POEMS FROM BLANK VERSE, BY CHARLES LLOYD AND CHARLES LAMB, 1798
TO CHARLES LLOYD
A stranger, and alone, I past those scenes
We past so late together; and my heart
Felt something like desertion, when I look'd
Around me, and the well-known voice of friend
Was absent, and the cordial look was there
No more to smile on me. I thought on Lloyd;
All he had been to me. And now I go
Again to mingle with a world impure,
With men who make a mock of holy things
Mistaken, and of man's best hope think scorn.
The world does much to warp the heart of man,
And I may sometimes join its ideot laugh.
Of this I now complain not. Deal with me,
Omniscient Father! as thou judgest best,
And in thy season tender thou my heart.
I pray not for myself; I pray for him
Whose soul is sore perplex'd: shine thou on him,
Father of Lights! and in the difficult paths
Make plain his way before him. His own thoughts
May he not think, his own ends not pursue;
So shall he best perform thy will on earth.
Greatest and Best, thy will be ever ours!
August, 1797.
WRITTEN ON THE DAY OF MY AUNT'S FUNERAL
Thou too art dead, ——! very kind
Hast thou been to me in my childish days,
Thou best good creature. I have not forgot
How thou didst love thy Charles, when he was yet
A prating schoolboy: I have not forgot
The busy joy on that important day,
When, child-like, the poor wanderer was content
To leave the bosom of parental love,
His childhood's play-place, and his early home,
For the rude fosterings of a stranger's hand,
Hard uncouth tasks, and school-boy's scanty fare.
How did thine eye peruse him round and round,
And hardly know him in his yellow coats[3],
Red leathern belt, and gown of russet blue!
Farewell, good aunt!
Go thou, and occupy the same grave-bed
Where the dead mother lies.
Oh my dear mother, oh thou dear dead saint!
Where's now that placid face, where oft hath sat
A mother's smile, to think her son should thrive
In this bad world, when she was dead and gone;
And when a tear hath sat (take shame, O son!)
When that same child has prov'd himself unkind.
One parent yet is left—a wretched thing,
A sad survivor of his buried wife,
A palsy-smitten, childish, old, old man,
A semblance most forlorn of what he was,
A merry cheerful man. A merrier man,
A man more apt to frame matter for mirth,
Mad jokes, and anticks for a Christmas eve;
Making life social, and the laggard time
To move on nimbly, never yet did cheer
The little circle of domestic friends.
February, 1797.
[Footnote 3: The dress of Christ's Hospital,]
WRITTEN A YEAR AFTER THE EVENTS
Alas! how am I chang'd! Where be the tears,
The sobs, and forc'd suspensions of the breath,
And all the dull desertions of the heart,
With which I hung o'er my dead mother's corse?
Where be the blest subsidings of the storm
Within, the sweet resignedness of hope
Drawn heavenward, and strength of filial love
In which I bow'd me to my father's will?
My God, and my Redeemer! keep not thou
My soul in brute and sensual thanklessness
Seal'd up; oblivious ever of that dear grace,
And health restor'd to my long-loved friend,
Long-lov'd, and worthy known. Thou didst not leave
Her soul in death! O leave not now, my Lord,
Thy servants in far worse, in spiritual death!
And darkness blacker than those feared shadows
Of the valley all must tread. Lend us thy balms,
Thou dear Physician of the sin-sick soul,
And heal our cleansed bosoms of the wounds
With which the world has pierc'd us thro' and thro'.
Give us new flesh, new birth. Elect of heav'n
May we become; in thine election sure
Contain'd, and to one purpose stedfast drawn,
Our soul's salvation!
Thou, and I, dear friend,
With filial recognition sweet, shall know
One day the face of our dear mother in heaven;
And her remember'd looks of love shall greet
With looks of answering love; her placid smiles
Meet with a smile as placid, and her hand
With drops of fondness wet, nor fear repulse.
Be witness for me, Lord, I do not ask
Those days of vanity to return again
(Nor fitting me to ask, nor thee to give),
Vain loves and wanderings with a fair-hair'd maid,
Child of the dust as I am, who so long
My captive heart steep'd in idolatry
And creature-loves. Forgive me, O my Maker!
If in a mood of grief I sin almost
In sometimes brooding on the days long past,
And from the grave of time wishing them back,
Days of a mother's fondness to her child,
Her little one.
O where be now those sports,
And infant play-games? where the joyous troops
Of children, and the haunts I did so love?
O my companions, O ye loved names
Of friend or playmate dear; gone are ye now;
Gone diverse ways; to honour and credit some,
And some, I fear, to ignominy and shame!
I only am left, with unavailing grief
To mourn one parent dead, and see one live
Of all life's joys bereft and desolate:
Am left with a few friends, and one, above
The rest, found faithful in a length of years,
Contented as I may, to bear me on
To the not unpeaceful evening of a day
Made black by morning storms!
September, 1797.
WRITTEN SOON AFTER THE PRECEDING POEM
Thou should'st have longer liv'd, and to the grave
Have peacefully gone down in full old age!
Thy children would have tended thy gray hairs.
We might have sat, as we have often done,
By our fireside, and talk'd whole nights away,
Old times, old friends, and old events recalling;
With many a circumstance, of trivial note,
To memory dear, and of importance grown.
How shall we tell them in a stranger's ear?
A wayward son ofttimes was I to thee;
And yet, in all our little bickerings,
Domestic jars, there was, I know not what,
Of tender feeling, that were ill exchang'd
For this world's chilling friendships, and their smiles
Familiar, whom the heart calls strangers still.
A heavy lot hath he, most wretched man!
Who lives the last of all his family.
He looks around him, and his eye discerns
The face of the stranger, and his heart is sick.
Man of the world, what canst thou do for him?
Wealth is a burden, which he could not bear;
Mirth a strange crime, the which he dares not act;
And wine no cordial, but a bitter cup.
For wounds like his Christ is the only cure,
And gospel promises are his by right,
For these were given to the poor in heart.
Go, preach thou to him of a world to come,
Where friends shall meet, and know each other's face.
Say less than this, and say it to the winds.
October, 1797.
WRITTEN ON CHRISTMAS DAY, 1797
I am a widow'd thing, now thou art gone!
Now thou art gone, my own familiar friend,
Companion, sister, help-mate, counsellor!
Alas! that honour'd mind, whose sweet reproof
And meekest wisdom in times past have smooth'd
The unfilial harshness of my foolish speech,
And made me loving to my parents old,
(Why is this so, ah God! why is this so?)
That honour'd mind become a fearful blank,
Her senses lock'd up, and herself kept out
From human sight or converse, while so many
Of the foolish sort are left to roam at large,
Doing all acts of folly, and sin, and shame?
Thy paths are mystery!
Yet I will not think,
Sweet friend, but we shall one day meet, and live
In quietness, and die so, fearing God.
Or if not, and these false suggestions be
A fit of the weak nature, loth to part
With what it lov'd so long, and held so dear;
If thou art to be taken, and I left
(More sinning, yet unpunish'd, save in thee),
It is the will of God, and we are clay
In the potter's hands; and, at the worst, are made
From absolute nothing, vessels of disgrace,
Till, his most righteous purpose wrought in us,
Our purified spirits find their perfect rest.
THE OLD FAMILIAR FACES
(January, 1798. Text of 1818)
I have had playmates, I have had companions,
In my days of childhood, in my joyful school-days,
All, all are gone, the old familiar faces.
I have been laughing, I have been carousing,
Drinking late, sitting late, with my bosom cronies,
All, all are gone, the old familiar faces.
I loved a love once, fairest among women;
Closed are her doors on me, I must not see her—
All, all are gone, the old familiar faces.
I have a friend, a kinder friend has no man;
Like an ingrate, I left my friend abruptly;
Left him, to muse on the old familiar faces.
Ghost-like, I paced round the haunts of my childhood.
Earth seemed a desart I was bound to traverse,
Seeking to find the old familiar faces.
Friend of my bosom, thou more than a brother,
Why wert not thou born in my father's dwelling?
So might we talk of the old familiar faces—
How some they have died, and some they have left me,
And some are taken from me; all are departed;
All, all are gone, the old familiar faces.
COMPOSED AT MIDNIGHT
(1797? Text of 1818)
From broken visions of perturbed rest
I wake, and start, and fear to sleep again.
How total a privation of all sounds,
Sights, and familiar objects, man, bird, beast,
Herb, tree, or flower, and prodigal light of heaven.
'Twere some relief to catch the drowsy cry
Of the mechanic watchman, or the noise
Of revel reeling home from midnight cups.
Those are the moanings of the dying man,
Who lies in the upper chamber; restless moans,
And interrupted only by a cough
Consumptive, torturing the wasted lungs.
So in the bitterness of death he lies,
And waits in anguish for the morning's light.
What can that do for him, or what restore?
Short taste, faint sense, affecting notices,
And little images of pleasures past,
Of health, and active life—health not yet slain,
Nor the other grace of life, a good name, sold
For sin's black wages. On his tedious bed
He writhes, and turns him from the accusing light,
And finds no comfort in the sun, but says
"When night comes I shall get a little rest."
Some few groans more, death comes, and there an end.
'Tis darkness and conjecture all beyond;
Weak Nature fears, though Charity must hope,
And Fancy, most licentious on such themes
Where decent reverence well had kept her mute,
Hath o'er-stock'd hell with devils, and brought down,
By her enormous fablings and mad lies,
Discredit on the gospel's serious truths
And salutary fears. The man of parts,
Poet, or prose declaimer, on his couch
Lolling, like one indifferent, fabricates
A heaven of gold, where he, and such as he,
Their heads encompassed with crowns, their heels
With fine wings garlanded, shall tread the stars
Beneath their feet, heaven's pavement, far removed
From damned spirits, and the torturing cries
Of men, his breth'ren, fashioned of the earth,
As he was, nourish'd with the self-same bread,
Belike his kindred or companions once—
Through everlasting ages now divorced,
In chains and savage torments to repent
Short years of folly on earth. Their groans unheard
In heav'n, the saint nor pity feels, nor care,
For those thus sentenced—pity might disturb
The delicate sense and most divine repose
Of spirits angelical. Blessed be God,
The measure of his judgments is not fixed
By man's erroneous standard. He discerns
No such inordinate difference and vast
Betwixt the sinner and the saint, to doom
Such disproportion'd fates. Compared with him,
No man on earth is holy called: they best
Stand in his sight approved, who at his feet
Their little crowns of virtue cast, and yield
To him of his own works the praise, his due.
Poems at the End of John Woodvil,
1802
HELEN
By Mary Lamb
(Summer, 1800. Text of 1818)
High-born Helen, round your dwelling
These twenty years I've paced in vain:
Haughty beauty, thy lover's duty
Hath been to glory in his pain.
High-born Helen, plainly telling
Stories of thy cold disdain;
I starve, I die, now you comply,
And I no longer can complain.
These twenty years I've lived on tears.
Dwelling for ever on a frown;
On sighs I've fed, your scorn my bread;
I perish now you kind are grown.
Can I, who loved my beloved
But for the scorn "was in her eye,"
Can I be moved for my beloved,
When she "returns me sigh for sigh?"
In stately pride, by my bed-side,
High-born Helen's portrait's hung;
Deaf to my praise, my mournful lays
Are nightly to the portrait sung.
To that I weep, nor ever sleep,
Complaining all night long to her—
Helen, grown old, no longer cold,
Said, "you to all men I prefer."
BALLAD
From the German
(Spring, 1800. Text of 1818)
The clouds are blackening, the storms threatening,
And ever the forest maketh a moan:
Billows are breaking, the damsel's heart aching,
Thus by herself she singeth alone,
Weeping right plenteously.
"The world is empty, the heart is dead surely,
In this world plainly all seemeth amiss:
To thy breast, holy one, take now thy little one,
I have had earnest of all earth's bliss,
Living right lovingly."
HYPOCHONDRIACUS
(October, 1800. Text of 1818)
By myself walking,
To myself talking,
When as I ruminate
On my untoward fate,
Scarcely seem I
Alone sufficiently,
Black thoughts continually
Crowding my privacy;
They come unbidden,
Like foes at a wedding,
Thrusting their faces
In better guests' places,
Peevish and malecontent,
Clownish, impertinent,
Dashing the merriment:
So in like fashions
Dim cogitations
Follow and haunt me,
Striving to daunt me.
In my heart festering,
In my ears whispering,
"Thy friends are treacherous,
Thy foes are dangerous,
Thy dreams ominous."
Fierce Anthropophagi,
Spectra, Diaboli,
What scared St. Anthony,
Hobgoblins, Lemures,
Dreams of Antipodes,
Night-riding Incubi
Troubling the fantasy,
All dire illusions
Causing confusions;
Figments heretical,
Scruples fantastical,
Doubts diabolical,
Abaddon vexeth me,
Mahu perplexeth me,
Lucifer teareth me——
Jesu! Maria! liberate nos ab his diris tentationibus Inimici.
A BALLAD:
Noting the Difference of Rich and Poor, in the Ways of a Rich Noble's Palace and a Poor Workhouse
To the tune of the "Old and Young Courtier"
(August, 1800. Text of 1818)
In a costly palace Youth goes clad in gold;
In a wretched workhouse Age's limbs are cold:
There they sit, the old men by a shivering fire,
Still close and closer cowering, warmth is their desire.
In a costly palace, when the brave gallants dine,
They have store of good venison, with old canary wine,
With singing and music to heighten the cheer;
Coarse bits, with grudging, are the pauper's best fare.
In a costly palace Youth is still carest
By a train of attendants which laugh at my young Lord's jest;
In a wretched workhouse the contrary prevails:
Does Age begin to prattle?—no man heark'neth to his tales.
In a costly palace if the child with a pin
Do but chance to prick a finger, strait the doctor is called in;
In a wretched workhouse men are left to perish
For want of proper cordials, which their old age might cherish,
In a costly palace Youth enjoys his lust;
In a wretched workhouse Age, in corners thrust,
Thinks upon the former days, when he was well to do,
Had children to stand by him, both friends and kinsmen too.
In a costly palace Youth his temples hides
With a new devised peruke that reaches to his sides;
In a wretched workhouse Age's crown is bare,
With a few thin locks just to fence out the cold air.
In peace, as in war, 'tis our young gallants' pride,
To walk, each one i' the streets, with a rapier by his side,
That none to do them injury may have pretence;
Wretched Age, in poverty, must brook offence.
POEMS IN CHARLES LAMB'S WORKS 1818, NOT PREVIOUSLY PRINTED IN THE PRESENT VOLUME; TOGETHER WITH REFERENCES TO THOSE POEMS THAT HAVE BEEN PREVIOUSLY PRINTED
HESTER
(February, 1803)
When maidens such as Hester die,
Their place ye may not well supply,
Though ye among a thousand try,
With vain endeavour.
A month or more hath she been dead,
Yet cannot I by force be led
To think upon the wormy bed,
And her together.
A springy motion in her gait,
A rising step, did indicate
Of pride and joy no common rate,
That flush'd her spirit.
I know not by what name beside
I shall it call:—if 'twas not pride,
It was a joy to that allied,
She did inherit.
Her parents held the Quaker rule,
Which doth the human feeling cool,
But she was train'd in Nature's school,
Nature had blest her.
A waking eye, a prying mind,
A heart that stirs, is hard to bind,
A hawk's keen sight ye cannot blind,
Ye could not Hester.
My sprightly neighbour, gone before
To that unknown and silent shore,
Shall we not meet, as heretofore,
Some summer morning,
When from thy cheerful eyes a ray
Hath struck a bliss upon the day,
A bliss that would not go away,
A sweet fore-warning?
* * * * *
_Here came "To Charles Lloyd" See page 12.
Here came "The Three Friends" followed by "To a River in which a Child was drowned," first printed in "Poetry for Children" 1809. See vol. iii. of this edition, page 416.
Here came "The Old Familiar Faces." See page 25.
Here came "Helen" by Mary Lamb. See page 28.
Here came "A Vision of Repentance." See page 13._
* * * * *
DIALOGUE BETWEEN A MOTHER AND CHILD
(By Mary Lamb. 1804)
CHILD
"O Lady, lay your costly robes aside,
No longer may you glory in your pride."
MOTHER
"Wherefore to-day art singing in mine ear
Sad songs, were made so long ago, my dear;
This day I am to be a bride, you know,
Why sing sad songs, were made so long ago?"
CHILD
"O, mother, lay your costly robes aside,
For you may never be another's bride.
That line I learn'd not in the old sad song."
MOTHER
"I pray thee, pretty one, now hold thy tongue,
Play with the bride-maids, and be glad, my boy,
For thou shall be a second father's joy."
CHILD
"One father fondled me upon his knee.
One father is enough, alone, for me."
* * * * *
_Here came "Queen Oriana's Dream" from "Poetry for Children" See vol. iii. page 480.
Here came "A Ballad Noting the Difference of Rich and Poor." See page 30.
Here came "Hypochondriacus." See page 29._
* * * * *
A FAREWELL TO TOBACCO
(1805)
May the Babylonish curse
Strait confound my stammering verse,
If I can a passage see
In this word-perplexity,
Or a fit expression find,
Or a language to my mind,
(Still the phrase is wide or scant)
To take leave of thee, GREAT PLANT!
Or in any terms relate
Half my love, or half my hate:
For I hate, yet love, thee so,
That, whichever thing I shew,
The plain truth will seem to be
A constrain'd hyperbole,
And the passion to proceed
More from a mistress than a weed.
Sooty retainer to the vine,
Bacchus' black servant, negro fine;
Sorcerer, that mak'st us dote upon
Thy begrimed complexion,
And, for thy pernicious sake,
More and greater oaths to break
Than reclaimed lovers take
'Gainst women: thou thy siege dost lay
Much too in the female way,
While thou suck'st the lab'ring breath
Faster than kisses or than death.
Thou in such a cloud dost bind us,
That our worst foes cannot find us,
And ill fortune, that would thwart us,
Shoots at rovers, shooting at us;
While each man, thro' thy height'ning steam,
Does like a smoking Etna seem,
And all about us does express
(Fancy and wit in richest dress)
A Sicilian fruitfulness.
Thou through such a mist dost shew us,
That our best friends do not know us,
And, for those allowed features,
Due to reasonable creatures,
Liken'st us to fell Chimeras,
Monsters that, who see us, fear us;
Worse than Cerberus or Geryon,
Or, who first lov'd a cloud, Ixion.
Bacchus we know, and we allow
His tipsy rites. But what art thou,
That but by reflex can'st shew
What his deity can do,
As the false Egyptian spell
Aped the true Hebrew miracle?
Some few vapours thou may'st raise,
The weak brain may serve to amaze,
But to the reigns and nobler heart
Can'st nor life nor heat impart.
Brother of Bacchus, later born,
The old world was sure forlorn,
Wanting thee, that aidest more
The god's victories than before
All his panthers, and the brawls
Of his piping Bacchanals.
These, as stale, we disallow,
Or judge of thee meant; only thou
His true Indian conquest art;
And, for ivy round his dart,
The reformed god now weaves
A finer thyrsus of thy leaves.
Scent to match thy rich perfume
Chemic art did ne'er presume
Through her quaint alembic strain,
None so sov'reign to the brain.
Nature, that did in thee excel,
Fram'd again no second smell.
Roses, violets, but toys
For the smaller sort of boys,
Or for greener damsels meant;
Thou art the only manly scent.
Stinking'st of the stinking kind,
Filth of the mouth and fog of the mind,
Africa, that brags her foyson,
Breeds no such prodigious poison,
Henbane, nightshade, both together,
Hemlock, aconite———
Nay, rather,
Plant divine, of rarest virtue;
Blisters on the tongue would hurt you.
'Twas but in a sort I blam'd thee;
None e'er prosper'd who defam'd thee;
Irony all, and feign'd abuse,
Such as perplext lovers use,
At a need, when, in despair
To paint forth their fairest fair,
Or in part but to express
That exceeding comeliness
Which their fancies doth so strike,
They borrow language of dislike;
And, instead of Dearest Miss,
Jewel, Honey, Sweetheart, Bliss,
And those forms of old admiring,
Call her Cockatrice and Siren,
Basilisk, and all that's evil,
Witch, Hyena, Mermaid, Devil,
Ethiop, Wench, and Blackamoor,
Monkey, Ape, and twenty more;
Friendly Trait'ress, loving Foe,—
Not that she is truly so,
But no other way they know
A contentment to express,
Borders so upon excess,
That they do not rightly wot
Whether it be pain or not.
Or, as men, constrain'd to part
With what's nearest to their heart,
While their sorrow's at the height,
Lose discrimination quite,
And their hasty wrath let fall,
To appease their frantic gall,
On the darling thing whatever
Whence they feel it death to sever,
Though it be, as they, perforce,
Guiltless of the sad divorce.
For I must (nor let it grieve thee,
Friendliest of plants, that I must) leave thee.
For thy sake, TOBACCO, I
Would do any thing but die,
And but seek to extend my days
Long enough to sing thy praise.
But, as she, who once hath been
A king's consort, is a queen
Ever after, nor will bate
Any tittle of her state,
Though a widow, or divorced,
So I, from thy converse forced,
The old name and style retain,
A right Katherine of Spain;
And a seat, too,'mongst the joys
Of the blest Tobacco Boys;
Where, though I, by sour physician,
Am debarr'd the full fruition
Of thy favours, I may catch
Some collateral sweets, and snatch
Sidelong odours, that give life
Like glances from a neighbour's wife;
And still live in the by-places
And the suburbs of thy graces;
And in thy borders take delight,
An unconquer'd Canaanite.
TO T.L.H.
A Child
(1814)
Model of thy parent dear,
Serious infant worth a fear:
In thy unfaultering visage well
Picturing forth the son of TELL,
When on his forehead, firm and good,
Motionless mark, the apple stood;
Guileless traitor, rebel mild,
Convict unconscious, culprit-child!
Gates that close with iron roar
Have been to thee thy nursery door;
Chains that chink in cheerless cells
Have been thy rattles and thy bells;
Walls contrived for giant sin
Have hemmed thy faultless weakness in;
Near thy sinless bed black Guilt
Her discordant house hath built,
And filled it with her monstrous brood—
Sights, by thee not understood—
Sights of fear, and of distress,
That pass a harmless infant's guess!
But the clouds, that overcast
Thy young morning, may not last.
Soon shall arrive the rescuing hour,
That yields thee up to Nature's power.
Nature, that so late doth greet thee,
Shall in o'er-flowing measure meet thee.
She shall recompense with cost
For every lesson thou hast lost.
Then wandering up thy sire's lov'd hill[4],
Thou shall take thy airy fill
Of health and pastime. Birds shall sing
For thy delight each May morning.
'Mid new-yean'd lambkins thou shalt play,
Hardly less a lamb than they.
Then thy prison's lengthened bound
Shall be the horizon skirting round.
And, while thou fillest thy lap with flowers,
To make amends for wintery hours,
The breeze, the sunshine, and the place,
Shall from thy tender brow efface
Each vestige of untimely care,
That sour restraint had graven there;
And on thy every look impress
A more excelling childishness.
So shall be thy days beguil'd,
THORNTON HUNT, my favourite child.
[Footnote 4: Hampstead.]
* * * * *
_Here came "Ballad from the German." See page 29.
Here came "David in the Cave of Aditllam" by Mary
Lamb, from "Poetry for Children." See vol. iii. page 486._
* * * * *
SALOME
(By Mary Lamb. Probably 1808 or 1809)
Once on a charger there was laid,
And brought before a royal maid,
As price of attitude and grace,
A guiltless head, a holy face.
It was on Herod's natal day,
Who, o'er Judea's land held sway.
He married his own brother's wife,
Wicked Herodias. She the life
Of John the Baptist long had sought,
Because he openly had taught
That she a life unlawful led,
Having her husband's brother wed.
This was he, that saintly John,
Who in the wilderness alone
Abiding, did for clothing wear
A garment made of camel's hair;
Honey and locusts were his food,
And he was most severely good.
He preached penitence and tears,
And waking first the sinner's fears,
Prepared a path, made smooth a way,
For his diviner master's day.
Herod kept in princely state
His birth-day. On his throne he sate,
After the feast, beholding her
Who danced with grace peculiar;
Fair Salome, who did excel
All in that land for dancing well.
The feastful monarch's heart was fired,
And whatsoe'er thing she desired.
Though half his kingdom it should be,
He in his pleasure swore that he
Would give the graceful Salome.
The damsel was Herodias' daughter:
She to the queen hastes, and besought her
To teach her what great gift to name.
Instructed by Herodias, came
The damsel back; to Herod said,
"Give me John the Baptist's head;
And in a charger let it be
Hither straitway brought to me."
Herod her suit would fain deny,
But for his oath's sake must comply.
When painters would by art express
Beauty in unloveliness,
Thee, Herodias' daughter, thee,
They fittest subject take to be.
They give thy form and features grace;
But ever in thy beauteous face
They shew a steadfast cruel gaze,
An eye unpitying; and amaze
In all beholders deep they mark,
That thou betrayest not one spark
Of feeling for the ruthless deed,
That did thy praiseful dance succeed
For on the head they make you look,
As if a sullen joy you took,
A cruel triumph, wicked pride,
That for your sport a saint had died.
LINES
Suggested by a Picture of Two Females by Lionardo da Vinci.
(By Mary Lamb. 1804)
The Lady Blanch, regardless of all her lovers' fears,
To the Urs'line convent hastens, and long the Abbess hears.
"O Blanch, my child, repent ye of the courtly life ye lead."
Blanch looked on a rose-bud and little seem'd to heed.
She looked on the rose-bud, she looked round, and thought
On all her heart had whisper'd, and all the Nun had taught.
"I am worshipped by lovers, and brightly shines my fame,
All Christendom resoundeth the noble Blanch's name.
Nor shall I quickly wither like the rose-bud from the tree,
My queen-like graces shining when my beauty's gone from me.
But when the sculptur'd marble is raised o'er my head,
And the matchless Blanch lies lifeless among the noble dead,
This saintly lady Abbess hath made me justly fear,
It nothing will avail me that I were worshipp'd here."
LINES
On the Same Picture being Removed to make Place for a Portrait of a Lady by Titian.
(By Mary Lamb. 1805)
Who art thou, fair one, who usurp'st the place
Of Blanch, the lady of the matchless grace?
Come, fair and pretty, tell to me,
Who, in thy life-time, thou might'st be.
Thou pretty art and fair,
But with the lady Blanch thou never must compare.
No need for Blanch her history to tell;
Whoever saw her face, they there did read it well.
But when I look on thee, I only know
There lived a pretty maid some hundred years ago.
LINES
On the Celebrated Picture by Lionardo da Vinci, called The Virgin of the Rocks.
(? 1805)
While young John runs to greet
The greater Infant's feet,
The Mother standing by, with trembling passion
Of devout admiration,
Beholds the engaging mystic play, and pretty adoration;
Nor knows as yet the full event
Of those so low beginnings,
From whence we date our winnings,
But wonders at the intent
Of those new rites, and what that strange child-worship meant.
But at her side
An angel doth abide,
With such a perfect joy
As no dim doubts alloy,
An intuition,
A glory, an amenity,
Passing the dark condition
Of blind humanity,
As if he surely knew
All the blest wonders should ensue,
Or he had lately left the upper sphere,
And had read all the sovran schemes and divine riddles there.
ON THE SAME
(By Mary Lamb. 1805)
Maternal lady with the virgin grace,
Heaven-born thy Jesus seemeth sure,
And of a virgin pure.
Lady most perfect, when thy sinless face
Men look upon, they wish to be
A Catholic, Madonna fair, to worship thee.
SONNETS
TO MISS KELLY
You are not, Kelly, of the common strain,
That stoop their pride and female honor down
To please that many-headed beast the town,
And vend their lavish smiles and tricks for gain;
By fortune thrown amid the actor's train,
You keep your native dignity of thought;
The plaudits that attend you come unsought,
As tributes due unto your natural vein.
Your tears have passion in them, and a grace
Of genuine freshness, which our hearts avow;
Your smiles are winds whose ways we cannot trace,
That vanish and return we know not how—
And please the better from a pensive face,
And thoughtful eye, and a reflecting brow.
ON THE SIGHT OF SWANS IN KENSINGTON GARDEN
Queen-bird that sittest on thy shining nest,
And thy young cygnets without sorrow hatchest,
And thou, thou other royal bird, that watchest
Lest the white mother wandering feet molest:
Shrined are your offspring in a chrystal cradle,
Brighter than Helen's ere she yet had burst
Her shelly prison. They shall be born at first
Strong, active, graceful, perfect, swan-like able
To tread the land or waters with security.
Unlike poor human births, conceived in sin,
In grief brought forth, both outwardly and in
Confessing weakness, error, and impurity.
Did heavenly creatures own succession's line,
The births of heaven like to your's would shine.
* * * * *
Here came "Was it some sweet device." See page 4.
Here came "Methinks how dainty sweet." See page 5.
Here came "When last I roved." See page 8.
Here came "A timid grace" See page 8.
Here came "If from my lips." See page 9.
* * * * *
THE FAMILY NAME
What reason first imposed thee, gentle name,
Name that my father bore, and his sire's sire,
Without reproach? we trace our stream no higher;
And I, a childless man, may end the same.
Perchance some shepherd on Lincolnian plains,
In manners guileless as his own sweet flocks,
Received the first amid the merry mocks
And arch allusions of his fellow swains.
Perchance from Salem's holier fields returned,
With glory gotten on the heads abhorr'd
Of faithless Saracens, some martial lord
Took HIS meek title, in whose zeal he burn'd.
Whate'er the fount whence thy beginnings came,
No deed of mine shall shame thee, gentle name.
TO JOHN LAMB, ESQ.
Of the South-Sea House
John, you were figuring in the gay career
Of blooming manhood with a young man's joy,
When I was yet a little peevish boy—
Though time has made the difference disappear
Betwixt our ages, which then seemed so great—
And still by rightful custom you retain
Much of the old authoritative strain,
And keep the elder brother up in state.
O! you do well in this. 'Tis man's worst deed
To let the "things that have been" run to waste,
And in the unmeaning present sink the past:
In whose dim glass even now I faintly read
Old buried forms, and faces long ago,
Which you, and I, and one more, only know.
* * * * *
Here came "O! I could laugh." See page 5.
Here came "We were two pretty babes." See page 9.
Here came, under the heading "Blank Verse," "Childhood," see page 9; "The Grandame," see page 6; "The Sabbath Bells," see page 10, "Fancy employed on Divine Subjects," see page 10; and "Composed at Midnight," see page 26.
* * * * *
TO MARTIN CHARLES BURNEY, ESQ.
(The Dedication to Vol. II. of Lamb's Works, 1818)
Forgive me, BURNEY, if to thee these late
And hasty products of a critic pen,
Thyself no common judge of books and men,
In feeling of thy worth I dedicate.
My verse was offered to an older friend;
The humbler prose has fallen to thy share:
Nor could I miss the occasion to declare,
What spoken in thy presence must offend—
That, set aside some few caprices wild,
Those humorous clouds that flit o'er brightest days,
In all my threadings of this worldly maze,
(And I have watched thee almost from a child),
Free from self-seeking, envy, low design,
I have not found a whiter soul than thine.
ALBUM VERSES
IN THE ALBUM OF A CLERGYMAN'S LADY
(? 1830)
An Album is a Garden, not for show
Planted, but use; where wholesome herbs should grow.
A Cabinet of curious porcelain, where
No fancy enters, but what's rich or rare.
A Chapel, where mere ornamental things
Are pure as crowns of saints, or angels' wings.
A List of living friends; a holier Room
For names of some since mouldering in the tomb,
Whose blooming memories life's cold laws survive;
And, dead elsewhere, they here yet speak, and live.
Such, and so tender, should an Album be;
And, Lady, such I wish this book to thee.
IN THE AUTOGRAPH BOOK OF MRS. SERGEANT W———
Had I a power, Lady, to my will,
You should not want Hand Writings. I would fill
Your leaves with Autographs—resplendent names
Of Knights and Squires of old, and courtly Dames,
Kings, Emperors, Popes. Next under these should stand
The hands of famous Lawyers—a grave band—
Who in their Courts of Law or Equity
Have best upheld Freedom and Property.
These should moot cases in your book, and vie
To show their reading and their Serjeantry.
But I have none of these; nor can I send
The notes by Bullen to her Tyrant penn'd
In her authentic hand; nor in soft hours
Lines writ by Rosamund in Clifford's bowers.
The lack of curious Signatures I moan,
And want the courage to subscribe my own.
IN THE ALBUM OF LUCY BARTON
(1824)
Little Book, surnamed of white,
Clean as yet, and fair to sight,
Keep thy attribution right.
Never disproportion'd scrawl;
Ugly blot, that's worse than all;
On thy maiden clearness fall!
In each letter, here design'd,
Let the reader emblem'd find
Neatness of the owner's mind.
Gilded margins count a sin,
Let thy leaves attraction win
By the golden rules within;
Sayings fetch'd from sages old;
Laws which Holy Writ unfold,
Worthy to be graved in gold:
Lighter fancies not excluding;
Blameless wit, with nothing rude in,
Sometimes mildly interluding
Amid strains of graver measure:
Virtue's self hath oft her pleasure
In sweet Muses' groves of leisure.
Riddles dark, perplexing sense;
Darker meanings of offence;
What but shades—be banished hence.
Whitest thoughts in whitest dress,
Candid meanings, best express
Mind of quiet Quakeress.
IN THE ALBUM OF MISS ———
I
Such goodness in your face doth shine,
With modest look, without design,
That I despair, poor pen of mine
Can e'er express it.
To give it words I feebly try;
My spirits fail me to supply
Befitting language for't, and I
Can only bless it!
II
But stop, rash verse! and don't abuse
A bashful Maiden's ear with news
Of her own virtues. She'll refuse
Praise sung so loudly.
Of that same goodness, you admire,
The best part is, she don't aspire
To praise—nor of herself desire
To think too proudly.
IN THE ALBUM OF A VERY YOUNG LADY
(? 1830)
Joy to unknown Josepha who, I hear,
Of all good gifts, to Music most is given;
Science divine, which through the enraptured ear
Enchants the Soul, and lifts it nearer Heaven.
Parental smiles approvingly attend
Her pliant conduct of the trembling keys,
And listening strangers their glad suffrage lend.
Most musical is Nature. Birds—and Bees
At their sweet labour—sing. The moaning winds
Rehearse a lesson to attentive minds.
In louder tones "Deep unto Deep doth call;"
And there is Music in the Waterfall.
IN THE ALBUM OF A FRENCH TEACHER (? 1829)
Implored for verse, I send you what I can;
But you are so exact a Frenchwoman,
As I am told, Jemima, that I fear
To wound with English your Parisian ear,
And think I do your choice collection wrong
With lines not written in the Frenchman's tongue.
Had I a knowledge equal to my will,
With airy Chansons I your leaves would fill;
With Fabliaux, that should emulate the vein
Of sprightly Cresset, or of La Fontaine;
Or Scenes Comiques, that should approach the air
Of your own favourite—renowned Moliere.
But at my suit the Muse of France looks sour,
And strikes me dumb! Yet, what is in my power
To testify respect for you, I pray,
Take in plain English—our rough Enfield way.
IN THE ALBUM OF MISS DAUBENY
I
Some poets by poetic law
Have Beauties praised, they never saw;
And sung of Kittys, and of Nancys,
Whose charms but lived in their own fancies.
So I, to keep my Muse a going,
That willingly would still be doing,
A Canzonet or two must try
In praise of—pretty Daubeny.
II
But whether she indeed be comely,
Or only very good and homely,
Of my own eyes I cannot say;
I trust to Emma Isola.
But sure I think her voice is tuneful,
As smoothest birds that sing in June full;
For else would strangely disagree
The flowing name of—Daubeny.
III
I hear that she a Book hath got—
As what young Damsel now hath not,
In which they scribble favorite fancies,
Copied from poems or romances?
And prettiest draughts, of her design,
About the curious Album shine;
And therefore she shall have for me
The style of—tasteful Daubeny.
IV
Thus far I have taken on believing;
But well I know without deceiving,
That in her heart she keeps alive still
Old school-day likings, which survive still
In spite of absence—worldly coldness—
And thereon can my Muse take boldness
To crown her other praises three
With praise of—friendly Daubeny.