Further on, between the two windows, was a large walnut-wood desk, surmounted by shelves full of pasteboard boxes.
At the end of the month of October, 1831, about eight o'clock in the morning, a man sat writing at this desk. This was M. Rodin, the correspondent of Morok, the brute-tamer.
About fifty years of age, he wore an old, shabby, olive greatcoat, with a greasy collar, a snuff-powdered cotton handkerchief for a cravat, and waistcoat and trousers of threadbare black cloth. His feet, buried in loose varnished shoes, rested on a petty piece of green baize upon the red, polished floor. His gray hair lay flat on his temples, and encircled his bald forehead; his eyebrows were scarcely marked; his upper eyelid, flabby and overhanging, like the membrane which shades the eyes of reptiles, half concealed his small, sharp, black eye. His thin lips, absolutely colorless, were hardly distinguishable from the wan hue of his lean visage, with its pointed nose and chin; and this livid mask (deprived as it were of lips) appeared only the more singular, from its maintaining a death-like immobility. Had it not been for the rapid movement of his fingers, as, bending over the desk, he scratched along with his pen, M. Rodin might have been mistaken for a corpse.
By the aid of a cipher (or secret alphabet) placed before him he was copying certain passages from a long sheet full of writing, in a manner quite unintelligible to those who did not possess the key to the system. Whilst the darkness of the day increased the gloom of the large, cold, naked-looking apartment, there was something awful in the chilling aspect of this man, tracing his mysterious characters in the midst of profound silence.
The clock struck eight. The dull sound of the knocker at the outer door was heard, then a bell tinkled twice, several doors opened and shut, and a new personage entered the chamber. On seeing him, M. Rodin rose from the desk, stuck his pen between his teeth, bowed with a deeply submissive air, and sat down again to his work without uttering a word.
The two formed a striking contrast to one another. The newcomer, though really older than he seemed, would have passed for thirty-six or thirty eight years of age at most. His figure was tall and shapely, and few could have encountered the brightness of his large gray eye, brilliant as polished steel. His nose, broad at the commencement, formed a well-cut square at its termination; his chin was prominent, and the bluish tints of his close-shaved beard were contrasted with the bright carnation of his lips, and the whiteness of his fine teeth. When he took off his hat to change it for a black velvet cap which he found on the small table, he displayed a quantity of light chestnut hair, not yet silvered by time. He was dressed in a long frock-coat, buttoned up to the neck in military fashion.
The piercing glance and broad forehead of this man revealed a powerful intellect, even as the development of his chest and shoulders announced a vigorous physical organization; whilst his gentlemanly appearance, the perfection of his gloves and boots, the light perfume which hung about his hair and person, the grace and ease of his least movements, betrayed what is called the man of the world, and left the impression that he had sought or might still seek every kind of success, from the most frivolous to the most serious. This rare combination of strength of mind, strength of body, and extreme elegance of manners, was in this instance rendered still more striking by the circumstance, that whatever there might be of haughtiness or command in the upper part of that energetic countenance, was softened down, and tempered by a constant but not uniform smile—for, as occasion served, this smile became either kind or sly, cordial or gay, discreet or prepossessing, and thus augmented the insinuating charm of this man, who, once seen, was never again forgotten. But, in yielding to this involuntary sympathy, the doubt occurred if the influence was for good—or for evil.
M. Rodin, the secretary of the newcomer, continued to write.
"Are there any letters from Dunkirk, Rodin?" inquired his master.
"Post not yet in."
"Without being positively uneasy as to my mother's health, since she was already convalescent," resumed the other, "I shall only be quite reassured by a letter from my excellent friend, the Princess de Saint Dizier. I shall have good news this morning, I hope."
"It is to be desired," said the secretary, as humble and submissive as he was laconic and impassible.
"Certainly it is to be desired," resumed his master; "for one of the brightest days of my life was when the Princess de Saint-Dizier announced to me that this sudden and dangerous illness had yielded to the care and attention with which she surrounds my mother. Had it not been for that I must have gone down to her instantly, though my presence here is very necessary."
Then, approaching the desk, he added: "Is the summary of the foreign correspondence complete?"
"Here is the analysis."
"The letters are still sent under envelope to the places named, and are then brought here as I directed?"
"Always."
"Read to me the notes of this correspondence; if there are any letters for me to answer, I will tell you." And Rodin's master began to walk up and down the room, with his hands crossed behind his back, dictating observations of which Rodin took careful note.
The secretary turned to a pretty large pile of papers, and thus began:
"Don Raymond Olivarez acknowledges from Cadiz receipt of letter No.19; he will conform to it, and deny all share in the abduction."
"Very well; file it."
"Count Romanoff, of Riga, finds himself in a position of pecuniary embarrassment."
"Let Duplessis send him fifty louis; I formerly served as captain in his regiment, and he has since given us good information."
"They have received at Philadelphia the last cargo of Histories of France, expurgated for the use of the faithful they require some more of the same sort."
"Take note of it, and write to Duplessis. Go on."
"M. Spindler sends from Namur the secret report on M. Ardouin."
"To be examined."
"M. Ardouin sends from the same town the secret report on M. Spindler."
"To be examined."
"Doctor Van Ostadt, of the same town, sends a confidential note on the subject of Messrs. Spindler and Ardouin."
"To be compared. Go on!"
"Count Malipierri, of Turin, announces that the donation of 300,000 francs is signed."
"Inform Duplessis. What next?"
"Don Stanislaus has just quitted the waters of Baden with Queen Marie Ernestine. He informs us that her majesty will receive with gratitude the promised advices, and will answer them with her own hand."
"Make a note of it. I will myself write to the queen."
Whilst Rodin was inscribing a few remarks on the margin of the paper, his master, continuing to walk up and down the room, found himself opposite to the globe marked with little red crosses, and stood contemplating it for a moment with a pensive air.
Rodin continued: "In consequence of the state of the public mind in certain parts of Italy, where sundry agitators have turned their eyes in the direction of France, Father Arsenio writes from Milan, that it would be of importance to distribute profusely in that country, some little book, in which the French would be represented as impious and debauched, rapacious and bloody."
"The idea is excellent. We might turn to good account the excesses committed by our troops in Italy during the wars of the Republic. You must employ Jacques Dumoulin to write it. He is full of gall, spite, and venom: the pamphlet will be scorching. Besides, I may furnish a few notes; but you must not pay Dumoulin till after delivery of the manuscript."
"That is well understood: for, if we were to pay him beforehand, he would be drunk for a week in some low den. It was thus we had to pay him twice over for his virulent attack on the pantheistic tendencies of Professor Martin's philosophy."
"Take note of it—and go on!"
"The merchant announces that the clerk is about to send the banker to give in his accounts. You understand?' added Rodin, after pronouncing these words with a marked emphasis.
"Perfectly," said the other, with a start; "they are but the expressions agreed on. What next?"
"But the clerk," continued the secretary, "is restrained by a last scruple."
After a moment's silence, during which the features of Rodin's master worked strongly, he thus resumed: "They must continue to act on the clerk's mind by silence and solitude; then, let him read once more the list of cases in which regicide is authorized and absolved. Go on!"
"The woman Sydney writes from Dresden, that she waits for instructions. Violent scenes of jealousy on her account have again taken place between the father and son; but neither from these new bursts of mutual hatred, nor from the confidential communications which each has made to her against his rival, has she yet been able to glean the information required. Hitherto, she has avoided giving the preference to one or the other; but, should this situation be prolonged, she fears it may rouse their suspicion. Which ought she then to choose—the father or the son?"
"The son—for jealous resentment will be much more violent and cruel in the old man, and, to revenge himself for the preference bestowed upon his son, he will perhaps tell what they have both such an interest to conceal. The next?"
"Within the last three years, two maid-servants of Ambrosius whom we placed in that little parish in the mountains of the Valais, have disappeared, without any one knowing what has become of them. A third has just met with the same fate. The Protestants of the country are roused—talk of murder with frightful attendant circumstances—"
"Until there is proof positive and complete of the fact, Ambrosius must be defended against these infamous calumnies, the work of a party that never shrinks from; monstrous inventions. Go on!"
"Thompson, of Liverpool, has at length succeeded in procuring for Justin the place of agent or manager to Lord Stewart, a rich Irish Catholic, whose head grows daily weaker."
"Let the fact be once verified, and Thompson shall have a premium of fifty louis. Make a note of it for Duplessis. Proceed."
"Frantz Dichstein, of Vienna," resumed Rodin, "announces that his father has just died of the cholera, in a little village at some leagues from that city: for the epidemic continues to advance slowly, coming from the north of Russia by way of Poland."
"It is true," said Rodin's master, interrupting him; "may its terrible march be stayed, and France be spared."
"Frantz Dichstein," resumed Rodin, "says that his two brothers are determined to contest the donation made by his father, but that he is of an opposite opinion."
"Consult the two persons that are charged with all matters of litigation.
What next?"
"The Cardinal Prince d'Amalfi will conform to the three first points of the proposal: he demands to make a reservation upon the fourth point."
"No reserve!—Either full and absolute acceptance—or else war—and (mark me well) war without mercy—on him and his creatures. Go on!"
"Fra Paolo announces that the Prince Boccari, chief of a redoubtable secret society, in despair at seeing his friends accuse him of treachery, in consequence of suspicions excited in their minds by Fra Paolo himself, has committed suicide."
"Boccari! is it possible?" cried Rodin's master. "Boccari! the patriot
Boccari! so dangerous a person!"
"The patriot Boccari," repeated the impassible secretary.
"Tell Duplessis to send an order for five-and-twenty louis to Fra Paolo.
Make a note of it."
"Hausman informs us that the French dancer, Albertine Ducornet, is the mistress of the reigning prince; she has the most complete influence over him, and it would be easy through her means to arrive at the end proposed, but that she is herself governed by her lover (condemned in France as a forger), and that she does nothing without consulting him."
"Let Hausman get hold of this man—if his claims are reasonable, accede to them—and learn if the girl has any relations in Paris."
"The Duke d'Orbano announces, that the king his master will authorize the new establishment, but on the conditions previously stated."
"No condition!—either a frank adhesion or a positive refusal. Let us know our friends from our enemies. The more unfavorable the circumstances, the more we must show firmness, and overbear opposition by confidence in ourselves."
"The same also announces, that the whole of the corps diplomatique continues to support the claims of the father of that young Protestant girl, who refuses to quit the convent where she has taken refuge, unless it be to marry her lover against her father's will."
"Ah! the corps diplomatique continues to remonstrate in the father's name?"
"Yes."
"Then, continue to answer, that the spiritual power has nothing to do with the temporal."
At this moment, the bell of the outer door again sounded twice. "See who it is," said Rodin's master; and the secretary rose and left the room. The other continued to walk thoughtfully up and down, till, coming near to the huge globe, he stopped short before it.
For some time he contemplated, in profound silence, the innumerable little red crosses, which appeared to cover, as with an immense net, all the countries of the earth. Reflecting doubtless on the invisible action of his power, which seemed to extend over the whole world, the features of this man became animated, his large gray eye sparkled, his nostrils swelled, and his manly countenance assumed an indescribable expression of pride, energy, and daring. With haughty brow and scornful lip, he drew still nearer to the globe, and leaned his strong hand upon the pole.
This powerful pressure, an imperious movement, as of one taking possession, seemed to indicate, that he felt sure of governing this globe, on which he looked down from the height of his tall figure, and on which he rested his hand with so lofty and audacious an air of sovereignty.
But now he no longer smiled. His eye threatened, and his large forehead was clad with a formidable scowl. The artist, who had wished to paint the demon of craft and pride, the infernal genius of insatiable domination, could not have chosen a more suitable model.
When Rodin returned, the face of his master had recovered its ordinary expression. "It is the postman," said Rodin, showing the letters which he held in his hand; "there is nothing from Dunkirk."
"Nothing?" cried his master—and his painful emotion formed a strange contrast to his late haughty and implacable expression of countenance—"nothing? no news of my mother?—Thirty-six hours more, then, of anxiety."
"It seems to me, that, if the princess had bad news to give, she would have written. Probably the improvement goes on."
"You are doubtless right, Rodin—but no matter—I am far from easy. If, to-morrow, the news should not be completely satisfactory, I set out for the estate of the princess. Why would my mother pass the autumn in that part of the country? The environs of Dunkirk do not, I fear, agree with her."
After a few moments' silence, he added, as he continued to walk:
"Well—these letters—whence are they?"
Rodin looked at the post-marks, and replied: "Out of the four there are three relative to the great and important affairs of the medals."
"Thank heaven!—provided the news be favorable," cried his master, with an expression of uneasiness, which showed how much importance he attached to this affair.
"One is from Charlestown, and no doubt relative to Gabriel, the missionary," answered Rodin; "this other from Batavia, and no doubt concerns the Indian, Djalma. The third is from Leipsic, and will probably confirm that received yesterday, in which the lion-tamer, Morok, informed us, that, in accordance with his orders, and without his being compromised in any way, the daughters of General Simon would not be able to continue their journey."
At the name of General Simon, a cloud passed over the features of Rodin's master.
CHAPTER XVI.
THE ORDERS.
The principal houses correspond with that in Paris; they are also in direct communication with the General, who resides at Rome. The correspondence of the Jesuits so active, various, and organized in so wonderful a manner, has for its object to supply the heads with all the information they can require. Every day, the General receives a host of reports, which serve to check one another. In the central house, at Rome, are immense registers, in which are inscribed the names of all the Jesuits, of their adherents, and of all the considerable persons, whether friends or enemies, with whom they have any connection. In these registers are reported, without alteration, hatred or passion the facts relating to the life of each individual. It is the most gigantic biographical collection that has ever been formed. The frailties of a woman, the secret errors of a statesman, are chronicled in this book with the same cold impartiality. Drawn up for the purpose of being useful, these biographies are necessarily exact. When the Jesuits wish to influence an individual, they have but to turn to this book, and they know immediately his life, his character, his parts, his faults, his projects, his family, his friends, his most sacred ties. Conceive, what a superior facility of action this immense police-register, which includes the whole world, must give to any one society! It is not lightly that I speak of these registers; I have my facts from a person who has seen this collection, and who is perfectly well acquainted with the Jesuits. Here then, is matter to reflect on for all those families, who admit freely into their houses the members of a community that carries its biographical researches to such a point. (Libri, Member of the Institute. Letters on the Clergy.)
When he had conquered the involuntary emotion which the name or remembrance of General Simon had occasioned, Rodin's master said to the secretary: "Do not yet open the letters from Leipsic, Charlestown, and Batavia; the information they contain will doubtless find its place presently. It will save our going over the same ground twice."
The secretary looked inquiringly at his master.
The latter continued—"Have you finished the note relating to the medals?"
"Here it is," replied the secretary; "I was just finishing my interpretation of the cipher."
"Read it to me, in the order of the facts. You can append to it the news contained in those three letters."
"True," said Rodin; "in that way the letters will find their right place."
"I wish to see," rejoined the other, "whether this note is clear and fully explanatory; you did not forget that the person it is intended for ought not to know all?"
"I bore it in mind, and drew up the paper accordingly."
"Read," said the master.
M. Rodin read as follows, slowly and deliberately:
"'A hundred and fifty years ago, a French Protestant family, foreseeing the speedy—revocation of the edict of Nantes, went into voluntary exile, in order to avoid the just and rigorous decrees already issued against the members of the reformed church—those indomitable foes of our holy religion.
"'Some members of this family sought refuge in Holland, and afterwards in the Dutch colonies; others in Poland, others in Germany; some in England, and some in America.
"'It is supposed that only seven descendants remain of this family, which underwent strange vicissitudes since; its present representatives are found in all ranks of society, from the sovereign to the mechanic.
"'These descendants, direct or indirect, are:
"'On the mother's side,
"'Rose and Blanche Simon—minors.
"'General Simon married, at Warsaw, a descendant of the said family.
"'Francois Hardy, manufacturer at Plessis, near Paris.
"'Prince Djalma, son of Kadja-sing, King of Mondi.
"'Kadja-sing, married, in 1802, a descendant of the said family, then settled at Batavia, in the Island of Java, a Dutch colony.
"'On the father's side—Jacques Rennepont, surnamed Sleepinbuff, mechanic.
"'Adrienne de Cardoville, daughter of the Count of Rennepont, Duke of
Cardoville.
"'Gabriel Rennepont, priest of the foreign missions.
"'All the members of this family possess, or should possess, a bronze medal bearing the following inscriptions:
Victim
of
L. C. D. J.
Pray for me!
Paris
February the 13th, 1682.
At Paris,
Rue Saint Francois, No. 3,
In a century and a half
you will be.
February the 13th, 1832.
Pray For Me!
"'These words and dates show that all of them have a great interest to be at Paris on the 13th of February, 1832; and that, not by proxy, but in person, whether they are minors, married or single.
"'But other persons have an immense interest that none of the descendants of this family be at Paris on the 13th February, except Gabriel Rennepont, priest of the foreign missions.
"'At all hazards, therefore, Gabriel must be the only person present at the appointment made with the descendants of this family, a century and a half ago.
"'To prevent the other six persons from reaching Paris on the said day, or to render their presence of no effect, much has been already done; but much remains to be done to ensure the success of this affair, which is considered as the most vital and most important of the age, on account of its probable results.'"
"'Tis but too true," observed Rodin's master, interrupting him, and shaking his head pensively. "And, moreover, that the consequences of success are incalculable, and there is no forseeing what may follow failure. In a word, it almost involves a question of existence or non existence during several years. To succeed, therefore, 'all possible means must be employed. Nothing must be shunned,' except, however, that appearances must be skillfully maintained."
"I have written it," said Rodin, having added the words his master had just dictated, who then said,
"Continue."
Rodin read on:
"'To forward or secure the affair in question, it is necessary to give some private and secret particulars respecting the seven persons who represent this family.
"'The truth of these particulars may be relied on. In case of need they might be completed in the most minute degree for contradictory information having been given, very lengthened evidence has been obtained. The order in which the names of the persons stand will be observed, and events that have happened up to the present time will only be mentioned.
"'NOTE, No. I.
"'Rose and Blanche Simon, twin sisters, about fifteen years of age; very pretty, so much alike, one might be taken for the other; mild and timid disposition, but capable of enthusiasm. Brought up in Siberia by their mother, a woman of strong mind and deistical sentiments, they are wholly ignorant of our holy religion.
"'General Simon, separated from his wife before they were born, is not aware, even now, that he has two daughters.
"'It was hoped that their presence in Paris, on the 13th of February, would be prevented, by sending their mother to a place of exile, much more distant than the one first allotted her; but their mother dying, the Governor of Siberia, who is wholly ours, supposing, by a deplorable mistake, that the measure only affected the wife of General Simon personally, unfortunately allowed the girls to return to France, under the guidance of an old soldier.
"'This man is enterprising, faithful, and determined. He is noted down as dangerous.
"'The Simon girls are inoffensive. It is hoped, on fair grounds, that they are now detained in the neighborhood of Leipsic.'"
Rodin's master interrupted him, saying:
"Now, read the letter just received from Leipsic; it may complete the information."
Rodin read it, and exclaimed:
"Excellent news! The maidens and their guide had succeeded in escaping during the night from the White Falcon Tavern, but all three were overtaken and seized about a league from Mockern. They have been transferred to Leipsic, where they are imprisoned as vagabonds; their guide, the soldier, is accused and condemned of resisting the authorities, and using violence to a magistrate."
"It is almost certain, then, considering the tedious mode of proceeding in Germany (otherwise we would see to it), that the girls will not be able to be here on the 13th February," added Rodin's master. "Append this to the note on the back."
The secretary obeyed, and endorsed "An abstract of Morok's letter."
"It is written," he then added.
"Go on," resumed his master.
Rodin continued reading.
"'NOTE, No. II.
"'Francois Hardy, manufacturer at Plessis, near Paris, forty years old; a steady, rich, intelligent, active, honest, well-informed man, idolized by his workmen—thanks to numberless innovations to promote their welfare. Never attending to the duties of our holy religion. Noted down as a very dangerous man: but the hatred and envy he excites among other manufacturers, especially in M. le Baron Tripeaud, his competitor, may easily be turned against him. If other means of action on his account, and against him, are necessary, the evidence may be consulted; it is very voluminous. This man has been marked and watched for a long time.
"'He has been so effectually misguided with respect to the medal, that he is completely deceived as to the interests it represents. He is, however, constantly watched, surrounded, and governed, without suspecting it; one of his dearest friends deceives him, and through his means we know his secret thoughts.
"'NOTE, No. III.
"'Prince Djalma; eighteen; energetic and generous, haughty, independent and wild; favorite of General Simon, who commanded the troops of his father, Kadja-sing, in the struggle maintained by the latter against the English in India. Djalma is mentioned only by way of reminder, for his mother died young, while her parents were living. They resided at Batavia. On the death of the latter, neither Djalma nor the king, his father, claimed their little property. It is, therefore, certain that they are ignorant of the grave interests connected with the possession of the medal in question, which formed part of the property of Djalma's mother."
Rodin's master interrupted him.
"Now read the letter from Batavia, and complete the information respecting Djalma."
Rodin read, and then observed:
"Good news again. Joshua Van Dael, merchant at Batavia (he was educated in our Pondicherry establishment), learns from his correspondent at Calcutta that the old Indian king was killed in the last battle with the English. His son, Djalma, deprived of the paternal throne, is provisionally detained as a prisoner of state in an Indian fortress."
"We are at the end of October," said Rodin's master. "If Prince Djalma were to leave India now, he could scarcely reach Paris by the month of February."
"Van Dael," continued Rodin, "regrets that he has not been able to prove his zeal in this case. Supposing Prince Djalma set at liberty, or having effected his escape, it is certain he would come to Batavia to claim his inheritance from his mother, since he has nothing else left him in the world. In that case, you may rely on Van Dael's devotedness. In return, he solicits very precise information, by the next post, respecting the fortune of M. le Baron Tripeaud, banker and manufacturer, with whom he has business transactions."
"Answer that point evasively. Van Dael as yet has only shown zeal; complete the information respecting Djalma from these new tidings."
Rodin wrote.
But in a few minutes his master said to him with a singular expression:
"Does not Van Dael mention General Simon in connection with Djalma's imprisonment and his father's death?"
"He does not allude to him," said the secretary, continuing his task.
Rodin's master was silent, and paced the room.
In a few moments Rodin said to him: "I have done it."
"Go on, then."
"'NOTE, No. IV.
"'Jacques Rennepont, surnamed "Sleepinbuff," i.e. Lie naked, workman in Baron Tripeaud's factory. This artisan is drunken, idle, noisy, and prodigal; he is not without sense, but idleness and debauch have ruined him. A clever agent, on whom we rely, has become acquainted with his mistress, Cephyse Soliveau, nicknamed the Bacchanal Queen. Through her means, the agent has formed such ties with him that he may even now be considered beyond the reach of the interests that ought to insure his presence in Paris on the 13th of February.
"'NOTE, No. V.
"'Gabriel Rennepont, priest of foreign missions, distant relation of the above, but he is alike ignorant of the existence of his relative and the relationship. An orphan foundling, he was adopted by Frances Baudoin, the wife of a soldier going by the name Dagobert.
"'Should this soldier, contrary to expectation, reach Paris, his wife would be a powerful means of influencing him. She is an excellent creature, ignorant and credulous, of exemplary piety, over whom we have long had unlimited control. She prevailed on Gabriel to take orders, notwithstanding his repugnance.
"'Gabriel is five-and-twenty; disposition as angelic as his countenance; rare and solid virtues; unfortunately he was brought up with his adopted brother, Agricola, Dagobert's son. This Agricola is a poet and workman—but an excellent workman; he is employed by M. Hardy; has imbibed the most detestable doctrines; fond of his mother; honest, laborious, but without religious feeling. Marked as very dangerous. This causes his intimacy with Gabriel to be feared.
"'The latter, notwithstanding his excellent qualities, sometimes causes uneasiness. We have even delayed confiding in him fully. A false step might make him, too, one of the most dangerous. Much precaution must be used then, especially till the 13th of February; since, we repeat it, on him, on his presence in Paris at that time, depend immense hopes and equally important interests.
"'Among other precautions, we have consented to his taking part in the American mission, for he unites with angelic sweetness of character a calm intrepidity and adventurous spirit which could only be satisfied by allowing him to engage in the perilous existence of the missionaries. Luckily, his superiors at Charlestown have received the strictest orders not to endanger, on any account, so precious a life. They are to send him to Paris, at least a month or two before February 13th."'
Rodin's master again interrupted him, and said: "Read the letter from Charlestown, and see what it tells you in order to complete the information upon this point also."
When he had read the letter, Rodin went on: "Gabriel is expected every day from the Rocky Mountains, whither he had absolutely insisted on going alone upon a mission."
"What imprudence!"
"He has no doubt escaped all danger, as he himself announces his speedy return to Charlestown. As soon as he arrives, which cannot (they write) be later than the middle of this month, he will be shipped off for France."
"Add this to the note which concerns him," said Rodin's master.
"It is written," replied the secretary, a few moments later.
"Proceed, then," said his master. Rodin continued
"'NOTE, No. VI.
"'ADRIENNE RENNEPONT DE CARDOVILLE.
"'Distantly related (without knowing it) to Jacques Rennepont, alias Sleepinbuff, and Gabriel Rennepont, missionary priest. She will soon be twenty-one years of age, the most attractive person in the world—extraordinary beauty, though red-haired—a mind remarkable for its originality—immense fortune—all the animal instincts. The incredible independence of her character makes one tremble for the future fate of this young person. Happily, her appointed guardian, Baron Tripeaud (a baron of 1829 creation, formerly agent to the late Count of Rennepont, Duke of Cardoville), is quite in the interest, and almost in the dependence, of the young lady's aunt. We count, with reason, upon this worthy and respectable relative, and on the Baron Tripeaud, to oppose and repress the singular, unheard-of designs which this young person, as resolute as independent, does not fear to avow—and which, unfortunately, cannot be turned to account in the interest of the affair in question—for—"
Rodin was here interrupted by two discreet taps at the door. The secretary rose, went to see who knocked, remained a moment without, and then returned with two letters in his hand, saying: "The princess has profited by the departure of a courier to—"
"Give me the letter!" cried his master, without leaving him time to finish. "At length," he added, "I shall have news of my mother—"
He had scarcely read the first few lines of the letter, when he grew deadly pale, and his features took an expression of painful astonishment and poignant grief. "My mother!" he cried, "oh, heavens! my mother!"
"What misfortune has happened!" asked Rodin, with a look of alarm, as he rose at the exclamation of his master.
"The symptoms of improvement were fallacious," replied the other, dejectedly; "she has now relapsed into a nearly hopeless state. And yet the doctor thinks my presence might save her, for she calls for me without ceasing. She wishes to see me for the last time, that she may die in peace. Oh, that wish is sacred! Not to grant it would be matricide. If I can but arrive in time! Travelling day and night, it will take nearly two days."
"Alas! what a misfortune!" said Rodin, wringing his hands, and raising his eyes to heaven.
His master rang the bell violently, and said to the old servant that opened the door: "Just put what is indispensable into the portmanteau of my travelling-carriage. Let the porter take a cab, and go for post horses instantly. Within an hour, I must be on the road. Mother! mother!" cried he, as the servant departed in haste. "Not to see her again—oh, it would be frightful!" And sinking upon a chair, overwhelmed with sorrow, he covered his face with his hands.
This great grief was sincere—he loved tenderly his mother that divine sentiment had accompanied him, unalterable and pure, through all the phases of a too often guilty life.
After a few minutes, Rodin ventured to say to his master, as he showed him the second letter: "This, also, has just been brought from M. Duplessis. It is very important—very pressing—"
"See what it is, and answer it. I have no head for business."
"The letter is confidential," said Rodin, presenting it to his master. "I dare not open it, as you may see by the mark on the cover."
At sight of this mark, the countenance of Rodin's master assumed an indefinable expression of respect and fear. With a trembling hand he broke the seal. The note contained only the following words: "Leave all business, and without losing a minute, set out and come. M. Duplessis will replace you. He has orders."
"Great God!" cried this man in despair. "Set out before I have seen my mother! It is frightful, impossible—it would perhaps kill her—yes, it would be matricide!"
Whilst he uttered these words, his eyes rested on the huge globe, marked with red crosses. A sudden revolution seemed to take place within him; he appeared to repent of the violence of his regrets; his face, though still sad, became once more calm and grave. He handed the fatal letter to his secretary, and said to him, whilst he stifled a sigh: "To be classed under its proper number."
Rodin took the letter, wrote a number upon it, and placed it in a particular box. After a moment's silence, his master resumed: "You will take orders from M. Duplessis, and work with him. You will deliver to him the note on the affair of the medals; he knows to whom to address it. You will write to Batavia, Leipsic, and Charlestown, in the sense agreed. Prevent, at any price, the daughters of General Simon from quitting Leipsic; hasten the arrival of Gabriel in Paris; and should Prince Djalma come to Batavia, tell M. Joshua Van Dael, that we count on his zeal and obedience to keep him there."
And this man, who, while his dying mother called to him in vain, could thus preserve his presence of mind, entered his own apartments; whilst Rodin busied himself with the answers he had been ordered to write, and transcribed them in cipher.
In about three quarters of an hour, the bells of the post-horses were heard jingling without. The old servant again entered, after discreetly knocking at the door, and said:
"The carriage is ready."
Rodin nodded, and the servant withdrew. The secretary, in his turn, went to knock at the door of the inner room. His master appeared, still grave and cold, but fearfully pale, and holding a letter in his hand.
"This for my mother," said he to Rodin; "you will send a courier on the instant."
"On the instant," replied the secretary.
"Let the three letters for Leipsic, Batavia and Charlestown, leave to-day by the ordinary channel. They are of the last importance. You know it."
Those were his last words. Executing merciless orders with a merciless obedience, he departed without even attempting to see his mother. His secretary accompanied him respectfully to his carriage.
"What road, sir?" asked the postilion, turning round on his saddle.
"The road to ITALY!" answered Rodin's master, with so deep a sigh that it almost resembled a sob.
As the horses started at full gallop, Rodin made a low bow; then he returned to the large, cold, bare apartment. The attitude, countenance, and gait of this personage seemed to have undergone a sudden change. He appeared to have increased in dimensions. He was no longer an automaton, moved by the mechanism of humble obedience. His features, till now impassible, his glance, hitherto subdued, became suddenly animated with an expression of diabolical craft; a sardonic smile curled his thin, pale lips, and a look of grim satisfaction relaxed his cadaverous face.
In turn, he stopped before the huge globe. In turn, he contemplated it in silence, even as his master had done. Then, bending over it, and embracing it, as it were, in his arms, he gloated with his reptile-eye on it for some moments, drew his coarse finger along its polished surface, and tapped his flat, dirty nail on three of the places dotted with red crosses. And, whilst he thus pointed to three towns, in very different parts of the world, he named them aloud, with a sneer.
"Leipsic—Charlestown—Batavia."
"In each of these three places," he added, "distant as they are from one another, there exist persons who little think that here, in this obscure street, from the recesses of this chamber, wakeful eyes are upon them—that all their movements are followed, all their actions known—and that hence will issue new instructions, which deeply concern them, and which will be inexorably executed; for an interest is at stake, which may have a powerful influence on Europe—on the world. Luckily, we have friends at Leipsic, Charlestown, and Batavia."
This funny, old, sordid, ill-dressed man, with his livid and death-like countenance, thus crawling over the sphere before him, appeared still more awful than his master, when the latter, erect and haughty, had imperiously laid his hand upon that globe, which he seemed desirous of subjecting by the strength of his pride and courage. The one resembled the eagle, that hovers above his prey—the other the reptile, that envelops its victim in its inextricable folds.
After some minutes, Rodin approached his desk, rubbing his hands briskly together, and wrote the following epistle in a cipher unknown even to his master:
"Paris, 3/4 past 9 A.M.
"He is gone—but he hesitated!
"When he received the order, his dying mother had just summoned him to her. He might, they told him, save her by his presence; and he exclaimed: 'Not to go to my mother would be matricide!'
"Still, he is gone—but he hesitated. I keep my eye upon him continually.
These lines will reach Rome at the same time as himself.
"P.S.—Tell the Cardinal-Prince that he may rely on me, but I hope for his active aid in return."
When he had folded and sealed this letter, Rodin put it into his pocket. The clock struck ten, M. Rodin's hour for breakfast. He arranged and locked up his papers in a drawer, of which he carried away the key, brushed his old greasy hat with his sleeve, took a patched umbrella in his hand, and went out. [1]
Whilst these two men, in the depths of their obscure retreat, were thus framing a plot, which was to involve the seven descendants of a race formerly proscribed—a strange mysterious defender was planning how to protect this family, which was also his own.
1 Having cited the excellent, courageous letters of M. Libri, and the curious work edited by M. Paulin, it is our duty likewise to mention many bold and conscientious writings on the subject of the "Society of Jesus," recently published by the elder Dupin, Michelet, Quinet, Genin, and the Count de Saint Priest—works of high and impartial intellects, in which the fatal theories of the order are admirably exposed and condemned. We esteem ourselves happy, if we can bring one stone towards the erection of the strong, and, we hope, durable embankment which these generous hearts and noble minds are raising against the encroachments of an impure and always menacing flood.—E. S.
End of Project Gutenberg's The Wandering Jew, Book I., by Eugene Sue