WeRead Powered by ReaderPub
The Works of Charles Lamb in Four Volumes, Volume 4 cover

The Works of Charles Lamb in Four Volumes, Volume 4

Chapter 94: DEDICATION[1]
Open in WeRead

Explore more books like this:

About This Book

A varied collection of prose and poetry combining personal letters and recollections with literary criticism, dramatic sketches, and light satire. The essays range from reflections on memory, mourning, and appetite to considered discussions of Shakespeare, his contemporaries, and figures like Fuller and Hogarth. Poems alternate between playful and melancholic tones, some contributed by the author's sister, while short farces, album verses, and fragments lend conversational intimacy and domestic feeling. Overall the pieces move between affectionate memoir, aesthetic commentary, and gentle social observation.

[Exeunt.
SCENE.—Mr. H——'s Apartment.

Mr. H. (solus.) Was ever anything so mortifying? to be refused by old Mother Damnable!—with such parts and address,—and the little squeamish devils, to dislike me for a name, a sound.—Oh my cursed name! that it was something I could be revenged on! if it were alive, that I might tread upon it, or crush it, or pummel it, or kick it, or spit it out—for it sticks in my throat, and will choke me.

My plaguy ancestors! if they had left me but a Van, or a Mac, or an Irish O', it had been something to qualify it.—Mynheer Van Hogsflesh,—or Sawney Mac Hogsflesh,—or Sir Phelim O'Hogsflesh,—but downright blunt———. If it had been any other name in the world, I could have borne it. If it had been the name of a beast, as Bull, Fox, Kid, Lamb, Wolf, Lion; or of a bird, as Sparrow, Hawk, Buzzard, Daw, Finch, Nightingale; or of a fish, as Sprat, Herring, Salmon; or the name of a thing, as Ginger, Hay, Wood; or of a color, as Black, Gray, White, Green; or of a sound, as Bray; or the name of a month, as March, May; or of a place, as Barnet, Baldock, Hitchen; or the name of a coin, as Farthing, Penny, Twopenny; or of a profession, as Butcher, Baker, Carpenter, Piper, Fisher, Fletcher, Fowler, Glover; or a Jew's name, as Solomons, Isaacs, Jacobs; or a personal name, as Foot, Leg, Crookshanks, Heaviside, Sidebottom, Longbottom, Ramsbottom, Winterbottom; or a long name, as Blanchenhagen, or Blanchenhausen; or a short name, as Crib, Crisp, Crips, Tag, Trot, Tub, Phips, Padge, Papps, or Prig, or Wig, or Pip, or Trip; Trip had been something, but Ho—-. (Walks about in great agitation—recovering his calmness a little, sits down.)

Farewell the most distant thoughts of marriage; the finger-circling ring, the purity figuring glove, the envy-pining bridemaids, the wishing parson, and the simpering clerk. Farewell the ambiguous blush-raising joke, the titter-provoking pun, the morning-stirring drum.—No son of mine shall exist, to bear my ill-fated name. No nurse come chuckling, to tell me it is a boy. No midwife, leering at me from under the lids of professional gravity. I dreamed of caudle.—(Sings in a melancholy tone.) Lullaby, Lullaby,—hush-a-by-baby—how like its papa it is!—(Makes motions as if he was nursing.) And then, when grown up, "Is this your son, Sir?" "Yes, Sir, a poor copy of me, a sad young dog,—just what his father was at his age,—I have four more at home." Oh! oh! oh!

Enter LANDLORD.

Mr. H. Landlord, I must pack up tonight; you will see all my things got ready.

Landlord. Hope your Honor does not intend to quit the Blue Boar,—sorry anything has happened.

Mr. H. He has heard it all.

Landlord. Your Honor has had some mortification to be sure, as a man may say; you have brought your pigs to a fine market.

Mr. H. Pigs!

Landlord. What then? take old Pry's advice, and never mind it. Don't scorch your crackling for 'em, Sir.

Mr. H. Scorch my crackling! a queer phrase; but I suppose he don't mean to affront me.

Landlord. What is done can't be undone; you can't make a silken purse out of a sow's ear.

Mr. H. As you say, Landlord, thinking of a thing does but augment it.

Landlord. Does but hogment it, indeed, Sir.

Mr. H. Hogment it! damn it, I said augment it.

Landlord. Lord, Sir, 'tis not everybody has such gift of fine phrases as your Honor, that can lard his discourse—

Mr. H. Lard!

Landlord. Suppose they do smoke you—

Mr. H. Smoke me!

Landlord. One of my phrases; never mind my words, Sir, my meaning is good. We all mean the same thing, only you express yourself one way, and I another, that's all. The meaning's the same; it is all pork.

Mr. H. That's another of your phrases, I presume.

[Bell rings, and the Landlord called for.

Landlord. Anon, anon.

Mr. H. Oh, I wish I were anonymous.

[Exeunt several ways.
SCENE.—Melesinda's Apartment.
MELESINDA and Maid.

Maid. Lord, Madam! before I'd take on as you do about a foolish—what signifies a name? Hogs—Hogs—what is it—is just as good as any other, for what I see.

Melesinda. Ignorant creature! yet she is perhaps blest in the absence of those ideas, which, while they add a zest to the few pleasures which fall to the lot of superior natures to enjoy, doubly edge the——

Maid. Superior natures! a fig! If he's hog by name, he's not hog by nature, that don't follow—his name don't make him anything, does it? He don't grunt the more for it, nor squeak, that ever I hear; he likes his victuals out of a plate, as other Christians do; you never see him go to the trough——-

Melesinda. Unfeeling wretch! yet possibly her intentions——

Maid. For instance, Madam, my name is Finch—Betty Finch. I don't whistle the more for that, nor long after canary-seed while I can get good wholesome mutton—no, nor you can't catch me by throwing salt on my tail. If you come to that, hadn't I a young man used to come after me, they said courted me—his name was Lion, Francis Lion, a tailor; but though he was fond enough of me, for all that he never offered to eat me.

Melesinda. How fortunate that the discovery has been made before it was too late! Had I listened to his deceits, and, as the perfidious man had almost persuaded me, precipitated myself into an inextricable engagement before——-

Maid. No great harm if you had. You'd only have bought a pig in a poke—and what then? Oh, here he comes creeping——-

Enter MR. H. abject.

Go to her, Mr. Hogs—Hogs—Hogsbristles, what's your name? Don't be afraid, man—don't give it up—she's not crying—only summat has made her eyes red—she has got a sty in her eye, I believe—— (going.)

Melesinda. You are not going, Betty?

Maid. O, Madam, never mind me—I shall be back in the twinkling of a pig's whisker, as they say.

[Exit.

Mr. H. Melesinda, you behold before you a wretch who would have betrayed your confidence—but it was love that prompted him; who would have trick'd you, by an unworthy concealment, into a participation of that disgrace which a superficial world has agreed to attach to a name—but with it you would have shared a fortune not contemptible, and a heart—but 'tis over now. That name he is content to bear alone—to go where the persecuted syllables shall be no more heard, or excite no meaning—some spot where his native tongue has never penetrated, nor any of his countrymen have landed, to plant their unfeeling satire, their brutal wit, and national ill manners—where no Englishmen—(Here MELESINDA, who has been pouting during this speech, fetches a deep sigh.) Some yet undiscovered Otaheite, where witless, unapprehensive savages shall innocently pronounce the ill-fated sounds, and think them not inharmonious.

Melesinda. Oh!

Mr. H. Who knows but among the female natives might be found——

Melesinda. Sir! (raising her head.)

Mr. H. One who would be more kind than—some Oberea—Queen Oberea.

Melesinda. Oh!

Mr. H. Or what if I were to seek for proofs of reciprocal esteem among unprejudiced African maids, in Monomotopa?

Enter Servant.

Servant. Mr. Belvil.

[Exit.
Enter BELVIL.

Mr. H. Monomotopa (musing.)

Belvil. Heyday, Jack! what means this mortified face? nothing has happened, I hope, between this lady and you? I beg pardon, Madam, but understanding my friend was with you, I took the liberty of seeking him here. Some little difference possibly which a third person can adjust—not a word. Will you, Madam, as this gentleman's friend, suffer me to be the arbitrator—strange—hark'ee, Jack, nothing has come out, has there? you understand me. Oh, I guess how it is—somebody has got at your secret; you haven't blabbed it yourself, have you? ha! ha! ha! I could find in my heart—Jack, what would you give me if I should relieve you?

Mr. H. No power of man can relieve me (sighs); but it must lie at the root, gnawing at the root—here it will lie.

Belvil. No power of man? not a common man, I grant you: for instance, a subject—it's out of the power of any subject.

Mr. H. Gnawing at the root—there it will lie.

Belvil. Such a thing has been known as a name to be changed; but not by a subject—(shows a Gazette).

Mr. H. Gnawing at the root—(suddenly snatches the paper out of BELVIL'S hand)—ha! pish! nonsense! give it me—what! (reads) promotions, bankrupts—a great many bankrupts this week—there it will lie. (Lays it down, takes it up again, and reads.) "The King has been graciously pleased"—gnawing at the root—"graciously pleased to grant unto John Hogsflesh,"—the devil—"Hogsflesh, Esq., of Sty Hall, in the county of Hants, his royal license and authority"—O Lord! O Lord!—"that he and his issue"—me and my issue—"may take and use the surname and arms of Bacon"—Bacon, the surname and arms of Bacon—"in pursuance of an injunction contained in the last will and testament of Nicholas Bacon, Esq., his late uncle, as well as out of grateful respect to his memory:"—grateful respect! poor old soul——-here's more—"and that such arms may be first duly exemplified "—they shall, I will take care of that—"according to the laws of arms, and recorded in the Herald's Office."

Belvil. Come, Madam, give me leave to put my own interpretation upon your silence, and to plead for my friend, that now that only obstacle which seemed to stand in the way of your union is removed, you will suffer me to complete the happiness which my news seems to have brought him, by introducing him with a new claim to your favor, by the name of Mr. Bacon. (Takes their hands and joins them, which MELESINDA seems to give consent to with a smile.)

Mr. H. Generous Melesinda! my dear friend—"he and his issue," me and my issue!—O Lord!—

Belvil. I wish you joy, Jack, with all my heart.

Mr. H. Bacon, Bacon, Bacon—how odd it sounds! I could never be tired of hearing it. There was Lord Chancellor Bacon. Methinks I have some of the Verulam blood in me already.—Methinks I could look through Nature—there was Friar Bacon, a conjurer,—I feel as if I could conjure too——

Enter a Servant.

Servant. Two young ladies and an old lady are at the door, inquiring if you see company, Madam.

Mr. H. "Surname and arms"—

Melesinda. Show them up.—My dear Mr. Bacon, moderate your joy.

Enter three Ladies, being part of those who were at the Assembly.

1st Lady. My dear Melesinda, how do you do?

2nd Lady. How do you do? We have been so concerned for you——-

Old Lady. We have been so concerned—(seeing him)—Mr. Hogsflesh——-

Mr. H. There's no such person—nor there never was—nor 'tis not fit there should be—"surname and arms"—

Belvil. It is true what my friend would express; we have been all in a mistake, ladies. Very true, the name of this gentleman was what you call it, but it is so no longer. The succession to the long-contested Bacon estate is at length decided, and with it my friend succeeds to the name of his deceased relative.

Mr. H. "His Majesty has been graciously pleased"—

1st Lady. I am sure we all join in hearty congratulation—(sighs).

2nd Lady. And wish you joy with all our hearts— (heigh ho!)

Old Lady. And hope you will enjoy the name and estate many years—(cries).

Belvil. Ha! ha! ha! mortify them a little, Jack.

1st Lady. Hope you intend to stay—

2nd Lady. With us some time—

Old Lady. In these parts—

Mr. H. Ladies, for your congratulations I thank you; for the favors you have lavished on me, and in particular for this lady's (turning to the old Lady) good opinion, I rest your debtor. As to any future favors—(accosts them severally in the order in which he was refused by them at the assembly)—Madam, shall always acknowledge your politeness; but at present, you see, I am engaged with a partner. Always be happy to respect you as a friend, but you must not look for anything further. Must beg of you to be less particular in your addresses to me. Ladies all, with this piece of advice, of Bath and you

Your ever grateful servant takes his leave.

Lay your plans surer when you plot to grieve;

See, while you kindly mean to mortify

Another, the wild arrow do not fly,

And gall yourself. For once you've been mistaken;

Your shafts have miss'd their aim—Hogsflesh has

saved his Bacon.


POEMS.

DEDICATION[1]

1: Prefixed to the Author's works published in 1818.

TO S. T. COLERIDGE, ESQ.

My Dear Coleridge,

You will smile to see the slender labors of your friend designated by the title of Works; but such was the wish of the gentlemen who have kindly undertaken the trouble of collecting them, and from their judgment could be no appeal.

It would be a kind of disloyalty to offer to any one but yourself a volume containing the early pieces, which were first published among your poems, and were fairly derivatives from you and them. My friend Lloyd and myself came into our first battle (authorship is a sort of warfare) under cover of the greater Ajax. How this association, which shall always be a dear and proud recollection to me, came to be broken,—who snapped the threefold cord,—whether yourself (but I know that was not the case) grew ashamed of your former companions,—or whether (which is by much the more probable) some ungracious bookseller was author of the separation,—I cannot tell;—but wanting the support of your friendly elm, (I speak for myself,) my vine has, since that time, put forth few or no fruits; the sap (if ever it had any) has become, in a manner, dried up and extinct; and you will find your old associate, in his second volume, dwindled into prose and criticism.

Am I right in assuming this as the cause? or is it that, as years come upon us, (except with some more healthy-happy spirits,) Life itself loses much of its Poetry for us? we transcribe but what we read in the great volume of Nature; and, as the characters grow dim, we turn off, and look another way. You yourself write no Christabels, nor Ancient Mariners, now.

Some of the Sonnets, which shall be carelessly turned over by the general reader, may happily awaken in you remembrances, which I should be sorry should be ever totally extinct—the memory

"Of summer days and of delightful years—"

even so far back as to those old suppers at our old ...... Inn,—when life was fresh, and topics exhaustless,—and you first kindled in me, if not the power, yet the love of poetry, and beauty, and kindliness.—

"What words have I heard

Spoke at the Mermaid!"

The world has given you many a shrewd nip and gird since that time, but either my eyes are grown dimmer, or my old friend is the same who stood before me three-and-twenty years ago—his hair a little confessing the hand of Time, but still shrouding the same capacious brain,—his heart not altered, scarcely where it "alteration finds."

One piece, Coleridge, I have ventured to publish in its original form, though I have heard you complain of a certain over-imitation of the antique in the style. If I could see any way of getting rid of the objection, without rewriting it entirely, I would make some sacrifices. But when I wrote John Woodvil, I never proposed to myself any distinct deviation from common English. I had been newly initiated in the writings of our elder dramatists: Beaumont and Fletcher, and Massinger, were then a first love; and from what I was so freshly conversant in, what wonder if my language imperceptibly took a tinge? The very time which I had chosen for my story, that which immediately followed the Restoration, seemed to require, in an English play, that the English should be of rather an older cast than that of the precise year in which it happened to be written. I wish it had not some faults, which I can less vindicate than the language.

I remain,

My dear Coleridge,

Yours,

With unabated esteem,

C. LAMB.


POEMS


HESTER.

When maidens such as Hester die,

Their place ye may not well supply,

Though ye among a thousand try,

With vain endeavor.

A month or more hath she been dead,

Yet cannot I by force be led

To think upon the wormy bed,

And her together.

A springy motion in her gait,

A rising step, did indicate

Of pride and joy no common rate,

That flush'd her spirit.

I know not by what name beside

I shall it call:—if 'twas not pride,

It was a joy to that allied,

She did inherit.

Her parents held the Quaker rule,

Which doth the human feeling cool,

But she was train'd in Nature's school,

Nature had blest her.

A waking eye, a prying mind,

A heart that stirs, is hard to bind,

A hawk's keen sight ye cannot blind,

Ye could not Hester.

My sprightly neighbor! gone before

To that unknown and silent shore,

Shall we not meet, as heretofore,

Some summer morning,

When from thy cheerful eyes a ray

Hath struck a bliss upon the day,

A bliss that would not go away,

A sweet fore-warning?


TO CHARLES LLOYD.

AN UNEXPECTED VISITOR.

Alone, obscure, without a friend,

A cheerless, solitary thing,

Why seeks, my Lloyd, the stranger out?

What offering can the stranger bring

Of social scenes, home-bred delights,

That him in aught compensate may

For Stowey's pleasant winter nights,

For loves and friendships far away?

In brief oblivion to forego

Friends, such as thine, so justly dear,

And be awhile with me content

To stay, a kindly loiterer, here:

For this a gleam of random joy

Hath flush'd my unaccustom'd cheek;

And, with an o'ercharged bursting heart,

I feel the thanks I cannot speak.

Oh! sweet are all the Muses' lays,

And sweet the charm of matin bird;

'Twas long since these estrangèd ears

The sweeter voice of friend had heard.

The voice hath spoke: the pleasant sounds

In memory's ear in after-time

Shall live, to sometimes rouse a tear,

And sometimes prompt an honest rhyme.

For, when the transient charm is fled,

And when the little week is o'er,

To cheerless, friendless, solitude

When I return, as heretofore;

Long, long, within my aching heart

The grateful sense shall cherish'd be;

I'll think less meanly of myself,

That Lloyd will sometimes think on me.


THE THREE FRIENDS.

Three young maids in friendship met;

Mary, Martha, Margaret.

Margaret was tall and fair,

Martha shorter by a hair;

If the first excell'd in feature,

Th' other's grace and ease were greater;

Mary, though to rival loth,

In their best gifts equall'd both.

They a due proportion kept;

Martha mourn'd if Margaret wept;

Margaret joy'd when any good

She of Martha understood;

And in sympathy for either

Mary was outdone by neither.

Thus far, for a happy space,

All three ran an equal race,

A most constant friendship proving,

Equally beloved and loving;

All their wishes, joys, the same;

Sisters only not in name.

Fortune upon each one smiled,

As upon a fav'rite child;

Well to do and well to see

Were the parents of all three;

Till on Martha's father crosses

Brought a flood of worldly losses,

And his fortunes rich and great

Changed at once to low estate:

Under which o'erwhelming blow

Martha's mother was laid low;

She a hapless orphan left,

Of maternal care bereft,

Trouble following trouble fast,

Lay in a sick-bed at last.

In the depth of her affliction

Martha now receiv'd conviction,

That a true and faithful friend

Can the surest comfort lend.

Night and day, with friendship tried,

Ever constant by her side

Was her gentle Mary found,

With a love that knew no bound;

And the solace she imparted

Saved her dying broken-hearted.

In this scene of earthly things

Not one good unmixèd springs.

That which had to Martha proved

A sweet consolation, moved

Different feelings of regret

In the mind of Margaret.

She, whose love was not less dear,

Nor affection less sincere

To her friend, was, by occasion

Of more distant habitation,

Fewer visits forced to pay her;

When no other cause did stay her;

And her Mary living nearer,

Margaret began to fear her,

Lest her visits day by day

Martha's heart should steal away.

That whole heart she ill could spare her,

Where till now she'd been a sharer.

From this cause with grief she pined,

Till at length her health declined.

All her cheerful spirits flew,

Fast as Martha's gather'd new;

And her sickness waxèd sore,

Just when Martha felt no more.

Mary, who had quick suspicion

Of her alter'd friend's condition,

Seeing Martha's convalescence

Less demanded now her presence,

With a goodness, built on reason,

Changed her measures with the season;

Turn'd her steps from Martha's door,

Went where she was wanted more;

All her care and thoughts were set

Now to tend on Margaret.

Mary living 'twixt the two,

From her home could oft'ner go,

Either of her friends to see,

Than they could together be.

Truth explain'd is to suspicion

Evermore the best physician.

Soon her visits had the effect;

All that Margaret did suspect,

From her fancy vanish'd clean;

She was soon what she had been,

And the color she did lack

To her faded cheek came back.

Wounds which love had made her feel,

Love alone had power to heal.

Martha, who the frequent visit

Now had lost, and sore did miss it,

With impatience waxèd cross,

Counted Margaret's gain her loss:

All that Mary did confer

On her friend, thought due to her.

In her girlish bosom rise

Little foolish jealousies,

Which into such rancor wrought,

She one day for Margaret sought;

Finding her by chance alone,

She began, with reasons shown,

To insinuate a fear

Whether Mary was sincere;

Wish'd that Margaret would take heed

Whence her actions did proceed.

For herself, she'd long been minded

Not with outsides to be blinded;

All that pity and compassion,

She believed was affectation;

In her heart she doubted whether

Mary cared a pin for either.

She could keep whole weeks at distance,

And not know of their existence,

While all things remain'd the same;

But, when some misfortune came,

Then she made a great parade

Of her sympathy and aid,—

Not that she did really grieve,

It was only make-believe,

And she cared for nothing, so

She might her fine feelings show,

And get credit, on her part,

For a soft and tender heart.

With such speeches, smoothly made,

She found methods to persuade

Margaret (who being sore

From the doubts she'd felt before,

Was preparèd for mistrust)

To believe her reasons just;

Quite destroy'd that comfort glad,

Which in Mary late she had;

Made her, in experience' spite,

Think her friend a hypocrite,

And resolve, with cruel scoff,

To renounce and cast her off.

See how good turns are rewarded!

She of both is now discarded,

Who to both had been so late

Their support in low estate,

All their comfort, and their stay—

Now of both is cast away.

But the league her presence cherish'd,

Losing its best prop, soon perish'd;

She, that was a link to either,

To keep them and it together,

Being gone, the two (no wonder)

That were left, soon fell asunder;—

Some civilities were kept,

But the heart of friendship slept;

Love with hollow forms was fed,

But the life of love lay dead:—

A cold intercourse they held,

After Mary was expell'd.

Two long years did intervene

Since they'd either of them seen,

Or, by letter, any word

Of their old companion heard,—

When, upon a day once walking,

Of indifferent matters talking,

They a female figure met;

Martha said to Margaret,

"That young maid in face does carry

A resemblance strong of Mary."

Margaret, at nearer sight,

Own'd her observation right;

But they did not far proceed

Ere they knew 'twas she indeed.

She—but, ah I how changed they view her

From that person which they knew her!

Her fine face disease had scarr'd,

And its matchless beauty marr'd:—

But enough was left to trace

Mary's sweetness—Mary's grace.

When her eye did first behold them,

How they blush'd!—but, when she told them,

How on a sick-bed she lay

Months, while they had kept away,

And had no inquiries made

If she were alive or dead;—

How, for want of a true friend,

She was brought near to her end,

And was like so to have died,

With no friend at her bedside;—

How the constant irritation,

Caused by fruitless expectation

Of their coming, had extended

The illness, when she might have mended,—

Then, O then, how did reflection

Come on them with recollection!

All that she had done for them,

How it did their fault condemn!

But sweet Mary, still the same,

Kindly eased them of their shame;

Spoke to them with accents bland,

Took them friendly by the hand;

Bound them both with promise fast.

Not to speak of troubles past;

Made them on the spot declare

A new league of friendship there;

Which, without a word of strife,

Lasted thenceforth long as life.

Martha now and Margaret

Strove who most should pay the debt

Which they owed her, nor did vary

Ever after from their Mary.


TO A RIVER IN WHICH A CHILD WAS DROWNED.

Smiling river, smiling river,

On thy bosom sunbeams play;

Though they're fleeting, and retreating,

Thou hast more deceit than they.

In thy channel, in thy channel,

Choked with ooze and grav'lly stones,

Deep immersed, and unhearsed,

Lies young Edward's corse: his bones

Ever whitening, ever whitening,

As thy waves against them dash;

What thy torrent, in the current,

Swallow'd, now it helps to wash.

As if senseless, as if senseless

Things had feeling in this case;

What so blindly, and unkindly,

It destroy'd, it now does grace.


THE OLD FAMILIAR FACES.

I have had playmates, I have had companions,

In my days of childhood, in my joyful school-days,

All, all are gone, the old familiar faces.

I have been laughing, I have been carousing,

Drinking late, sitting late, with my bosom cronies,

All, all are gone, the old familiar faces.

I loved a love once, fairest among women;

Closed are her doors on me, I must not see her—

All, all are gone, the old familiar faces.

I have a friend, a kinder friend has no man;

Like an ingrate, I left my friend abruptly;

Left him, to muse on the old familiar faces.

Ghostlike I paced round the haunts of my childhood.

Earth seem'd a desert I was bound to traverse,

Seeking to find the old familiar faces.

Friend of my bosom, thou more than a brother,

Why wert not thou born in my father's dwelling?

So might we talk of the old familiar faces,—

How some they have died, and some they have left me,

And some are taken from me; all are departed;

All, all are gone, the old familiar faces.


HELEN.

High-born Helen, round your dwelling

These twenty years I've paced in vain:

Haughty beauty, thy lover's duty

Hath been to glory in his pain.

High-born Helen, proudly telling

Stories of thy cold disdain;

I starve, I die, now you comply,

And I no longer can complain.

These twenty years I've lived on tears,

Dwelling forever on a frown;

On sighs I've fed, your scorn my bread;

I perish now you kind are grown.

Can I, who loved my beloved

But for the scorn "was in her eye,"

Can I be moved for my beloved,

When she "returns me sigh for sigh?"

In stately pride, by my bedside,

High-born Helen's portrait's hung;

Deaf to my praise, my mournful lays

Are nightly to the portrait sung.

To that I weep, nor ever sleep,

Complaining all night long to her—

Helen, grown old, no longer cold,

Said, "You to all men I prefer."


A VISION OF REPENTANCE.

I saw a famous fountain, in my dream,

Where shady pathways to a valley led;

A weeping willow lay upon that stream,

And all around the fountain brink were spread

Wide-branching trees, with dark green leaf rich clad,

Forming a doubtful twilight—desolate and sad.

The place was such, that whoso enter'd in,

Disrobèd was of every earthly thought,

And straight became as one that knew not sin,

Or to the world's first innocence was brought;

Enseem'd it now, he stood on holy ground,

In sweet and tender melancholy wrapt around.

A most strange calm stole o'er my soothèd sprite;

Long time I stood, and longer had I staid,

When lo! I saw, saw by the sweet moonlight,

Which came in silence o'er that silent shade,

Where, near the fountain, SOMETHING like DESPAIR

Made, of that weeping-willow, garlands for her hair.

And eke with painful fingers she inwove

Many an uncouth stem of savage thorn—

"The willow garland, that was for her love,

And these her bleeding temples would adorn."

With sighs her heart nigh burst, salt tears fast fell,

As mournfully she bended o'er that sacred well.

To whom when I addrest myself to speak,

She lifted up her eyes, and nothing said;

The delicate red came mantling o'er her cheek,

And gath'ring up her loose attire, she fled

To the dark covert of that woody shade,

And in her goings seem'd a timid gentle maid.

Revolving in my mind what this should mean,

And why that lovely lady plainèd so;

Perplex'd in thought at that mysterious scene,

And doubting if 'twere best to stay or go,

I cast mine eyes in wistful gaze around,

When from the shades came slow a small and plaintive sound.


"Psyche am I, who love to dwell

In these brown shades, this woody dell,

Where never busy mortal came,

Till now, to pry upon my shame.

"At thy feet what dost thou see

The waters of repentance be,

Which, night and day, I must augment

With tears, like a true penitent,

"If haply so my day of grace

Be not yet past; and this lone place,

O'ershadowy, dark, excludeth hence

All thoughts but grief and penitence."

"Why dost thou weep, thou gentle maid!

And wherefore in this barren shade

Thy hidden thoughts with sorrow feed?

Can thing so fair repentance need?"

"O! I have done a deed of shame,

And tainted is my virgin fame,

And stain'd the beauteous maiden white

In which my bridal robes were dight."

"And who the promised spouse? declare:

And what those bridal garments were."

"Severe and saintly righteousness

Composed the clear white bridal dress;

JESUS, the Son of Heaven's high King,

Bought with his blood the marriage ring.

"A wretched sinful creature, I

Deem'd lightly of that sacred tie,

Gave to a treacherous WORLD my heart,

And play'd the foolish wanton's part.

Soon to these murky shades I came,

To hide from the sun's light my shame.

And still I haunt this woody dell,

And bathe me in that healing well,

Whose waters clear have influence

From sin's foul stains the soul to cleanse;

And, night and day, I them augment,

With tears, like a true penitent,

Until, due expiation made,

And fit atonement fully paid,

The Lord and Bridegroom me present,

Where in sweet strains of high consent,

God's throne before, the Seraphim

Shall chant the ecstatic marriage hymn."

"Now Christ restore thee soon"—I said,

And thenceforth all my dream was fled.


DIALOGUE BETWEEN A MOTHER AND CHILD.