WeRead Powered by ReaderPub
The Works of Charles and Mary Lamb — Volume 6 / Letters 1821-1842 cover

The Works of Charles and Mary Lamb — Volume 6 / Letters 1821-1842

Chapter 181: LETTER 440
Open in WeRead

About This Book

A curated selection of correspondence by Charles and Mary Lamb, dated 1821–1842, that records domestic concerns, social visits, and exchanges with contemporary literary figures. The letters mix wit, descriptive anecdote, and practical detail—health, family, publishing, and everyday urban and provincial life—while occasional pieces show how private notes fed later essays. Editorial annotations identify recipients and variants, and appendices present related poems and tributes; chronological arrangement, indexes, and notes assist navigation. Together the documents illuminate the Lambs' conversational tone, social networks, and the texture of early nineteenth-century literary life without imposing an overarching narrative.

        Droop not, dear Emma, dry those falling tears,
        And call up smiles into thy pallid face,
        Pallid and care-worn with thy arduous race:
        In few brief months thou hast done the work of years.
        To young beginnings natural are these fears.
        A right good scholar shalt thou one day be,
        And that no distant one; when even she,
        Who now to thee a star far off appears,
        That most rare Latinist, the Northern Maid—
        The language-loving Sarah[1] of the Lake—
        Shall hail thee Sister Linguist. This will make
        Thy friends, who now afford thee careful aid,
        A recompense most rich for all their pains,
        Counting thy acquisitions their best gains.

[Footnote 1: Daughter of S.T. Coleridge, Esq.; an accomplished linguist in the Greek and Latin tongues, and translatress of a History of the Abipones.]

A letter to an anonymous correspondent, in the summer of 1827, has an amusing passage concerning Emma Isola's Latin. Lamb says that they made Cary laugh by translating "Blast you" into such elegant verbiage as "Deus afflet tibi." He adds, "How some parsons would have goggled and what would Hannah More say? I don't like clergymen, but here and there one. Cary, the Dante Cary, is a model quite as plain as Parson Primrose, without a shade of silliness."

On July 21, 1827, is a letter to Mr. Dillon, whom I do not identify, saying that Lamb has been teaching Emma Isola Latin for the past seven weeks.

"Ass in praesenti." This was Boyer's joke, at Christ's Hospital (see
Vol. I. of this edition).

Here should come a letter from Lamb to Edward White, of the India House, dated August 1, 1827, in which Lamb has some pleasantry about paying postages, and ends by heartily commending White to mind his ledger, and keep his eye on Mr. Chambers' balances.]

LETTER 421

CHARLES LAMB TO MRS. BASIL MONTAGU

[Summer, 1827.]

Dear Madam,—I return your List with my name. I should be sorry that any respect should be going on towards [Clarkson,] and I be left out of the conspiracy. Otherwise I frankly own that to pillarize a man's good feelings in his lifetime is not to my taste. Monuments to goodness, even after death, are equivocal. I turn away from Howard's, I scarce know why. Goodness blows no trumpet, nor desires to have it blown. We should be modest for a modest man—as he is for himself. The vanities of Life—Art, Poetry, Skill military, are subjects for trophies; not the silent thoughts arising in a good man's mind in lonely places. Was I C[larkson,] I should never be able to walk or ride near ——— again. Instead of bread, we are giving him a stone. Instead of the locality recalling the noblest moment of his existence, it is a place at which his friends (that is, himself) blow to the world, "What a good man is he!" I sat down upon a hillock at Forty Hill yesternight—a fine contemplative evening,—with a thousand good speculations about mankind. How I yearned with cheap benevolence! I shall go and inquire of the stone-cutter, that cuts the tombstones here, what a stone with a short inscription will cost; just to say—"Here C. Lamb loved his brethren of mankind." Everybody will come there to love. As I can't well put my own name, I shall put about a subscription:

s. d. Mrs. —— 5 0 Procter 2 6 G. Dyer 1 0 Mr. Godwin 0 0 Mrs. Godwin 0 0 Mr. Irving a watch-chain. Mr. ———- the proceeds of ——— first edition.* ___ ___ 8 6

I scribble in haste from here, where we shall be some time. Pray request Mr. M[ontagu] to advance the guinea for me, which shall faithfully be forthcoming; and pardon me that I don't see the proposal in quite the light that he may. The kindness of his motives, and his power of appreciating the noble passage, I thoroughly agree in.

With most kind regards to him, I conclude, Dear Madam,

Yours truly, C. LAMB.

From Mrs. Leishman's, Chase, Enfield.

*A capital book, by the bye, but not over saleable.

[The memorial to Thomas Clarkson stands on a hill above Wade Mill, on the Buntingford Road, in Hertfordshire.

Forty Hill is close to Enfield.

Edward Irving's watch-chain. The explanation of Lamb's joke is to be found in Carlyle's Reminiscences (quoted also in Froude's Life, Vol. I., page 326). Irving had put down as his contribution to some subscription list, at a public meeting, "an actual gold watch, which he said had just arrived to him from his beloved brother lately dead in India." This rather theatrical action had evidently amused Lamb as it had disgusted Carlyle.

The "first edition" of "Mr. ——-" was, I suppose, Basil Montagu's work on Bacon, which Macaulay reviewed.]

LETTER 422

MARY LAMB TO LADY STODDART

[August 9, 1827.]

My dear Lady-Friend,—My brother called at our empty cottage yesterday, and found the cards of your son and his friend, Mr. Hine, under the door; which has brought to my mind that I am in danger of losing this post, as I did the last, being at that time in a confused state of mind—for at that time we were talking of leaving, and persuading ourselves that we were intending to leave town and all our friends, and sit down for ever, solitary and forgotten, here. Here we are; and we have locked up our house, and left it to take care of itself; but at present we do not design to extend our rural life beyond Michaelmas. Your kind letter was most welcome to me, though the good news contained in it was already known to me. Accept my warmest congratulations, though they come a little of the latest. In my next I may probably have to hail you Grandmama; or to felicitate you on the nuptials of pretty Mary, who, whatever the beaux of Malta may think of her, I can only remember her round shining face, and her "O William!"—"dear William!" when we visited her the other day at school. Present my love and best wishes—a long and happy married life to dear Isabella—I love to call her Isabella; but in truth, having left your other letter in town, I recollect no other name she has.

The same love and the same wishes—in futuro—to my friend Mary. Tell her that her "dear William" grows taller, and improves in manly looks and manlike behaviour every time I see him. What is Henry about? and what should one wish for him? If he be in search of a wife, I will send him out Emma Isola.

You remember Emma, that you were so kind as to invite to your ball? She is now with us; and I am moving heaven and earth, that is to say, I am pressing the matter upon all the very few friends I have that are likely to assist me in such a case, to get her into a family as a governess; and Charles and I do little else here than teach her something or other all day long.

We are striving to put enough Latin into her to enable her to begin to teach it to young learners. So much for Emma —for you are so fearfully far away, that I fear it is useless to implore your patronage for her.

I have not heard from Mrs. Hazlitt a long time. I believe she is still with Hazlitt's mother in Devonshire.

I expect a pacquet of manuscript from you: you promised me the office of negotiating with booksellers, and so forth, for your next work. Is it in good forwardness? or do you grow rich and indolent now? It is not surprising that your Maltese story should find its way into Malta; but I was highly pleased with the idea of your pleasant surprise at the sight of it. I took a large sheet of paper, in order to leave Charles room to add something more worth reading than my poor mite.

May we all meet again once more!

M. LAMB.

LETTER 423

CHARLES LAMB TO SIR JOHN STODDART

(Same letter: Lamb's share)

Dear Knight—Old Acquaintance—'Tis with a violence to the pure imagination (vide the "Excursion" passim) that I can bring myself to believe I am writing to Dr. Stoddart once again, at Malta. But the deductions of severe reason warrant the proceeding. I write from Enfield, where we are seriously weighing the advantages of dulness over the over-excitement of too much company, but have not yet come to a conclusion. What is the news? for we see no paper here; perhaps you can send us an old one from Malta. Only, I heard a butcher in the market-place whisper something about a change of ministry. I don't know who's in or out, or care, only as it might affect you. For domestic doings, I have only to tell, with extreme regret, that poor Elisa Fenwick (that was)—Mrs. Rutherford—is dead; and that we have received a most heart-broken letter from her mother—left with four grandchildren, orphans of a living scoundrel lurking about the pothouses of Little Russell Street, London: they and she—God help 'em!—at New York. I have just received Godwin's third volume of the Republic, which only reaches to the commencement of the Protectorate. I think he means to spin it out to his life's thread. Have you seen Fearn's Anti-Tooke? I am no judge of such things—you are; but I think it very clever indeed. If I knew your bookseller, I'd order it for you at a venture: 'tis two octavos, Longman and Co. Or do you read now? Tell it not in the Admiralty Court, but my head aches hesterno vino. I can scarce pump up words, much less ideas, congruous to be sent so far. But your son must have this by to-night's post.[Here came a passage relating to an escapade of young Stoddart, then at the Charterhouse, which, probably through Lamb's intervention, was treated leniently. Lamb helped him—with his imposition— Gray's "Elegy" into Greek elegiacs.] Manning is gone to Rome, Naples, etc., probably to touch at Sicily, Malta, Guernsey, etc.; but I don't know the map. Hazlitt is resident at Paris, whence he pours his lampoons in safety at his friends in England. He has his boy with him. I am teaching Emma Latin. By the time you can answer this, she will be qualified to instruct young ladies: she is a capital English reader: and S.T.C. acknowledges that a part of a passage in Milton she read better than he, and part he read best, her part being the shorter. But, seriously, if Lady St——— (oblivious pen, that was about to write Mrs.!) could hear of such a young person wanted (she smatters of French, some Italian, music of course), we'd send our loves by her. My congratulations and assurances of old esteem. C.L.

[Stoddart had been appointed in 1826 Chief-Justice and Justice of the
Vice-Admiralty Court in Malta and had been knighted in the same year.
His daughter Isabella had just married. Lady Stoddart's literary efforts
did not, I think, reach print.

"The deductions of severe reason." See the quotation from Cottle in the letter to Manning of November, 1802.

"A change of ministry." On Liverpool's resignation early in 1827 Canning had been called in to form a new Ministry, which he effected by an alliance with the Whigs.

"Godwin's Republic"—History of the Commonwealth of England, in four volumes, 1824-1828.

"Fearn's Anti-Tooke"—Anti-Tooke; or, An Analysis of the Principles and Structure of Language Exemplified in the English Tongue, 1824.

Here should come a note from Lamb to Hone, dated August 10, 1827, in which Lamb expresses regret for Matilda Hone's illness.]

LETTER 424

CHARLES LAMB TO BERNARD BARTON

[P.M. 10 August, 1827.]

Dear B.B.—I have not been able to: answer you, for we have had, and are having (I just snatch a moment), our poor quiet retreat, to which we fled from society, full of company, some staying with us, and this moment as I write almost a heavy importation of two old Ladies has come in. Whither can I take wing from the oppression of human faces? Would I were in a wilderness of Apes, tossing cocoa nuts about, grinning and grinned at!

Mitford was hoaxing you surely about my Engraving, 'tis a little sixpenny thing, too like by half, in which the draughtsman has done his best to avoid flattery. There have been 2 editions of it, which I think are all gone, as they have vanish'd from the window where they hung, a print shop, corner of Great and Little Queen Streets, Lincolns Inn fields, where any London friend of yours may inquire for it; for I am (tho' you won't understand it) at Enfield (Mrs. Leishman's, Chase). We have been here near 3 months, and shall stay 2 or more, if people will let us alone, but they persecute us from village to village. So don't direct to Islington again, till further notice.

I am trying my hand at a Drama, in 2 acts, founded on Crabbe's
"Confidant," mutatis mutandis.

You like the Odyssey. Did you ever read my "Adventures of Ulysses," founded on Chapman's old translation of it? for children or men. Ch. is divine, and my abridgment has not quite emptied him of his divinity. When you come to town I'll show it you.

You have well described your old fashioned Grand-paternall Hall. Is it not odd that every one's earliest recollections are of some such place. I had my Blakesware (Blakesmoor in the "London"). Nothing fills a childs mind like a large old Mansion [one or two words wafered over]; better if un-or-partially-occupied; peopled with the spirits of deceased members of [for] the County and Justices of the Quorum. Would I were buried in the peopled solitude of one, with my feelings at 7 years old.

Those marble busts of the Emperors, they seem'd as if they were to stand for ever, as they had stood from the living days of Rome, in that old Marble Hall, and I to partake of their permanency; Eternity was, while I thought not of Time. But he thought of me, and they are toppled down, and corn covers the spot of the noble old Dwelling and its princely gardens. I feel like a grasshopper that chirping about the grounds escaped his scythe only by my littleness. Ev'n now he is whetting one of his smallest razors to clean wipe me out, perhaps. Well!

["My Engraving"—Brook Pulham's caricature.

"You have well described your … Grand-paternall Hall." Barton wrote the following account of this house, the home of his step-grandfather at Tottenham; but I do not know whether it is the same that Lamb saw:—

My most delightful recollections of boyhood are connected with the fine old country-house in a green lane diverging from the high road which runs through Tottenham. I would give seven years of life as it now is, for a week of that which I then led. It was a large old house, with an iron palisade and a pair of iron gates in front, and a huge stone eagle on each pier. Leading up to the steps by which you went up to the hall door, was a wide gravel walk, bordered in summer time by huge tubs, in which were orange and lemon trees, and in the centre of the grass-plot stood a tub yet huger, holding an enormous aloe, The hall itself, to my fancy then lofty and wide as a cathedral would seem now, was a famous place for battledore and shuttlecock; and behind was a garden, equal to that of old Alcinous himself. My favourite walk was one of turf by a long straight pond, bordered with lime-trees. But the whole demesne was the fairy ground of my childhood; and its presiding genius was grandpapa. He must have been a very handsome man in his youth, for I remember him at nearly eighty, a very fine-looking one, even in the decay of mind and body. In the morning a velvet cap; by dinner, a flaxen wig; his features always expressive of benignity and placid cheerfulness. When he walked out into the garden, his cocked hat and amber-headed cane completed his costume. To the recollection of this delightful personage, I am, I think, indebted for many soothing and pleasing associations, with old age.

"Those marble busts of the Emperors." See the Elia essay "Blakesmoor in H——shire," in Vol. II, of this edition.]

LETTER 425

CHARLES LAMB TO BERNARD BARTON

28th of Aug., 1827.

I have left a place for a wafer, but can't find it again.

Dear B.B.—I am thankful to you for your ready compliance with my wishes. Emma is delighted with your verses, to which I have appended this notice "The 6th line refers to the child of a dear friend of the author's, named Emma," without which it must be obscure; and have sent it with four Album poems of my own (your daughter's with your heading, requesting it a place next mine) to a Mr. Fraser, who is to be editor of a more superb Pocket book than has yet appeared by far! the property of some wealthy booksellers, but whom, or what its name, I forgot to ask. It is actually to have in it schoolboy exercises by his present Majesty and the late Duke of York, so Lucy will come to Court; how she will be stared at! Wordsworth is named as a Contributor. Frazer, whom I have slightly seen, is Editor of a forth-come or coming Review of foreign books, and is intimately connected with Lockhart, &c. so I take it that this is a concern of Murray's. Walter Scott also contributes mainly. I have stood off a long time from these Annuals, which are ostentatious trumpery, but could not withstand the request of Jameson, a particular friend of mine and Coleridge.

I shall hate myself in frippery, strutting along, and vying finery with
Beaux and Belles

with "Future Lord Byrons and sweet L.E.L.'s."—

Your taste I see is less simple than mine, which the difference of our persuasions has doubtless effected. In fact, of late you have so frenchify'd your style, larding it with hors de combats, and au desopoirs, that o' my conscience the Foxian blood is quite dried out of you, and the skipping Monsieur spirit has been infused. Doth Lucy go to Balls? I must remodel my lines, which I write for her. I hope A.K. keeps to her Primitives. If you have any thing you'd like to send further, I don't know Frazer's address, but I sent mine thro' Mr. Jameson, 19 or 90 Cheyne Street, Totnam Court road. I dare say an honourable place wou'd be given to them; but I have not heard from Frazer since I sent mine, nor shall probably again, and therefore I do not solicit it as from him.

Yesterday I sent off my tragi comedy to Mr. Kemble. Wish it luck. I made it all ('tis blank verse, and I think, of the true old dramatic cut) or most of it, in the green lanes about Enfield, where I am and mean to remain, in spite of your peremptory doubts on that head.

Your refusal to lend your poetical sanction to my Icon, and your reasons to Evans, are most sensible. May be I may hit on a line or two of my own jocular. May be not.

Do you never Londonize again? I should like to talk over old poetry with you, of which I have much, and you I think little. Do your Drummonds allow no holydays? I would willingly come and w[ork] for you a three weeks or so, to let you loose. Would I could sell or give you some of my Leisure! Positively, the best thing a man can have to do is nothing, and next to that perhaps—good works.

I am but poorlyish, and feel myself writing a dull letter; poorlyish from Company, not generally, for I never was better, nor took more walks, 14 miles a day on an average, with a sporting dog—Dash—you would not know the plain Poet, any more than he doth recognize James Naylor trick'd out au deserpoy (how do you spell it.) En Passant, J'aime entendre da mon bon hommè sur surveillance de croix, ma pas l'homme figuratif—do you understand me?

[The verses with which Emma was delighted were probably written for her album. I have not seen them. That album was cut up for the value of its autographs and exists now only in a mutilated state: where, I cannot discover. The pocket-book was The Bijou, 1828, edited by William Fraser for Pickering. Only one of Lamb's contributions was included: his verses for his own album (see Vol. IV. of this edition).

Jameson was Robert Jameson, to whom Hartley Coleridge addressed the sonnets in the London Magazine to which Lamb alludes in a previous letter. He was the husband of Mrs. Jameson, author of Sacred and Legendary Art, but the marriage was not happy. He lived in Chenies Street.

"Future Lord Byrons and sweet L.E.L.'s." A line from some verses written
by Lamb in more than one album. Probably originally intended for Emma
Isola's album. The passage runs, answering the question, "What is an
Album?"—

        'Tis a Book kept by modern Young Ladies for show,
        Of which their plain grandmothers nothing did know.
        'Tis a medley of scraps, fine verse, and fine prose,
        And some things not very like either, God knows.
        The soft First Effusions of Beaux and of Belles,
        Of future Lord Byrons and sweet L.E.L.'s.

L.E.L. was, of course, the unhappy Letitia Landon, a famous contributor to the published albums.

"My tragi comedy." Still "The Wife's Trial." Kemble was Charles Kemble, manager of Covent Garden Theatre. The play was never acted.

"Your refusal to lend your poetical sanction." This is not clear, but I think the meaning to be deducible. The Icon was Pulham's etching of Lamb. Evans was William Evans, who had grangerised Byron's English Bards and Scotch Reviewers. I take it that he was now making another collection of portraits of poets and was asking other poets, their friends, to write verses upon them. In this way he had applied through Lamb to Barton for verses on Pulham's Elia, and had been refused. This is, of course, only conjecture.

"Your Drummonds"—your bankers. Barton's bankers were the Alexanders, a
Quaker firm.

"James Naylor." Barton had paraphrased Nayler's "Testimony."

Following this letter, under the date August 29, 1827, should come a letter from Lamb to Robert Jameson (husband of Mrs. Jameson) asking him to interest himself in Miss Isola's career. "Our friend Coleridge will bear witness to the very excellent manner in which she read to him some of the most difficult passages in the Paradise Lost."]

LETTER 426

CHARLES LAMB TO P.G. PATMORE

Mrs. Leishman's, Chace, Enfield,

September, 1827.

Dear Patmore—Excuse my anxiety—but how is Dash? (I should have asked if Mrs. Patmore kept her rules, and was improving—but Dash came uppermost. The order of our thoughts should be the order of our writing.) Goes he muzzled, or aperto ore? Are his intellects sound, or does he wander a little in his conversation? You cannot be too careful to watch the first symptoms of incoherence. The first illogical snarl he makes, to St. Luke's with him! All the dogs here are going mad, if you believe the overseers; but I protest they seem to me very rational and collected. But nothing is so deceitful as mad people to those who are not used to them. Try him with hot water. If he won't lick it up, it is a sign he does not like it. Does his tail wag horizontally or perpendicularly? That has decided the fate of many dogs in Enfield. Is his general deportment cheerful? I mean when he is pleased—for otherwise there is no judging. You can't be too careful. Has he bit any of the children yet? If he has, have them shot, and keep him for curiosity, to see if it was the hydrophobia. They say all our army in India had it at one time—but that was in Hyder-Ally's time. Do you get paunch for him? Take care the sheep was sane. You might pull out his teeth (if he would let you), and then you need not mind if he were as mad as a Bedlamite. It would be rather fun to see his odd ways. It might amuse Mrs. Patmore and the children. They'd have more sense than he! He'd be like a Fool kept in the family, to keep the household in good humour with their own understanding. You might teach him the mad dance set to the mad howl. Madge Owl-et would be nothing to him. "My, how he capers!" [In the margin is written:] One of the children speaks this.

[Three lines here are erased.] What I scratch out is a German quotation from Lessing on the bite of rabid animals; but, I remember, you don't read German. But Mrs. Patmore may, so I wish I had let it stand. The meaning in English is—"Avoid to approach an animal suspected of madness, as you would avoid fire or a precipice:—" which I think is a sensible observation. The Germans are certainly profounder than we.

If the slightest suspicion arises in your breast, that all is not right with him (Dash), muzzle him, and lead him in a string (common pack-thread will do; he don't care for twist) to Hood's, his quondam master, and he'll take him in at any time. You may mention your suspicion or not, as you like, or as you think it may wound or not Mr. H.'s feelings. Hood, I know, will wink at a few follies in Dash, in consideration of his former sense. Besides, Hood is deaf, and if you hinted anything, ten to one he would not hear you. Besides, you will have discharged your conscience, and laid the child at the right door, as they say.

We are dawdling our time away very idly and pleasantly, at a Mrs. Leishman's, Chace, Enfield, where, if you come a-hunting, we can give you cold meat and a tankard. Her husband is a tailor; but that, you know, does not make her one. I knew a jailor (which rhymes), but his wife was a fine lady.

Let us hear from you respecting Mrs. Patmore's regimen. I send my love in a ——— to Dash. C. LAMB.

[On the outside of the letter was written:—]

Seriously, I wish you would call upon Hood when you are that way. He's a capital fellow. I sent him a couple of poems —one ordered by his wife, and written to order; and 'tis a week since, and I've not heard from him. I fear something is the matter.

Omitted within

Our kindest remembrance to Mrs. P.

[This is from Patmore's My Friends and Acquaintances, 1854; but again
I have no confidence in Patmore's transcription.

Dash had been Hood's dog, and afterwards was Lamb's; while at one time Moxon seems to have had the care of it. Patmore possibly was taking Dash while the Lambs were at Mrs. Leishman's. One of the children who might be amused by the dog's mad ways was Coventry Patmore, afterwards the poet, then nearly four years old.]

LETTER 427

CHARLES LAMB TO JOHN BATES DIBDIN

[P.M. September 5, 1827.]

Dear Dib,—Emma Isola, who is with us, has opened an ALBUM: bring some verses with you for it on Sat'y evening. Any fun will do. I am teaching her Latin; you may make something of that. Don't be modest. For in it you shall appear, if I rummage out some of your old pleasant letters for rhymes. But an original is better.

Has your pa[1] any scrap? C.L.

We shall be MOST glad to see your sister or sisters with you. Can't you contrive it? Write in that case.

[Footnote 1: the infantile word for father.]

[On the blank pages inside the letter Dibdin seems to have jotted down ideas for his contribution to the album. Unfortunately, as I have said, the album is not forthcoming.]

LETTER 428

CHARLES LAMB TO JOHN BATES DIBDIN

[P.M. September 13, 1827.]

Dear John—Your verses are very pleasant, and have been adopted into the splendid Emmatic constellation, where they are not of the least magnitude. She is delighted with their merit and readiness. They are just the thing. The 14th line is found. We advertised it. Hell is cooling for want of company. We shall make it up along with our kitchen fire to roast you into our new House, where I hope you will find us in a few Sundays. We have actually taken it, and a compact thing it will be.

Kemble does not return till the month's end. My heart sometimes is good, sometimes bad, about it, as the day turns out wet or walky.

Emma has just died, choak'd with a Gerund in dum. On opening her we found a Participle in rus in the pericordium. The king never dies, which may be the reason that it always REIGNS here.

We join in loves. C.L. his orthograph.

what a pen!

the Umberella is cum bak.

LETTER 429

CHARLES LAMB TO JOHN BATES DIBDIN

[P.M. September 18, 1827.]

My dear, and now more so, JOHN—

How that name smacks! what an honest, full, English, and yet withal holy and apostolic sound it bears, above the methodistical priggish Bishoppy name of Timothy, under which I had obscured your merits!

What I think of the paternal verses, you shall read within, which I assure you is not pen praise but heart praise.

It is the gem of the Dibdin Muses.

I have got all my books into my new house, and their readers in a fortnight will follow, to whose joint converse nobody shall be more welcome than you, and any of yours.

The house is perfection to our use and comfort.

Milton is come. I wish Wordsworth were here to meet him. The next importation is of pots and saucepans, window curtains, crockery and such base ware.

The pleasure of moving, when Becky moves for you. O the moving Becky!

I hope you will come and warm the house with the first.

From my temporary domicile, Enfield.

ELIA, that "is to go."—

[The paternal verses were probably a contribution by Charles
Dibdin the Younger for Emma Isola's album. The Lambs were
just moving to Enfield for good, as they hoped (see next letter),
Milton was the portrait.]

LETTER 430

CHARLES LAMB TO THOMAS HOOD

Tuesday [September 18, 1827],

Dear Hood,

If I have any thing in my head, I will send it to Mr. Watts. Strictly speaking he should have had my Album verses, but a very intimate friend importund me for the trifles, and I believe I forgot Mr. Watts, or lost sight at the time of his similar Souvenir. Jamieson conveyed the farce from me to Mrs. C. Kemble, he will not be in town before the 27th. Give our kind loves to all at Highgate, and tell them that we have finally torn ourselves out right away from Colebrooke, where I had no health, and are about to domiciliate for good at Enfield, where I have experienced good.

            Lord what good hours do we keep!
            How quietly we sleep!

See the rest in the Complete Angler. We have got our books into our new house. I am a drayhorse if I was not asham'd of the indigested dirty lumber, as I toppled 'em out of the cart, and blest Becky that came with 'em for her having an unstuffd brain with such rubbish. We shall get in by Michael's mass. Twas with some pain we were evuls'd from Colebrook. You may find some of our flesh sticking to the door posts. To change habitations is to die to them, and in my time I have died seven deaths. But I don't know whether every such change does not bring with it a rejuvenescence. Tis an enterprise, and shoves back the sense of death's approximating, which tho' not terrible to me, is at all times particularly distasteful. My house-deaths have generally been periodical, recurring after seven years, but this last is premature by half that time. Cut off in the flower of Colebrook. The Middletonian stream and all its echoes mourn. Even minnows dwindle. A parvis fiunt MINIMI. I fear to invite Mrs. Hood to our new mansion, lest she envy it, & rote [? rout] us. But when we are fairly in, I hope she will come & try it. I heard she & you were made uncomfortable by some unworthy to be cared for attacks, and have tried to set up a feeble counteraction thro' the Table Book of last Saturday. Has it not reach'd you, that you are silent about it? Our new domicile is no manor house, but new, & externally not inviting, but furnish'd within with every convenience. Capital new locks to every door, capital grates in every room, with nothing to pay for incoming & the rent £10 less than the Islington one. It was built a few years since at £1100 expence, they tell me, & I perfectly believe it. And I get it for £35 exclusive of moderate taxes. We think ourselves most lucky. It is not our intention to abandon Regent Street, & West End perambulations (monastic & terrible thought!), but occasionally to breathe the FRESHER AIR of the metropolis. We shall put up a bedroom or two (all we want) for occasional ex-rustication, where we shall visit, not be visited. Plays too we'll see,—perhaps our own. Urban! Sylvani, & Sylvan Urbanuses in turns. Courtiers for a spurt, then philosophers. Old homely tell-truths and learn-truths in the virtuous shades of Enfield, Liars again and mocking gibers in the coffee houses & resorts of London. What can a mortal desire more for his bi-parted nature?

O the curds & cream you shall eat with us here!

O the turtle soup and lobster sallads we shall devour with you there!

O the old books we shall peruse here!

O the new nonsense we shall trifle over there!

O Sir T. Browne!—here.

O Mr. Hood & Mr. Jerdan there,

thine,

C (urbanus) L (sylvanus) (ELIA ambo)—

Inclos'd are verses which Emma sat down to write, her first, on the eve after your departure. Of course they are only for Mrs. H.'s perusal. They will shew at least, that one of our party is not willing to cut old friends. What to call 'em I don't know. Blank verse they are not, because of the rhymes—Rhimes they are not, because of the blank verse. Heroics they are not, because they are lyric, lyric they are not, because of the Heroic measure. They must be call'd EMMAICS.———

[Mr. Watts was Alaric A. Watts.

"Thro' the Table Book." Lamb contributed to Hone's Table Book a prose paraphrase of Hood's Plea, of the Midsummer Fairies, just published, which had been dedicated to him, under the title "The Defeat of Time." In a previous number Moxon had addressed to Hood a eulogistic sonnet on the same subject. The attacks on Hood I have not sought.

"We shall put up a bedroom." This project was very imperfectly carried out. Indeed Lamb practically lost London from this date, his subsequent visits there being as a rule not fortunate.

"Mr. Jerdan"—William Jerdan, editor of the Literary Gazette.

"Emmaics." These verses are no longer forthcoming.

Here should come a letter to Allsop dated September 25, 1827, saying that Mary Lamb has her nurse Miss James and the house is melancholy. Given in the Boston Bibliophile edition.]

LETTER 431

CHARLES LAMB TO HENRY COLBURN

[Dated at end: September 25, 1827.]

Dear Sir—I beg leave in the warmest manner to recommend to your notice Mr. Moxon, the Bearer of this, if by any chance yourself should want a steady hand in your business, or know of any Publisher that may want such a one. He is at present in the house of Messrs. Longman and Co., where he has been established for more than six years, and has the conduct of one of the four departments of the Country line. A difference respecting Salary, which he expected to be a little raised on his last promotion, makes him wish to try to better himself. I believe him to be a young man of the highest integrity, and a thorough man of business; and should not have taken the liberty of recommending him, if I had not thought him capable of being highly useful.

                       I am,
                         Sir,
                           with great respect,
                             your hble Serv't
                               CHARLES LAMB.

Enfield, Chace Side, 25th Sep. 1827.

[Moxon did not go to Colburn, but to Hurst & Co. in St. Paul's
Churchyard.]

LETTER 432

CHARLES LAMB TO EDWARD MOXON

[No date. ?Sept. 26, 1827.]

Pray, send me the Table Book.

Dear M. Our pleasant meeting[s] for some time are suspended. My sister was taken very ill in a few hours after you left us (I had suspected it),—and I must wait eight or nine weeks in slow hope of her recovery. It is her old complaint. You will say as much to the Hoods, and to Mrs. Lovekin, and Mrs. Hazlitt, with my kind love.

We are in the House, that is all. I hope one day we shall both enjoy it, and see our friends again. But till then I must be a solitary nurse.

I am trying Becky's sister to be with her, so don't say anything to Miss
James.

Yours truly

CH. LAMB.

Monday. I will send your books soon.

[Miss James was, as we have seen, Mary Lamb's regular nurse. She had subsequently to be sent for. I do not identify Mrs. Lovekin.]

LETTER 433

CHARLES LAMB TO HENRY CRABB ROBINSON

[Dated at end: October 1 (1827).]

Dear R.—I am settled for life I hope, at Enfield. I have taken the prettiest compactest house I ever saw, near to Antony Robinson's, but alas! at the expence of poor Mary, who was taken ill of her old complaint the night before we got into it. So I must suspend the pleasure I expected in the surprise you would have had in coming down and finding us householders.

Farewell, till we can all meet comfortable. Pray, apprise Martin Burney. Him I longed to have seen with you, but our house is too small to meet either of you without her knowledge.

God bless you.

C. LAMB.

Chase Side 1st Oct'r

[Antony Robinson, a prominent Unitarian, a friend but no relation of Crabb Robinson's, had died in the previous January. His widow still lived at Enfield.]

LETTER 434

CHARLES LAMB TO JOHN BATES DIBDIN

[P.M. October 2, 1827.]

My dear Dibdin, It gives me great pain to have to say that I cannot have the pleasure of seeing you for some time. We are in our house, but Mary has been seized with one of her periodical disorders—a temporary derangement—which commonly lasts for two months. You shall have the first notice of her convalescence. Can you not send your manuscript by the Coach? directed to Chase Side, next to Mr. Westwood's Insurance office. I will take great care of it.

Yours most Truly C. LAMB.

LETTER 435

CHARLES LAMB TO BARRON FIELD

Oct. 4th, 1827.

I am not in humour to return a fit reply to your pleasant letter. We are fairly housed at Enfield, and an angel shall not persuade me to wicked London again. We have now six sabbath days in a week for—none! The change has worked on my sister's mind, to make her ill; and I must wait a tedious time before we can hope to enjoy this place in unison. Enjoy it, when she recovers, I know we shall. I see no shadow, but in her illness, for repenting the step! For Mathews —I know my own utter unfitness for such a task. I am no hand at describing costumes, a great requisite in an account of mannered pictures. I have not the slightest acquaintance with pictorial language even. An imitator of me, or rather pretender to be me, in his Rejected Articles, has made me minutely describe the dresses of the poissardes at Calais!—I could as soon resolve Euclid. I have no eye for forms and fashions. I substitute analysis, and get rid of the phenomenon by slurring in for it its impression. I am sure you must have observed this defect, or peculiarity, in my writings; else the delight would be incalculable in doing such a thing for Mathews, whom I greatly like—and Mrs. Mathews, whom I almost greatlier like. What a feast 'twould be to be sitting at the pictures painting 'em into words; but I could almost as soon make words into pictures. I speak this deliberately, and not out of modesty. I pretty well know what I can't do.

My sister's verses are homely, but just what they should be; I send them, not for the poetry, but the good sense and good-will of them. I was beginning to transcribe; but Emma is sadly jealous of its getting into more hands, and I won't spoil it in her eyes by divulging it. Come to Enfield, and read it. As my poor cousin, the bookbinder, now with God, told me, most sentimentally, that having purchased a picture of fish at a dead man's sale, his heart ached to see how the widow grieved to part with it, being her dear husband's favourite; and he almost apologised for his generosity by saying he could not help telling the widow she was "welcome to come and look at it"—e.g. at his house—"as often as she pleased." There was the germ of generosity in an uneducated mind. He had just reading enough from the backs of books for the "nec sinit esse feros"—had he read inside, the same impulse would have led him to give back the two-guinea thing—with a request to see it, now and then, at her house. We are parroted into delicacy.—Thus you have a tale for a Sonnet.

Adieu! with (imagine both) our loves. C. LAMB.

[The suggestion had been made to Lamb, through Barron Field, that he should write a descriptive catalogue of Charles Mathews' collection of theatrical portraits; Lamb having already touched upon them in his "Old Actors" articles in the London Magazine (see Vol. II. of this edition). When they were exhibited, after Mathews' death, at the Pantheon in Oxford Street, Lamb's remarks were appended to the catalogue raisonné. They are now at the Garrick Club.

"An imitator of me." P.G. Patmore's Rejected Articles, 1826, leads off with "An Unsentimental Journey" by Elia which is, except for a fitful superficial imitation of some of Lamb's mannerisms, as unlike him as could well be. The description of the butterwomen's dress, to which Lamb refers, will illustrate the divergence between Elia and his parodist:—

Her attire is fashioned as follows: and it differs from all her tribe only in the relative arrangement of its colours. On the body a crimson jacket, of a thick, solid texture, and tight to the shape; but without any pretence at ornament. This is met at the waist (which is neither long, nor short, but exactly where nature placed it) by a dark blue petticoat, of a still thicker texture, so that it hangs in large plaits where it is gathered in behind. Over this, in front, is tied tightly round the waist, so as to keep all trim and compact, a dark apron, the string of which passes over the little fulled skirt of the jacket behind, and makes it stick out smartly and tastily, while it clips the waist in. The head-gear consists of a sort of mob cap, nothing of which but the edge round the face can be seen, on account of the kerchief (of flowered cotton) which is passed over it, hood fashion, and half tied under the chin. This head-kerchief is in place of the bonnet—a thing not to be seen among the whole five hundred females who make up this pleasant show. Indeed, varying the colours of the different articles, this description applies to every dress of the whole assembly; except that in some the fineness of the day has dispensed with the kerchief, and left the snow-white cap exposed; and in others, the whole figure (except the head) is coyishly covered and concealed by a large hooded cloak of black cloth, daintily lined with silk, and confined close up to the throat by an embossed silver clasp, but hanging loosely down to the heels, in thick, full folds. The petticoat is very short; the trim ancles are cased in close-fit hose of dark, sober, slate colour; and the shoes, though thick and serviceable like all the rest of the costume, fit the foot as neatly as those which are not made to walk in.

Patmore tells us that his first meeting with the Lambs was immediately after they had first seen his book; and they left the house intent upon reading it.

"My sister's verses." I think these would probably be the lines on Emma learning Latin which I have quoted above.

Here should come a very pleasant letter from Lamb to Dodwell, of the India House, dated October 7, 1827. Lamb thanks Dodwell, to whom there is an earlier letter extant, for a pig. He first describes his new house at Enfield, and then breaks off about the cooking of the pig, bidding Becky do it "nice and crips." The rest is chaff concerning the India House and Dodwell's fellow-clerks.]

LETTER 436

CHARLES LAMB TO WILLIAM HONE

[No date. ? Oct., 1827.]

Dear Hone,—having occasion to write to Clarke I put in a bit to you. I see no Extracts in this N'o. You should have three sets in hand, one long one in particular from Atreus and Thyestes, terribly fine. Don't spare 'em; with fragments, divided as you please, they'll hold out to Xmas. What I have to say is enjoined me most seriously to say to you by Moxon. Their country customers grieve at getting the Table Book so late. It is indispensable it should appear on Friday. Do it but once, & you'll never know the difference.

FABLE

A boy at my school, a cunning fox, for one penny ensured himself a hot roll & butter every morning for ever. Some favor'd ones were allowed a roll & butter to their breakfasts. He had none. But he bought one one morning. What did he do? He did not eat it, but cutting it in two, sold each one of the halves to a half-breakfasted Blue Boy for his whole roll to-morrow. The next day he had a whole roll to eat, and two halves to swap with other two boys, who had eat their cake & were still not satiated, for whole ones to-morrow. So on ad infinitum. By one morning's abstinence he feasted seven years after.

APPLICATION

Bring out the next N'o. on Friday, for country correspondents' sake. I[t] will be one piece of exertion, and you will go right ever after, for you will have just the time you had before, to bring it out ever after by the Friday.

You don't know the difference in getting a thing early. Your correspondents are your authors. You don't know how an author frets to know the world has got his contribution, when he finds it not on his breakfast table.

ONCE in this case is EVER without a grain of trouble afterw'ds.

I won't like you or speak to you if you don't try it once.

Yours, on that condition,

C. LAMB.

[This letter is dated by Mr. Hazlitt conjecturally 1826, but I think it more probably October, 1827, as the extracts (passages from Crowne's "Thyestes") contributed by Lamb to Hone's Table Book were printed late in 1827.

In Lamb's next note to Hone he says how glad he was to receive the Table Book early on Friday: the result of the fable.]

LETTER 437

CHARLES LAMB TO THOMAS HOOD

[No date. ? 1827.]

Dear H.,—Emma has a favour, besides a bed, to ask of Mrs. Hood. Your parcel was gratifying. We have all been pleased with Mrs. Leslie; I speak it most sincerely. There is much manly sense with a feminine expression, which is my definition of ladies' writing.

[Mrs. Leslie and Her Grandchildren, 1827, was the title of a book for children by Mrs. Reynolds, mother of John Hamilton Reynolds and Mrs. Hood, and wife of the Writing Master at Christ's Hospital.]

LETTER 438

CHARLES LAMB TO BERNARD BARTON

[No date. Late 1827.]

My dear B.B.—You will understand my silence when I tell you that my sister, on the very eve of entering into a new house we have taken at Enfield, was surprised with an attack of one of her sad long illnesses, which deprive me of her society, tho' not of her domestication, for eight or nine weeks together. I see her, but it does her no good. But for this, we have the snuggest, most comfortable house, with every thing most compact and desirable. Colebrook is a wilderness. The Books, prints, etc., are come here, and the New River came down with us. The familiar Prints, the Bust, the Milton, seem scarce to have changed their rooms. One of her last observations was "how frightfully like this room is to our room in Islington"—our up-stairs room, she meant. How I hope you will come some better day, and judge of it! We have tried quiet here for four months, and I will answer for the comfort of it enduring.

On emptying my bookshelves I found an Ulysses, which I will send to A.K. when I go to town, for her acceptance— unless the Book be out of print. One likes to have one copy of every thing one does. I neglected to keep one of "Poetry for Children," the joint production of Mary and me, and it is not to be had for love or money. It had in the title-page "by the author of Mrs. Lester's School." Know you any one that has it, and would exchange it?

Strolling to Waltham Cross the other day, I hit off these lines. It is one of the Crosses which Edw'd 1st caused to be built for his wife at every town where her corpse rested between Northamptonsh'r and London.

        A stately Cross each sad spot doth attest,
        Whereat the corpse of Elinor did rest,
        From Herdby fetch'd—her Spouse so honour'd her—
        To sleep with royal dust at Westminster.
        And, if less pompous obsequies were thine,
        Duke Brunswick's daughter, princely Caroline,
        Grudge not, great ghost, nor count thy funeral losses:
        Thou in thy life-time had'st thy share of crosses.

My dear B.B.—My head akes with this little excursion. Pray accept 2 sides for 3 for once.

                        And believe me
                           Yours sadly C.L.

Chace side Enfield.

["An Ulysses"—Lamb's book for children, The Adventures of Ulysses, 1808.

The Poetry for Children. The known copies of the first edition of this work can be counted on the fingers.

"A stately Cross…" These verses were printed in the Englishman's
Magazine
in September, 1831. Lamb's sympathies were wholly with
Caroline of Brunswick, as his epigrams in The Champion show (see Vol.
IV. of this edition).]

LETTER 439

CHARLES LAMB TO BERNARD BARTON

[P.M. December 4, 1827.]

My dear B.B.—I have scarce spirits to write, yet am harass'd with not writing. Nine weeks are completed, and Mary does not get any better. It is perfectly exhausting. Enfield and every thing is very gloomy. But for long experience, I should fear her ever getting well.

I feel most thankful for the spinsterly attentions of your sister. Thank the kind "knitter in the sun."

What nonsense seems verse, when one is seriously out of hope and spirits! I mean that at this time I have some nonsense to write, pain of incivility. Would to the fifth heaven no coxcombess had invented Albums.

I have not had a Bijoux, nor the slightest notice from Pickering about omitting 4 out of 5 of my things. The best thing is never to hear of such a thing as a bookseller again, or to think there are publishers: second hand Stationers and Old Book Stalls for me. Authorship should be an idea of the Past.

Old Kings, old Bishops, are venerable. All present is hollow.

I cannot make a Letter. I have no straw, not a pennyworth of chaff, only this may stop your kind importunity to know about us.

Here is a comfortable house, but no tenants. One does not make a household.

Do not think I am quite in despair, but in addition to hope protracted,
I have a stupifying cold and obstructing headache, and the sun is dead.

I will not fail to apprise you of the revival of a Beam.

Meantime accept this, rather than think I have forgotten you all.

Best rememb

& Yours and theirs truly, C.L.

LETTER 440

CHARLES LAMB TO LEIGH HUNT

[No date. December, 1827.]

Dear H.,—I am here almost in the eleventh week of the longest illness my sister ever had, and no symptoms of amendment. Some had begun, but relapsed with a change of nurse. If she ever gets well, you will like my house, and I shall be happy to show you Enfield country.

As to my head, it is perfectly at your or any one's service; either M[e]yers' or Hazlitt's, which last (done fifteen or twenty years since) White, of the Accountant's office, India House, has; he lives in Kentish Town: I forget where, but is to be found in Leadenhall daily. Take your choice. I should be proud to hang up as an alehouse sign even; or, rather, I care not about my head or anything, but how we are to get well again, for I am tired out.

God bless you and yours from the worst calamity.—Yours truly, C.L.

Kindest remembrances to Mrs. Hunt. H.'s is in a queer dress. M.'s would be preferable ad populum.

[Leigh Hunt had asked Lamb for his portrait to accompany his Lord Byron and Some of His Contemporaries. Lamb had been painted by Hazlitt in 1804, and by Henry Meyer, full size, in May, 1826, as well as by others. Hunt chose Meyer's picture, which was beautifully engraved, for his book, in the large paper edition. The original is now in the India Office; a reproduction serves as the frontispiece to this volume. The Hazlitt portrait, representing Lamb in the garb of a Venetian senator, is now in the National Portrait Gallery; a reproduction serves as the frontispiece to Vol. I. of this edition.]

LETTER 441

CHARLES LAMB TO WILLIAM HONE

[P.M. Dec. 15, 1827.]

My dear Hone, I read the sad accident with a careless eye, the newspaper giving a wrong name to the poor Sufferer, but learn'd the truth from Clarke. God send him ease, and you comfort in your thick misfortunes. I am in a sorry state. Tis the eleventh week of the illness, and I cannot get her well. To add to the calamity, Miss James is obliged to leave us in a day or two. We had an Enfield Nurse for seven weeks, and just as she seem'd mending, she was call'd away. Miss J.'s coming seem'd to put her back, and now she is going. I do not compare my sufferings to yours, but you see the world is full of troubles. I wish I could say a word to comfort you. You must cling to all that is left. I fear to ask you whether the Book is to be discontinued. What a pity, when it must have delighted so many! Let me hear about you and it, and believe me with deepest fellow feeling

Your friend C. LAMB. Friday eveng.

[Hone's son Alfred, who had met with an accident, was a sculptor. The Table Book was to close with the year.]

LETTER 442

CHARLES LAMB TO THOMAS ALLSOP

[No date. ? Middle Dec., 1827.]

My dear Allsop—Thanks for the Birds. Your announcement puzzles me sadly as nothing came. I send you back a word in your letter, which I can positively make nothing [of] and therefore return to you as useless. It means to refer to the birds, but gives me no information. They are at the fire, however.

My sister's illness is the most obstinate she ever had. It will not go away, and I am afraid Miss James will not be able to stay above a day or two longer. I am desperate to think of it sometimes. 'Tis eleven weeks!

The day is sad as my prospects.

With kindest love to Mrs. A. and the children,

Yours, C.L.

No Atlas this week. Poor Hone's good boy Alfred has fractured his skull, another son is returned "dead" from the Navy office, & his Book is going to be given up, not having answered. What a world of troubles this is!

[The Atlas was the paper which Allsop sent to Lamb every week.]

LETTER 443

CHARLES LAMB TO THOMAS ALLSOP

[December 20, 1827.]

My dear Allsop—I have writ to say to you that I hope to have a comfortable Xmas-day with Mary, and I can not bring myself to go from home at present. Your kind offer, and the kind consent of the young Lady to come, we feel as we should do; pray accept all of you our kindest thanks: at present I think a visitor (good & excellent as we remember her to be) might a little put us out of our way. Emma is with us, and our small house just holds us, without obliging Mary to sleep with Becky, &c.

We are going on extremely comfortably, & shall soon be in capacity of seeing our friends. Much weakness is left still. With thanks and old rememb'rs, Yours, C.L.

LETTER 444

CHARLES LAMB TO EDWARD MOXON

[P.M. Dec. 22, 1827.]

My dear Moxon, I am at length able to tell you that we are all doing well, and shall be able soon to see our friends as usual. If you will venture a winter walk to Enfield tomorrow week (Sunday 3Oth) you will find us much as usual; we intend a delicious quiet Christmas day, dull and friendless, for we have not spirits for festivities. Pray communicate the good news to the Hoods, and say I hope he is better. I should be thankful for any of the books you mention, but I am so apprehensive of their miscarriage by the stage,—at all events I want none just now. Pray call and see Mrs. Lovekin, I heard she was ill; say we shall be glad to see them some fine day after a week or so.

May I beg you to call upon Miss James, and say that we are quite well, and that Mary hopes she will excuse her writing herself yet; she knows that it is rather troublesome to her to write. We have rec'd her letter. Farewell, till we meet.

Yours truly,

C. LAMB.

Enfield.

LETTER 445

CHARLES LAMB TO BERNARD BARTON

[No date. End of 1827.]

My dear B.—We are all pretty well again and comfortable, and I take a first opportunity of sending the Adventures of Ulysses, hoping that among us—Homer, Chapman, and C'o.—we shall afford you some pleasure. I fear, it is out of print, if not, A.K. will accept it, with wishes it were bigger; if another copy is not to be had, it reverts to me and my heirs for ever. With it I send a trumpery book; to which, without my knowledge, the Editor of the Bijoux has contributed Lucy's verses: I am asham'd to ask her acceptance of the trash accompanying it. Adieu to Albums—for a great while, I said when I came here, and had not been fixed two days but my Landlord's daughter (not at the Pot house) requested me to write in her female friend's, and in her own; if I go to [blank space: something seems to be missing] thou art there also, O all pervading ALBUM! All over the Leeward Islands, in Newfoundland, and the Back Settlements, I understand there is no other reading. They haunt me. I die of Albo-phobia!

["A trumpery book." I have not found it. Writing in the Englishman's Magazine in 1831, in a review of his own Album Verses, Lamb amplifies his sentiments on albums (see Vol. I.).]

LETTER 446

CHARLES LAMB TO THOMAS ALLSOP

[January 9, 1828.]

Dear Allsop—I have been very poorly and nervous lately, but am recovering sleep, &c. I do not invite or make engagements for particular days; but I need not say how pleasant your dropping in any Sunday morn'g would be. Perhaps Jameson would accompany you. Pray beg him to keep an accurate record of the warning I sent by him to old Pan, for I dread lest he should at the 12 months' end deny the warning. The house is his daughter's, but we took it through him, and have paid the rent to his receipts for his daughter's. Consult J. if he thinks the warning sufficient. I am very nervous, or have been, about the house; lost my sleep, & expected to be ill; but slumbered gloriously last night golden slumbers. I shall not relapse. You fright me with your inserted slips in the most welcome Atlas. They begin to charge double for it, & call it two sheets. How can I confute them by opening it, when a note of yours might slip out, & we get in a hobble? When you write, write real letters. Mary's best love & mine to Mrs. A.

Yours ever, C. LAMB.

[I cannot explain the business part of this letter.]