About This Book
The volume collects critical essays and commentary on poetic theory and Horatian epistles, arguing that poetry's essential end is pleasure and outlining principles of universal poetry. It examines dramatic genres, comparing tragedy and comedy in plot, unity, character, and the differing roles of probability and invention. It analyzes poetic imitation and its identifiable marks, offers examples from classical models to illustrate technique, and provides line-by-line commentary and notes on Horace's letters to elucidate literary principles. Together the pieces combine theoretical dissertations with practical criticism aimed at defining poetic aims and methods.
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