Nor follow star-directed ways, nor tread
The paths wherein the shepherds walked, that led
To Christ, and peace, and God’s good will to men.
Peal through the oriental skies, nor see
The wonder of that Heavenly company
Announce the King the world had waited long.
Or see how man to God is reconciled,
Through pure St. Mary’s purer, holier child;
The human Christ these eyes may not adore.
With adoration to the Holy One;
Nor gold have I to give the Perfect Son,
To be with those wise kings a worshipper.
For ages since Time swung and locked his gates,
But I may kneel without—the star still waits,
To guide me on to holy Bethlehem.
CLOSE BY
In search of distant things)
A dear dream lay—perchance to grow in dearness
Had we but felt its wings
Astir. The air our very breathing fanned
It was so near at hand.
The love we so desired;
But our shut eyes saw not, and fate dispelled it
Before our pulses fired
To flame, and errant fortune bade us stand
Hand almost touching hand.
The by-path hid away
From others’ eyes had then revealed its turning
To us, nor led astray
Our footsteps, guiding us into love’s land
That lay so near at hand.
Throughout those dreamy hours,
Had either loved, or loving had we shown it,
Response had sure been ours,
We did not know that heart could heart command,
And love so near at hand!
We passed it blindly by,
And now what profit that we wait and listen
Each for the other’s heart beat? Ah! the cry
Of love o’erlooked still lingers, you and I
Sought heaven afar, we did not understand
Twas—once so near at hand.
THE IDLERS
Full prodigal of heat,
Full lavish of its lustre unrepressed;
But we have drifted far
From where his kisses are,
And in this landward-lying shade we let our paddles rest.
The maple-mantled hill,
The little yellow beach whereon we lie,
The puffs of heated breeze,
All sweetly whisper—These
Are days that only come in a Canadian July.
Lounge in our still canoe,
Nor fate, nor fortune matters to us now:
So long as we alone
May call this dream our own,
The breeze may die, the sail may droop, we care not when or how.
Inactively you lie,
And all too near my arm your temple bends.
Your indolently crude,
Abandoned attitude,
Is one of ease and art, in which a perfect languor blends.
Leaves unconcealed your might
Of muscle, half suspected, half defined;
And falling well aside,
Your vesture opens wide,
Above your splendid sunburnt throat that pulses unconfined.
Across the gunwale’s curve,
Your arm superb is lying, brown and bare;
Your hand just touches mine
With import firm and fine,
(I kiss the very wind that blows about your tumbled hair).
In echoing your eyes
Whene’er they leave their far off gaze, and turn
To melt and blur my sight;
For every other light
Is servile to your cloud-grey eyes, wherein cloud shadows burn.
But once your ardour wakes
To words that humanize this lotus-land;
So perfect and complete
Those burning words and sweet,
So perfect is the single kiss your lips lay on my hand.
The fitful breeze abused,
Has dropped to slumber, with no after-blow;
And hearts will pay the cost,
For you and I have lost,
More than the homeward blowing wind that died an hour ago.
AT SUNSET
Its chalice overflows
With pools of purple colouring the skies,
Aflood with gold and rose;
And some hot soul seems throbbing close to mine,
As sinks the sun within that world of wine.
And swoon into the west;
My ear can scarcely catch the whispered note,
But something in my breast
Blends with that strain, till both accord in one,
As cloud and colour blend at set of sun.
As ashes follow flame.
But O! I heard a voice from those rich skies
Call tenderly my name;
It was as if some priestly fingers stole
In benedictions o’er my lonely soul.
And leapt at that sweet call;
My heart outreached its arms, all passion thronged
And beat against Fate’s wall,
Crying in utter homesickness to be
Near to a heart that loves and leans to me.
PENSEROSO
To-night. My keenest longing is to be
Alone, alone with God’s grey earth that seems
Pulse of my pulse and consort of my dreams.
Or fellow-being; crave I but to slip
Thro’ space on space, till flesh no more can bind,
And I may quit for aye my fellow kind.
Of whipping wind, but hear the torrent dash
Adown the mountain steep, twere more my choice
Than touch of human hand, than human voice.
Drinking its darkness till my soul is filled;
The breathing of the salt sea on my hair,
My outstretched hands but grasping empty air.
Athrob on mine, let seas and thunders roll
O’er night and me; sands whirl; winds, waters beat;
For God’s grey earth has no cheap counterfeit.
RE-VOYAGE
Days marvellously fair,
As lightsome as a skyward-floating feather
Sailing on summer air—
Summer, summer, that came drifting through
Fate’s hand to me, to you.
If you too wish this sky
Could be the blue we sailed so softly under,
In that sun-kissed July;
Sailed in the warm and yellow afternoon,
With hearts in touch and tune.
Adrift in my canoe?
To watch my paddle blade all wet and gleaming
Cleaving the waters through?
To lie wind-blown and wave-caressed, until
Your restless pulse grows still?
Of foam athwart the keel?
To hear the nearing rapids softly swirling
Among their stones, to feel
The boat’s unsteady tremor as it braves
The wild and snarling waves?
Oh! well I know that you
Would toss the world away to be but lying
Again in my canoe,
In listless indolence entranced and lost,
Wave-rocked, and passion-tossed.
Across love’s shoreless seas;
All reckless, I had ne’er a thought of fearing
Such dreary days as these,
When through the self-same rapids we dash by,
My lone canoe and I.
BRIER
GOOD FRIDAY
Bends back the brier that edges life’s long way,
That no hurt comes to heart, to soul no harm,
I do not feel the thorns so much to-day.
Your hand to weary guiding me aright,
Because you walk before and crush the brier,
It does not pierce my feet so much to-night.
My selfish prayers, I ask but one thing now,
That these harsh hands of mine add not unto
The crown of thorns upon your bleeding brow.
WAVE-WON
Belovéd one, to know
If you recall and crave again the dream
That haunted our canoe,
And wove its witchcraft through
Our hearts as neath the northern night we sailed the northern stream.
As yesternight could be
Afloat within that light and lonely shell,
To drift in silence till
Heart-hushed, and lulled and still
The moonlight through the melting air flung forth its fatal spell.
The path of gold and white
The moon had cast across the river’s breast,
The shores in shadows clad,
The far-away, half-sad
Sweet singing of the whip-poor-will, all soothed our souls to rest.
My arm as strong as steel,
So still your upturned face, so calm your breath,
While circling eddies curled,
While laughing rapids whirled
From boulder unto boulder, till they dashed themselves to death.
Put heaven’s stars to shame,
Your god-like head so near my lap was laid—
My hand is burning where
It touched your wind-blown hair,
As sweeping to the rapids verge, I changed my paddle blade.
Till wearied with its grand
Wild anger, all the river lay aswoon,
And as my paddle dipped,
Thro’ pools of pearl it slipped
And swept beneath a shore of shade, beneath a velvet moon.
Our spirit-winged canoe
Is listening to the rapids purling past?
Where, in delirium reeled
Our maddened hearts that kneeled
To idolize the perfect world, to taste of love at last.
THE HAPPY HUNTING GROUNDS
World of the bison’s freedom, home of the Indian’s soul.
Roll out, O seas! in sunlight bathed,
Your plains wind-tossed, and grass enswathed.
Stretches the land of beauty, arches the perfect sky,
Hemm’d through the purple mists afar
By peaks that gleam like star on star.
Darkly green are slumb’ring wildernesses of pine,
Sleeping until the zephyrs throng
To kiss their silence into song.
Russet needles as censers swing to an altar, where
The angels’ songs are less divine
Than duo sung twixt breeze and pine.
Pure as the airs above it, soft as a summer dream,
O! Lethean spring thou’rt only found
In this ideal hunting ground.
Surely we’ll see that country after Time’s farewell kiss.
Who would his lovely faith condole?
Who envies not the Red-skin’s soul,
Into the crimson portals ajar when life is done?
O! dear dead race, my spirit too
Would fain sail westward unto you.
IN THE SHADOWS
Where the current runs to seaward
Soft and slow.
Where the sleeping river grasses
Brush my paddle as it passes
To and fro.
All the golden sands awaking
In the cove;
And the quaint sand-piper, winging
O’er the shallows, ceases singing
When I move.
Sleeps the overhanging willow,
Green and cool;
Where the rushes lift their burnished
Oval heads from out the tarnished
Emerald pool.
Water lilies grow in numbers,
Pure and pale;
All the morning they have rested,
Amber crowned, and pearly crested,
Fair and frail.
Indefinable sweet fancies,
Cluster round;
But they do not mar the sweetness
Of this still September fleetness
With a sound.
Of the shore and stream retreating,
So remote;
For the laggard river, dozing,
Only wakes from its reposing
Where I float.
All the foliage baptizing
With their spray;
There the sun gleams far and faintly,
With a shadow soft and saintly,
In its ray.
Far-off brushwood, ever turning
To exhale
All its smoky fragrance dying,
In the arms of evening lying,
Where I sail.
In the atmosphere so hazy,
While I dream;
Half in slumber I am guiding,
Eastward indistinctly gliding
Down the stream.
NOCTURNE
Like priestly hands thy holy touch is lying
Upon the world’s wide brow;
God-like and grand all nature is commanding
The “peace that passes human understanding;”
I, also, feel it now.
I covet, is not mine! Am I to measure
The gifts of Heaven’s decree
By my desires? O! life for ever longing
For some far gift, where many gifts are thronging,
God wills, it may not be.
Perhaps will catch the gleam of sacred fire
That shows my cross is gold?
That underneath this cross—however lowly,
A jewel rests, white, beautiful and holy,
Whose worth can not be told.
city, great and powerful, lay under
A sky of grey and gold;
The sun outbreaking in his farewell hour,
Was scattering afar a yellow shower
Of light, that aureoled
A hundred steeples on the sky out-lining,
Like network threads of fire;
Above them all, with halo far outspreading,
I saw a golden cross in glory heading
A consecrated spire:
Against the clouds of grey to seaward drifting,
And yet I surely know
Beneath the seen, a great unseen is resting,
For while the cross that pinnacle is cresting,
An Altar lies below.
* * * * *
Night of mid-June, so slumberous and tender,
Night of mid-June, transcendent in thy splendour
Thy silent wings enfold
And hush my longing, as at thy desire
All colour fades from round that far off spire,
Except its cross of gold.
MY ENGLISH LETTER
Comes out to join the star night-watching band,
Across the grey-green sea, a ship is bringing
For me a letter, from the Motherland.
These wilder shores are dearer far to me,
Yet when I read the words that hand has written,
The parent sod more precious seems to be.
Of climes that make the Motherland so fair,
Although I never knew the blessed favour
That surely lies in breathing English air.
Paints English pictures, though my longing eyes
Have never known the blessedness of seeing
The blue that lines the arch of English skies.
Framed in the salt sea winds, aye more in dreams
I almost see the face that bent above it,
I almost touch that hand, so near it seems.
Round these Canadian coasts, rolls out once more
To Eastward, and the same Atlantic splashes
Her wild white spray on England’s distant shore.
Her threadlike crescent bends the self-same smile
On that old land from whence a ship is bringing
My message from the transatlantic Isle.
Because of those dear words that always come,
With love enfolded in each English letter
That drifts into my sun-kissed Western home.
Printed by Ballantyne, Hanson & Co.
London & Edinburgh
List of Books
IN
B e l l e s L e t t r e s
All the Books in this Catalogue
are Published at Net Prices
|
1895 |
Telegraphic Address Bodleian, London |
1895.
List of Books
IN
BELLES LETTRES
(Including some Transfers)
Published by John Lane
The Bodley Head
Vigo Street, London, W.
N.B.—The Authors and Publisher reserve the right of reprinting any book in this list if a new edition is called for, except in cases where a stipulation has been made to the contrary, and of printing a separate edition of any of the books for America irrespective of the numbers to which the English editions are limited. The numbers mentioned do not include copies sent to the public libraries, nor those sent for review.
Most of the books are published simultaneously in England and America, and in many instances the names of the American publishers are appended.
ADAMS (FRANCIS).
Essays in Modernity. Cr. 8vo. 5s. net.
[Shortly.
Chicago: Stone & Kimball.
A Child of the Age. (See Keynotes Series.)
ALLEN (GRANT).
The Lower Slopes: A Volume of Verse. With title-page and cover design by J. Illingworth Kay. 600 copies, cr. 8vo. 5s. net.
Chicago: Stone & Kimball.
The Woman Who Did. (See Keynotes Series.)
BEARDSLEY (AUBREY).
The Story of Venus and Tannhäuser, in which is set forth an exact account of the Manner of State held by Madam Venus, Goddess and Meretrix, under the famous Hörselberg, and containing the adventures of Tannhäuser in that place, his repentance, his journeying to Rome, and return to the loving mountain. By Aubrey Beardsley. With 20 full-page illustrations, numerous ornaments, and a cover from the same hand. Sq. 16mo. 10s. 6d. net.
In preparation.
BEDDOES (T. L.).
See Gosse (Edmund).
BEECHING (Rev. H. C.).
In a Garden: Poems. With title-page and cover design by Roger Fry. Cr. 8vo. 5s. net.
New York: Macmillan & Co.
BENSON (ARTHUR CHRISTOPHER).
Lyrics. Fcap. 8vo, buckram. 5s. net.
New York: Macmillan & Co.
BROTHERTON (MARY).
Rosemary for Remembrance. With title-page and cover design by Walter West. Fcap. 8vo. 3s. 6d. net.
CAMPBELL (GERALD).
The Joneses and the Asterisks. With six illustrations and title-page by F. H. Townsend. Fcap. 8vo. 3s. 6d. net.
New York: The Merriam Co.
CASTLE (Mrs. EGERTON).
My Little Lady Anne: A Romance. Sq. 16mo. 2s. 6d. net.
[In preparation.
Philadelphia: Henry Altemus.
CASTLE (EGERTON).
See Stevenson (Robert Louis).
CROSS (VICTORIA).
Consummation: A Novel. Cr. 8vo. 4s. 6d. net.
[In preparation.
DALMON (C. W.).
Song Favours. With a specially designed title-page. Sq. 16mo. 3s. 6d. net.
[In preparation.
Chicago: Way & Williams.
D’ARCY (ELLA).
Monochromes. (See Keynotes Series.)
DAVIDSON (JOHN).
Plays: An Unhistorical Pastoral; A Romantic Farce; Bruce, a Chronicle Play; Smith, a Tragic Farce; Scaramouch in Naxos, a Pantomime. With a frontispiece and cover design by Aubrey Beardsley. Printed at the Ballantyne Press. 500 copies, sm. 4to. 7s. 6d. net.
Chicago: Stone & Kimball.
Fleet Street Eclogues. Fcap. 8vo, buckram. 5s. net.
[Out of print at present.
A Random Itinerary and a Ballad. With a frontispiece and title-page by Laurence Housman. 600 copies. Fcap. 8vo, Irish Linen. 5s. net.
Boston: Copeland & Day.
Ballads and Songs. With title-page designed by Walter West. Fourth Edition. Fcap. 8vo, buckram. 5s. net.
Boston: Copeland & Day.
DAWE (W. CARLTON).
Yellow and White. (See Keynotes Series.)
DE TABLEY (LORD).
Poems, Dramatic and Lyrical. By John Leicester Warren (Lord De Tabley). Illustrations and cover design by C. S. Ricketts. 2nd edition, cr. 8vo. 7s. 6d. net.
New York: Macmillan & Co.
DE TABLEY (LORD).
Poems, Dramatic and Lyrical. 2nd series, uniform in binding with the former volume. Cr. 8vo. 5s. net.
New York: Macmillan & Co.
DIX (GERTRUDE).
The Girl from the Farm. (See Keynotes Series.)
DOSTOIEVSKY (F.).
(See Keynotes Series, Vol. III.)
ECHEGARAY (JOSÉ).
See Lynch (Hannah).
EGERTON (GEORGE).
Keynotes. (See Keynotes Series.)
Discords. (See Keynotes Series.)
Young Ofeg’s Ditties. A translation from the Swedish of Ola Hansson. Cr. 8vo. 3s. 6d. net.
Boston: Roberts Bros.
FARR (FLORENCE).
The Dancing Faun. (See Keynotes Series.)
FLETCHER (J. S.).
The Wonderful Wapentake. By “A Son of the Soil.” With 18 full-page illustrations by J. A. Symington. Cr. 8vo. 5s. 6d. net.
Chicago: A. C. McClurg & Co.
GALE (NORMAN).
Orchard Songs. With title-page and cover design by J. Illingworth Kay. Fcap. 8vo. Irish Linen. 5s. net.
Also a special edition limited in number on hand-made paper bound in English vellum. £1 1s. net.
New York: G. P. Putnam’s Sons.
GARNETT (RICHARD).
Poems. With title-page by J. Illingworth Kay. 350 copies, cr. 8vo. 5s. net.
Boston: Copeland & Day.
Dante, Petrarch, Camoens. CXXIV Sonnets rendered in English. Cr. 8vo. 5s. net.
[In preparation.
GEARY (NEVILL).
A Lawyer’s Wife: A Novel. Cr. 8vo. 4s. 6d. net.
[In preparation.
GOSSE (EDMUND).
The Letters of Thomas Lovell Beddoes. Now first edited. Pott 8vo. 5s. net.
Also 25 copies large paper. 12s. 6d. net.
New York: Macmillan & Co.
GRAHAME (KENNETH).
Pagan Papers: A Volume of Essays. With title-page by Aubrey Beardsley. Fcap. 8vo. 5s. net.
Chicago: Stone & Kimball.
The Golden Age. Cr. 8vo. 3s. 6d. net.
Chicago: Stone & Kimball.
GREENE (G. A.).
Italian Lyrists of To-Day. Translations in the original metres from about 35 living Italian poets with bibliographical and biographical notes. Cr. 8vo. 5s. net.
New York: Macmillan & Co.
GREENWOOD (FREDERICK).
Imagination in Dreams. Crown 8vo. 5s. net.
New York: Macmillan & Co.
HAKE (T. GORDON).
A Selection from his Poems. Edited by Mrs. Meynell. With a portrait after D. G. Rossetti, and a cover design by Gleeson White. Cr. 8vo. 5s. net.
Chicago: Stone & Kimball.
HANSSON (LAURA MARHOLM).
Modern Women: Six Psychological Sketches. [Sophia Kovalevsky, George Egerton, Eleonora Duse, Amalie Skram, Marie Bashkirtseff, A. Edgren Leffler.] Translated from the German by Hermione Ramsden. Cr. 8vo. 3s. 6d. net.
[In preparation.
HANSSON (OLA).
See Egerton.
HARLAND (HENRY).
Grey Roses. (See Keynotes Series.)
HAYES (ALFRED).
The Vale of Arden, and Other Poems. With a title-page and cover design by E. H. New. Fcap. 8vo. 3s. 6d. net.
Also 25 copies large paper. 15s. net.
HEINEMANN (WILLIAM).
The First Step: A Dramatic Moment. Sm. 4to. 3s. 6d. net.
HOPPER (NORA).
Ballads in Prose. With a title-page and cover by Walter West. Sq. 16mo. 5s. net.
Boston: Roberts Bros.
HOUSMAN (LAURENCE).