The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories

"Monsieur," said the King, "I had instructed you to depart as soon as possible. Take leave of your wife and get across the frontier; you will be granted an escort of honor. As to your instructions and letters of credit, they will be at Venice sooner than you."

Louis gave his orders, adding certain secret instructions, to a lieutenant of the Scottish Guard, who was to take a company and attend his envoy to Venice. Saint-Vallier went off in great haste, after giving his wife a cold kiss, which he would gladly have rendered fatal.

As soon as the Countess had retired to her room, Louis proceeded to the Malemaison, very anxious to see the end of the dismal farce that was going on under his gossip the usurer's roof, and flattering himself that, being the King, he would have keen wit enough to detect the robbers' secrets.

It was not without apprehension that Cornélius saw his master's company.

"And are all these folks part of the ceremony?" he asked in a low voice. Louis could not help smiling at the terrors of the old miser and his sister.

"No, gossip," replied he, "be quite easy. They will sup with us at my house; we shall go into the matter alone. I am such a good justiciary that I wager ten thousand crowns I find the criminal."

"Let us find him, my lord, and never mind the wager."

They went into the closet where the Fleming stored his treasures. Here King Louis, having first examined the case which had contained the Elector of Bavaria's jewels, and then the chimney down which the thief was supposed to have come, easily proved to the goldsmith that his suspicions were unfounded, inasmuch as there was no soot on the hearth—where, indeed, a fire was rarely kindled—and no trace of any kind in the chimney. Moreover, the chimney opened to a part of the roof that was practically inaccessible. Finally, after two hours spent in investigations characterized by the sagacity which distinguished the King's distrustful temper, it was proved to a demonstration that no one could have got into the miser's treasury. There was no mark of violence on any of the locks, inside or out, nor on the iron coffers containing his gold and silver and the costly jewels pledged by wealthy borrowers.

"If the robber opened this board," said Louis XI., "why did he take only the Bavarian jewels? Why should he have left this pearl necklace? A strange thief, indeed!"

At this reflection the hapless miser turned pale; the King and he eyed each other for a moment.

"Well, then, my liege, what was the robber doing whom you have taken under your protection, and who certainly was out during the night?"

"If you have not guessed, master, I desire that you never will; it is one of my secrets."

"Then the devil haunts me!" said the goldsmith, lamentably.

Under any other circumstances the King would have laughed at his treasurer's exclamation; but he stood thinking and gazing at Maître Cornélius with the scrutiny familiar to men of genius and authority, as if he could see into the man's brain. The Fleming, in fact, was terrified, thinking he had offended his formidable master.

"Angel or devil, I will have the malefactor!" the King suddenly exclaimed. "If you are robbed this night, I will know by whom to-morrow. Call up that old ape, your sister," he added.

Cornélius almost hesitated to leave the King alone in the room that contained his treasure; however, he went, coerced by the strength of the bitter smile that curled Louis' faded lips. And in spite of his confidence, he soon returned, followed by the old woman.

"Have you any flour?" asked the King.

"To be sure! we have laid in our store for the winter," said she.

"Well, then, bring it here," said the King.

"And what would you be doing with our flour, Sire?" cried she in alarm, and not in the least awed by the presence of majesty, like all persons possessed by a ruling passion.

"You old fool, will you do as our gracious liege bids you?" cried Cornélius. "Does the King want your flour?"

"This is what I buy fine flour for," muttered she, on the stairs. "Oh, my good flour!"

She turned back to say to the King:

"Is it your royal whim, my lord, to examine my flour?"

But at last she returned with one of the linen bags, which from time immemorial have been used in Touraine for carrying provisions to or from market—walnuts, fruit, or corn. This sack was half full of flour. The housewife opened it, and timidly showed it to the King, looking at him with the swift stolen glances by which old maids, as it would seem, hope to cast venom on a man.

"It is worth six sous the measure," said she.

"What matter!" replied the King. "Sprinkle it on the floor, and above all strew it very evenly, as if there had been a light fall of snow."

The old woman did not understand. The order dismayed her more than the end of the world could have done.

"My flour, my liege—on the floor—why——"

Maître Cornélius, who had an inkling, though a vague one, of the King's idea, snatched the bag, and sprinkled the flour gently on the boards. The old woman shuddered, and held out her hand for the bag; as soon as her brother restored it to her, she vanished with a deep sigh.

Cornélius took a feather broom and began spreading the flour with it over the floor till it lay like a sheet of snow, walking backwards towards the door, followed by the King, who seemed greatly amused by the proceedings. When they were at the threshold, Louis XI. said to his gossip:

"Are there two keys to the lock?"

"No, Sire."

The King examined the structure of the door, which was strengthened by large iron plates and bars. All the parts of this armor centered round a lock with a secret, of which Cornélius alone had the key. After investigating it thoroughly, Louis sent for Tristan, and bid him to set a watch with the utmost secrecy that night, some in the mulberry-trees on the quay, and on the parapets of the neighboring houses; but first to collect all his men to escort him back to Le Plessis, so as to make it appear that he, the King, was not supping with Maître Cornélius. Then he desired the miser to be so particular in closing every window, that not a glimmer of light could pierce through, and to order a light meal, so as not to give a hint that His Majesty was sleeping there that night.

The King set out in state by the dyke road and returned privily, with only two attendants, by the rampart gate to the house of his friend the miser. Everything was so well arranged that all the townsfolk and courtiers supposed that the King had chosen to go back to the château, and would sup with the treasurer on the morrow. The miser's sister confirmed this notion by buying some green sauce from the best maker, whose shop was close to the quarroir aux herbes, since called the carroir de Beaune, in honor of a splendid white marble fountain which the unfortunate Semblançay (Jacques de Beaune) sent for from Italy to adorn the capital of his province.

At about eight in the evening, when the King was at supper with his leech, Cornélius and the captain of the Scottish Guard, talking gayly and forgetting that he was Louis XI. and ill, and almost dying, perfect silence reigned outside, and the passers-by, nay, even a thief, might have supposed the dwelling to be uninhabited.

"I hope," said the King, laughing, "that my gossip may be robbed this night, to satisfy my curiosity. And see to it, gentlemen, that no one leaves his chamber to-morrow morning without my orders, under pain of serious punishment."

Thereupon they all went to bed.

Next morning Louis XI. was the first to leave his room, and he made his way towards Cornélius' treasure-room. He was not a little surprised to detect the prints of a large foot on the stairs and in the passages of the house. Carefully avoiding these precious marks, he went to the door of the miser's closet and found it locked, with no traces of violence. He examined the direction of the footprints, but as they gradually grew fainter and at last left no mark, it was impossible to discover how the robber had escaped.

"Ah ha! gossip," cried the King to Cornélius, "you have been robbed, that is very certain!"

At these words the old Fleming came out, a prey to evident horror. Louis XI. led him to look at the footprints on the boards, and while examining them once more, the King, having by chance observed the miser's slippers, recognized the shape of the sole of which so many copies were stamped on the flooring. He said not a word, and suppressed a laugh, remembering how many innocent men had been hanged.

Cornélius hurried into his strong room. The King, bidding him make a fresh footprint by the side of those already visible, convinced him that the thief was none other than himself.

"The pearl necklace is missing!" cried Cornélius. "There is witchcraft in this. I have not left my room."

"We will find out about that at once," said the King, puzzled by the goldsmith's evident good faith.

He called the men of the watch into his room and asked them:

"Marry now, what did you see in the night?"

"Ah, Sire! a magical sight!" replied the lieutenant. "Your Majesty's treasurer stealing downstairs close to the wall, and so nimbly that at first we took him for a spectre."

"I!" cried Cornélius, who then stood silent and motionless as a paralyzed creature.

"You may go, all of you," said Louis, addressing the bowmen, "and tell Monsieur Conyngham, Coyctier, Bridoré, and Tristan that they may get out of bed and come here. You have incurred pain of death," said Louis, coldly, to the miser, who, happily, did not hear him, "for you have at least ten on your soul!"

The King laughed, a grim, noiseless laugh, and paused.

"But be easy," he went on, as he noticed the strange pallor that overspread the old man's face; "you are better to bleed than to kill. And in consideration of a handsome fine, paid into my coffers, you may escape the clutches of justice; but if you do not build at least a chapel to the Virgin, you are in jeopardy of finding warm and anxious work before you for all eternity."

"Twelve hundred and thirty and eighty-eight thousand crowns make thirteen hundred and seventeen thousand crowns," replied Cornélius, mechanically, absorbed in calculations. "Thirteen hundred and seventeen thousand crowns misappropriated!"

"He must have buried them in some hidden spot," said the King, who was beginning to think the sum a royal prize. "This is the lodestone that has always attracted him hither—he smelt his gold."

Hereupon Coyctier came in. Noticing the treasurer's attitude, he watched him keenly while the King was relating the adventure.

"My lord," replied the physician, "there is nothing supernatural in the business. Our friend here has the peculiarity of walking in his sleep. This is the third case I have met with of this singular malady. If you should be pleased to witness its effects, you might see this old man walking without danger on the parapet of the roof any night when he should be seized by it. In the two men I have already studied, I discovered a curious connection between the instincts of this nocturnal vitality and their business or occupations by day."

"Ah, Maître Coyctier, you are indeed most learned!"

"Am I not your physician?" retorted the leech, insolently.

On this reply Louis XI. made a little movement which was a familiar trick with him when he had hit on a good idea—a gesture of hastily pushing his cap up.

"In such cases," Coyctier went on, "men transact their business in their sleep. As our friend here is not averse to hoarding, he has quietly yielded to his favorite habit. Indeed, he probably has an attack whenever, during the day, he has been in alarm for his treasure."

"Pasques Dieu! and what a treasure!" cried the King.

"Where is it?" asked Cornélius, who, by a singular peculiarity of our nature, heard all that the King and his leech were saying, though almost stunned by his reflections and his misfortune.

"Oh!" replied Coyctier, with a coarse, diabolical laugh, "somnambulists have no recollection of their acts and deeds when they awake."

"Leave us!" said the King.

When Louis XI. was alone with his gossip, he looked at him with a cold chuckle.

"Worshipful Master Hoogworst," said he, bowing low, "all treasure-trove in France belongs to the King."

"Yes, my liege, it is all yours; and our lives and fortunes are in your hands; but hitherto you have been so merciful as to take no more than you found necessary."

"Listen to me, gossip. If I help you to recover this treasure, you may, in all confidence and without fear, divide it with me."

"No, Sire, I will not divide it. It shall be all yours, when I am dead. But what scheme have you for finding it?"

"I have only to watch you, myself, while you are taking your nocturnal walks. Any one but myself would be a danger."

"Ah, Sire," replied Cornélius, falling at the King's feet, "you are the only man in the kingdom whom I would trust with that office, and I shall find means to prove my gratitude for your kindness to your humble servant by doing my utmost to promote the marriage of the Heiress of Bourgogne to Monseigneur the Dauphin. There indeed is a treasure, not, to be sure, in crown-pieces, but in land, which will nobly round out your dominions!"

"Pshaw, Fleming, you are deceiving me!" said the King, knitting his brows, "or you have played me false."

"Nay, Sire, can you doubt my devotion—you, the only man I love?"

"Words, words!" said the King, turning to face the miser. "You ought not to have waited for this to be of use to me. You are selling me your patronage—Pasques Dieu! to me—Louis the Eleventh! Are you the master, I would know, and am I the servant?"

"Ah, my liege," replied the old usurer, "I had hoped to give you an agreeable surprise by news of the communications I had established with the men of Ghent. I expected confirmation of it by the hand of Oosterlinck's apprentice. But what has become of him?"

"Enough," said the King. "Another error. I do not choose that any one should interfere, uncalled for, in my concerns. Enough! I must think all this over."

Maître Cornélius found the agility of youth to fly to the lower room, where his sister was sitting.

"Oh, Jeanne, dear heart, we have somewhere a hoard where I have hidden the thirteen hundred thousand crowns. And I—I am the thief!"

Jeanne Hoogworst rose from her stool, starting to her feet as if the seat were of red-hot iron. The shock was so frightful to an old woman accustomed for many years to exhaust herself by voluntary abstinence, that she quaked in every limb and felt a terrible pain in her back. By degrees her color faded, and her face, in which the wrinkles made any change very difficult to detect, gradually fell, while her brother explained to her the disease to which he was a victim, and the strange situation in which they both stood.

"King Louis and I," said he in conclusion, "have just been telling each other as many lies as two miracle-mongers. You see, child, if he were to watch me, he would be sole master of the secret of the treasure. No one in the world but the King can spy on my nocturnal movements. Now I do not know that the King's conscience, near on death as he is, could stand out against thirteen hundred and seventeen thousand crowns. We must be beforehand with him, find the nest, and send all treasure to Ghent. Now you alone——"

Cornélius suddenly stopped short, as if he were gauging the heart of this King, who, at two and twenty, had dreamed of parricide. When the treasurer had made up his mind as to Louis XI., he hastily rose, as a man in a hurry to escape some danger.

At this sudden movement, his sister, too weak or too strong for such a crisis, fell down flat; she was dead. Cornélius lifted her up and shook her violently, saying:

"This is no time for dying; you will have time enough for that afterwards. Oh! it is all over! Wretched creature, she could never do the right thing——"

He closed her eyes and laid her on the floor. But then the kind and noble feelings that lurked at the bottom of his heart came to the surface, and almost forgetting his undiscovered treasure, he cried out in sorrow:

"My poor companion! what, have I lost you—you who understood me so well? Ah! you were my real treasure. There, there, lies the treasure. With you I have lost all my peace of mind, all my affections. If you had but known how well it would have paid you to live only two nights longer, you would not have died, if only to please me, poor little woman. I say, Jeanne—thirteen hundred and seventeen thousand crowns! No, even that does not rouse you. No, she is dead, quite dead!"

He thereupon sat down and said no more, but two large tears gathered in his eyes and rolled down his hollow cheeks; then with many an "Ah!" and sigh he locked the room up and returned to the King. Louis was startled by the grief he saw written on his old friend's features.

"What is this?" said he.

"Alas, Sire, a misfortune never comes single. My sister is dead. She has gone below before me," and he pointed to the ground with startling emphasis.

"Enough, enough!" said Louis XI., who did not like to hear any mention of death.

"You are my heir. I care for nothing now. Here are my keys. Hang me, if it is your good pleasure. Take everything; search the house; it is full of gold. I give it all to you."

"Come, come, gossip," said the King, half moved by the sight of this strange anguish, "we will discover the hoard some fine night, and the sight of so much riches will revive your taste for life. I will come again this week."

"Whenever Your Majesty pleases."

At these words, the King, who had gone a few steps towards the door, turned sharply round, and the two men looked at each other with an expression that no brush, nor words, could render.

"Good-bye, gossip," said Louis, at last, in a sharp voice, as he put his bonnet straight.

"May God and the Virgin keep you in their good grace!" the usurer replied humbly, as he escorted the King to the street.

After so long a friendship these two men found a barrier raised between them by distrust and money, whereas they had hitherto been quite agreed on matters of money and distrust; but they knew each other so well, they were so much in the habit of intimacy, that the King could guess from the miser's tone as he rashly said, "Whenever Your Majesty pleases," the annoyance his visits would thenceforth be to his treasurer, just as Cornélius had discerned a declaration of war in the way Louis had said "Good-bye, gossip."

So Louis XI. and his banker parted, very uncertain as to what, for the future, their demeanor was to be. The monarch, indeed, knew the Fleming's secret; but the Fleming on his part could, through his connections, secure the grandest conquest any king of France had yet achieved—that of the domains of the House of Burgundy, which were just then the object of envy to every sovereign in Europe.

The famous Margaret's choice would be guided by the good folks of Ghent and the Flemings about her. Hoogworst's gold and influence would tell for a great deal in the negotiations opened by Desquerdes, the captain to whom Louis XI. had given the command of the army on the Belgian frontier. Thus these two master foxes were in the position of duelists whose strength had been neutralized by some stroke of fate.

And whether it was that from that day the King's health had failed visibly, or that Cornélius in part promoted the arrival in France of Marguerite of Burgundy, who came to Amboise in July 1438 to be married to the Dauphin in the chapel of the château, the King claimed no fine from his treasurer and no trial was held; but they remained in the half-cordial terms of an armed friendship.

Happily for the miser, a rumor got about that his sister had committed the thefts, and that she had been privily executed by Tristan. Otherwise, and if the true story had become known, the whole town would have risen in arms to destroy the Malemaison before the King could possibly have defended it.

However, if all this historical guesswork has some foundation with regard to Louis XI.'s inaction, Master Cornélius Hoogworst cannot be accused of supineness. He spent the first days after this fatal morning in a constant hurry. Like a beast of prey shut up in a cage, he came and went, scenting gold in every corner of his dwelling; he examined every cranny; he tapped the walls; he demanded his treasure of the trees in the garden, of the foundations, of the turret roofs, of earth, and of heaven. Often he would stand for hours looking at everything around him, his eyes searching vacancy. He tried the miracles and second-sight of magic powers, endeavoring to see his gold through space and solid obstacles.

He was constantly absorbed in one overwhelming thought, consumed by an idea that gnawed at his vitals, and yet more cruelly racked by the perennial torments of his duel with himself, since his love of gold had turned to rend itself; it was a sort of incomplete suicide comprehending all the pangs of living and of dying. Never had a vice so effectually entrapped itself; for the miser who inadvertently locks himself into the subterranean cell where his wealth is buried, has, like Sardanapalus, the satisfaction of perishing in the midst of it. But Cornélius, at once the robber and the robbed, and in the secret of neither, possessed, and yet did not possess, his treasures—a quite new, quite whimsical form of torture, but perpetually excruciating.

Sometimes, almost oblivious, he would leave the little wicket of his door open, and then the passers-by could see the shriveled old man standing in the middle of his neglected garden, perfectly motionless, and looking at any who stopped to gaze at him, with a fixed stare, a lurid glare, that froze them with terror. If by chance he went out into the streets of the town, you would have thought he was a stranger; he never knew where he was, nor whether it was the sun or the moon that were shining. He would often ask his way of the persons he met, fancying himself at Ghent, and he seemed always to be looking for his lost treasure.

The most irrepressible and most incorporate of all human ideas,—that by which a man identifies himself by creating outside and apart from his person the whole fictitious entity which he calls his property,—this demon idea had its talons constantly clutching at the miser's soul.

Then, in the midst of his torments, Fear would rise up with all the feelings that come in its train. For, in fact, two men knew his secret—the secret which he himself did not know. Louis XI. or Coyctier might post their spies to watch his movements while he was asleep, and discover the unknown gulf into which he had flung his wealth with the blood of so many innocent men; for Remorse kept watch with Fear.

To preserve his lost riches from being snatched from him while he lived, during the early days after his disaster, he took the utmost precaution to avoid sleeping, and his connection with the commercial world enabled him to procure the strongest anti-narcotics. His wakeful nights must have been terrible; he was alone to struggle against the night and silence, against remorse and fear, and all the thoughts that man has most effectually personified—instinctively, no doubt, in obedience to some law of the mind, true, though not yet proved.

In short, this man, strong as he was; this heart, annealed by the life of politics and commerce; this genius, though unknown to history,—was doomed to succumb under the horrors of the torments he himself had created. Crushed by some reflection even more cruel than all that had gone before, he cut his throat with a razor.

His death almost exactly coincided in time with the King's, so that the House of Evil was plundered by the mob. Some of the older inhabitants of the province asserted that a revenue farmer named Bohier had found the extortioner's treasure, and had employed it in building the beginnings of the château of Chenonceaux, that wonderful palace which, in spite of the lavish outlay of several kings and the fine taste of Diane de Poitiers and her rival Catherine de' Medici, is still unfinished.

Happily for Marie de Sassenage, the Comte de Saint-Vallier died, as is well known, as ambassador to Venice. The family did not become extinct. After the Count's departure his wife had a son, whose fortunes were famous in the history of France under the reign of François I. He was saved by his daughter, the famous Diane de Poitiers, Louis XI.'s illegitimate great-granddaughter; and she became the illegal wife, the adored mistress, of Henri II.; for in that noble family bastardy and love were hereditary.

Château de Saché, November and December 1831.

THE ELIXIR OF LIFE

To the Reader

At the very outset of the writer's literary career, a friend, long since dead, gave him the subject of this Study. Later on he found the same story in a collection published about the beginning of the present century. To the best of his belief, it is some stray fancy of the brain of Hoffmann of Berlin; probably it appeared in some German almanac, and was omitted in the published editions of his collected works. The Comédie Humaine is sufficiently rich in original creations for the author to own to this innocent piece of plagiarism: when, like the worthy La Fontaine, he has told unwittingly, and after his own fashion, a tale already related by another. This is not one of the hoaxes in vogue in the year 1830, when every author wrote his "tale of horror" for the amusement of young ladies. When you have read the account of Don Juan's decorous parricide, try to picture to yourself the part which would be played under very similar circumstances by honest folk who, in this nineteenth century, will take a man's money and undertake to pay him a life annuity on the faith of a chill, or let a house to an ancient lady for the term of her natural life Would they be for resuscitating their clients? I should dearly like a connoisseur in consciences to consider how far there is a resemblance between a Don Juan and fathers who marry their children to great expectations. Does humanity, which, according to certain philosophers, is making progress, look on the art of waiting for dead men's shoes as a step in the right direction? To this art we owe several honorable professions, which open up ways of living on death. There are people who rely entirely on an expected demise; who brood over it, crouching each morning upon a corpse, that serves again for their pillow at night. To this class belong bishops' coadjutors, cardinals' supernumeraries, tontiniers, and the like. Add to the list many delicately scrupulous persons eager to buy landed property beyond their means, who calculate with dry logic and in cold blood the probable duration of the life of a father or of a stepmother, some old man or woman of eighty or ninety, saying to themselves, "I shall be sure to come in for it in three years' time, and then——" A murderer is less loathsome to us than a spy. The murderer may have acted on a sudden mad impulse; he may be penitent and amend; but a spy is always a spy, night and day, in bed, at table, as he walks abroad; his vileness pervades every moment of his life. Then what must it be to live when every moment of your life is tainted with murder? And have we not just admitted that a host of human creatures in our midst are led by our laws, customs, and usages to dwell without ceasing on a fellow-creature's death? There are men who put the weight of a coffin into their deliberations as they bargain for Cashmere shawls for their wives, as they go up the staircase of a theatre, or think of going to the Bouffons, or of setting up a carriage; who are murderers in thought when dear ones, with the irresistible charm of innocence, hold up childish foreheads to be kissed with a "Good-night, father!" Hourly they meet the gaze of eyes that they would fain close for ever, eyes that still open each morning to the light, like Belvidero's in this Study. God alone knows the number of those who are parricides in thought. Picture to yourself the state of mind of a man who must pay a life annuity to some old woman whom he scarcely knows; both live in the country with a brook between them, both sides are free to hate cordially, without offending against the social conventions that require two brothers to wear a mask if the older will succeed to the entail, and the other to the fortune of a younger son. The whole civilization of Europe turns upon the principle of hereditary succession as upon a pivot; it would be madness to subvert the principle; but could we not, in an age that prides itself upon its mechanical inventions, perfect this essential portion of the social machinery?

If the author has preserved the old-fashioned style of address To the Reader before a work wherein he endeavors to represent all literary forms, it is for the purpose of making a remark that applies to several of the Studies, and very specially to this. Every one of his compositions has been based upon ideas more or less novel, which, as it seemed to him, needed literary expression; he can claim priority for certain forms and for certain ideas which have since passed into the domain of literature, and have there, in some instances, become common property; so that the date of the first publication of each Study cannot be a matter of indifference to those of his readers who would fain do him justice.

Reading brings us unknown friends, and what friend is like a reader? We have friends in our own circle who read nothing of ours. The author hopes to pay his debt, by dedicating this work Diis ignotis.

One winter evening, in a princely palace at Ferrara, Don Juan Belvidero was giving a banquet to a prince of the house of Este. A banquet in those times was a marvelous spectacle which only royal wealth or the power of a mightly lord could furnish forth. Seated about a table lit up with perfumed tapers, seven laughter-loving women were interchanging sweet talk. The white marble of the noble works of art about them stood out against the red stucco walls, and made strong contrasts with the rich Turkey carpets. Clad in satin, glittering with gold, and covered with gems less brilliant than their eyes, each told a tale of energetic passions as diverse as their styles of beauty. They differed neither in their ideas nor in their language; but the expression of their eyes, their glances, occasional gestures, or the tones of their voices supplied a commentary, dissolute, wanton, melancholy, or satirical, to their words.

One seemed to be saying—"The frozen heart of age might kindle at my beauty."

Another—"I love to lounge upon cushions, and think with rapture of my adorers."

A third, a neophyte at these banquets, was inclined to blush. "I feel remorse in the depths of my heart! I am a Catholic, and afraid of hell. But I love you, I love you so that I can sacrifice my hereafter to you."

The fourth drained a cup of Chian wine. "Give me a joyous life!" she cried; "I begin life afresh each day with the dawn. Forgetful of the past, with the intoxication of yesterday's rapture still upon me, I drink deep of life—a whole lifetime of pleasure and of love!"

The woman who sat next to Juan Belvidero looked at him with a feverish glitter in her eyes. She was silent. Then—"I should need no hired bravo to kill my lover if he forsook me!" she cried at last, and laughed, but the marvelously wrought gold comfit box in her fingers was crushed by her convulsive clutch.

"When are you to be Grand Duke?" asked the sixth. There was the frenzy of a Bacchante in her eyes, and her teeth gleamed between the lips parted with a smile of cruel glee.

"Yes, when is that father of yours going to die?" asked the seventh, throwing her bouquet at Don Juan with bewitching playfulness. It was a childish girl who spoke, and the speaker was wont to make sport of sacred things.

"Oh! don't talk about it," cried Don Juan, the young and handsome giver of the banquet. "There is but one eternal father, and, as ill luck will have it, he is mine."

The seven Ferrarese, Don Juan's friends, the Prince himself, gave a cry of horror. Two hundred years later, in the days of Louis XV., people of taste would have laughed at this witticism. Or was it, perhaps, that at the outset of an orgy there is a certain unwonted lucidity of mind? Despite the taper light, the clamor of the senses, the gleam of gold and silver, the fumes of wine, and the exquisite beauty of the women, there may perhaps have been in the depths of the revelers' hearts some struggling glimmer of reverence for things divine and human, until it was drowned in glowing floods of wine! Yet even then the flowers had been crushed, eyes were growing dull, and drunkenness, in Rabelais' phrase, had "taken possession of them down to their sandals."

During that brief pause a door opened; and as once the Divine presence was revealed at Belshazzar's feast, so now it seemed to be manifest in the apparition of an old white-haired servant, who tottered in, and looked sadly from under knitted brows at the revelers. He gave a withering glance at the garlands, the golden cups, the pyramids of fruit, the dazzling lights of the banquet, the flushed scared faces, the hues of the cushions pressed by the white arms of the women.

"My lord, your father is dying!" he said; and at those solemn words, uttered in hollow tones, a veil of crape seemed to be drawn over the wild mirth.

Don Juan rose to his feet with a gesture to his guests that might be rendered by, "Excuse me; this kind of thing does not happen every day."

Does it so seldom happen that a father's death surprises youth in the full-blown splendor of life, in the midst of the mad riot of an orgy? Death is as unexpected in his caprice as a courtesan in her disdain; but death is truer—Death has never forsaken any man.

Don Juan closed the door of the banqueting-hall; and as he went down the long gallery, through the cold and darkness, he strove to assume an expression in keeping with the part he had to play; he had thrown off his mirthful mood, as he had thrown down his table napkin, at the first thought of this rôle. The night was dark. The mute servitor, his guide to the chamber where the dying man lay, lighted the way so dimly that Death, aided by cold, silence, and darkness, and it may be by a reaction of drunkenness, could send some sober thoughts through the spendthrift's soul. He examined his life, and became thoughtful, like a man involved in a lawsuit on his way to the Court.

Bartolommeo Belvidero, Don Juan's father, was an old man of ninety, who had devoted the greatest part of his life to business pursuits. He had acquired vast wealth in many a journey in magical Eastern lands, and knowledge, so it was said, more valuable than the gold and diamonds, which had almost ceased to have any value for him.

"I would give more to have a tooth in my head than for a ruby," he would say at times with a smile. The indulgent father loved to hear Don Juan's story of this and that wild freak of youth. "So long as these follies amuse you, dear boy——" he would say laughingly, as he lavished money on his son. Age never took such pleasure in the sight of youth; the fond father did not remember his own decaying powers while he looked on that brilliant young life.

Bartolommeo Belvidero, at the age of sixty, had fallen in love with an angel of peace and beauty. Don Juan had been the sole fruit of this late and short-lived love. For fifteen years the widower had mourned the loss of his beloved Juana; and to this sorrow of age, his son and his numerous household had attributed the strange habits that he had contracted. He had shut himself up in the least comfortable wing of his palace, and very seldom left his apartments; even Don Juan himself must first ask permission before seeing his father. If this hermit, unbound by vows, came or went in his palace or in the streets of Ferrara, he walked as if he were in a dream, wholly engrossed, like a man at strife with a memory, or a wrestler with some thought.

The young Don Juan might give princely banquets, the palace might echo with clamorous mirth, horses pawed the ground in the courtyards, pages quarreled and flung dice upon the stairs, but Bartolommeo ate his seven ounces of bread daily and drank water. A fowl was occasionally dressed for him, simply that the black poodle, his faithful companion, might have the bones. Bartolommeo never complained of the noise. If huntsmen's horns and baying dogs disturbed his sleep during his illness, he only said, "Ah! Don Juan has come back again." Never on earth has there been a father so little exacting and so indulgent; and, in consequence, young Belvidero, accustomed to treat his father unceremoniously, had all the faults of a spoiled child. He treated old Bartolommeo as a wilful courtesan treats an elderly adorer; buying indemnity for insolence with a smile, selling good-humor, submitting to be loved.

Don Juan, beholding scene after scene of his younger years, saw that it would be a difficult task to find his father's indulgence at fault. Some new-born remorse stirred the depths of his heart; he felt almost ready to forgive this father now about to die for having lived so long. He had an accession of filial piety, like a thief's return in thought to honesty at the prospect of a million adroitly stolen.

Before long Don Juan had crossed the lofty, chilly suite of rooms in which his father lived; the penetrating influences of the damp close air, the mustiness diffused by old tapestries and presses thickly covered with dust had passed into him, and now he stood in the old man's antiquated room, in the repulsive presence of the deathbed, beside a dying fire. A flickering lamp on a Gothic table sent broad uncertain shafts of light, fainter or brighter, across the bed, so that the dying man's face seemed to wear a different look at every moment. The bitter wind whistled through the crannies of the ill-fitting casements; there was a smothered sound of snow lashing the windows. The harsh contrast of these sights and sounds with the scenes which Don Juan had just quitted was so sudden that he could not help shuddering. He turned cold as he came towards the bed; the lamp flared in a sudden vehement gust of wind and lighted up his father's face; the features were wasted and distorted; the skin that cleaved to their bony outlines had taken wan livid hues, all the more ghastly by force of contrast with the white pillows on which he lay. The muscles about the toothless mouth had contracted with pain and drawn apart the lips; the moans that issued between them with appalling energy found an accompaniment in the howling of the storm without.

In spite of every sign of coming dissolution, the most striking thing about the dying face was its incredible power. It was no ordinary spirit that wrestled there with Death. The eyes glared with strange fixity of gaze from the cavernous sockets hollowed by disease. It seemed as if Bartolommeo sought to kill some enemy sitting at the foot of his bed by the intent gaze of dying eyes. That steady remorseless look was the more appalling because the head that lay upon the pillow was passive and motionless as a skull upon a doctor's table. The outlines of the body, revealed by the coverlet, were no less rigid and stiff; he lay there as one dead, save for those eyes. There was something automatic about the moaning sounds that came from the mouth. Don Juan felt something like shame that he must be brought thus to his father's bedside, wearing a courtesan's bouquet, redolent of the fragrance of the banqueting-chamber and the fumes of wine.

"You were enjoying yourself!" the old man cried as he saw his son.

Even as he spoke the pure high notes of a woman's voice, sustained by the sound of the viol on which she accompanied her song, rose above the rattle of the storm against the casements, and floated up to the chamber of death. Don Juan stopped his ears against the barbarous answer to his father's speech.

"I bear you no grudge, my child," Bartolommeo went on.

The words were full of kindness, but they hurt Don Juan; he could not pardon this heart-searching goodness on his father's part.

"What a remorseful memory for me!" he cried, hypocritically.

"Poor Juanino," the dying man went on, in a smothered voice, "I have always been so kind to you, that you could not surely desire my death?"

"Oh, if it were only possible to keep you here by giving up a part of my own life!" cried Don Juan.

("We can always say this sort of thing," the spendthrift thought; "it is as if I laid the whole world at my mistress' feet.")

The thought had scarcely crossed his mind when the old poodle barked. Don Juan shivered; the response was so intelligent that he fancied the dog must have understood him.

"I was sure that I could count upon you, my son!" cried the dying man. "I shall live. So be it; you shall be satisfied. I shall live, but without depriving you of a single day of your life."

"He is raving," thought Don Juan. Aloud he added, "Yes, dearest father, yes; you shall live, of course, as long as I live, for your image will be for ever in my heart."

"It is not that kind of life that I mean," said the old noble, summoning all his strength to sit up in bed; for a thrill of doubt ran through him, one of those suspicions that come into being under a dying man's pillow. "Listen, my son," he went on, in a voice grown weak with that last effort, "I have no more wish to give up life than you to give up wine and mistresses, horses and hounds, and hawks and gold——"

"I can well believe it," thought the son; and he knelt down by the bed and kissed Bartolommeo's cold hands. "But, father, my dear father," he added aloud, "we must submit to the will of God."

"I am God!" muttered the dying man.

"Do not blaspheme!" cried the other, as he saw the menacing expression on his father's face. "Beware what you say; you have received extreme unction, and I should be inconsolable if you were to die before my eyes in mortal sin."

"Will you listen to me?" cried Bartolommeo, and his mouth twitched.

Don Juan held his peace; an ugly silence prevailed. Yet above the muffled sound of the beating of the snow against the windows rose the sounds of the beautiful voice and the viol in unison, far off and faint as the dawn. The dying man smiled.

"Thank you," he said, "for bringing those singing voices and the music, a banquet, young and lovely women with fair faces and dark tresses, all the pleasure of life! Bid them wait for me; for I am about to begin life anew."

"The delirium is at its height," said Don Juan to himself.

"I have found out a way of coming to life again," the speaker went on. "There, just look in that table drawer, press the spring hidden by the griffin, and it will fly open."

"I have found it, father."

"Well, then, now take out a little phial of rock crystal."

"I have it."

"I have spent twenty years in——" but even as he spoke the old man felt how very near the end had come, and summoned all his dying strength to say, "As soon as the breath is out of me, rub me all over with that liquid, and I shall come to life again."

"There is very little of it," his son remarked.

Though Bartolommeo could no longer speak, he could still hear and see. When those words dropped from Don Juan, his head turned with appalling quickness, his neck was twisted like the throat of some marble statue which the sculptor had condemned to remain stretched out for ever, the wide eyes had come to have a ghastly fixity.

He was dead, and in death he lost his last and sole illusion.

He had sought a shelter in his son's heart, and it had proved to be a sepulchre, a pit deeper than men dig for their dead. The hair on his head had risen and stiffened with horror, his agonized glance still spoke. He was a father rising in just anger from his tomb, to demand vengeance at the throne of God.

"There! it is all over with the old man!" cried Don Juan.

He had been so interested in holding the mysterious phial to the lamp, as a drinker holds up the wine-bottle at the end of a meal, that he had not seen his father's eyes fade. The cowering poodle looked from his master to the elixir, just as Don Juan himself glanced again and again from his father to the flask. The lamplight flickered. There was a deep silence; the viol was mute. Juan Belvidero thought that he saw his father stir, and trembled. The changeless gaze of those accusing eyes frightened him; he closed them hastily, as he would have closed a loose shutter swayed by the wind of an autumn night. He stood there motionless, lost in a world of thought.

Suddenly the silence was broken by a shrill sound like the creaking of a rusty spring. It startled Don Juan; he all but dropped the phial. A sweat, colder than the blade of a dagger, issued through every pore. It was only a piece of clockwork, a wooden cock that sprang out and crowed three times, an ingenious contrivance by which the learned of that epoch were wont to be awakened at the appointed hour to begin the labors of the day. Through the windows there came already a flush of dawn. The thing, composed of wood, and cords, and wheels, and pulleys, was more faithful in its service than he in his duty to Bartolommeo—he, a man with that peculiar piece of human mechanism within him that we call a heart.

Don Juan the sceptic shut the flask again in the secret drawer in the Gothic table—he meant to run no more risks of losing the mysterious liquid.

Even at that solemn moment he heard the murmur of a crowd in the gallery, a confused sound of voices, of stifled laughter and light footfalls, and the rustling of silks—the sounds of a band of revelers struggling for gravity. The door opened, and in came the Prince and Don Juan's friends, the seven courtesans, and the singers, disheveled and wild like dancers surprised by the dawn, when the tapers that have burned through the night struggle with the sunlight.

They had come to offer the customary condolence to the young heir.

"Oho! is poor Don Juan really taking this seriously?" said the Prince in Brambilla's ear.

"Well, his father was very good," she returned.

But Don Juan's night-thoughts had left such unmistakable traces on his features, that the crew was awed into silence. The men stood motionless. The women, with wine-parched lips and cheeks marbled with kisses, knelt down and began a prayer. Don Juan could scarce help trembling when he saw splendor and mirth and laughter and song and youth and beauty and power bowed in reverence before Death. But in those times, in that adorable Italy of the sixteenth century, religion and revelry went hand in hand; and religious excess became a sort of debauch, and a debauch a religious rite!

The Prince grasped Don Juan's hand affectionately, then when all faces had simultaneously put on the same grimace—half-gloomy, half-indifferent—the whole masque disappeared, and left the chamber of death empty. It was like an allegory of life.

As they went down the staircase, the Prince spoke to Rivabarella: "Now, who would have taken Don Juan's impiety for a boast? He loves his father."

"Did you see that black dog?" asked La Brambilla.

"He is enormously rich now," sighed Bianca Cavatolino.

"What is that to me?" cried the proud Veronese (she who had crushed the comfit-box).

"What does it matter to you, forsooth?" cried the Duke. "With his money he is as much a prince as I am."

At first Don Juan was swayed hither and thither by countless thoughts, and wavered between two decisions. He took counsel with the gold heaped up by his father, and returned in the evening to the chamber of death, his whole soul brimming over with hideous selfishness. He found all his household busy there. "His lordship" was to lie in state to-morrow; all Ferrara would flock to behold the wonderful spectacle; and the servants were busy decking the room and the couch on which the dead man lay. At a sign from Don Juan all his people stopped, dumfounded and trembling.

"Leave me alone here," he said, and his voice was changed, "and do not return until I leave the room."

When the footsteps of the old servitor, who was the last to go, echoed but faintly along the paved gallery, Don Juan hastily locked the door, and, sure that he was quite alone, "Let us try," he said to himself.

Bartolommeo's body was stretched on a long table. The embalmers had laid a sheet over it, to hide from all eyes the dreadful spectacle of a corpse so wasted and shrunken that it seemed like a skeleton, and only the face was uncovered. This mummy-like figure lay in the middle of the room. The limp clinging linen lent itself to the outlines it shrouded—so sharp, bony, and thin. Large violet patches had already begun to spread over the face; the embalmers' work had not been finished too soon.

Don Juan, strong as he was in his scepticism, felt a tremor as he opened the magic crystal flask. When he stood over that face, he was trembling so violently, that he was actually obliged to wait for a moment. But Don Juan had acquired an early familiarity with evil; his morals had been corrupted by a licentious court, a reflection worthy of the Duke of Urbino crossed his mind, and it was a keen sense of curiosity that goaded him into boldness. The devil himself might have whispered the words that were echoing through his brain, Moisten one of the eyes with the liquid! He took up a linen cloth, moistened it sparingly with the precious fluid, and passed it lightly over the right eyelid of the corpse. The eye unclosed....

"Aha!" said Don Juan. He gripped the flask tightly, as we clutch in dreams the branch from which we hang suspended over a precipice.

For the eye was full of life. It was a young child's eye set in a death's head; the light quivered in the depths of its youthful liquid brightness. Shaded by the long dark lashes, it sparkled like the strange lights that travelers see in lonely places in winter nights. The eye seemed as if it would fain dart fire at Don Juan; he saw it thinking, upbraiding, condemning, uttering accusations, threatening doom; it cried aloud, and gnashed upon him. All anguish that shakes human souls was gathered there; supplications the most tender, the wrath of kings, the love in a girl's heart pleading with the headsman; then, and after all these, the deeply searching glance a man turns on his fellows as he mounts the last step of the scaffold. Life so dilated in this fragment of life that Don Juan shrank back; he walked up and down the room, he dared not meet that gaze, but he saw nothing else. The ceiling and the hangings, the whole room was sown with living points of fire and intelligence. Everywhere those gleaming eyes haunted him.

"He might very likely have lived another hundred years!" he cried involuntarily. Some diabolical influence had drawn him to his father, and again he gazed at that luminous spark. The eyelid closed and opened again abruptly; it was like a woman's sign of assent. It was an intelligent movement. If a voice had cried "Yes!" Don Juan could not have been more startled.

"What is to be done?" he thought.

He nerved himself to try to close the white eyelid. In vain.

"Kill it? That would perhaps be parricide," he debated with himself.

"Yes," the eye said, with a strange sardonic quiver of the lid.

"Aha!" said Don Juan to himself, "here is witchcraft at work!" And he went closer to crush the thing. A great tear trickled over the hollow cheeks, and fell on Don Juan's hand.

"It is scalding!" he cried. He sat down. The struggle exhausted him; it was as if, like Jacob of old, he was wrestling with an angel.

At last he rose. "So long as there is no blood——" he muttered.

Then, summoning all the courage needed for a coward's crime, he extinguished the eye, pressing it with the linen cloth, turning his head away. A terrible groan startled him. It was the poor poodle, who died with a long-drawn howl.

"Could the brute have been in the secret?" thought Don Juan, looking down at the faithful creature.

Don Juan Belvidero was looked upon as a dutiful son. He reared a white marble monument on his father's tomb, and employed the greatest sculptors of the time upon it. He did not recover perfect ease of mind till the day when his father knelt in marble before Religion, and the heavy weight of the stone had sealed the mouth of the grave in which he had laid the one feeling of remorse that sometimes flitted through his soul in moments of physical weariness.

He had drawn up a list of the wealth heaped up by the old merchant in the East, and he became a miser: had he not to provide for a second lifetime? His views of life were the more profound and penetrating; he grasped its significance, as a whole, the better, because he saw it across a grave. All men, all things, he analyzed once and for all; he summed up the Past, represented by its records; the Present in the law, its crystallized form; the Future, revealed by religion. He took spirit and matter, and flung them into his crucible, and found—Nothing. Thenceforward he became Don Juan.

At the outset of his life, in the prime of youth and the beauty of youth, he knew the illusions of life for what they were; he despised the world, and made the utmost of the world. His felicity could not have been of the bourgeois kind, rejoicing in periodically recurrent bouilli, in the comforts of a warming-pan, a lamp of a night, and a new pair of slippers once a quarter. Nay, rather he seized upon existence as a monkey snatches a nut, and after no long toying with it, proceeds deftly to strip off the mere husks to reach the savory kernel within.

Poetry and the sublime transports of passion scarcely reached ankle-depth with him now. He in nowise fell into the error of strong natures who flatter themselves now and again that little souls will believe in a great soul, and are willing to barter their own lofty thoughts of the future for the small change of our life-annuity ideas. He, even as they, had he chosen, might well have walked with his feet on the earth and his head in the skies; but he liked better to sit on earth, to wither the soft, fresh, fragrant lips of a woman with kisses, for, like Death, he devoured everything without scruple as he passed; he would have full fruition; he was an Oriental lover, seeking prolonged pleasures easily obtained. He sought nothing but a woman in women, and cultivated cynicism, until it became with him a habit of mind. When his mistress, from the couch on which she lay, soared and was lost in regions of ecstatic bliss, Don Juan followed suit, earnest, expansive, serious as any German student. But he said I, while she, in the transports of intoxication, said We. He understood to admiration the art of abandoning himself to the influence of a woman; he was always clever enough to make her believe that he trembled like some boy fresh from college before his first partner at a dance, when he asks her, "Do you like dancing?" But, no less, he could be terrible at need, could unsheathe a formidable sword and make short work of Commandants. Banter lurked beneath his simplicity, mocking laughter behind his tears—for he had tears at need, like any woman nowadays who says to her husband, "Give me a carriage, or I shall go into a consumption."

For the merchant the world is a bale of goods or a mass of circulating bills; for most young men it is a woman, and for a woman here and there it is a man; for a certain order of mind it is a salon, a coterie, a quarter of the town, or some single city; but Don Juan found his world in himself.

This model of grace and dignity, this captivating wit, moored his bark by every shore; but wherever he was led he was never carried away, and was only steered in a course of his own choosing. The more he saw, the more he doubted. He watched men narrowly, and saw how, beneath the surface, courage was often rashness; and prudence, cowardice; generosity, a clever piece of calculation; justice, a wrong; delicacy, pusillanimity; honesty, a modus vivendi; and by some strange dispensation of fate, he must see that those who at heart were really honest, scrupulous, just, generous, prudent, or brave were held cheaply by their fellow-men.

"What a cold-blooded jest!" said he to himself. "It was not devised by a God."

From that time forth he renounced a better world, and never uncovered himself when a Name was pronounced, and for him the carven saints in the churches became works of art. He understood the mechanism of society too well to clash wantonly with its prejudices; for, after all, he was not as powerful as the executioner, but he evaded social laws with the wit and grace so well rendered in the scene with M. Dimanche. He was, in fact, Molière's Don Juan, Goethe's Faust, Byron's Manfred, Mathurin's Melmoth—great allegorical figures drawn by the greatest men of genius in Europe, to which Mozart's harmonies, perhaps, do no more justice that Rossini's lyre. Terrible allegorical figures that shall endure as long as the principle of evil existing in the heart of man shall produce a few copies from century to century. Sometimes the type becomes half-human when incarnate as a Mirabeau, sometimes it is an inarticulate force in a Bonaparte, sometimes it overwhelms the universe with irony as a Rabelais; or, yet again, it appears when a Maréchal de Richelieu elects to laugh at human beings instead of scoffing at things, or when one of the most famous of our ambassadors goes a step further and scoffs at both men and things. But the profound genius of Juan Belvidero anticipated and resumed all these. All things were a jest to him. His was the life of a mocking spirit. All men, all institutions, all realities, all ideas were within its scope. As for eternity, after half an hour of familiar conversation with Pope Julius II. he had said, laughing:

"If it is absolutely necessary to make a choice, I would rather believe in God than in the Devil; power combined with goodness always offers more resources than the spirit of Evil can boast."

"Yes; still God requires repentance in this present world——"

"So you always think of your indulgences," returned Don Juan Belvidero. "Well, well, I have another life in reserve in which to repent of the sins of my previous existence."

"Oh, if you regard old age in that light," cried the Pope, "you are in danger of canonization——"

"After your elevation to the Papacy nothing is incredible." And they went to watch the workmen who were building the huge basilica dedicated to Saint Peter.

"Saint Peter, as the man of genius who laid the foundation of our double power," the Pope said to Don Juan, "deserves this monument. Sometimes, though, at night, I think that a deluge will wipe all this out as with a sponge, and it will be all to begin over again."

Don Juan and the Pope began to laugh; they understood each other. A fool would have gone on the morrow to amuse himself with Julius II. in Raphael's studio or at the delicious Villa Madama; not so Belvidero. He went to see the Pope as pontiff, to be convinced of any doubts that he (Don Juan) entertained. Over his cups the Rovere would have been capable of denying his own infallibility and of commenting on the Apocalypse.

Nevertheless, this legend has not been undertaken to furnish materials for future biographies of Don Juan; it is intended to prove to honest folk that Belvidero did not die in a duel with stone, as some lithographers would have us believe.

When Don Juan Belvidero reached the age of sixty he settled in Spain, and there in his old age he married a young and charming Andalusian wife. But of set purpose he was neither a good husband nor a good father. He had observed that we are never so tenderly loved as by women to whom we scarcely give a thought. Doña Elvira had been devoutly brought up by an old aunt in a castle a few leagues from San Lucar in a remote part of Andalusia. She was a model of devotion and grace. Don Juan foresaw that this would be a woman who would struggle long against a passion before yielding, and therefore hoped to keep her virtuous until his death. It was a jest undertaken in earnest, a game of chess which he meant to reserve till his old age. Don Juan had learned wisdom from the mistakes made by his father Bartolommeo; he determined that the least details of his life in old age should be subordinated to one object—the success of the drama which was to be played out upon his deathbed.

For the same reason the largest part of his wealth was buried in the cellars of his palace at Ferrara, whither he seldom went. As for the rest of his fortune, it was invested in a life annuity, with a view to give his wife and children an interest in keeping him alive; but this Machiavellian piece of foresight was scarcely necessary. His son, young Felipe Belvidero, grew up as a Spaniard as religiously conscientious as his father was irreligious, in virtue, perhaps, of the old rule, "A miser has a spendthrift son." The Abbot of San-Lucar was chosen by Don Juan to be the director of the consciences of the Duchess of Belvidero and her son Felipe. The ecclesiastic was a holy man, well shaped, and admirably well proportioned. He had fine dark eyes, a head like that of Tiberius, worn with fasting, bleached by an ascetic life, and, like all dwellers in the wilderness, was daily tempted. The noble lord had hopes, it may he, of despatching yet another monk before his term of life was out.

But whether because the Abbot was every whit as clever as Don Juan himself, or Doña Elvira possessed more discretion or more virtue than Spanish wives are usually credited with, Don Juan was compelled to spend his declining years beneath his own roof, with no more scandal under it than if he had been an ancient country parson. Occasionally he would take wife and son to task for negligence in the duties of religion, peremptorily insisting that they should carry out to the letter the obligations imposed upon the flock by the Court of Rome. Indeed, he was never so well pleased as when he had set the courtly Abbot discussing some case of conscience with Doña Elvira and Felipe.

At length, however, despite the prodigious care that the great magnifico, Don Juan Belvidero, took of himself, the days of decrepitude came upon him, and with those days the constant importunity of physical feebleness, an importunity all the more distressing by contrast with the wealth of memories of his impetuous youth and the sensual pleasures of middle age. The unbeliever who in the height of his cynical humor had been wont to persuade others to believe in laws and principles at which he scoffed, must repose nightly upon a perhaps. The great Duke, the pattern of good breeding, the champion of many a carouse, the proud ornament of Courts, the man of genius, the graceful winner of hearts that he had wrung as carelessly as a peasant twists an osier withe, was now the victim of a cough, of a ruthless sciatica, of an unmannerly gout. His teeth gradually deserted him, as at the end of an evening the fairest and best-dressed women take their leave one by one till the room is left empty and desolate. The active hands became palsy-stricken, the shapely legs tottered as he walked. At last, one night, a stroke of apoplexy caught him by the throat in its icy clutch. After that fatal day he grew morose and stern.

He would reproach his wife and son with their devotion, casting it in their teeth that the affecting and thoughtful care that they lavished so tenderly upon him was bestowed because they knew that his money was invested in a life annuity. Then Elvira and Felipe would shed bitter tears and redouble their caresses, and the wicked old man's insinuating voice would take an affectionate tone—"Ah, you will forgive me, will you not, dear friends, dear wife? I am rather a nuisance. Alas, Lord in heaven, how canst Thou use me as the instrument by which Thou provest these two angelic creatures? I who should be the joy of their lives am become their scourge...."

In this manner he kept them tethered to his pillow, blotting out the memory of whole months of fretfulness and unkindness in one short hour when he chose to display for them the ever-new treasures of his pinchbeck tenderness and charm of manner—a system of paternity that yielded him an infinitely better return than his own father's indulgence had formerly gained. At length his bodily infirmities reached a point when the task of laying him in bed became as difficult as the navigation of a felucca in the perils of an intricate channel. Then came the day of his death; and this brilliant sceptic, whose mental faculties alone had survived the most dreadful of all destructions, found himself between his two special antipathies—the doctor and the confessor. But he was jovial with them. Did he not see a light gleaming in the future beyond the veil? The pall that is like lead for other men was thin and translucent for him; the light-footed, irresistible delights of youth danced beyond it like shadows.

It was on a beautiful summer evening that Don Juan felt the near approach of death. The sky of Spain was serene and cloudless; the air was full of the scent of orange-blossom; the stars shed clear, pure gleams of light; nature without seemed to give the dying man assurance of resurrection; a dutiful and obedient son sat there watching him with loving and respectful eyes. Towards eleven o'clock he desired to be left alone with this single-hearted being.

"Felipe," said the father, in tones so soft and affectionate that the young man trembled, and tears of gladness came to his eyes; never had that stern father spoken his name in such a tone. "Listen, my son," the dying man went on. "I am a great sinner. All my life long, however, I have thought of my death. I was once the friend of the great Pope Julius II.; and that illustrious Pontiff, fearing lest the excessive excitability of my senses should entangle me in mortal sin between the moment of my death and the time of my anointing with the holy oil, gave me a flask that contains a little of the holy water that once issued from the rock in the wilderness. I have kept the secret of this squandering of a treasure belonging to Holy Church, but I am permitted to reveal the mystery in articulo mortis to my son. You will find the flask in a drawer in that Gothic table that always stands by the head of the bed.... The precious little crystal flask may be of use yet again for you, dearest Felipe. Will you swear to me, by your salvation, to carry out my instructions faithfully?"

Felipe looked at his father, and Don Juan was too deeply learned in the lore of the human countenance not to die in peace with that look as his warrant, as his own father had died in despair at meeting the expression in his son's eyes.

"You deserved to have a better father," Don Juan went on. "I dare to confess, my child, that while the reverend Abbot of San-Lucar was administering the Viaticum I was thinking of the incompatibility of the co-existence of two powers so infinite as God and the Devil——"