CHAPTER LXV.
THE NUPTIAL BED.
The mild light of a circular lamp of oriental alabaster, suspended from the ceiling by three silver chains, spreads a faint lustre through the bed-chamber of Adrienne de Cardoville.
The large ivory bedstead, inlaid with mother-of-pearl, is not at present occupied, and almost disappears beneath snowy curtains of lace and muslin, transparent and vapory as clouds. On the white marble mantlepiece, from beneath which the fire throws ruddy beams on the ermine carpet, is the usual basket filled with a bush of red camellias, in the midst of their shining green leaves. A pleasant aromatic odor, rising from a warm and perfumed bath in the next room, penetrates every corner of the bed-chamber. All without is calm and silent. It is hardly eleven o'clock. The ivory door, opposite to that which leads to the bath-room, opens slowly. Djalma appears. Two hours have elapsed since he committed a double murder, and believed that he had killed Adrienne in a fit of jealous fury.
The servants of Mdlle. de Cardoville, accustomed to Djalma's daily visits, no longer announced his arrival, and admitted him without difficulty, having received no orders to the contrary from their mistress. He had never before entered the bed-chamber, but, knowing that the apartment the lady occupied was on the first floor of the house, he had easily found it. As he entered that virgin sanctuary, his countenance was pretty calm, so well did he control his feelings, only a slight paleness tarnished the brilliant amber of his complexion. He wore that day a robe of purple cashmere, striped with silver—a color which did not show the stains of blood upon it. Djalma closed the door after him, and tore off his white turban, for it seemed to him as if a band of hot iron encircled his brow. His dark hair streamed around his handsome face. He crossed his arms upon his bosom, and looked slowly about him. When his eyes rested on Adrienne's bed, he started suddenly, and his cheek grew purple. Then he drew his hand across his brow, hung down his head, and remained standing for some moments in a dream, motionless as a statue.
After a mournful silence of a few seconds' duration, Djalma fell upon his knees, and raised his eyes to heaven. The Asiatic's countenance was bathed in tears, and no longer expressed any violent passion. On his features was no longer the stamp of hate, or despair, or the ferocious joy of vengeance gratified. It was rather the expression of grief at once simple and immense. For several minutes he was almost choked with sobs, and tears ran freely down his cheeks.
"Dead! dead!" he murmured, in a half-stifled voice. "She, who this morning slept so peacefully in this chamber! And I have killed her. Now that she is dead, what is her treachery to me? I should not have killed her for that. She had betrayed me; she loved the man whom I slew—she loved him! Alas! I could not hope to gain the preference," added he, with a touching mixture of resignation and remorse; "I, poor, untaught youth—how could I merit her love? It was my fault that she did not love me; but, always generous, she concealed from me her indifference, that she might not make me too unhappy—and for that I killed her. What was her crime? Did she not meet me freely? Did she not open to me her dwelling? Did she not allow me to pass whole days with her? No doubt she tried to love me, and could not. I loved her with all the faculties of my soul, but my love was not such as she required. For that, I should not have killed her. But a fatal delusion seized me and, after it was done, I woke as from a dream. Alas! it was not a dream: I have killed her. And yet—until this evening—what happiness I owed to her—what hope—what joy! She made my heart better, nobler, more generous. All came from her," added the Indian, with a new burst of grief. "That remained with me—no one could take from me that treasure of the past—that ought to have consoled me. But why think of it? I struck them both—her and the man—without a struggle. It was a cowardly murder—the ferocity of the tiger that tears its innocent prey!"
Djalma buried his face in his hands. Then, drying his tears, he resumed, "I know, clearly, that I mean to die also. But my death will not restore her to life!"
He rose from the ground, and drew from his girdle Faringhea's bloody dagger; then, taking the little phial from the hilt, he threw the blood stained blade upon the ermine carpet, the immaculate whiteness of which was thus slightly stained with red.
"Yes," resumed Djalma, holding the phial with a convulsive grasp, "I know well that I am about to die. It is right. Blood for blood; my life for hers. How happens it that my steel did not turn aside? How could I kill her?—but it is done—and my heart is full of remorse, and sorrow, an inexpressible tenderness—and I have come here—to die!
"Here, in this chamber," he continued, "the heaven of my burning visions!" And then he added, with a heartrending accent, as he again buried his face in his hands, "Dead! dead!"
"Well! I too shall soon be dead," he resumed, in a firmer voice. "But, no! I will die slowly, gradually. A few drops of the poison will suffice; and, when I am quite certain of dying, my remorse will perhaps be less terrible. Yesterday, she pressed my hand when we parted. Who could have foretold me this?" The Indian raised the phial resolutely to his lips. He drank a few drops of the liquor it contained, and replaced it on a little ivory table close to Adrienne's bed.
"This liquor is sharp and hot," said he. "Now I am certain to die. Oh! that I may still have time to feast on the sight and perfume of this chamber—to lay my dying head on the couch where she has reposed."
Djalma fell on his knees beside the bed, and leaned against it his burning brow. At this moment, the ivory door, which communicated with the bath-room, rolled gently on its hinges, and Adrienne entered. The young lady had just sent away her woman, who had assisted to undress her. She wore a long muslin wrapper of lustrous whiteness. Her golden hair, neatly arranged in little plaits, formed two bands, which gave to her sweet face an extremely juvenile air. Her snowy complexion was slightly tinged with rose-color, from the warmth of the perfumed bath, which she used for a few seconds every evening. When she opened the ivory door, and placed her little naked foot, in its white satin slipper, upon the ermine carpet, Adrienne was dazzlingly beautiful. Happiness sparkled in her eyes, and adorned her brow. All the difficulties relative to her union with Djalma had now been removed. In two days she would be his. The sight of the nuptial chamber oppressed her with a vague and ineffable languor. The ivory door had been opened so gently, the lady's first steps were so soft upon the fur carpet, that Djalma, still leaning against the bed, had heard nothing. But suddenly a cry of surprise and alarm struck upon his ear. He turned round abruptly. Adrienne stood before him.
With an impulse of modesty, Adrienne closed her nightdress over her bosom, and hastily drew back, still more afflicted than angry at what she considered a guilty attempt on the part of Djalma. Cruelly hurt and offended, she was about to reproach him with his conduct, when she perceived the dagger, which he had thrown down upon the ermine carpet. At sight of this weapon, and the expression of fear and stupor which petrified the features of Djalma, who remained kneeling, motionless, with his body thrown back, hands stretched out, his eyes fixed and wildly staring Adrienne, no longer dreading an amorous surprise, was seized with an indescribable terror, and, instead of flying from the prince, advanced several steps towards him, and said, in an agitated voice, whilst she pointed to the kandjiar, "My friend, why are you here? what ails you? why this dagger?"
Djalma made no answer. At first, the presence of Adrienne seemed to him a vision, which he attributed to the excitement of his brain, already (it might be) under the influence of the poison. But when the soft voice sounded in his ears—when his heart bounded with the species of electric shock, which he always felt when he met the gaze of that woman so ardently beloved—when he had contemplated for an instant that adorable face, so fresh and fair, in spite of its expression of deep uneasiness—Djalma understood that he was not the sport of a dream, but that Mdlle. de Cardoville was really before his eyes.
Then, as he began fully to grasp the thought that Adrienne was not dead, though he could not at all explain the prodigy of her resurrection, the Hindoo's countenance was transfigured, the pale gold of his complexion became warm and red, his eyes (tarnished by tears of remorse) shone with new radiance, and his features, so lately contracted with terror and despair, expressed all the phases of the most ecstatic joy. Advancing, still on his knees, towards Adrienne, he lifted up to her his trembling hands, and, too deeply affected to pronounce a word, he gazed on her with so much amazement, love, adoration, gratitude, that the young lady, fascinated by those inexplicable looks, remained mute also, motionless also, and felt, by the precipitate beating of her heart, and by the shudder which ran through her frame, that there was here some dreadful mystery to be unfolded.
At last, Djalma, clasping his hands together, exclaimed with an accent impossible to describe, "Thou art not dead!"
"Dead!" repeated the young lady, in amazement.
"It was not thou, really not thou, whom I killed? God is kind and just!"
And as he pronounced these words with intense joy, the unfortunate youth forgot the victim whom he had sacrificed in error.
More and more alarmed, and again glancing at the dagger en which she now perceived marks of blood—a terrible evidence, in confirmation of the words of Djalma—Mdlle. de Cardoville exclaimed, "You have killed some one, Djalma! Oh! what does he say? It is dreadful!"
"You are alive—I see you—you are here," said Djalma, in a voice trembling with rapture. "You are here—beautiful! pure! for it was not you! Oh, no! had it been you, the steel would have turned back upon myself."
"You have killed some one?" cried the young lady, beside her with this unforeseen revelation, and clasping her hands in horror. "Why? whom did you kill?"
"I do not know. A woman that was like you—a man that I thought your lover—it was an illusion, a frightful dream—you are alive—you are here!"
And the oriental wept for joy.
"A dream? but no, it is not a dream. There is blood upon that dagger!" cried the young lady, as she pointed wildly to the kandjiar. "I tell you there is blood upon it!"
"Yes. I threw it down just now, when I took the poison from it, thinking that I had killed you."
"The poison!" exclaimed Adrienne, and her teeth chattered convulsively.
"What poison?"
"I thought I had killed you, and I came here to die."
"To die? Oh! wherefore? who is to die?" cried the young lady, almost in delirium.
"I," replied Djalma, with inexpressible tenderness, "I thought I had killed you—and I took poison."
"You!" exclaimed Adrienne, becoming pale as death. "You!"
"Yes."
"Oh! it is not true!" said the young lady, shaking her head.
"Look!" said the Asiatic. Mechanically, he turned towards the bed—towards the little ivory table, on which sparkled the crystal phial.
With a sudden movement, swifter than thought, swifter, it may be, than the will, Adrienne rushed to the table, seized the phial, and applied it eagerly to her lips.
Djalma had hitherto remained on his knees; but he now uttered a terrible cry, made one spring to the drinker's side, and dragged away the phial, which seemed almost glued to her mouth.
"No matter! I have swallowed as much as you," said Adrienne, with an air of gloomy triumph.
For an instant, there followed an awful silence. Adrienne and Djalma gazed upon each other, mute, motionless, horror-struck. The young lady was the first to break this mournful silence, and said in a tone which she tried to make calm and steady, "Well! what is there extraordinary in this? You have killed, and death most expiate your crime. It is just. I will not survive you. That also is natural enough. Why look at me thus? This poison has a sharp taste—does it act quickly! Tell me, my Djalma!"
The prince did not answer. Shuddering through all his frame, he looked down upon his hands. Faringhea had told the truth; a slight violet tint appeared already beneath the nails. Death was approaching, slowly, almost insensibly, but not the less certain. Overwhelmed with despair at the thought that Adrienne, too, was about to die, Djalma felt his courage fail him. He uttered a long groan, and hid his face in his hands. His knees shook under him, and he felt down upon the bed, near which he was standing.
"Already?" cried the young lady in horror, as she threw herself on her knees at Djalma's feet. "Death already? Do you hide your face from me?"
In her fright, she pulled his hands from before his face. That face was bathed in tears.
"No, not yet," murmured he, through his sobs. "The poison is slow."
"Really!" cried Adrienne, with ineffable joy. Then, kissing the hands of
Djalma, she added tenderly, "If the poison is slow, why do you weep?"
"For you! for you!" said the Indian, in a heart-rending tone.
"Think not of me," replied Adrienne, resolutely. "You have killed, and we must expiate the crime. I know not what has taken place; but I swear by our love that you did not do evil for evil's sake. There is some horrible mystery in all this."
"On a pretence which I felt bound to believe," replied Djalma, speaking quickly, and panting for breath, "Faringhea led me to a certain house. Once there, he told me that you had betrayed me. I did not believe him, but I know not what strange dizziness seized upon me—and then, through a half-obscurity, I saw you—"
"Me!"
"No—not you—but a woman resembling you, dressed like you, so that I believed the illusion—and then there came a man—and you flew to meet him—and I—mad with rage—stabbed her, stabbed him, saw them fall—and so came here to die. And now I find you only to cause your death. Oh, misery! misery! that you should die through me!"
And Djalma, this man of formidable energy, began again to weep with the weakness of a child. At sight of this deep, touching, passionate despair, Adrienne, with that admirable courage which women alone possess in love, thought only of consoling Djalma. By an effort of superhuman passion, as the prince revealed to her this infernal plot, the lady's countenance became so splendid with an expression of love and happiness, that the East Indian looked at her in amazement, fearing for an instant that he must have lost his reason.
"No more tears, my adored!" cried the young lady, exultingly. "No more tears—but only smiles of joy and love! Our cruel enemies shall not triumph!"
"What do you say?"
"They wished to make us miserable. We pity them. Our felicity shall be the envy of the world!"
"Adrienne—bethink you—"
"Oh! I have all my senses about me. Listen to me, my adored! I now understand it all. Falling into a snare, which these wretches spread for you, you have committed murder. Now, in this country, murder leads to infamy, or the scaffold—and to-morrow—to-night, perhaps—you would be thrown into prison. But our enemies have said: 'A man like Prince Djalma does not wait for infamy—he kills himself. A woman like Adrienne de Cardoville does not survive the disgrace or death of her lover—she prefers to die.'"
"Therefore a frightful death awaits them both," said the black-robed men; "and that immense inheritance, which we covet—'"
"And for you—so young, so beautiful so innocent—death is frightful, and these monsters triumph!" cried Djalma. "They have spoken the truth!"
"They have lied!" answered Adrienne. "Our death shall be celestial. This poison is slow—and I adore you, my Djalma!"
She spoke those words in a low voice, trembling with passionate love, and, leaning upon Djalma's knees, approached so near, that he felt her warm breath upon his cheek. As he felt that breath, and saw the humid flame that darted from the large, swimming eyes of Adrienne, whose half opened lips were becoming of a still deeper and brighter hue, the Indian started—his young blood boiled in his veins—he forgot everything—his despair, and the approach of death, which as yet (as with Adrienne), only showed itself in a kind of feverish ardor. His face, like the young girl's, became once more splendidly beautiful.
"Oh, my lover! my husband! how beautiful you are!" said Adrienne, with idolatry. "Those eyes—that brow—those lips—how I love them!—How many times has the remembrance of your grace and beauty, coupled with your love, unsettled my reason, and shaken my resolves—even to this moment, when I am wholly yours!—Yes, heaven wills that we should be united. Only this morning, I gave to the apostolic man, that was to bless our union, in thy name and mine, a royal gift—a gift, that will bring joy and peace to the heart of many an unfortunate creature. Then what have we to regret, my beloved? Our immortal souls will pass away in a kiss, and ascend, full of love, to that God who is all love!"
"Adrienne!"
"Djalma!"
The light, transparent curtains fell like a cloud over that nuptial and funereal couch. Yes, funereal; for, two hours after, Adrienne and Djalma breathed their last sigh in a voluptuous agony.
CHAPTER LXVI.
A DUEL TO THE DEATH.
Adrienne and Djalma died on the 30th of May. The following scene took place on the 31st, the eve of the day appointed for the last convocation of the heirs of Marius de Rennepont. The reader will no doubt remember the room occupied by M. Hardy, in the "house of retreat," in the Rue de Vaugirard—a gloomy and retired apartment, opening on a dreary little garden, planted with yew-trees, and surrounded by high walls. To reach this chamber, it was necessary to cross two vast rooms, the doors of which, once shut, intercepted all noise and communication from without. Bearing this in mind, we may go on with our narrative. For the last three or four days, Father d'Aigrigny occupied this apartment. He had not chosen it, but had been induced to accept it, under most plausible pretexts, given him at the instigation of Rodin. It was about noon. Seated in an arm-chair, by the window opening on the little garden, Father d'Aigrigny held in his hand a newspaper, in which he read as follows, under the head of "Paris:"
"Eleven p.m.—A most horrible and tragical event has just excited the greatest consternation in the quarter of the Rue de Richelieu. A double murder has been committed, on the person of a young man and woman. The girl was killed on the spot, by the stroke of a dagger; hopes are entertained of saving the life of the young man. The crime is attributed to jealousy. The officers of justice are investigating the matter. We shall give full particulars tomorrow."
When he had read these lines, Father d'Aigrigny threw down the paper and remained in deep thought.
"It is incredible," said he, with bitter envy, in allusion to Rodin. "He has attained his end. Hardly one of his anticipations has been defeated. This family is annihilated, by the mere play of the passions, good and evil that he has known how to set in motion. He said it would be so. Oh! I must confess," added Father d'Aigrigny, with a jealous and hateful smile, "that Rodin is a man of rare dissimulation, patience, energy, obstinacy and intelligence. Who would have told a few months ago, when he wrote under my orders, a discreet and humble socius, that he had already conceived the most audacious ambition, and dared to lift his eyes to the Holy See itself? that, thanks to intrigues and corruption, pursued with wondrous ability, these views were not so unreasonable? Nay, that this infernal ambition would soon be realized, were it not that the secret proceedings of this dangerous man have long been as secretly watched?—Ah!" sneered Father d'Aigrigny, with a smile of irony and triumph, "you wish to be a second Sixtus V., do you? And, not content with this audacious pretension, you mean, if successful, to absorb our Company in the Papacy, even as the Sultan has absorbed the Janissaries. Ah! You would make us your stepping-stone to power! And you have thought to humiliate and crush me with your insolent disdain! But patience, patience: the day of retribution approaches. I alone am the depository of our General's will. Father Caboccini himself does not know that. The fate of Rodin is in my hands. Oh! it will not be what he expects. In this Rennepont affair (which, I must needs confess, he has managed admirably), he thinks to outwit us all, and to work only for himself. But to-morrow—"
Father d'Aigrigny was suddenly disturbed in these agreeable reflections. He heard the door of the next room open, and, as he turned round to see who was coming, the door of the apartment in which he was turned upon its hinges. Father d'Aigrigny started with surprise, and became almost purple. Marshal Simon stood before him. And, behind the marshal, in the shadow of the door, Father d'Aigrigny perceived the cadaverous face of Rodin. The latter cast on him one glance of diabolical delight, and instantly disappeared. The door was again closed, and Father d'Aigrigny and Marshal Simon were left alone together. The father of Rose and Blanche was hardly recognizable. His gray hair had become completely white. His pale, thin face had not been shaved for some days. His hollow eyes were bloodshot and restless, and had in them something wild and haggard. He was wrapped in a large cloak, and his black cravat was tied loosely about his neck. In withdrawing from the apartment, Rodin had (as if by inadvertence) double-locked the door on the outside. When he was alone with the Jesuit, the marshal threw back his cloak from his shoulders, and Father d'Aigrigny could see two naked swords, stuck through a silk handkerchief which served him as a belt.
Father d'Aigrigny understood it all. He remembered how, a few days before, Rodin had obstinately pressed him to say what he would do if the marshal were to strike him in the face. There could be no doubt that he, who thought to have held the fate of Rodin in his hands, had been brought by the latter into a fearful peril; for he knew that, the two outer rooms being closed, there was no possibility of making himself heard, and that the high walls of the garden only bordered upon some vacant lots. The first thought which occurred to him, one by no means destitute of probability, was that Rodin, either by his agents at Rome, or by his own incredible penetration, had learned that his fate depended on Father d'Aigrigny, and hoped therefore to get rid of him, by delivering him over to the inexorable vengeance of the father of Rose and Blanche. Without speaking a word, the marshal unbound the handkerchief from his waist, laid the two swords upon the table, and, folding his arms upon his breast, advanced slowly towards Father d'Aigrigny. Thus these two men, who through life had pursued each other with implacable hatred, at length met face to face—they, who had fought in hostile armies, and measured swords in single combat, and one of whom now came to seek vengeance for the death of his children. As the marshal approached, Father d'Aigrigny rose from his seat. He wore that day a black cassock, which rendered still more visible the pale hue, which had now succeeded to the sudden flush on his cheek. For a few seconds, the two men stood face to face without speaking. The marshal was terrific in his paternal despair. His calmness, inexorable as fate, was more impressive than the most furious burst of anger.
"My children are dead," said he at last, in a slow and hollow tone. "I come to kill you."
"Sir," cried Father d'Aigrigny, "listen to me. Do not believe—"
"I must kill you," resumed the marshal, interrupting the Jesuit; "your hate followed my wife into exile, where she perished. You and your accomplices sent my children to certain death. For twenty years you have been my evil genius. I must have your life, and I will have it."
"My life belongs, first, to God," answered Father d'Aigrigny, piously, "and then to who likes to take it."
"We will fight to the death in this room," said the marshal; "and, as I have to avenge my wife and children, I am tranquil as to the result."
"Sir," answered Father d'Aigrigny, coldly, "you forget that my profession forbids me to fight. Once I accepted your challenge—but my position is changed since then."
"Ah!" said the marshal, with a bitter smile; "you refuse to fight because you are a priest?"
"Yes, sir—because I am a priest."
"So that, because he is a priest, a wretch like you may commit any crime, any baseness, under shelter of his black gown?"
"I do not understand a word of your accusations. In any case, the law is open," said Father d'Aigrigny, biting his pale lips, for he felt deeply the insult offered by the marshal; "if you have anything to complain of, appeal to that law, before which all are equal."
Marshal Simon shrugged his shoulders in angry disdain. "Your crimes escape the law—and, could it even reach you, that would not satisfy my vengeance, after all the evil you have done me, after all you have taken from me," said the marshal; and, at the memory of his children, his voice slightly trembled; but he soon proceeded, with terrible calmness: "You must feel that I now only live for vengeance. And I must have such revenge as is worth the seeking—I must have your coward's heart palpitating on the point of my sword. Our last duel was play; this will be earnest—oh! you shall see."
The marshal walked up to the table, where he had laid the two swords. Father d'Aigrigny needed all his resolution to restrain himself. The implacable hate which he had always felt for Marshal Simon, added to these insults, filled him with savage ardor. Yet he answered, in a tone that was still calm: "For the last time, sir, I repeat to you, that my profession forbids me to fight."
"Then you refuse?" said the marshal, turning abruptly towards him.
"I refuse."
"Positively?"
"Positively. Nothing on earth should force me to it."
"Nothing."
"No, sir; nothing."
"We shall see," said the marshal, as his hand fell with its full force on the cheek of Father d'Aigrigny.
The Jesuit uttered a cry of fury; all his blood rushed to his face, so roughly handled; the courage of the man (for he was brave), his ancient military ardor, carried him away; his eyes sparkled, and, with teeth firmly set, and clenched fists, he advanced towards the marshal, exclaiming: "The swords! the swords!"
But suddenly, remembering the appearance of Rodin, and the interest which the latter had in bringing about this encounter, he determined to avoid the diabolical snare laid by his former socius, and so gathered sufficient resolution to restrain his terrible resentment.
To his passing fury succeeded a calm, full of contrition; and, wishing to play his part out to the end, he knelt down, and bowing his head and beating his bosom, repeated: "Forgive me, Lord, for yielding to a movement of rage! and, above all, forgive him who has injured me!"
In spite of his apparent resignation, the Jesuit's voice was neatly agitated. He seemed to feel a hot iron upon his cheek, for never before in his life, whether as a soldier or a priest, had he suffered such an insult. He had thrown himself upon his knees, partly from religious mummery, and partly to avoid the gaze of the marshal, fearing that, were he to meet his eye, he should not be able to answer for himself, but give way to his impetuous feelings. On seeing the Jesuit kneel down, and on hearing his hypocritical invocation, the marshal, whose sword was in his hand, shook with indignation.
"Stand up, scoundrel!" he said, "stand up, wretch!" And he spurned the
Jesuit with his boot.
At this new insult, Father d'Aigrigny leaped up, as if he had been moved by steel springs. It was too much; he could bear no more. Blinded with rage, he rushed to the able, caught up the other sword, and exclaimed, grinding his teeth together: "Ah! you will have blood. Well then! it shall be yours—if possible!"
And the Jesuit, still in all the vigor of manhood, his face purple, his large gray eyes sparkling with hate, fell upon his guard with the ease and skill of a finished swordsman.
"At last!" cried the marshal, as their blades were about to cross.
But once more reflection came to damp the fire of the Jesuit. He remembered how this hazardous duel would gratify the wishes of Rodin, whose fate was in his hands, and whom he hated perhaps even more than the marshal. Therefore, in spite of the fury which possessed him, in spite of his secret hope to conquer in this combat, so strong and healthy did he feel himself, and so fatal had been the effects of grief on the constitution of Marshal Simon, he succeeded in mastering his rage, and, to the amazement of the marshal, dropped the point of his sword, exclaiming: "I am a minister of the Lord, and must not shed blood. Forgive ne, heaven! and, oh! forgive my brother also."
Then placing the blade beneath his heel, he drew the hilt suddenly towards him, and broke the weapon into two pieces. The duel was no longer possible. Father d'Aigrigny had put it out of his own power to yield to a new burst of violence, of which he saw the imminent danger. Marshal Simon remained for an instant mute and motionless with surprise and indignation, for he also saw that the duel was now impossible. But, suddenly, imitating the Jesuit, the marshal placed his blade also under his heel, broke it in half, and picking up the pointed end, about eighteen inches in length tore off his black silk cravat, rolled it round the broken part so as to form a handle, and said to Father d'Aigrigny: "Then we will fight with daggers."
Struck with this mixture of coolness and ferocity, the Jesuit exclaimed:
"Is this then a demon of hell?"
"No; it is a father, whose children have been murdered," said the marshal, in a hollow voice, whilst he fitted the blade to his hand, and a tear stood in the eye, that instantly after became fierce and ardent.
The Jesuit saw that tear. There was in this mixture of vindictive rage and paternal grief something so awful, and yet so sacred, that for the first time in his life Father d'Aigrigny felt fear—cowardly, ignoble fear—fear for his own safety. While a combat with swords was in question, in which skill, agility, and experience are such powerful auxiliaries to courage, his only difficulty had been to repress the ardor of his hate—but when he thought of the combat proposed, body to body, face to face, heart to heart, he trembled, grew pale, and exclaimed: "A butchery with knives?—never!"
His countenance and the accent betrayed his alarm, so that the marshal himself was struck with it, and fearing to lose his revenge, he cried: "After all, he is a coward! The wretch had only the courage or the vanity of a fencer. This pitiful renegade—this traitor to his country—whom I have cuffed, kicked—yes, kicked, most noble marquis!—shame of your ancient house—disgrace to the rank of gentleman, old or new—ah! it is not hypocrisy, it is not calculation, as I at first thought—it is fear! You need the noise of war, and the eyes of spectators to give you courage—"
"Sir—have a care!" said Father d'Aigrigny, stammering through his clenched teeth, for rage and hate now made him forget his fear-"Must I then spit on you, to make the little blood you have left rise to your face?" cried the exasperated marshal.
"Oh! this is too much! too much!" said the Jesuit, seizing the pointed piece of the blade that lay at his feet.
"It is not enough!" said the marshal, panting for breath. "There, Judas!" and he spat in his face.
"If you will not fight now," added the marshal, "I will beat you like a dog, base child-murderer!"
On receiving the uttermost insult which can be offered to an already insulted man, Father d'Aigrigny lost all his presence of mind, forgot his interests, his resolutions, his fears, forgot even Rodin—felt only the frenzied ardor of revenge—and, recovering his courage, rejoiced in the prospect of a close struggle, in which his superior strength promised success over the enfeebled frame of the marshal for, in this kind of brutal and savage combat, physical strength offers an immense advantage. In an instant, Father d'Aigrigny had rolled his handkerchief round the broken blade, and rushed upon Marshal Simon, who received the shock with intrepidity. For the short time that this unequal struggle lasted—unequal, for the marshal had since some days been a prey to a devouring fever, which had undermined his strength—the two combatants, mute in their fury, uttered not a word or a cry. Had any one been present at this horrible scene, it would have been impossible for him to tell how they dealt their blows. He would have seen two heads—frightful, livid, convulsed—rising, falling, now here, now there—arms, now stiff as bars of iron, and now twisting like serpents—and, in the midst of the undulation of the blue coat of the marshal and the black cassock of the Jesuit, from time to time the sudden gleam of the steel. He would have heard only a dull stamping, and now and then a deep breath. In about two minutes at most, the two adversaries fell, and rolled one over the other. One of them—it was Father d'Aigrigny—contrived to disengage himself with a violent effort, and to rise upon his knees. His arms fell powerless by his side; and then the dying voice of the marshal murmured: "My children! Dagobert!"
"I have killed him," said Father d'Aigrigny, in a weak voice; "but I feel—that I am wounded—to death."
Leaning with one hand on the ground, the Jesuit pressed the other to his bosom. His black cassock was pierced through and through, but the blades, which had served for the combat, being triangular and very sharp, the blood instead of issuing from the wounds, was flowing inwards.
"Oh! I die—I choke," said Father d'Aigrigny, whose features were already changing with the approach of death.
At this moment, the key turned twice in the door, Rodin appeared on the threshold, and, thrusting in his head, he said in a humble and discreet voice: "May I come in?"
At this dreadful irony, Father d'Aigrigny strove to rise, and rush upon
Rodin; but he fell back exhausted; the blood was choking him.
"Monster of hell!" he muttered, casting on Rodin a terrible glance of rage and agony. "Thou art the cause of my death."
"I always told you, my dear father, that your old military habits would be fatal to you," answered Rodin with a frightful smile. "Only a few days ago, I gave you warning, and advised you take a blow patiently from this old swordsman—who seems to have done with that work forever, which is well—for the Scripture says: 'All they that take the sword shall perish with the sword.' And then this Marshal Simon might have had some claim on his daughter's inheritance. And, between ourselves, my dear father, what was I to do? It was necessary to sacrifice you for the common interest; the rather, that I well knew what you had in pickle for me to-morrow. But I am not so easily caught napping."
"Before I die," said Father d'Aigrigny, in a failing voice, "I will unmask you."
"Oh, no, you will not," said Rodin, shaking his head with a knowing air;
"I alone, if you please, will receive your last confession."
"Oh! this is horrible," moaned Father d'Aigrigny, whose eyes were closing. "May God have mercy on me, if it is not too late!—Alas! at this awful moment, I feel that I have been a great sinner—"
"And, above all, a great fool," said Rodin, shrugging his shoulders, and watching with cold disdain the dying moments of his accomplice.
Father d'Aigrigny had now but a few minutes more to live. Rodin perceived it, and said: "It is time to call for help." And the Jesuit ran, with an air of alarm and consternation, into the courtyard of the house.
Others came at his cries; but, as he had promised, Rodin had only quitted
Father d'Aigrigny as the latter had breathed his last sigh.
That evening, alone in his chamber, by the glimmer of a little lamp, Rodin sat plunged in a sort of ecstatic contemplation, before the print representing Sixtus V. The great house-clock struck twelve. At the last stroke, Rodin drew himself up in all the savage majesty of his infernal triumph, and exclaimed: "This is the first of June. There are no more Renneponts!—Methinks, I hear the hour from the clock of St. Peter's at Rome striking!"
CHAPTER LXVII.
A MESSAGE.
While Rodin sat plunged in ambitious reverie, contemplating the portrait of Sixtus V., good little Father Caboccini, whose warm embraces had so much irritated the first mentioned personage, went secretly to Faringhea, to deliver to him a fragment of an ivory crucifix, and said to him with his usual air of jovial good-nature: "His Excellency Cardinal Malipieri, on my departure from Rome, charged me to give you this only on the 31st of May."
The half-caste, who was seldom affected by anything, started abruptly, almost with an expression of pain. His face darkened, and bending upon the little father a piercing look, he said to him: "You were to add something."
"True," replied Father Caboccini; "the words I was to add are these:
'There is many a slip 'twixt the cup and the lip.'"
"It is well," said the other. Heaving a deep sigh, he joined the fragment of the ivory crucifix to a piece already in his possession; it fitted exactly.
Father Caboccini looked at him with curiosity, for the cardinal had only told him to deliver the ivory fragment to Faringhea, and to repeat the above words. Being somewhat mystified with all this, the reverend father said to the half-caste: "What are you going to do with that crucifix?"
"Nothing," said Faringhea, still absorbed in painful thought.
"Nothing?" resumed the reverend father, in astonishment. "What, then, was the use of bringing it so far?"
Without satisfying his curiosity, Faringhea replied: "At what hour to morrow does Father Rodin go to the Rue Saint Francois?"
"Very early."
"Before leaving home, he will go to say prayers in the chapel?"
"Yes, according to the habit of our reverend fathers."
"You sleep near him?"
"Being his socius, I occupy the room next to his."
"It is possible," said Faringhea, after a moment's silence, "that the reverend father, full of the great interests which occupy his mind, might forget to go to the chapel. In that case, pray remind him of this pious duty."
"I shall not fail."
"Pray do not fail," repeated Faringhea, anxiously.
"Be satisfied," said the good little father; "I see that you take great interest in his salvation."
"Great interest."
"It is very praiseworthy in you. Continue as you have begun, and you may one day belong, completely to our Company," said Father Caboccini, affectionately.
"I am as yet but a poor auxiliary member," said Faringhea, humbly; "but no one is more devoted to the Society, body and soul. Bowanee is nothing to it."
"Bowanee! who is that, my good friend?"
"Bowanee makes corpses which rot in the ground. The Society makes corpses which walk about."
"Ah, yes! Perinde ac cadaver—they were the last words of our great saint, Ignatius de Loyola. But who is this Bowanee?"
"Bowanee is to the Society what a child is to a man," replied the Asiatic, with growing excitement. "Glory to the Company—glory! Were my father its enemy, I would kill my father. The man whose genius inspires me most with admiration, respect, and terror—were he its enemy, I would kill, in spite of all," said the half-caste, with an effort. Then, after a moment's silence, he looked full in Caboccini's face, and added: "I say this, that you may report my words to Cardinal Malipieri, and beg him to mention them to—"
Faringhea stopped short. "To whom should the cardinal mention your words?" asked Caboccini.
"He knows," replied the half-caste, abruptly. "Good night!"
"Good-night, my friend! I can only approve of your excellent sentiments with regard to our Company. Alas! it is in want of energetic defenders, for there are said to be traitors in its bosom."
"For those," said Faringhea, "we must have no pity."
"Certainly," said the good little father; "we understand one another."
"Perhaps," said the half-caste. "Do not, at all events, forget to remind
Father Rodin to go to chapel to-morrow morning."
"I will take care of that," said Father Caboccini.
The two men parted. On his return to the house, Caboccini learned that a courier, only arrived that night from Rome, had brought despatches to Rodin.
CHAPTER LXVIII.
THE FIRST OF JUNE.
The chapel belonging to the house of the reverend fathers in the Rue de Vaugirard, was gay and elegant. Large panes of stained glass admitted a mysterious light; the altar shone with gold and silver; and at the entrance of this little church, in an obscure corner beneath the organ loft, was a font for holy water in sculptured marble. It was close to this font, in a dark nook where he could hardly be seen, that Faringhea knelt down, early on the 1st of June, as soon indeed as the chapel doors were opened. The half-caste was exceedingly sad. From time to time he started and sighed, as if agitated by a violent internal struggle. This wild, untamable being, possessed with the monomania of evil and destruction, felt, as may be imagined, a profound admiration for Rodin, who exercised over him a kind of magnetic fascination. The half-caste, almost a wild beast in human form, saw something supernatural in the infernal genius of Rodin. And the latter, too sagacious not to have discovered the savage devotion of this wretch, had made, as we have seen, good use of him, is bringing about the tragical termination of the loves of Adrienne and Djalma. But what excited to an incredible degree the admiration of Faringhea, was what he knew of the Society of Jesus. This immense, occult power, which undermined the world by its subterraneous ramifications, and reached its ends by diabolical means, had inspired the half-caste with a wild enthusiasm. And if anything in the world surpassed his fanatical admiration for Rodin, it was his blind devotion to the Company of Ignatius de Loyola, which, as he said, could make corpses that walk about. Hid in the shadow of the organ-loft, Faringhea was reflecting deeply on these things, when footsteps were heard, and Rodin entered the chapel, accompanied by his socius, the little one-eyed father.
Whether from absence of mind, or that the shadow of the orange-loft completely concealed the half-caste, Rodin dipped his fingers into the font without perceiving Faringhea, who stood motionless as a statue, though a cold sweat streamed from his brow. The prayer of Rodin was, as may be supposed, short; he was in haste to get to the Rue Saint-Francois. After kneeling down with Father Caboccini for a few seconds, he rose, bowed respectfully to the altar, and returned towards the door, followed by his socius. At the moment Rodin approached the font he perceived the tall figure of the half-caste standing out from the midst of the dark shadow; advancing a little, Faringhea bowed respectfully to Rodin, who said to him, in a low voice; "Come to me at two o'clock."
So saying, Rodin stretched forth his hand to dip it into the holy water; but Faringhea spared him the trouble, by offering him the sprinkling brush, which generally stood in the font.
Pressing between his dirty fingers the damp hairs of the brush, which the half-caste held by the handle, Rodin wetted his thumb and forefinger, and, according to custom, traced the sign of the cross upon his forehead. Then, opening the door of the chapel, he went out, after again repeating to Faringhea: "Come to me at two o'clock."
Thinking he would also make use of the sprinkling-brush, which, Faringhea, still motionless, held with a trembling hand, Father Caboccini stretched out his fingers to reach it, when the half-breed, as if determined to confine his favors to Rodin, hastily withdrew the instrument. Deceived in his expectation, Father Caboccini lost no time in following Rodin, whom he was not to leave that day for a single moment, and, getting into a hackney-coach with him, set out for the Rue Saint-Francois. It is impossible to describe the look which the half breed fixed upon Rodin as the latter quitted the chapel. Left alone in the sacred edifice, Faringhea sank upon the stones, half kneeling, half crouching, with his face buried in his hands. As the coach drew near the quarter of the Marais, in which was situated the house of Marius de Rennepont, a feverish agitation, and the devouring impatience of triumph, were visible on the countenance of Rodin. Two or three times he opened his pocketbook, and read and arranged the different certificates of death of the various members of the Rennepont family; and from time to time he thrust his head anxiously from the coach-window, as if he had wished to hasten the slow progress of the vehicle.
The good little father, his socius, did not take his eye off Rodin, and his look had a strange and crafty expression. At last the coach entered the Rue Saint-Francois, and stopped before the iron-studded door of the old house, which had been closed for a century and a half. Rodin sprang from the coach with the agility of a young man, and knocked violently at the door, whilst Father Caboccini, less light of foot, descended more prudently to the ground. No answer was returned to the loud knocking of Rodin. Trembling with anxiety, he knocked again. This time, as he listened attentively, he heard slow steps approaching. They stopped at some distance from the door, which was not yet opened.
"It is keeping one upon red-hot coals," said Rodin, for he felt as if there was a burning fire in his chest. He again shook the door violently, and began to gnaw his nails according to his custom.
Suddenly the door opened, and Samuel, the Jew guardian, appeared beneath the porch. The countenance of the old man expressed bitter grief. Upon his venerable cheeks were the traces of recent tears, which he strove to dry with his trembling hands, as he opened the door to Rodin.
"Who are you, gentlemen?" said Samuel.
"I am the bearer of a power of attorney from the Abbe Gabriel, the only living representative of the Rennepont family," answered Rodin, hastily. "This gentleman is my secretary," added he, pointing to Father Caboccini, who bowed.
After looking attentively at Rodin, Samuel resumed: "I recognize you, sir. Please to follow me." And the old guardian advanced towards the house in the garden, making a sign to the two reverend fathers to follow.
"That confounded old man kept me so long at the door," said Rodin to his socius, "that I think I have caught a cold in consequence. My lips and throat are dried up, like parchment baked at the fire."
"Will you not take something, my dear, good father? Suppose you were to ask this man for a glass of water," cried the little one-eyed priest, with tender solicitude.
"No, no," answered Rodin; "it is nothing. I am devoured by impatience.
That is all."
Pale and desolate, Bathsheba, the wife of Samuel, was standing at the door of the apartment she occupied with her husband, in the building next the street. As the Jew passed before her, he said, in Hebrew: "The curtains of the Hall of Mourning?"
"Are closed."
"And the iron casket?"
"Is prepared," answered Bathsheba, also in Hebrew.
After pronouncing these words, completely unintelligible to Rodin and Caboccini, Samuel and Bathsheba exchanged a bitter smile, notwithstanding the despair impressed on their countenances.
Ascending the steps, followed by the two reverend fathers, Samuel entered the vestibule of the house, in which a lamp was burning. Endowed with an excellent local memory, Rodin was about to take the direction of the Red Saloon, in which had been held the first convocation of the heirs, when Samuel stopped him, and said: "It is not that way."
Then, taking the lamp, he advanced towards a dark staircase, for the windows of the house had not been un-bricked.
"But," said Rodin, "the last time, we met in a saloon on the ground floor."
"To-day, we must go higher," answered Samuel, as he began slowly to ascend the stairs.
"Where to? higher!" said Rodin, following him.
"To the Hall of Mourning," replied the Jew, and he continued to ascend.
"What is the Hall of Mourning?" resumed Rodin, in some surprise.
"A place of tears and death," answered the Israelite; and he kept on ascending through the darkness, for the little lamp threw but a faint light around.
"But," said Rodin, more and more astonished, and stopping short on the stairs, "why go to this place?"
"The money is there," answered Samuel, and he went on,
"Oh? if the money is there, that alters the case," replied Rodin; and he made haste to regain the few steps he had lost by stopping.
Samuel continued to ascend, and, at a turn of the staircase, the two Jesuits could see by the pale light of the little lamp, the profile of the old Israelite, in the space left between the iron balustrade and the wall, as he climbed on with difficulty above them. Rodin was struck with the expression of Samuel's countenance. His black eyes, generally so calm, sparkled with ardor. His features, usually impressed with a mixture of sorrow, intelligence, and goodness, seemed to grow harsh and stern, and his thin lips wore a strange smile.
"It is not so very high," whispered Rodin to Caboccini, "and yet my legs ache, and I am quite out of breath. There is a strange throbbing too in my temples."
In fact, Rodin breathed hard, and with difficulty. To this confidential communication, good little Father Caboccini, in general so full of tender care for his colleague, made no answer. He seemed to be in deep thought.
"Will we soon be there?" said Rodin, impatiently, to Samuel.
"We are there," replied the Israelite.
"And a good thing too," said Rodin.
"Very good," said the Jew.
Stopping in the midst of a corridor, he pointed with the hand in which he held the lamp to a large door from which streamed a faint light. In spite of his growing surprise. Rodin entered resolutely, followed by Father Caboccini and Samuel. The apartment in which these three personage, now found themselves was very large. The daylight only entered from a belvedere in the roof, the four sides of which had been covered with leaden plates, each of which was pierced with seven holes, forming a cross, thus:
*
* * *
*
*
*
Now, the light being only admitted through these holes, the obscurity would have been complete, had it not been for a lamp, which burned on a large massive slab of black marble, fixed against one of the walls. One would have taken it for a funeral chamber, for it was all hung with black curtains, fringed with white. There was no furniture, save the slab of black marble we have already mentioned. On this slab was an iron casket, of the manufacture of the seventeenth century, admirably adorned with open work, like lace made of metal.
Addressing Rodin, who was wiping his forehead with his dirty handkerchief, and looking round him with surprise, but not fear, Samuel said to him: "The will of the testator, however strange it may appear, is sacred with me, and must be accomplished in all things."
"Certainly," said Rodin; "but what are we to do here?"
"You will know presently, sir. You are the representative of the only remaining heir of the Rennepont family, the Abbe Gabriel de Rennepont?"
"Yes, sir, and here are my papers," replied Rodin.
"To save time," resumed Samuel, "I will, previous to the arrival of the magistrate, go through the inventory of the securities contained in this casket, which I withdrew yesterday from the custody of the Bank of France."
"The securities are there?" cried Rodin, advancing eagerly towards the casket.
"Yes, sir," replied Samuel, "as by the list. Your secretary will call them over, and I will produce each in turn. They can then be replaced in the casket, which I will deliver up to you in presence of the magistrate."
"All this seems perfectly correct," said Rodin.
Samuel delivered the list to Father Caboccini, and approaching the casket, touched a spring, which was not seen by Rodin. The heavy lid flew open, and, while Father Caboccini read the names of the different securities, Samuel showed them to Rodin, who returned them to the old Jew, after a careful examination. This verification did not last long, for this immense fortune was all comprised, as we already know, in eight government securities, five hundred thousand francs in bank-note, thirty five thousand francs in gold, and two hundred and fifty francs in silver—making in all an amount of two hundred and twelve millions, one hundred and seventy-five thousand francs. When Rodin had counted the last of the five hundred bank-notes, of a thousand francs each, he said, as he returned them to Samuel: "It is quite right. Two hundred and twelve millions, one hundred and seventy-five thousand francs!"
He was no doubt almost choked with joy, for he breathed with difficulty, his eyes closed, and he was obliged to lean upon Father Caboccini's arm, as he said to him in an altered voice: "It is singular. I thought myself proof against all such emotions; but what I feel is extraordinary."
The natural paleness of the Jesuit increased so much, and he seemed so much agitated with convulsive movements, that Father Caboccini exclaimed: "My dear father, collect yourself; do not let success overcome you thus."
Whilst the little one-eyed man was, attending to Rodin, Samuel carefully replaced the securities in the iron casket. Thanks to his unconquerable energy, and to the joy he felt at seeing himself so near the term of his labors, Rodin mastered this attack of weakness, and drawing himself up, calm and proud, he said to Caboccini: "It is nothing. I did not survive the cholera to die of joy on the first of June."
And, though still frightfully pale, the countenance of the Jesuit shone with audacious confidence. But now, when Rodin appeared to be quite recovered, Father Caboccini seemed suddenly transformed. Though short, fat, and one-eyed, his features assumed on the instant so firm, harsh, and commanding an expression, that Rodin recoiled a step as he looked at him. Then Father Caboccini, drawing a paper from his pocket, kissed it respectfully, glanced sternly at Rodin, and read as follows, in a severe and menacing tone:
"'On receipt of the present rescript, the Reverend Father Rodin will deliver up all his powers to the Reverend Father Caboccini, who is alone commissioned, with the Reverend Father d'Aigrigny, to receive the inheritance of the Rennepont family, if, in His eternal justice, the Lord should restore this property, of which our Company has been wronged.
"'Moreover, on receipt of the present rescript, the Reverend Father
Rodin, in charge of a person to be named by the Reverend Father
Caboccini, shall be conveyed to our house in the Town of Laval, to be
kept in strict seclusion in his cell until further orders.'"
Then Father Caboccini handed the rescript to Rodin, that the latter might read the signature of the General of the Company. Samuel, greatly interested by this scene, drew a few steps nearer, leaving the casket half-open. Suddenly, Rodin burst into a loud laugh—a laugh of joy, contempt and triumph, impossible to describe. Father Caboccini looked at him with angry astonishment; when Rodin, growing still more imperious and haughty, and with an air of more sovereign disdain than ever, pushed aside the paper with the back of his dirty hand and said: "What is the date of that scribble?"
"The eleventh of May," answered Father Caboccini in amazement.
"Here is a brief, that I received last night from Rome, under date of the eighteenth. It informs me that I am appointed GENERAL OF THE ORDER. Read!"
Father Caboccini took the paper, read it, and remained thunderstruck. Then, returning it humbly to Rodin, he respectfully bent his knee before him. Thus seemed the ambitious views of Rodin accomplished. In spite of the hatred and suspicion of that party, of which Cardinal Malipieri was the representative and the chief, Rodin, by address and craft, audacity and persuasion, and in consequence of the high esteem in which his partisans at Rome held his rare capacity, had succeeded in deposing his General, and in procuring his own elevation to that eminent post. Now, according to his calculation, aided by the millions he was about to possess, it would be but one step from that post to the pontifical throne. A mute witness of this scene, Samuel smiled also with an air of triumph, as he closed the casket by means of the spring known only to himself. That metallic sound recalled Rodin from the heights of his mad ambition to the realities of life, and he said to Samuel in a sharp voice: "You have heard? These millions must be delivered to me alone."
He extended his hands eagerly and impatiently towards the casket, as if he would have taken possession of it, before the arrival of the magistrate. Then Samuel in his turn seemed transfigured, and, folding his arms upon his breast, and drawing up his aged form to its full height, he assumed a threatening and imposing air. His eyes flashed with indignation, and he said in a solemn tone: "This fortune—at first the humble remains of the inheritance of the most noble of men, whom the plots of the sons of Loyola drove to suicide—this fortune, which has since become royal in amount, thanks to the sacred probity of three generations of faithful servants—this fortune shall never be the reward of falsehood, hypocrisy and murder. No! the eternal justice of heaven will not allow it."
"On murder? what do you mean, sir?" asked Rodin, boldly.
Samuel made no answer. He stamped his foot, and extended his arm slowly towards the extremity of the apartment. Then Rodin and Father Caboccini beheld an awful spectacle. The draperies on the wall were drawn aside, as if by an invisible hand. Round a funeral vault, faintly illumined-by the bluish light of a silver lamp, six dead bodies were ranged upon black biers, dressed in long black robes. They were: Jacques Rennepont —Francois Hardy—Rose and Blanche Simon—Adrienne and Djalma. They appeared to be asleep. Their eyelids were closed, their hands crossed over their breasts. Father Caboccini, trembling in every limb, made the sign of the cross, and retreating to the opposite wall, buried his face in his hands. Rodin on the contrary, with agitated countenance, staring eyes, and hair standing on end, yielding to an invincible attraction, advanced towards those inanimate forms. One would have said that these last of the Renneponts had only just expired. They seemed to be in the first hour of the eternal sleep.[44]
"Behold those whom thou host slain!" cried Samuel, in a voice broken with sobs. "Yea! your detestable plots caused their death—and, as they fell one by one, it was my pious care to obtain possession of their poor remains, that they may all repose in the same sepulchre. Oh!—cursed—cursed—cursed—be thou who has killed them! But their spoils shall escape thy murderous hands."
Rodin, still drawn forward in spite of himself, had approached the funeral couch of Djalma. Surmounting his first alarm, the Jesuit, to assure himself that he was not the sport of frightful dream, ventured to touch the hands of the Asiatic—and found that they were damp and pliant, though cold as ice.
The Jesuit drew back in horror. For some seconds, he trembled convulsively. But, his first amazement over, reflection returned, and, with reflection came that invincible energy, that infernal obstinacy of character, that gave him so much power. Steadying himself on his legs, drawing his hand across his brow, raising his head, moistening his lips two or three times before he spoke—for his throat and mouth grew ever drier and hotter, without his being able to explain the cause—he succeeded in giving to his features an imperious and ironical expression, and, turning towards Samuel, who wept in silence, he said to him, in a hoarse, guttural voice: "I need not show you the certificates of their death. There they are in person." And he pointed with his bony hand to the six dead bodies.
At these words of his General, Father Caboccini again made the sign of the cross, as if he had seen a fiend.
"Oh, my God!" cried Samuel; "Thou hast quite abandoned this man. With what a calm look he contemplates his victims!"
"Come, sir!" said Rodin, with a horrid smile; "this is a natural waxwork exhibition, that is all. My calmness proves my innocence—and we had best come at once to business. I have an appointment at two o'clock. So let us carry down this casket."
He advanced towards the marble slab. Seized with indignation and horror, Samuel threw himself before him, and, pressing with all his might on a knob in the lid of the casket—a knob which yielded to the pressure—he exclaimed: "Since your infernal soul is incapable of remorse, it may perhaps be shaken by disappointed avarice."
"What does he say?" cried Rodin. "What is he doing?"
"Look!" said Samuel, in his turn assuming an air of savage triumph. "I told you, that the spoils of your victims should escape your murderous hands."
Hardly had he uttered these words, before through the open-work of the iron casket rose a light cloud of smoke, and an odor as of burnt paper spread itself through the room. Rodin understood it instantly. "Fire!" he exclaimed, as he rushed forward to seize the casket. It had been made fast to the heavy marble slab.
"Yes, fire," said Samuel. "In a few minutes, of that immense treasure there will remain nothing but ashes. And better so, than that it should belong to you or yours. This treasure is not mine, and it only remains for me to destroy it—since Gabriel de Rennepont will be faithful to the oath he has taken."
"Help! water! water!" cried Rodin, as he covered the casket with his body, trying in vain to extinguish the flames, which, fanned by the current of air, now issued from the thousand apertures in the lid; but soon the intensity of the fire diminished, a few threads of bluish smoke alone mounted upwards—and then, all was extinct.
The work was done! Breathless and faint, Rodin leaned against the marble slab. For the first time in his life, he wept; large tears of rage rolled down his cadaverous cheeks. But suddenly, dreadful pains, at first dull, but gradually augmenting in intensity, seized on him with so much fury, though he employed all his energy to struggle against them, that he fell on his knees, and, pressing his two hands to his chest, murmured with an attempt to smile: "It is nothing. Do not be alarmed. A few spasms—that is all. The treasure is destroyed—but I remain General of the Order. Oh! I suffer. What a furnace!" he added, writhing in agony. "Since I entered this cursed house, I know not what ails me. If—I had not lived on roots—water—bread—which I go myself to buy—I should think—I was poisoned—for I triumph—and Cardinal Malipieri has long arms. Yes—I still triumph—for I will not die—this time no more than the other—I will not die!"
Then, as he stretched out his arms convulsively, he continued: "It is fire that devours my entrails. No doubt, they have tried to poison me. But when? but how?"
After another pause, Rodin again cried out, in a stifled voice: "Help! help me, you that stand looking on—like, spectres!—Help me, I say!"
Horror-struck at this dreadful agony, Samuel and Father Caboccini were unable to stir.
"Help!" repeated Rodin, in a tone of strangulation, "This poison is horrible.—But how—" Then, with a terrific cry of rage, as if a sudden idea had struck him, he exclaimed: "Ha! Faringhea—this morning—the holy water—he knows such subtle poisons. Yes—it is he—he had an interview with Malipieri. The demon!—Oh! it was well played. The Borgias are still the same. Oh! it is all over. I die. They will regret me, the fools!—Oh! hell! hell! The Church knows not its loss—but I burn—help!"
They came to his assistance. Quick steps were heard upon the stairs, and Dr. Baleinier, followed by the Princess de Saint-Dizier, appeared at the entrance of the Hall of Mourning. The princess had learned vaguely that morning the death of Father d'Aigrigny, and had come to question Rodin upon the subject. When this woman, entering the room, suddenly saw the frightful spectacle that offered itself to her view—when she saw Rodin writhing in horrible agony, and, further on, by the light of the sepulchral lamp, those six corpses—and, amongst them, her own niece, and the two orphans whom she had sent to meet their death—she stood petrified with horror, and her reason was unable to withstand the shock. She looked slowly round her, and then raised her arms on high, and burst into a wild fit of laughter. She had gone mad. Whilst Dr. Baleinier supported the head of Rodin, who expired in his arms, Faringhea appeared at the door; remaining in the shade, he cast a ferocious glance at the corpse of the Jesuit. "He would have made himself the chief of the Company of Jesus, to destroy it," said he; "with me, the Company of Jesus stands in the place of Bowanee. I have obeyed the cardinal!"
[44] Should this appear incredible, we would remind the reader of the marvellous discoveries in the art of embalming—particularly Dr. Gannal's.